Tapestries and Textile Art

Intricately woven tapestries illustrating historical and mythological themes, showcasing vibrant colors and fine details.

Pillow cover, Medium: wool Technique: tapestry weave, Square pillow cover with a scene of a castle garden, with a man bathing his feet in a fountain, three ladies washing their hands in another, and a man playing the lyre from an overlooking balcony. With a wide floral border on all four sides., England, 17th century, woven textiles, Pillow cover

The Sacrifice of Isaac probably made between 1561 and 1613 Attributed to the weaving workshop funded by William Sheldon. The Sacrifice of Isaac. Related to a composition by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). British, probably Barcheston or Bordesley. probably made between 1561 and 1613. Silk, wool, silver-thread (27-29 warps per inch, 12 per cm.). Textiles-Tapestries

Pillow cover, Medium: wool Technique: tapestry weave, Square pillow cover with a scene of a castle garden, with a man bathing his feet in a fountain, three ladies washing their hands in another, and a man playing the lyre from an overlooking balcony. With a wide floral border on all four sides., England, 17th century, woven textiles, Pillow cover

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn ca. 1515 Probably after a design by the Workshop of Bernard van Orley Netherlandish This is the third in a set of four tapestries illustrating the life of a man as divided into twelve periods of six years. Bacchus, in the center, stands for the autumn of life; the symbols and occupations of three months, July, August, and September, represent the years from ages 36 to 54. The stories show the centaur Chiron sharing his knowledge by teaching medicine to the young Aesculapius; Joseph directing the gathering of the harvest in anticipation of the lean years to come; and Hercules gathering the golden apples of the Hesperides, the last of his twelve labors.. The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn 227722

Embroidered Picture (England); silk and metallic embroidery on linen canvas; 1951-34-2

Savonnerie Panel: Autumn, c. 1717. Royal Savonnerie Manufactory, Chaillot Workshops (French, est. 1627). Knotted pile, silk and wool; overall: 297.2 x 218.5 cm (117 x 86 in.).

Altar Frontal Depicting Scenes from the Life of Christ. Spain. Date: 1575-1600. Dimensions: 106.7 x 236 cm (42 x 92 7/8 in.). Silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with linen, plain weave, silk and gilt and silvered wire, plain weave with twill interlacing of secondary binding warps and patterning wefts; silk and silvered wire, twill weave; embroidered with silk, gilt- and silvered-metal-strip-wrapped silk and gilt and silvered wire in overcast, satin, padded satin, split, and stem stitches; laid work, couching, and padded couching; semi-precious stones; edged with woven fringes. Origin: Seo de Urgel. Museum: The Chicago Art Institute, Chicago, USA.

Tapestry - Peter and John at the Beautiful Gate, 1600-1650. One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael.

The Diversion of the Euphrates, from The Story of Cyrus Made 1660-1680 Flanders. The Latin inscriptions in the center of the upper border of this and the neighboring tapestry make clear that they illustrate the story of Cyrus the Great, ruler of the Medes and the Persians. Here he oversees the laborious work of diverting the Euphrates River, a tactic that would permit his troops to approach the city of Babylon and conquer it. These tapestries were woven from cartoons that adapted designs by the 16th-century court artist Michiel Coxie. Their rich borders, filled with garlands and putti as well as military trophies, are in a later Baroque style, while the poses of the ruler and his advisors take on a somewhat stereotypical aspect.. Wool and silk, slit and single interlocking tapestry weave . Michiel Coxcie, I

. Tapestry with rider and first name company in a pleasure court, from a series of three tapestries with park faces. Signed French Coppens and the weapon of Delft.

The Garden of False Learning from The Table of Cebes. Culture: French. Designer: Based on a woodcut by David Kandel (German, ca. 1520-ca. 1596). Dimensions: H. 110 1/2 x W. 153 1/8 inches (280.7 x 388.9 cm). Date: 1550-80.This needlepoint hanging depicts a scene from the Tabula Cebetis (The Table of Cebes), a treatise long wrongly believed to have been written by Socrates' disciple Cebes that enjoyed great popularity as a Latin reader in Europe in the sixteenth and seventeenth centuries. The text describes a painting displayed in the Temple of Saturn in Thebes that showed the journey through life and the pathway to true happiness. This hanging depicts the penultimate episode in the journey: the protagonist is beckoned from his path by a woman representing False Learning. Elegant figures in courtly dress are distracted from true wisdom and happiness by dedicating too much energy to the pursuit of knowledge through debate, philosophy, geometry, astrology and alchemy, geography, astronom

. Tapestry of which the performance has not yet been identified. Seen five women's figures on the back in the foreground. In the background a covered fortress wall with tilting, towers and roofs.

Tapiz, Palau de Justícia de Barcelona, siglo XVIII.

Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets between 1662 and 1680 British This embroidered panel and MMA 64.101.1347 were probably the two ends of a decorative table carpet. The practice of covering tables with precious textiles began in Europe in the thirteenth century, when some imported pile carpets from the Middle East were considered too fine to be walked upon.European personifications of the Four Continents were frequently employed to confer honor and authority on a specific ruler. In this instance, the crowned couple representing "Europe" resembles King Charles II of England (r. 1660-85) and his Portuguese wife, Catherine of Braganza (1638-1705), suggesting a prominent position for England in a global context. The motifs of the Seasons and the Planets refer to the passage of time.. Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets. British. between 1662 and 1680. Linen and silk satin, embroidered with si

Tapestry - Paul and Barnabas at Lystra, 1600-1650. One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael.

Eliezer and Rebecca mid-17th century British. Eliezer and Rebecca 229009

TAPIZ - ALEGORIA DE LOS MESES DE ENERO Y FEBRERO - SIGLO XVII. Author: DAVID TENIERS THE YOUNGER. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Amputation of the foot. Reproduction of tapestry.

'A Garden Scene - Petit-Point Picture of the Period of Charles I', early 17th century, (1928). Artist: Unknown.

The Hunters Return to the Castle (from the Unicorn Tapestries) 1495-1505 French (cartoon)/South Netherlandish (woven) Two episodes of the hunt narrative are brought together in this hanging. At left, two hunters drive their lances into the neck and chest of the unicorn, as a third delivers the coup de grce from the back. In some contexts, the unicorn is an allegory for Christ; the large holly tree (often a symbol of Christ's Passion) rising from behind his head may conceivably be linked to this association. In the other episode, at right, a lord and a lady receive the body of the unicorn in front of their castle. They are surrounded by their attendants, with more curious onlookers peering through windows of the turret behind them. The dead animal is slung on the back of a horse, his horn already cut off but still entangled in thorny oak branchesperhaps an allusion to the Crown of Thorns. Listen to experts illuminate this artwork's story Listen Play or pause #68. The Unicorn Is Killed

. Tapestry with an allegorical representation of the four seasons with Janus from a series of ten with the months, seasons and elements, within an architectural frame.

The Camel.

Figural tapiser; 18th century (1701-00-00-1800-00-00);

Weekly Calendar 1822 Joseph Anton Koch Austrian. Weekly Calendar 383926 Artist: Joseph Anton Koch, Austrian, Obergibeln bei Elbigenalp 17681839 Rome, Weekly Calendar, 1822, Pen and blank ink, watercolor, ca. 16 15/16 x 13 3/4 in. (43 x 35 cm). The Metropolitan Museum of Art, New York. Karen B. Cohen Fund, 2008 (2008.474)

18th century Gobelins tapestry based on cartoons designed by Charles Le Brun depicting putti working in a garden.

Tapestry with the dehydration of Elia through the angel (1 kings: 19). At the top right of the city of Leiden, right the monogram W A.

The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob, from The Story of Jacob. After a design by an unidentified Flemish artist, 1555/60; Woven at the workshop of Jan van Tieghem (died 1573 or later); Flanders, Brussels. Date: 1560-1568. Dimensions: 267.65 × 260.35 cm (105 3/8 × 102 1/2 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Brussels. Museum: The Chicago Art Institute, Chicago, USA. Author: Jan van Tiegen.

Seasons and Elements (Fire) (set of four) ca. 1683 Possibly after a design by Charles Le Brun French Representing spring and summer, fire and air, these hangings (MMA 46.43.1-.4) were part of a larger set that must also have included the two missing seasons and elements. This series included portraits of Louis XIV, his mistress Françoise-Athénaïs de Rochechouart, marquise de Montespan (1641 - 1707 ), and six of their children, all shown as deities. The hangings were probably worked at the convent of the Filles de Saint-Joseph in Paris, which was under the patronage of Madame de Montespan, and where she retired in 1691. At this religious community, orphan girls were educated in the art of needlepoint, and a number of royal embroidery projects for use at Versailles were executed there, with the additional assistance of professional embroiderers. The Museums four panels are believed to have been commissioned by Madame de Montespan about the time the king transferred his affections from h

GRABADO-CALENDARIO CON ESCENAS DE CAZA. Location: PRIVATE COLLECTION. France.

Landscapes with animals, by Craftsmanship of Bruxelles, 17th Century, tapestry. Italy: Marche: Pesaro Urbino: Urbino: Galleria Nazionale delle Marche. Detail. Tapestry rug carpet forest fence trees foliage bear deer lion unicorn green yellow ochre

Scenes from the Passion of Christ ca. 1510-30 South Netherlandish. Scenes from the Passion of Christ. South Netherlandish. ca. 1510-30. Wool warp; wool, silk, and metallic wefts. Textiles-Tapestries

Angels Adoring (Fresco, Palazzo, Riccardi, Florence), 1884. Engraver: Edward Kaiser. After Benozzo Gozzoli (1420-1497)

Silk embroidery depicting Jeanne d'Albret, Queen of Navarre, as Venus. France, 17th century.

Children playing among trellises. Giulio Romano (Italian, 1492/99-1546) (designed after) draughtsman Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Galerie Ruf, Rastatt in 1983. Germany, Rastatt, Galerie Ruf. Inscriptions: Weaver mark on right guard, bottom At top, boys picking grapes from trees, dancing & gathering grapes (foreground); landscape with river, bridge & buildings (background) (BRD) grapevines interspersed with masks Related Works: Panels in set: GCPA 0237389-0237413

Embroidered panel for casket, Medium: silk, metal-wrapped silk, and silk-wrapped metal metal embroidery on silk foundation Technique: embroidered in satin, stem, couching, looping, and knot stitches on 7/1 satin foundation, At top, two seated women, one holding a palm, the other a branch of fruit. Frieze at bottom with flowers and a squirrel., England, 17th century, embroidery & stitching, Embroidered panel for casket

Isabella in robonna, frança spiering, C. 1609 - c. 1620 Wall carpet representing the history of Isabella and Rodomonte, from the Orlande Furioso series (L. Aristo, Book 28 and 29) Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet representing the history of Isabella and Rodomonte, from the Orlande Furioso series (L. Aristo, Book 28 and 29) Delft Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Juno (Hera). unknown c. 1675-1725 Tapestry Dimensions: H 10'7" x W 10'4" () Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 10/17/1929. Juno, peacock at her feet, conversing with woman in landscape (BRD) flowers & acanthus leaves; (UPR BRD) central fan-like ornament; (L & R BRD) brackets with tassels supporting 3-footed bowls with lids suspended by chains (absent from cut down version 0188274), bows & arrow quivers; (LWR BRD) parrots, fan-like ornament in center Tapestry as represented in GCPA 0188274 has been cut down at the top of the field & the top of the L & R borders. French & Co. stock sheet in archive, 16664-c Related Works: Panels in set: GCPA 0188274, 0184400, 0184642, 0202544, & 0241919: 0241922; possible companion tapestry in Boston, Museum of Fine Arts, Ref. 1974.587, "Toilet of Venus"/"Female figure in landscape"

'Le Vampire', Medium: cotton Technique: printed on plain weave, Four vignettes with figures in Elizabethan costume. Are scenes from an opera, popular in the 19th century, known as Le Vampire. In one of the vignettes is a tablet with these words imprinted upon it., Nantes, France, ca. 1825, printed, dyed & painted textiles, Textile, Textile

Van Schoor, Lodewijk (n.1666 - D.1726), Abundance. Spelling of the four parts of the world (main title), 1698. Organic, textiles, wool and silk, tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Part of a folding screen covered with polychromed gold leather with flower, fruit and leaf vines and mythological hunting performance, Jacob and Abraham the Crowned Son Hamer, 1630- 1650 Part of a folding screen covered with polychromed gold leather. A mythological hunting presentation is shown against a dark background and within a frame, formed by broad gilded band work and surrounded by flower, fruit and leaf vines: Atalantha and Melager. Gold leather ca. 1640. Note: also compare with BK-NM-12728-A, b. Amsterdam . Part of a folding screen covered with polychromed gold leather. A mythological hunting presentation is shown against a dark background and within a frame, formed by broad gilded band work and surrounded by flower, fruit and leaf vines: Atalantha and Melager. Gold leather ca. 1640. Note: also compare with BK-NM-12728-A, b. Amsterdam .

Embroidered picture, Medium: silk and metal-wrapped silk embroidery on linen foundation Technique: embroidered in tent, satin, and half cross stitches on plain weave foundation, Illustration of the story of Joseph and Potiphar's wife., England, mid-17th century, embroidery & stitching, Embroidered picture

Cyrus Defeats Spargapises, from The Story of Cyrus Made 1660-1680 Flanders. This tapestry is from a late-17th-century series derived from the earlier compositions of the Renaissance painter and designer Michiel Coxie. The Latin inscription in a cartouche in the upper border identified the subject as Cyrus the Great defeating the Scythians. This refers to an episode toward the end of Cyrusís extraordinary career when he attacked the land ruled by Queen Tomyris near the Caspian Sea. As recounted by Greek historians such as Herodotus, the Persian ruler lured the queenís son Spargapises into a trap, defeating him and taking him captive. However, Tomyris was so angered by her sonís humiliation and subsequent suicide that she defeated Cyrus in battle and killed him.. Wool and silk, slit and double interlocking tapestry weave . Michiel Coxcie, I

Sidewall, Block-printed on handmade paper, Arabesque, with, at top center, a faun's head supporting a basin with grasses and a fountain rising from it. From the faun is suspended a net which hangs above a putto with fishing rod. Printed in blues and reds on pale blue ground., France, 1775-85, Wallcoverings, Sidewall

Clodius Disguised as a Woman from The Story of Caesar and Cleopatra Made 1675-1685 Flanders. Wool and silk, slit and double interlocking tapestry weave . Geraert Peemans (Manufacturer)

Apocalypse medieval tapestry, Angers castle, france ANGERS, FRANCE, MARCH 23, 2024 : Apocalypse medieval tapestry, by Jean Bandol and Nicholas Bataille, 14 th century, Angers castle, france Copyright: xZoonar.com/patrickxmichelettix 22206236

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 177v, St. Sebastian, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

The left side of the garden, detail from A garden with Ovid figures, Minerva and the nine Muses, late 16th century, Flemish tapestry from cartoons by Cornelius Mattens, Brussels manufacture. Belgium, 16th century.

Camel Riders, presumably from a Wild Man series. Franco-Flemish. Date: 1475-1510. Dimensions: 343.5 × 248.9 cm (135 1/4 × 98 in.). Wool, slit tapestry weave; two selvages present, top and bottom edges. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Médaillon en émail de la fabrique de Limoges, moitié de l'original. (Signé Jean Courtois.) Cabinet de Mr. Demonville.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Album n � 1. Stained glass project for Chateauneuf: appearance of the Virgin Gsell-Laurent workshop. Album n � 1. Stained glass project for Chateauneuf: appearance of the Virgin. Pencil and watercolor.

Children playing among trellises. Giulio Romano (Italian, 1492/99-1546) (designed after) draughtsman Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Galerie Ruf, Rastatt in 1983. Germany, Rastatt, Galerie Ruf. Inscriptions: Weaver mark on right guard, bottom At top, boys picking grapes from trees; boys wrestling, carrying basket of grapes, knocking down grapes from trees with stick (foreground); cityscape (background) (BRD) grapevines interspersed with masks Related Works: Panels in set: GCPA 0237389-0237413

Picture Depicting Adam and Eve (Needlework) Made 1601-1700 England. Linen, plain weave; embroidered with silk and creped silk yarns, gilt-metal purl and wire, gilt-metal-wire-wrapped silk, and gilt-metal-strip-wrapped silk in buttonhole filling, raised and couched buttonhole, plaited braid, square chain, and tent stitches; knots, knotted pile, and couching; glass beads .

The Elephant from a set of five Grotesques designed ca. 1688, woven ca. 1690-1711 Designed by Jean-Baptiste Monnoyer French Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.

Women by the tomb/ Illumination/ 1430/40

Joan Carles Panyó /Cardboard of Saints Juliana and Semproniana, 1779. Author: JOAN CARLES PANYÓ I FIGARÓ.

Orphrey. Culture: British. Dimensions: 6 7/8 x 40 3/8 in. (17.5 x 102.5 cm). Date: third quarter 14th century. Museum: Metropolitan Museum of Art, New York, USA.

. Tile tile of 9 tiles (3 x 3) with a multicolored biblical representation of the lost son in a medallion decorated with rollerwork. Caryatides, masks and fruits in the corners. The tile tableau has been labeled: HVB and dated: 1606.

September and October (part of a set illustrating the months of the year) second quarter 18th century Follower of Antoine Watteau French One of a set of panels (22.225.1-.6) which probably formed a set of decoration for a room. Each panel represents two months of the year, depicting astrological signs and occupations appropriate to the seasons. September and October are represented by a fruit-picking scene, above, and a peasant with a bottle and wineglass, celebrating the grape harvest, below.. September and October (part of a set illustrating the months of the year) 194950

Italy - Trentino Alto Adige region - Trento. Buonconsiglio castle, Eagle Tower. 15th century. The Cycle of the Months, September. Fresco

The Lost Son as Zwijnenhoeder, Giovanni Volpato (Possible), 1700 - 1799 print The lost son in frayed items of clothing, with shepherd's staff in hand, sitting among the pigs. Title under the show. The scene is caught in an ornament edge. paper engraving / etching the prodigal son tends the swine and eats from their trough. ornaments ~ art

The Dance and The Departure Illustrations from The Deserted Village Made 1790-1800 England. Cotton, plain weave; copperplate printed . John Keyse Sherwin (Engraver)

Historiated Initial. Francesco di Antonio del Chierico (Italian, 1433 - 1484)

Embroidered picture. Culture: Flemish. Dimensions: H. 13 1/4 x W. 10 1/4 inches (33.7 x 26 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Galcerán de Pinós Preventing the Shipment of the Ransom late 16th or early 17th century Spanish, Catalonia. Galcerán de Pinós Preventing the Shipment of the Ransom 210826

Mesa con guadamecí. Siglo XVII, museo de artes decorativas, Barcelona.

Boreas and Orithyia from a set of scenes from Ovid's Metamorphoses designed ca. 1690, woven before 1730 René Antoine Houasse French Maidens gathering flowers are plunged into disarray as, drapery billowing, winged Boreas, god of the North Wind, wraps Orithyia, a mortal princess of Athens, in his burly arms. Frustrated by her fathers refusal to approve his marriage request, Boreas carries her off regardless, in a sharp diagonal thrust out of the picture plane, towards his home in Thrace. This tapestry was made as part of a popular series, eventually numbering eight or nine episodes, illustrating scenes from the Roman poet Ovids Metamorphoses, a lengthy, magical poem loosely narrating a Classical history of the world.. Boreas and Orithyia from a set of scenes from Ovid's Metamorphoses 229567

Cushion Cover (Germany); wool, silk

Prudence, 16th century tapestry based on a cartoon by Bernaert van Orley, manufacture of Brussels, from the series Honors.

Panel mid-16th century Flemish. Panel 221433

. Fragment of a tapestry with Hercules: the snake surgery. In a landscape, with high flowering plants on the green fond is a glimpse into a blue room, where there is a slide bed on the tiled floor with child, according to the inscription, Hercules. Above Hercules A snake in the form of a blue-green dragon, on the floor next to the bed the second ditto, both of the curling power of the hands of Hercules. Above a grid yokster a gear set, a tonde for half visible at the rear wall. The roof has a roof window. On the right and larger displayed than the house, a woman in suspended tabbed of red velvet stands, with a red brother's preferences, in which woven Alcmnena. She is wearing a child on the arm, perhaps the earthly twin brotheriphicles. On the second plan behind the house, and only for the upper part visible, a boy with inscription Hercules; Behind them two men with a woman in their midst, who joins the hands. In the background green meadow with sheep, hills with trees and a number of

The Crossing of the Granicus, from The Story of Alexander the Great. After a design by, and woven at the workshop of, Karel van Mander the Younger (1579-1623); Holland, Delft. Date: 1619. Dimensions: 408 x 419.9 cm (160 5/8 x 165 1/2 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Karel van Mander, II.

Van Schoor, Lodewijk (n.1666 - D.1726), Europe. Spelling of the four parts of the world (main title), 1698. Textile. Wool and silk (). Tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Archery from Amusements Champêtres (Country Sports) Made 1760-1800 Aubusson. Wool and silk, slit and double interlocking tapestry weave . Manufacture Royale dAubusson (Manufacturer)

FRANCE, LOIRE REGION, CHENONCEAUX CHATEAUX, CASTLE, BEDROOM OF THE FIVE QUEENS, TAPESTRY

. Rectangular porcelain plaque, painted on the glaze in blue, red, pink, green, yellow, purple, brown, black and gold. The performance shows people at a pavilion in a river landscape with European boats, mountains and pavilions. In the foreground three scholars on a fenced terrace. They look at two dancing ? Chinese ladies in the foreground. Original gold plated list. Porcelain with email colors.

Tiburtine and Delphic sibyls with fountain in enclosure. unknown c. 1510-1520 Tapestry Dimensions: H 10'9" x W 13' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. received from Idalia Whitcomb, 12/18/1948; returned 7/16/1954. Sibyls flank fountain against ground of giant roses with lion, centaur, peacock, monkey & other animals (BRD) floral garland French & Co. stock sheet in archive, 80320 also lists: 18925 French & Co. stock sheet missing from archive, F-324

The Defeat of Marsin, August 31, 1667, 17th century French tapestry woven by Jean-Baptiste Mozin, based on a cartoon by Ballin, from the series Story of the King.

Hermitage Museum. The Loggia Of Raphael. Saint Petersburg. Russia.

Aeneas says Farewell to Dido, 1679. Giovanni Francesco Romanelli (Italian, 1610-1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 403 x 394 cm (158 11/16 x 155 1/8 in.).

LA PRIMERA SALIDA DE DON QUIJOTE - TAPIZ DEL SIGLO XVIII. Author: LIVINIO STUYCK VANDERGOTEN. Location: PALACIO REAL-TEJIDOS. MADRID. SPAIN.

TAPIZ SERIE ESFERAS CELESTES - LA TIERRA AMPARADA DE JUPITER Y JUNO - 1520. Author: GEORG WEZELER (SIGLO XVI) ATRIBUIDO. Location: PALACIO REAL-TEJIDOS. MADRID. SPAIN.

Anonymous, inside furniture decorated with painted scenes (dummy title). Drink. House of Victor Hugo - Hauteville House.

Nature Sets Her Hound Youth after the Stag (from The Hunt of the Frail Stag). Culture: South Netherlandish. Dimensions: Overall: 36 3/8 x 35in. (92.4 x 88.9cm)Framed: 39 5/8 x 40 x 2 in. (100.6 x 101.6 x 5.1 cm). Date: ca. 1495-1510. Museum: Metropolitan Museum of Art, New York, USA.

The baroness Hélène d'Oettingen, Survage, Léopold (1879-1968)

Wall extension of coarse jute with presentation of figures in garden with pond., Anonymous, 1785 - 1800 A piece on coarse jute painted wall fence, with a representation of figures in a garden with a pond, in which swans. See also: BK-NM-10937-B. Northern NetherlandsNetherlands . A piece on coarse jute painted wall fence, with a representation of figures in a garden with a pond, in which swans. See also: BK-NM-10937-B. Northern NetherlandsNetherlands .

Needlework Panel. Portugal or England. Date: 1680-1700. Dimensions: 152.4 × 182.9 cm (60 × 72 in.). Linen ground embroidered with silk and metal threads; attached pearls and mirrors. Origin: Portugal. Museum: The Chicago Art Institute, Chicago, USA.

Print, The Kiss Returned; France; brush and watercolor on paper; 58.5 × 82.7 cm (23 1/16 × 32 9/16 in.)

Anonymous decorative template for the Grande Galerie in the Louvre, showing an aedicula design, executed with lead stylus, brush, ink wash, and colors on parchment.

Valance Made 1701-1800 China. Silk, figured weave; painted .

Lady and the Unicorn tapestry. 15th cent. FRANCE.

Tapestry - Annanias and Sapphira or Death of Annanias, 1600-1650. One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael.

Chittra Shala courtyard with virtuoso fine paintings, Taragarh Fort, Bundi, Bundi, Rajasthan, India, Asia

Three Young Princesses or Forest of Love Ensemble (Landscape of Perros-Guirec's Road) ca. 1898 Maurice Denis (1870-1943 French) Private Collection

Falconer with Two Ladies, a Page, and a Foot Soldier ca. 1500-1530 South Netherlandish. Falconer with Two Ladies, a Page, and a Foot Soldier 465978

Saint Mary Song # 191. The Wife of the mayor of Rodenas is unhurt in her fall from the crag. Alcaldesa de Rodenas cae por la peña y se salva. 13th century. Madrid, Library of the Monastery of El Escorial. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

A Russian 'Palekh' lacquered Tray circa 1970. depicting a scene from medieval Russian history. Russian lacquer art developed from the art of icon painting which came to an end with the collapse of Imperial Russia. the craft of making papier-mache decorative boxes and panels developed

Portrait of William and Mary. Culture: British. Dimensions: H. 15 3/4 x W. 19 1/4 inches (40 x 48.9 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Story of Vengeance of Our Lord. Grenier, Pasquier (Netherlandish (before 1600) - Flanders, act.1459-d.1493) (workshop, attr.) weaver c. 1460-1470 Tapestry Dimensions: H 12' x W 17'6" Tapestry Materials/Techniques: wool (warp: 11/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. purchased from Raoul Heilbronner, invoiced 7/11/1927; sold to Musée d'Histoire et d'Archéologie, Tournai 1/3/1964. Belgium, Hainaut, Tournai, Musée d'histoire et d'archéologie. Roman soldiers on foot forcing gate, army composed of lancers, arbalesters, soldier entering house (center, middle ground) & discovering seated woman eating by fireplace (L of center), cityscape (background), scene flanked by 2 towers (L & R foreground) Possibly woven in Tournai. GCPA 0182022 shows the full tapestry; the other photographs are details. French & Co. stock sheet in archive, 14753 also lists: 30608 Brussels, S.O.S. wandtapijten (1994), 39,40 no.1 Cavallo, Medieval Tapestries (1993), 198-209, no. 1

Christ Appearing to Mary Magdalene (Noli Me Tangere). Design attributed to Michiel Coxcie (1499-1592) or Giovanni Battista Lodi da Cremona; Woven in the workshop of Willem de Pannemaker (active 1515-c. 1581); Flanders, Brussels. Date: 1540-1545. Dimensions: 268 × 210.3 cm (105 1/2 × 82 3/4 in.). Wool and silk, silt, single and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

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