Textile and Architectural Designs

Traditional Japanese patterns alongside ancient Greek pottery fragments and architectural drawings, showcasing historical textile art and design techniques.

Abstract blossoms and kanoko pattern, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Thread suspension (itokake), also known as thread links (kanoko) patterns involves sewing thread directly through the paper to hold a dot in the center of the motif. The dot is held in place with four threads. This technique was popular during the Edo period and died out around the mid-twentieth century. The abstract blossoms resemble family crests in the form of a maple leaf. Silk threads have been added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Abstract blossoms and kanoko pattern, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Thread suspension (itokake), also known as thread links (kanoko) patterns involves sewing thread directly through the paper to hold a dot in the center of the motif. The dot is held in place with four threads. This technique was popular during the Edo period and died out around the mid-twentieth century. The abstract blossoms resemble family crests in the form of a maple leaf. Silk threads have been added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Terracotta fragments of a neck-amphora (jar) Greek, Attic second quarter of the 5th century BCE On the larger fragment, lower part of a draped figure to right; in the center, buttocks and legs of a draped male to right, wearing a himation; part of the lower torso and thighs (with the right thigh and knee, seen from the front) of a draped male wearing a chitoniskos and himation, with his right hand on his hip; the smaller fragment has part of the drapery and arm of a male holding a pair of spears, and part of a draped male to right with a striped sceptre View more. Terracotta fragments of a neck-amphora (jar). Greek, Attic. second quarter of the 5th century BCE. Terracotta; red-figure. Classical. Vases

A feather and ink drawing by Carl von Hasenauer showing Hermesvilla in Vienna XIII with architectural elements on paper.

The Hundred Birds. Artist: Unidentified Artist. Culture: China. Dimensions: 19 1/2 x 263 in. (49.5 x 668.0 cm). Museum: Metropolitan Museum of Art, New York, USA.

RECIPIENTE II - TECNICA MIXTA SOBRE PAPEL - 1992 -105x210. Author: MIGUEL PLANAS. Location: PRIVATE COLLECTION. Coruña. SPAIN.

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Achrome. Piero Manzoni (1933-1963). Kaolin on canvas. Executed in 1959. 100 x 75cm.

Fresco Fragment. Unknown

Terracotta fragment of a kylix (drinking cup) 520-510 B.C. Greek, Attic Interior, torso, genitals, and legs of male holding a knobby stick and branches in his left hand, with fillet wrapped around his right wrist; on the bottom right, drapery or column. Terracotta fragment of a kylix (drinking cup) 703336

Face at the Colosseum in Rome, draughtsman: Bartholomeus Breenbergh, 1627, paper, pen, brush, h 236 mm × w 175 mm

Katagami stencil; tiny and irregularly spaced leafed twigs and flowers. unknown, author

Piece Japan. Piece 70745

Four pieces of German side from around 1770, from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype lace Artificial museum

Napkin on the relief of Grave by Stadholder Willem III, Anonymous, 1674 Linnamast napkin on the relief of Grave by Stadholder Willem III. Midfield: The symmetrical pattern shows the following scenes from bottom to top: 1 the fortress Grave on a river. Inscriptions: De Maes, D'graef and the Borghers of Graef Dancken Syn Hoogheyt of their redemptions. 2 three burgers with the hat in hand and two kneeling, dressed in Justaucorps, Kneebroek, Cape and flat wigs. 3 Castle, with a prancing dull horse on both sides, on which Ruiter, dressed in Justaucorps with wide cuffs, sash, long wig, feathered wide -brushed hat and load -bearing a marshal staff. Above his head an angel with laurel wreath and trumpet. 4 Crowned coat of arms of Willem III, surrounded by the slogan of the order of the garter Honi soit qui mal i Pence. In the midst of the year 1674 and Lange lives onsen VictoriUsen Prince of Orange. Standing edges: Single running slender with carnation, acorn, tulip, violet, cherry, pomegranat

Image above the ground. Illustration from: J. Baka, Comments of the inevitable measure, all common, poem expressed, Warsaw 1828; 1828 (1828-00-00-1828-00-00);

Fragment of a sketch sheet with designs of interiors and architecture study ..

Kesa. Japan. Date: 1801-1840. Dimensions: 110.3 x 197.3 cm (43 3/8 x 77 5/8 in.). Silk, warp-float faced 4:1 'Z'; twill weave with supplementary patterning wefts; embroidered with silk in satin stitches; laidwork and couching; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Sketch of Foliate Decoration 1805-40 William Pitts British. Sketch of Foliate Decoration 367482

Hand Clutching an Olive Branch ca. 1353-1323 B.C. New Kingdom, Amarna Period In this fragment only the beautifully carved left hand of Akhenaten remains, holding a heavily laden branch of olives that appears to be caressed by the hands of the sun's rays. The entire scene would have shown the king standing directly beneath the sun disk, facing what appears to be the olive tree from which he may have cut the branch. The upper boughs of the tree are to the right along the lower edge of the block. The text in the upper right has been intentionally destroyed, leaving only a few traces of the hieroglyphs.This relief is currently on long-term loan to the Ägyptisches Museum und Papyrussammlung in Berlin in exchange for two heads in plaster that were excavated at Amarna. These heads are on display in the Museum's Amarna gallery (gallery 17, Egyptian art).. Hand Clutching an Olive Branch. ca. 1353-1323 B.C.. Limestone, paint. New Kingdom, Amarna Period. From Egypt; Probably originally from Amarn

Picked roosters, 1888 copper (metal) etching

Terracotta fragment of a neck-amphora (jar) 570-560 B.C. Greek, Attic At the juncture of the neck and shoulder, a band of tongues, alternating with red and black; below, part of the torso and the bent arm of a helmeted warrior to left wearing a chiton; the tip of the red crest is visible above the shoulder; Herakles to right, wearing his lion skin over a chitoniskos, holding a large sword in his right hand, attacking the helmeted warrior to right (Amazon) who is wearing a chitoniskos, and holds a sword in both hands; greaved leg of a warrior to right. Terracotta fragment of a neck-amphora (jar). Greek, Attic. 570-560 B.C.. Terracotta; black-figure. Archaic. Vases

Nº 723 Al.dos Offrande Soli. 1860 - 1869. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Bas-reliefs , Egypt , Abydos (Extinct city), Doors & doorways , Egypt , Abydos (Extinct city), Temple of Seti I (Abydos, Egypt), Goddesses , Egyptian, Gods , Egyptian

Flowers (pink and white) and Leaves, Clappers. Artist: Shibata Zeshin (Japanese, 1807-1891). Culture: Japan. Dimensions: Overall: 13 x 23 5/8 in. (33 x 60 cm)Image: 7 9/16 x 20 3/4 in. (19.2 x 52.7 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Sketch of the lower half of the sculpture Samson and the Philistines, 1660 - 1669 drawing Zwolle paper. chalk

Lazio Frosinone Casamari Museo Archeologico0. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Frame 1899-1908 England. This particularly bold design for a wide frame molding was conceived, drawn, and even initialed by the artist, but never produced. Roussel also created two variant emblems for the blank cartouche at top centeróa cluster of silhouetted flowers resembling anemones, in black, and a salamander before a rising sun, rendered in colors that include metallic pigment.. Pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper . Theodore Roussel

Francisco Bayeu / 'Female Figure'. XVIII century. White chalk, Black chalk on blue paper. Museum: Museo del Prado, Madrid, España.

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387318

Ostracon Depicting a King's Head. Dimensions: L. 22 cm (8 11/16 in), w. 14 cm (5 1/2 in). Dynasty: Dynasty 19-20. Date: ca. 1295-1070 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Panel. Morocco, late 14th-15th century. Wood. Wood, carved and painted

Woodblock for an Illustration by Nishikawa Sukenobu 18th century Original illustration designed by Nishikawa Sukenobu Japanese. Woodblock for an Illustration by Nishikawa Sukenobu 57108

Beaujon Hospital: Ground floor map Charles Rohault de Fleury (1801-1875). Hospital Beaujon (Clichy): Map on the ground floor. Drawing from a connected album, made up of drawings mounted, and unmounted. Pencil, feather and black ink, black, green, gray and pink lavis on layer paper.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357978

Homespun Bedspread. Dated: c. 1938. Dimensions: overall: 56.2 x 40.2 cm (22 1/8 x 15 13/16 in.) Original IAD Object: 83" wide; 84 1/2" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gene Luedke.

Franz Xaver Adler's circa 1845 salt paper negative depicts a male portrait, possibly Anton Schrötter, mounted in a box format.

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Terracotta rim fragment of a kylix (drinking cup) 510-490 B.C. Greek, Attic Exterior, top of thrysos and extended left arm with snake, of maenad; wreathed satyr bending to left with right hand on hip and left hand holding wineskin. Terracotta rim fragment of a kylix (drinking cup) 699216

Lazio Viterbo Viterbo Museo Civico01. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Hand drawings by Gio. Paolo Dotti ..., book cover

The Aberdeen Stone. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 1,023 x 703 mm. Color lithograph on light gray wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

'Unknown Saint'. Russia, Pskov, Late 14th century. Dimensions: 192,0x117,0 cm. Museum: State Hermitage, St. Petersburg.

PINTURA ABSTRACTA. Author: SANTIAGO SERRANO (1942-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Relief fragment from the tomb of Meketre. Dimensions: H. 3.9 cm (1 9/16 in.); W. 8.2 cm (3 1/4 in.); D. 3.1 cm (1 1/4 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), button (main title), 1900. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387342

Great Palace Mosaic Museum. Mosaics of pavement of a peristyle court (Great Palace of Constantinople). 4th-6th centuries. Byzantine period. Wolf attacking a flock of a sheep. South-western hall. Istanbul. Turkey.

Title Unknown (Sketches) by Reginald Marsh, (1898-1954)

Fluting Iron. Dated: c. 1938. Dimensions: overall: 26.8 x 36.4 cm (10 9/16 x 14 5/16 in.). Medium: watercolor, gouache, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Regina Henderer.

Terracotta fragment of a kylix (drinking cup) 500-480 B.C. Attributed to Onesimos Interior, head, part of upper torso, extended right arm, and bent leg of youth with a himation; part of an inscription, PANAITIOS; Exterior, filleted wreathed youth with billowing himation draped around back and extended left arm, holding a trefoil oinochoe in his right hand; part of an inscription, KALOS HO. Terracotta fragment of a kylix (drinking cup) 710028

Materia ocre sobre tierra verde, 1969, 196x171. Author: ANTONI TAPIES.

Terracotta fragments of a column-krater (deep bowl) 500-480 B.C. Etruscan The largest fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; the neck is black glazed; on the shoulder, a band of tongues, below, in the panel on the obverse, at the left, part of the head of a satyr to right; head and neck of a draped woman to left; part of the head and arm of a second woman to left (maenads); the panel border is comprised of ivy; a second fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; on the outer edge of the rim, ivy; the neck is black glazed; below, part of the left panel border, from the reverse, which is comprised of ivy; a third fragment is also from the reverse, with part of the neck and shoulder of the krater; on the shoulder, a band of tongues; below a bit of the hair of a woman to left; part of the head of a second woman to left; four fragments from the rim, with pendant lotus

Katwijk, 1888 zinc etching

Calico. Dated: c. 1936. Dimensions: overall: 27.9 x 22.5 cm (11 x 8 7/8 in.). Medium: gouache and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Grace Halpin.

LECHO - 1976 - TECNICA MIXTA/PAPEL - 50X64 CM. Author: ANTONI TAPIES (1923-2012). Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN.

Tinmijn in Soeniliat, Robert Julius Boers, 1900 - 1922 stereograph Face in an open tin mine in which a round structure of bricks, in Soeniliat on Banka. Part of a group of stereo photos of Robert Julius Boers, chief of the state-owned company De Banka-Tinwinning on Banka, from the period ca. 1900-1922. Bangka photographic support. cardboard Bangka. Soengeiliat

Length of Textile, 1700s. Italy, 18th century. Brocade; silk and metal; average: 83.3 x 53.7 cm (32 13/16 x 21 1/8 in.).

Nómada urbano/1979. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: MANUEL PADORNO.

Wall Decoration, on Adobe Ranch House. Dated: c. 1939. Dimensions: overall: 35.6 x 27.8 cm (14 x 10 15/16 in.) Original IAD Object: 12"x12"approx.. Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank C. Barks.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Graphite. Drawings

Black ink drawing by Carl von Hasenauer showing a folk carrier with architectural cuts and detailing elements.

Waffle Iron. Dated: c. 1938. Dimensions: overall: 49.7 x 30.8 cm (19 9/16 x 12 1/8 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Therkel Anderson.

Lazio Roma Albano Laziale S. Pietro8. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, capital. Post-medieval: Architecture, architectural sculpture, (15-16th century); sculpture, painting, wall painting, tapestry, coats-of-arms Antiquities: Sarcophagus Object Notes: Bibliographic information filed with original worksheets German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Terracotta fragment of a column-krater (bowl for mixing wine and water) third quarter of the sixth century B.C. Greek, Attic At the juncture of the neck and shoulder, a band of tongues, alternating with black and red; helmet crest to left, interrupting the band of tongues; at the right, ivy from the panel frame. Terracotta fragment of a column-krater (bowl for mixing wine and water). Greek, Attic. third quarter of the sixth century B.C.. Terracotta; black-figure. Archaic. Vases

Copper cliché with hunters and dogs, cliché printer's equipment copper, engraved Red copper plate with three men in various clothing with rifles between the reeds in the water on the other side three hunting dogs can be seen pressing copper engraving hunt hunting scene

Terracotta fragment of a kylix (drinking cup) 500-480 B.C. Attributed to Makron Interior, genitals, thighs, and left arm of satyr to right with his hand underneath the chiton of a maenad. Terracotta fragment of a kylix (drinking cup). Greek, Attic. 500-480 B.C.. Terracotta; red-figure. Archaic. Vases

Paris (VIIE arr.), France The exhibition of decorative arts, National Manufacture of Sèvres, low relief in white cookie on a blue background, Guillonnet composition, Bracquemont sculpture , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Manufacture Nationale de Sèvres , Bas relief en biscuit blanc sur fond bleu , composition de Guillonnet , sculpture de bracquemont). Swing, child, bas-relief, decorative arts, ceramics, exhibition, exhibition of decorative arts, ephemeral architecture, Human beings, art, housing , architecture, France, Paris, Exhibition of decorative arts, Manufre Natle de Sèvres. Blue background cookie

SIN TITULO - SIGLO XXI. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Study of two flat lying hands, one horizontal and one vertical, Study of two flat lying hands, draughtsman: Anthony van Dyck, (attributed to), 1610 - 1641, paper, h 275 mm × w 434 mm

Terracotta fragments of a kylix (drinking cup) 520-500 B.C. Greek, Attic Interior, Herakles with club, sword, and lion skin; Exterior, greaved warrior with end of helmet crest near right foot; ankle of greaved warrior. Terracotta fragments of a kylix (drinking cup). Greek, Attic. 520-500 B.C.. Terracotta; red-figure. Archaic. Vases

A Scholarly Outing. Korea, Korean, Joseon dynasty ,1392-1910, 18th century. Paintings; screens. Screen panel mounted as a hanging scroll, ink and slight color on silk

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359100

Francisco Bayeu / 'Four Hands / Scroll of a Crosier'. Ca. 1770. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Terracotta fragment of an amphora (jar) 510-500 B.C. Attributed to the Michigan Painter Head, neck, part of the upper torso, and right forearm of a youth to left. Terracotta fragment of an amphora (jar). Greek, Attic. 510-500 B.C.. Terracotta; black-figure. Archaic. Vases

Paintings of a thin: fragment of the character of the Anahhovian High School (Zachariasz or Aaron); VIII-BOC. 9th century (701-00-00-825-00-00);Faras (Sudan), Old Testament high priest (iconogr.), Wall paintings, Polish excavations in Faras (Sudan)

Sample, Medium: cotton Technique: printed, Square sample of heavy cotton printed with a design of a bird and foliage in shades of red, green, blue and gray., USA, 1855-1860, printed, dyed & painted textiles, Sample

Terracotta rim fragment of a kylix (drinking cup) mid-5th century B.C. Greek, Attic Exterior, part of a circumscribed palmette; draped woman wearing a sakkos, with her right hand protruding from her himation; ancient repair visible; below the rim, an egg pattern. Terracotta rim fragment of a kylix (drinking cup). Greek, Attic. mid-5th century B.C.. Terracotta; red-figure. Classical. Vases

Lazio Roma Frascati Villa Borghese6. Hutzel, Max 1960-1990 Exterior views of 17th c. villa, ninfeo and fountain. Interior views of salons, dining room, bedroom, and frescoes, paintings and busts decorating them. Antiquities: Villa houses an Antiquities gallery, which contains sarcophagi, busts, masks, friezes, and a series of statues of Roman kings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment. Nazca-Wari; Peru, Probably south coast. Date: 700 AD-900 AD. Dimensions: 22.9 x 14.0 cm (9 x 5 1/2 in.). Slit tapestry and plain cloth. Applied paint gold colored border. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Roman fresco depicting a baseboard with birds and fruit. First Imperial Age. Herculaneum. National Archaeological Museum. Naples. Italy.

Wall paper

Terracotta fragment of a pelike (jar) 510-490 B.C. Greek, Attic Part of the lower torso, genitals, right buttock, and thighs of a nude youth holding a javelin in his right hand; the panel ornament is comprised of a ribbon in between two lines of reserve. Terracotta fragment of a pelike (jar). Greek, Attic. 510-490 B.C.. Terracotta; red-figure. Archaic. Vases

T INVERTIDA SOBRE NEGRO-1961. Author: ANTONI TAPIES (1923-2012). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Terracotta rim fragment of a kylix (drinking cup) 490-470 B.C. Greek, Attic Exterior, sponge; part of a column and an architrave; head of a filleted youth with a himation draped over his head; wax tablets. Terracotta rim fragment of a kylix (drinking cup). Greek, Attic. 490-470 B.C.. Terracotta; red-figure. Late Archaic/Early Classical. Vases

Seascape at night, 1627 - 1690 drawing See viewing, a building and some boats on the coast at night. Zwolle (Possible) paper. paint (coating). ink brush

(SIN TITULO) - SIGLO XX. Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

Sidewall - Fragment (possibly France); block-printed on handmade paper; 37 x 6.5 cm (14 9/16 x 2 9/16 in.)

Ships. Jabłczyński, Feliks (1865-1928), graphic artist

Terracotta rim fragment of a kylix (drinking cup) 490-470 B.C. Greek, Attic Exterior, head, part of upper torso, and right hip of filleted youth, bending to right, with his right arm extended behind him, and his hand holding drapery; part of a spear; in the field, a scabbard, hanging by the baldric. Terracotta rim fragment of a kylix (drinking cup). Greek, Attic. 490-470 B.C.. Terracotta; red-figure. Late Archaic/Early Classical. Vases

Apulian Red-Figure Krater Fragment. Unknown

Luc-Olivier Merson (1846-1920). Geniuses bearing the attributes of the party, sketch for the town hall of the 4th arrondissement, 1888. Museum of Fine Arts of the City of Paris, Petit Palais. Sketch, 19th XIXth XIX 19th 19th 19th century

Band design for: Louis Couperus, Extaze: a book of happiness, 1894, Richard Nicolaüs Roland Holst, in Or Before 1894 drawing Louis Couperus monogram: a capital L in a capital C decorated with a stylized floral pattern. tracing paper. ink. pencil pen / brush flowers ~ ornament. fancy letters

Tiraz Fragment ca. 1020-35. Tiraz Fragment 451209

Terracotta fragment of a kylix (drinking cup) 520-500 B.C. Greek, Attic Exterior, from left to right, head and upper torso of wreathed youth with left bent arm holding part of a javelin; head and upper torso of youth with right arm extended and left arm bent at elbow, holding a javelin, to the left of his face and below right forearm, part of an inscription, KA[LOS; head, torso, genitals, and upper thighs of youth with arms extended, holding a javelin in his right hand; below right forearm, part of an inscription, KAL[OS; below the lip, part of an inscription [KALOS NAIXI, retr.. Terracotta fragment of a kylix (drinking cup). Greek, Attic. 520-500 B.C.. Terracotta; red-figure. Archaic. Vases

Design for a Fountain. Artist: Anonymous, French, 18th century . Dimensions: 10 3/8 x 12 3/4 in. (26.4 x 32.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing of a stained glass window: Saint Francois Prosper Lafaye (1806-1883). Stained glass drawing: St. Francis Predication to the Sultan (stained glass assembly scheme with color indication), between 1845 and 1875.

READY-MAKER - 1992 - 92x165x165 - EMULSION FOTOGRAFICA SOBRE TELA. Author: JAVIER BALDEON (1960-). Location: III MOSTRA UNION FENOSA (1993). LA CORUNA. A CORUÑA. SPAIN.

Fragment. Italy. Date: 1501-1600. Dimensions: 87.3 x 36.0 cm (34 3/8 x 14 3/16 in.). Silk; cut, uncut voided velvet against plain weave foundation. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

of 2