Textile Patterns and Designs

A selection of fabric fragments with intricate patterns and designs, showcasing decorative arts from various cultures, including British and Italian influences.

Textile, Medium: cotton Technique: stenciled resist (katazome) on plain weave, Length of stencil resist (katazome) with ivory pattern on finely dotted blue ground. Two sizes of full-faced flowers with red details., Japan, 19th century, printed, dyed & painted textiles, Textile

Piece. Culture: British. Dimensions: L. 90 x W. 23 1/2 inches (loom width)228.6 x 59.7 cm. Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Fragment. Culture: British. Dimensions: L. 18 x W. 26 inches45.7 x 66.0 cm. Date: ca. 1826-30. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: British. Dimensions: L. 64 1/2 x W. 18 1/4 inches (163.8 x 46.4 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece Japan. Piece 67952

Piece. Culture: Italian. Dimensions: L. 20 x W. 19 3/4 inches (50.8 x 50.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: cotton Technique: stenciled resist (katazome) on plain weave, Length of stencil resist (katazome) with ivory pattern on finely dotted blue ground. Two sizes of full-faced flowers with red details., Japan, 19th century, printed, dyed & painted textiles, Textile

Textile, Medium: linen Technique: block printed using resist medium; vat dyed in indigo; plain weave, Scrolling lace-like ribbon with sprays of flowers, in white on a blue ground., France, 1750-1800, printed, dyed & painted textiles, Textile

Panel 18th century French. Panel 229552

Textile, Medium: cotton Technique: plain weave, indigo dyed, resist applied by stencil (katazome), Stylized over-all repeat of Pawlonia leaf and flowers in continuous scrolls., Japan, late 18th century, printed, dyed & painted textiles, Textile

Piece. Culture: Spanish. Dimensions: L. 29 1/4 x W. 21 inches (74.3 x 53.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Panel late 16th or early 17th century Italian or Spanish. Panel 461244

Piece. Culture: French. Dimensions: L. 38 1/2 x W. 25 inches (97.8 x 63.5 cm). Date: 1600-1650. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: 9 3/4 x 23 inches (24.8 x 58.4 cm). Date: 1730-35. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French or British. Dimensions: Overall: 26 x 20 3/4 in. (66 x 52.7 cm). Date: 1705-15. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: L. 114 x W. 22 inches (loom width) (289.6 x 55.9 cm). Date: 1695-1705. Museum: Metropolitan Museum of Art, New York, USA.

Textile (France); linen warp, cotton weft; Warp x Weft: 162 x 76 cm (5 ft. 3 3/4 in. x 29 15/16 in.); Bequest of Elinor Merrell; 1995-50-222

Dresden, Stengel & Markert, Three strips of 16th century Italian lace and a piece of German lace from around 1660, from the collection of the Kunstgewerbemuseum in Dresden, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 2., height 350 mm, width 248 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Printing Block; walnut wood, brass

Piece. Culture: French. Dimensions: 24 1/2 x 25 inches (62.2 x 63.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Sheet with overall curved vine pattern 19th century Anonymous. Sheet with overall curved vine pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Piece. Culture: French. Dimensions: 19 1/4 x 24 inches (48.9 x 61.0 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: L. 86 x W. 84 inches (218.4 x 213.4 cm). Date: 1700-1710. Museum: Metropolitan Museum of Art, New York, USA.

Panel. Italy. Date: 1575-1600. Dimensions: 52.2 x 55.5 cm (20 1/2 x 21 7/8 in.)Warp repeat: 45.8 cm (18 in.). Silk, satin damask weave with warp-float faced 2:1 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Fragments, Medium: cotton Technique: printed by engraved roller on plain weave, Fragments of valance or bed skirt. Thin woven cotton with repeating floral pattern in blue on yellow. Dominant design feature is a large curled leaf containing cut flowers. Background printed with minute dots giving almost solid effect. Diagonally oriented design., England, USA, mid- 19th century, printed, dyed & painted textiles, Fragments

Corncockle. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, Decorators Ltd., 1905-1925, formerly Morris & Company, 1875-1905; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1917-1925. Dimensions: 80.9 × 101.1 cm (31 7/8 × 39 3/4 in.)Repeat: 58.5 × 44.7 cm (23 × 17 5/8 in.). Cotton, plain weave; block printed. Origin: England. Museum: The Chicago Art Institute, USA.

Palampore late 18th century This type of dyed cloth, known as a palampore (from palangposh, the Hindi term for bedcover), was made in abundance in India for foreign markets in the late seventeenth and eighteenth centuries, and their decoration, often with a central tree laden with fruits and birds, combined patterns from English embroideries, Chinese decorative objects, and Indian textiles. In Europe, they were used as bedcovers and were also hung on the walls of bedrooms. In Southeast Asia, where this piece might have been traded, such textiles were displayed during religious ceremonies.

Panel 18th century French. Panel 228825

Hand drawings by Gio. Paolo dotti ..., book cover, inside with paper with floral pattern

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Coverlet. Culture: British. Dimensions: L. 73 1/4 x W. 64 inches (186.1 x 162.6 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: L. 20 3/4 x W. 19 inches (52.7 x 48.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Sutra Cover with Lotus Scroll China 16th century

Fragment, Medium: cotton Technique: block printed on plain weave, Landscapes in circular medallions framed by large leaves and flowers in a half-drop arrangement. In red and black., Northern France, early 19th century, printed, dyed & painted textiles, Fragment

Hanging 18th century. Hanging. 18th century. Silk on linen. Attributed to present-day Uzbekistan, Bukhara. Textiles-Embroidered

Stencil 19th century Japan. Stencil 69943

Floral print ca. 1788 French, Nantes. Floral print 221869

Reproduction of a Florentine Velvet, ca. 1937. Mariano Fortuny y Madrazo (Spanish, 1871-1949). Cotton, printed; overall: 152.4 x 71.8 cm (60 x 28 1/4 in.).

Panel 18th-19th century China. Panel 70237

Fragment; silk

Piece 1420s Italian, probably Venice. Piece 227204

Cushion Cover. Turkey, Bursa. Date: 1601-1650. Dimensions: 114.8 x 60.8 cm (45 1/4 x 23 7/8 in.). Silk, velvet. Origin: Turkey. Museum: The Chicago Art Institute, Chicago, USA.

Ancient Thai gold leaf painting art

Ivy motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Overlapping ivy creates a web-like structure. Light and dark zones appear to illustrate the motif., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Gold and silver brocade from Isfahan, Iran, early 17th century, (1931). Artist: Unknown

Piece. Culture: French. Dimensions: L. 38 1/2 x W. 21 1/2 inches (97.8 x 54.6 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall Sample; machine-printed on paper; 22.5 x 22.5 cm (8 7/8 x 8 7/8 in.)

Sidewall; machine-printed; 64 x 51 cm (25 3/16 x 20 1/16 in.)

Panel ca. 1780 French. Panel 229559

Piece. Culture: French. Dimensions: L. 24 1/2 x W. 20 1/2 inches (62.2 x 52.1 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Sierpapier, anonymous, c. 1790 - c. 1830 Leaf with vertical job pattern of tendrils of leaves and fruits and different stripe motifs. Used as a cover for a publication from 1808. paper. block printing (relief printing process) ornament derived from plant forms. ornament ~ geometric motifs

Piece. Culture: Italian. Dimensions: Overall: 11 1/2 x 22 1/8 in. (29.2 x 56.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Wallpaper; France; brush and gouache, graphite on paper; 38.3 x 54.9 cm (15 1/16 x 21 5/8 in.)

Piece. Culture: British or American. Dimensions: L. 19 x W. 16 inches48.3 x 40.6 cm. Date: ca. 1830-40. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling Design with Peacock Motif. Louis H. Sullivan; American, 1856-1924. Date: 1876. Dimensions: 40 x 73 cm (15 3/4 x 28 3/4 in.). Ink on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 32.5 x 24.3 cm (12 13/16 x 9 9/16 in.)

Orphrey Band. Italy. Date: 1401-1500. Dimensions: 109.5 x 22 cm (43 1/8 x 8 5/8 in.). Silk, gold gilt strip wound around linen fiber core, integrated compound-weave of warp-float faced satin weave and twill weave with supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Napkin from white linen damast. White linen damask napkin with orpheus and the animals.

Wall cover with flora, peacocks, and portrait medallions, 1800s. Iran, Qajar period. Taffeta, hand-painted, block-printed: silk and pigments; overall: 82.6 x 194.3 cm (32 1/2 x 76 1/2 in.).

Panel Made 1575-1600 Italy. Silk, satin damask weave with warp-float faced 2 1 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts .

Orphrey Band Made 1401-1500 Italy. Silk, gold gilt strip wound around linen fiber core, integrated compound-weave of warp-float faced satin weave and twill weave with supplementary patterning wefts .

Panel. England. Date: 1880-1900. Dimensions: 155.9 × 86.7 cm (61 3/8 × 34 1/8 in.)Repeat: 42 × 40 cm (16 1/2 × 15 3/4 in.). Cotton, plain weave; block printed. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Panel (Dress Fabric) Made 1725-1775 China. Silk, satin weave with brocading wefts and self-patterning complementary ground wefts bound in twill interlacings and self-patterned by areas of plain weave .

Fragment; silk, linen; Warp x Weft: 51 x 48 cm (20 1/16 x 18 7/8 in.); 1953-162-50

Ceiling paper, Janeway & Co. Inc., New Brunswick, New Jersey, 1848 - 1914, Machine-printed paper, liquid mica, Large waving scrolls with foliate scroll tendrils that alternate with other foliate scroll motifs. Each motif is filled with a simplified petal design, and the large waving scrolls have tendrils of the simplified petal design. Ground is light green. Printed in greens, yellow, white mica and gold mica., Printed in selvedge: 'Janeway & Co.', New Brunswick, New Jersey, USA, 1905-1915, Wallcoverings, Ceiling paper

Panel Made 1640-1660 France. Silk, warp-float faced 7 1 satin weave self-patterned by floats of complementary ground wefts and by areas of plain interlacing .

Fragment, Medium: silk on linen Technique: embroidered, Linen fragment embroidered in silk in shades of blue, rose and white in a pattern of a delicate curving vine. Incomplete as indicated by the vine stem which is not worked. Piece is backed with a coarser linen and the flowers are worked through this lining., England, early 19th century, embroidery & stitching, Fragment

Fragment (Japan)

Piece 17th century Italian. Piece 216864

A silver bride - the design of Princess Marina's wedding dress. A reproduction of the fabric design used for the wedding dress of Princess Marina of Greece for her marriage to Prince George, Duke of Kent at Westminster Abbey on 29 November 1934. The white and silver brocade embodied the English rose in the design and was so delicate, it was not sent to England until a fortnight before the wedding. The dress was designed by Molyneux, and was cut out, made and fitted at the Molyneux London salo

Piece. Culture: British. Dimensions: L. 54 x W. 25 inches137.2 x 63.5 cm. Date: 1872-86. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: L. 53 1/2 x W. 43 inches (135.9 x 109.2 cm) (two loom widths). Date: 1720-40. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: cotton Technique: printed by engraved plate on plain weave, Central curving stem with a variety of different plants growing from it. Birds are in the foliage. In red on white., England, ca. 1790, printed, dyed & painted textiles, Textile

Panel, Medium: linen Technique: grid of withdrawn element work with needle lace, reticella style, Three horizontal bands depicting scenes from the biblical story in which Judith severs Holoferne's head to save her people., Portugal, ca. 1600, lace, Panel

Piece. Culture: French. Dimensions: L. 18 1/2 x W. 16 1/2 inches47.0 x 41.9 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Panel Made 1701-1800 France. .

Piece. Culture: French, Lyons. Date: ca. 1770-80. Museum: Metropolitan Museum of Art, New York, USA.

Panel. England. Date: 1801-1825. Dimensions: 59.8 × 54.5 cm (23 1/8 × 21 1/2 in.)Weft repeat: 27.2 cm 27 cm (10 5/8 in.). Silk, warp-float faced satin weave self-patterned by areas of twill interlacing. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Fragment Made 1775-1825 Japan. Compound twill, silk, and gilt paper .

Leaf with spreading pattern of flower branches, Anonymous, 1750 - 1900 Leaf with spreading pattern of flower branches. Probably half a cover. paper. block printing (relief printing process) fantasy ornament

Piece. Culture: French. Dimensions: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Arabesques : faïences murales de Qasr Rodoun (XVIe. siècle) : 2. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Faience tiles, Tiles, Islamic

Panel. Culture: Chinese, for Portuguese market. Dimensions: L. 82 x W. 75 inches (208.3 x 190.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Romania, Transylvania, Targu Mures, Culture Palace Building, secessionist style interior details

Marriage of Eugenie and Napoleon III (Furnishing Fabric) Made 1853-1855 France. Cotton, plain weave; engraved roller printed .

Insertion 16th century Italian, Genoa. Insertion 220939

Border from a Farhang-i Jahangiri Manuscript. India, Mughal empire, circa 1608. Paintings. Gold, black ink, and red ink on paper

Piece. Culture: French. Dimensions: L. 28 1/4 x W. 7 inches (71.8 x 17.8 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Hearts, Anonymous, 1750 - 1900 Leaf with a job pattern of vertical swinging lanes with hearts. paper. block printing (relief printing process) ornament derived from objects

Wandmalereien in der Kirche S. Francesco zu Assisi, 1842., 1842., Berlin. Publisher, bei G. Reimer. Themes include decoration and ornament, murals, chromolithographs

Piece. Culture: French. Dimensions: L. 22 1/2 x W. 10 1/4 inches57.2 x 26.0 cm. Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print, Three Vases, Suitte de vases projetes pour Nimphenbourg (Set of Vases Designed for Nymphenburg); Designed by Matthäus Günther (German, 1705 - 1788), Jean-Charles Delafosse (French, 1734-1791); Print Maker: Joseph Kaltner (German, ca. 1758 - after 1824); Published by François de Cuvilliés the younger (German, 1731 - 1777); Germany; engraving on laid paper; Platemark: 26.5 × 39.3 cm (10 7/16 × 15 1/2 in.)

Panel late 16th-early 17th century French or British. Panel 227749

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A variation of the design 1920-36-154. The motifs stand upright. The scalloped border shows a strip inside., France, 1805-1815, Drawing, Drawing

Panel. France or Germany. Date: 1701-1750. Dimensions: 217.6 × 66 cm (85 5/8 × 26 in.). Silk, cut, uncut, voided velvet with additional patterning wefts of silver foil against twill weave foundation. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Panel; silk

Fragment, 18th century, 20 x 9 1/2 in. (50.8 x 24.1 cm), 18th century

La Bonne Maman, Medium: cotton Technique: relief printed (red ground) on plain weave, Design in white reserved on red ground fabric. Between floral motifs are medallions with scenes showing a mother and child., Alsace, France, 19th century, printed, dyed & painted textiles, Textile, Textile

Laces, 20th century. Venice stitch (Punto Venezia) needle lace panel, reproduction of the marmorean Byzantine pluteus with peaflowls of the iconostasis (10th century) of the cathedral of Torcello (near Venice), School of Burano, 1930-50.

AZULEJO DE ARISTA TOLEDANO CON DECORACION ANDALUSI COMO LAS VAINAS Y LOS ESQUEMAS DE SEBQA SUPERPUESTOS - SIGLO XV. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Drawing Lyon Louis-six, vintage engraving. Drawing Lyon Louis-six, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875. Copyright: xZoonar.com/PatrickxGuenettex 10648710

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