Textile Designs and Fragments

Decorative textile designs and fragments from different cultures, showcasing intricate patterns and historical weaving techniques.

Sidewall, Block-printed on handmade paper, joined sheets, Vertical rectangle on joined sheets of paper. Diagonally-running lattice design overlaid with alternating square and oblong octagons; the square octagons enclose a chair with vase, or a ewer with mug; the oblong octagons enclose rose sprays. Printed in blue, gray, terra cotta, brown and black on pale blue ground., France, 1795-1800, Wallcoverings, Sidewall

Drawing, Design for a Woven Fabric; France; brush and gouache on oily tracing paper; 8.4 × 5 cm (3 5/16 × 1 15/16 in.)

Fragment Made 501 CE-800 CE Egypt. Linen and wool, slit tapestry weave . Coptic

Kosode (Kimono) Fragment with Ivy Leaves, Curvilinear Tendrils, and Bamboo Shoot. Japan, Edo period (1615-1868), late 17th-early 18th century. Textiles. Silk figured satin (rinzu), tie-resist-dyed (kanoko shibori and nuishime shibori), and gilt paper-wrapped silk embroidery

CDK Wyspiały, Stanis Aw (1869 1907)

Page of Calligraphy 17th century. Page of Calligraphy 453271

Domino paper, Block-printed, stencilled, Vertical rectangle. Lower left corner of a design similar to the type used for decorative leather wallhangings, with acanthus rinceau, portion of a vase, and half of a drapery swag, all in reserve against a black field. At bottom, No. 46. White margin on left side and bottom., France, 1715-25, Wallcoverings, Domino paper

Design for a Woven Fabric, Brush and gouache on oily tracing paper, TWo motifs form a vertical row. Top: a scrollwork escutcheon and a bough with leaves and seeds. Bottom: fantastical plant over a scroll and pending peads., France, 1815-1830, Drawing, Drawing

Back panel for a bed (Lit à la duchesse en impériale). Culture: French, Beauvais. Dimensions: Overall: H. 99 1/2 × W. 72 in. (252.7 × 182.9 cm). Factory: Tapestry made at Beauvais. Date: ca. 1780-90.As its full-size domed canopy is suspended from the ceiling rather than supported on posts, this tester bed, which bears the stamp of the menuisier Georges Jacob, is a type called lit à la duchesse en impériale. Its original but now fragile hangings, woven in 1782-83 at the Beauvais tapestry manufactory after designs by Jean-Baptiste Huet (1745-1811), have been replaced by modern silk damask, except for the lining of the interior dome. French eighteenth-century beds tended to be lofty, as it was customary to pile them with three or more mattresses filled with straw, wool, horsehair, or feathers. Tobias Smollett (1721-1771) noted in 1766, "French beds are so high, that sometimes one is obliged to mount them by the help of steps."1The custom of receiving visitors while reposing in a large

Textile Fragment 6th-8th century Byzantine. Textile Fragment 474214

Sidewall, Block-printed on handmade paper, joined sheets, Vertical rectangle on joined sheets of paper. Diagonally-running lattice design overlaid with alternating square and oblong octagons; the square octagons enclose a chair with vase, or a ewer with mug; the oblong octagons enclose rose sprays. Printed in blue, gray, terra cotta, brown and black on pale blue ground., France, 1795-1800, Wallcoverings, Sidewall

Design for a Woven Fabric, Fragment, Brush and gouache, black paint on oily tracing paper, Top row: A Horizontally drawn bunch of flowers. Bottom left: Spiral of a bough with a palmette flower on top and intertwined with an undulated thread. Bottom right: a flower bough., France, 1815-1840, Drawing, Drawing

Border Fragment; silk, metallic

Sidewall (France); Distributed by Nancy McClelland, Inc.; block-printed paper

Wall fragment with Siren, Sea Monsters and Niche on Black Ground. Unknown

Playing Card, Minchiate (Tarot) Playing Card; stencil-colored woodblock print; 1909-22-3-3

Epigonation, Medium: metallic, silk, linen Technique: embroidery on plain weave, Tilted square depicting 'The Last Supper'; inscription border in Greek lettering and some Greek inscriptions in field. Red, blue, green silk on gold and silver ground., Armenia, 17th-18th century, embroidery & stitching, Epigonation

Ikona: "Nie opłakuj mnie Matko". nieznany warsztat rosyjski (1700-1970), factory

Civil Vitrail Drawing: Chevreuse - Border Prosper Lafaye (1806-1883). Vitrail Drawing: Chevreuse - Border, between 1845 and 1875.

Hans Makart's watercolor and brown pen work depicts a church flag featuring Mary on the moon, coat of arms, and surrounding saints, showing composition, figures, and heraldic details.

Malowidło ścienne: Władca nubijski (eparch) pod opieką Matki Boskiej (). unknown, painter

Deraisme, Pierre -Georges (n.1859 - D.1932), Flower brooch (main title), 1900. Graphite. Ink and gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

A follower of the Doge ofVenice, in red velvet hat, andred cloak with ermine trimmingDate: 9th century

Nine money, in: deck of cards for WIST. National Card Factory J.C. du Porta

The scapular with the image of Our Lady of Czuśców from the collection of the Society for the Care of the Monuments of the past in 1915, in the collections of the National Museum in Warsaw in 1917 - view in a 1: 1 scale; Sztolcman, W Adys Aw Roman (1873-1950); 1915 (not after 4/1916) (1916-00-00-1916-00-00);

Design for a tile tableau with two camels. .

Two Assemblies, from Cave 224. Date: 4th-6th century. stucco with pigment. Museum: Smithsonian American Art Museum.

Calligraphy on taj mahal wall, agra, uttar pradesh, india, asia Copyright: xNitinxKelvalkar/DinodiaxPhotox

Iznik Tile With A Representation Of Mecca 17th Century Artist Unknown (Islamic) Ceramic Musee du Louvre, Paris, France

World Arch with sword in hand, Anonymous, 1600 - 1699 China silk tapestry / kesi China silk tapestry / kesi

Applique Quilt. Dated: c. 1936. Dimensions: overall: 41.1 x 34.5 cm (16 3/16 x 13 9/16 in.) Original IAD Object: 7'10" x 8'4". Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Suzanne Roy.

Genealogy of the family of Cornets-de Groot, united with the family of Gevers, anonymous, 1700 - 1800, draughtsman: anonymous, 1700 - 1800, paper, brush, pen, h 611 mm × w 469 mm

Gismonda

Sketchbook with 19 sheets and 9 loose drawings. Sketchbook with 19 sheets and 9 loose smaller sheets with cityscapes, dune landscapes and figure studies.

Decorated Initial M with Flowers from a Choirbook 1800-1908 Europe. Manuscript cutting in tempera and gold leaf, with red and warm black ink, on vellum .

Fragment, Medium: silk on linen Technique: embroidered, Embroidery fragment with double-headed eagle in green, blue and tan., Spain, 18th-19th century, embroidery & stitching, Fragment

Ornamental design with names of Van Stolk's Commission trade. .

Design for a Two-Handled Platter. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

People in historical clothing by anonymous painter, tempera and ink with gold leaf on paper, 1073, Russia, Moscow, State Armory Chamber in the Kremlin

Souhaits (Aspirations). Dated: 1906. Medium: gypsograph. Museum: National Gallery of Art, Washington DC. Author: Pierre Roche.

Border tile, flower decoration in blue, yellow and green, top and bottom blue and yellow, border tile wall tile tile material ceramics pottery enamel, baked 2x glazed painted Border tiles fragment flower decoration in blue yellow and green top and bottom edge blue and yellow.

Design for Wall Decor Painted with Putti and Dogs before 1889 Attributed to Jules-Edmond-Charles Lachaise French. Design for Wall Decor Painted with Putti and Dogs 343063

Two Burghers in the Attire of the Early 16th Century, Black and red chalk on paper, Conversing, the left figure is shown from the side turned toward the right; the right figure stands behind him, shown from the frontal., Italy, late 16th century, figures, Drawing, Drawing

Faustyn Żyliński in the role of Yang; Herkner, Józef (1802-1864), Bułakowski, Walenty and S-ka (Warsaw; Litographic Plant; 1833-1841), Maleuvre, Louis (1785-18 ..); 1839 (1839-00-00-1839-00-00);China, Faustyn (1796-1867), Gomulicki, Society for the Care of the Monuments of the Past (Warsaw - 1906-, Society for the Care of the Monuments of the Past (Warsaw - 1906-1944), Society for the Care of the Monuments of the past (Warsaw - 1906-1944) - collection, collection Wiktor (1848-1919) - collections, opera (theater), theaters, Żyliński

Bliej Kultury Kogutówna, Zofia, Krakow workshops

A study of the ornament for painting decoration of the Franciscan church in Krakow Wyspiały, Stanis Aw (1869 1907)

Anonymous, Village Broche (main title), 1927. Ink and gouache on Gray Carton A. Petit Palais, Museum of Fine Arts of the City of Paris.

Tablinum in the House of L. Caecilius Jucundus, Pompeii. Third Pompeian Style. Tablinum de la maison de Jucundus. Troisieme style. Region V.1.26. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

Design for the decoration of a gothic niche. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 8 x 3 3/8 in. (20.3 x 8.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a vase. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 277 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Vos in Monnikspij (Reinaert) surrounded by chickens and rooster (Cantecleer), Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Illustration for "La Belle Vassilissa" The Stepmother and Step Sisters. Artist: Boris Zvorykin (Russian, Moscow 1872-1942 Paris). Dimensions: Image: 10 13/16 x 9 5/16 in. (27.5 x 23.7 cm)Sheet: 13 11/16 x 10 5/8 in. (34.7 x 27 cm). Date: ca. 1925. Museum: Metropolitan Museum of Art, New York, USA. Author: Boris Zvorykin.

Fanière brothers, Pampilles brooch (main title). Graphite, gouache, watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Fragment of figural galloon unknown

Decorated Initial "P" with Flowers from a Manuscript. European. Date: 1300-1500. Dimensions: 213 × 182 mm. Manuscript cutting in tempera and colored inks, with Latin inscriptions in brownish black and red inks, ruled in red, on vellum. Origin: Europe. Museum: The Chicago Art Institute, Chicago, USA.

Piece 18th-19th century Japan. Piece 65960

Majnun in the Wilderness last quarter 16th century. Majnun in the Wilderness. last quarter 16th century. Ink, transparent and opaque watercolor on paper. Attributed to Iran. Codices

Textile fragment, embroidery and print of flowers and plants on beige background., anonymous, Japan, 1741 - 1744, Kanpo period, silk, height 19.9 cm × width 28.8 cm

Thousand Fowers with a Unicorn and Weapons, Ateliers de la Marche, .

Calligraphy in rectangular frame. Draughtsman: anonymous. Dating: 1755 - 1765. Place: Murshidabad. Measurements: h 373 mm × w 265 mm; h 187 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

Wall painting on red ground: candelabrum with frieze, from the imperial villa at Boscotrecase last decade of the 1st century B.C. Roman From the villa of Agrippa Postumus at Boscotrecase, the Mythological Room (19)Red panel with candelabrum. Wall painting on red ground: candelabrum with frieze, from the imperial villa at Boscotrecase 250942 Roman, Wall painting on red ground: candelabrum with frieze, from the imperial villa at Boscotrecase, last decade of the 1st century B.C., Fresco, H. 89 in. (226.06 cm.) width 60 in. (152.4 cm.). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.192.13)

Interior with Pink Wallpaper II, plate six from Landscapes and Interiors 1899 France. Color lithograph on grayish-ivory China paper . Édouard Jean Vuillard

Congratulation on the birth of Juliana Bellaar Spruyt. Draughtsman: Leo Gestel. Dating: 13-May-1935. Measurements: h 222 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Nadir Shah. Date: mid-18th century. Origin: India. Period: Mughal dynasty. Ink, opaque watercolor and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

The Archaic Figure. Louise Nevelson; American, born Russia, 1899-1988. Date: 1952-1954. Dimensions: 355 x 200 mm (image); 470 x 310 mm (sheet). Etching on buff laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Atrium tserkvi sv. Marka v Venetsii Saint Mark's, Venice.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

Border tile, flower decoration in blue, yellow and green, upper and lower edge blue and yellow, border tile wall tile tile material ceramics earthenware glaze, baked 2x glazed painted Border tiles fragment flower decoration in blue yellow and green top and bottom edge blue and yellow.

Drawing, Design for Lobby, Possibly the Ante Room to the Music Room; Designed by Frederick Crace (English, 1779-1859); England; brush and watercolor, pen and ink on paper; 15.5 x 13.6 cm (6 1/8 x 5 3/8 in.)

Seven named physicians and botanists of the Classical world. Watercolour painting.

Topographical view of Birmingham.Watercolour.. 14th C Wall Paintings St Martin's Church, Birmingham. By Allen Edward Everitt

Ceiling panel with palm leaf, birds and four-legged animals. Date/Period: Ca. 1300. Painting. Tempera on wood. Height: 270 mm (10.62 in); Width: 825 mm (32.48 in). Author: UNKNOWN.

A deity of bridges; beginning of the 20th century (1901-00-00-1932-00-00);Jabłoński, Witold (1901-1957) - collection, gift (provenance), collection, Chinese art

"Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album. Dimensions: H. 15 3/16 in. (38.6 cm)W. 10 7/16 in. (26.5 cm). Date: recto: ca. 1645; verso: ca. 1630-40.A shamsa (literally, sun) traditionally opened imperial Mughal albums. Worked in bright colors and several tones of gold, the meticulously designed and painted arabesques are enriched by fantastic flowers, birds, and animals. The inscription in the center in the "tughra" (handsign) style reads: "His Majesty Shihabuddin Muhammad Shahjahan, the King, Warrior of the Faith, may God perpetuate his kingdom and sovereignty.". Museum: Metropolitan Museum of Art, New York, USA.

Roundel, Medium: warp; S-spun linen. Wefts; S-spun linen, S-spun wools. Technique: slit tapestry with supplementary weft wrapping., Polychrome vases, plant and flower forms facing in four different directions., Egypt, 4th-5th century, woven textiles, Roundel

The Adoration of the Einsiedeln Madonna 1701-1800 Germany. Sometime after the production of the 1466 Master E. S. engraving (1972.1), representations of the miraculous Einsiedeln Virgin statue became more iconic and increasingly triangular in appearance. This unique eighteenth-century woodcut was exuberantly adorned at a workshop in stenciled cutouts backed with fabric and metallic scraps, effectively dressed as the statue itself would have been on festive occasions. The text below states in German, Italian, and French that worshippers could visit this cult object at Einsiedeln. The seemingly repetitive last line, ìZu finden zu Einsiedeln,î however, is an attempt at merchandising rather than a call to pilgrimage, for it identifies where the print may be purchased. A close variant now at the Victoria and Albert Museum is decked in similar fabrics and foils. This suggests that the workshop used several different woodblocks at once, or that one replaced the other.. Woodcut in black hand c

Badhuis, c. 1827 print Entrance to a bathhouse. In the middle of the blue access curtain it says: Onsen (bathhouse); In the top right corner: spring, year of the pig. Cover of a Koban Egoyomi triptych. paper color woodcut public baths

Wajangpop, Woodbury & Page, 1857 - 1880 Photograph. visit card This photo is part of an album. Java photographic support. cardboard albumen print puppet

Sampler, Medium: wool embroidery on cotton foundation Technique: embroidered in counted cross stitch on spaced, plain weave cotton foundation (Penelope canvas), A church with a steeple, a large figure of a priest, and scattered motifs of a cornucopia, birds, butterfies, and a flowering plant fill the ground. At the top, IHS is encircled by a floral wreath supported by cherubs., Pennsylvania, USA, ca. 1851-1900, embroidery & stitching, Sampler

Bar; Bar (Brockstedt 5). Horst Janssen (1929-1995). Woodcut printed in colours on Japan with wirelines. Signed and dated 1957. 80.4 x 51.4cm.

Eastern part of Pakistan and Afghanistan. Date/Period: Ca. 1574. Oil painting on wood. Height: 115 mm (4.52 in); Width: 34 mm (1.33 in). Author: EGNAZIO DANTI.

Civil Vitrail Drawing: Chevreuse - Border Prosper Lafaye (1806-1883). Vitrail Drawing: Chevreuse - Border, between 1845 and 1875.

Eight of Clubs, Opera Box, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros. 1889 Issued by Kinney Brothers Tobacco Company Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.. Eight of Clubs, Opera Box, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.. 1889. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Orphrey, Medium: silk and gold on linen Technique: embroidered, 'or nue' technique, Strip composed of two portions of orphrey from chasuble. Five rectangles, each containing a figure - three from back of orphrey and two from front. All done in 'or nue' technique., 17th century, embroidery & stitching, Orphrey

King of Diamonds vintage playing card

Design for a calendar for the year 1897, Reinier Willem Petrus de Vries (1874-1953), 1897 drawing Design with a stylized butterfly. paper. ink. pencil brush insects: butterfly

Drawing, Design for the Embroidered of the Left Bottom Corner of a Man's Waistcoat of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and gouache on glazed tracing paper; 24.3 × 35.8 cm (9 9/16 × 14 1/8 in.)

Marcus, Irish Antiquarian Researches, 19th century engraving

Tombeau en bronze doré et émaillé de Jean fils de St. Louis (1247).. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

New arlequin game. Board game with a harlequin in the middle of the playing field that holds a bag in its opened hands with the figure 7. Around him a garland to which medallions hang with the numbers 2 to 12. In the undermaster the game rules in letterpress. Numbered at the top right: No. 21.

Sampler; Made by Mary Wood; wool, silk; 20 X 14.5 in. framed

Fanière brothers, brooch (main title). Graphite, gouache on beige paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Pa. German Dish. Dated: c. 1936. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: William L. Antrim.

The scheme and decoration are variations of 1938-88-1912. Cornucopias crowned by flames crossing behind the escutcheon. The crossing point of the branches is surrounded by a wreath. At left, only partly visible, are fasces and the military flail, at right colors. Dark background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: ca. 1796. Museum: Cooper Hewitt, Smithsonian Design Museum.

ESTAMPA DE CAJA DE CERILLAS. Location: FOSFORERA ESPAÑOLA. MADRID. SPAIN.

Orphrey Band (Depicting the Resurrection) Made 1401-1600 Italy. Silk, warp-float faced 4 1 satin weave with weft-float faced 3 1 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts .

Ex libris van Hanna Ráczné Zerkowitz, Kornél Révész, 1932 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper book. flowers. standing figure - AA - female human figure. church-window, e.g. rose-window

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

'Hans Hilarius Widmer's Stained Glass'. Switzerland, 1603. Dimensions: 41x28 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous master.

Dancing woman figure above a landscape. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 229 mm × w 136 mm. Museum: Rijksmuseum, Amsterdam.

Robert Caney, Stage Set Consisting Of Painted Panels, Fabrics, And Fans, 1870 1890 Stage Set Consisting Of Painted Panels, Fabrics, And Fans

Decorative motif with putti and coat of arms, fresco, entrance hall in Via Mazzini, Milan, Lombardy, Italy.

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