Theatrical Decorations

Theatrical decor prints illustrating stage designs for performances in the 18th century, showcasing the grand aesthetics of theatrical presentations.

She entertains family and friends in the Yellow Drawing Room at Buckingham Palace, London Date: 1844

Theater Decor: De Klooster-Kapel, Reinier Vinkeles (I), After Pieter Barbiers (I), 1776 print The CoulissenDecor de Klooster-Kapel, with a scene from: the Gijsbrecht van Aemstel. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

International Exhibition of beers and hops, Dijon

Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence. Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 11 x 8 1/4 in. (28 x 20.9 cm). Date: 1619. Museum: Metropolitan Museum of Art, New York, USA.

Alliance Allime in Amsterdam, 1786, Pieter Hendrik Jonxis, 1786 - 1792 print The festive meal held on January 27, 1786 in the shrimp goals (handboog goals) in Amsterdam to celebrate the Alliance with France (closed on November 10, 1785). Large company sitting at a table decorated with table pieces. Northern Netherlands paper etching celebration meal, feast, banquet. festivities on events of national importance (+ eating and drinking ~ festive activities) Archers

Hearing hall in Felix Meritis, 1789, Reinier Vinkeles (i), after Jacques Kuyper, after Pieter Barbiers (i), 1794 print Visitors in the hearing hall in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. Amsterdam paper etching / engraving learned society, academy of sciences Happy merits

Etching by Rembrandt, 1648, with traces of cold needle, depicting Medea and the wedding of Jason and Creusa, showing figures, gestures, and composition.

Audience of the Management Board in Costume / The 30 Brumaire An 4th of the Republic. (IT)

The Bank January 1792 (reissued) Thomas Rowlandson The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange. At right, a man wearing a cocked hat stands above a crowd of excited bidders. On the wall above his head is the notice: "No Clerk to act as broker.". The Bank. January 1792 (reissued). Hand-colored etching. S. W. Fores (London). Prints

theatre stage stage design graphic ""Het nieuwe Hofportaal"" (The new court portal) copper engraving coloured by T. Smit Amsterdam Holland circa 1740 private collection,

She entertains family and friends in the Yellow Drawing Room at Buckingham Palace, London Date: 1844

Rijn, Rembrandt van, Medea: or the marriage of Jason and Creüsa, verso lower left - stamped, print, prints, lower right - stamped, height 240 mm, width 177 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decoration The new court portal with scene from: Karel de Stoute, Hartog van Burgundy. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of 12 stage decorations.

T. 1 pl. 103. Page 300 / Royal Magazin of Arms in Paris.

Banquet for the English King Charles II in the Mauritshuis in The Hague. Represented here is the banquet offered by the States of Holland in May 1660 to Charles II before his departure for England. The English king sits on the right, between his aunt Elizabeth (the Winter Queen’, who was expelled from Bohemia) and his sister Maria Henrietta Stuart, Princess of Orange. In the foreground is the latter’s son, the young William III, the future king of England.

William V shows the papers of Laurens, 1780. Stadtholder Willem V delivers the papers of the American Henry Laurens in the assembly of the States of Holland, 20 October 1780. Design for a print.

Decoration for a Masked Ball given by the King Made 1746 France. This festive scene is the Masked Ball given by King Louis XV in the main hall of the Chateau of Versailles at midnight on February 251 1746, to celebrate the marriage of the Dauphin Louis with Marie Therese Infanta of Spain.. Etching and engraving on paper . Charles Nicolas Cochin, I

Promotion with the hood at Leiden on the occasion of the second centenary of the University, 9 February 1775, Jacobus Buys, 1775 - 1801, draughtsman: Jacobus Buys, 1775 - 1801, paper, pen, brush, h 148 mm × w 89 mm

Wedding of Princess Borghese in Rome. 18th century. Engraving in The Spanish and American Illustration, 1889.

Rembrandt van Rijn (Dutch, 1606 - 1669), Medea, or the Marriage of Jason and Creusa, 1648, etching, with touches of drypoint, on European (white) paper

Bal in the town hall, 1768, Reinier Vinkeles (I), 1771 - 1773 print The ball in the civilian hall of the Amsterdam City Hall given by the city council on the occasion of the visit of Stadholder Willem V and Princess Wilhelmina van Pruisen, 2 June 1768. Part of a press series with title print and 14 records of the indentation of the prince and princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events (+ dancing ~ festive activities). ball, formal dance Citizen

Medea: or Jason and Creusa's marriage.

Audience of the Management Board in costume. / 30 Brumaire year 4th of the Republic. (IT)

Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746, c. 1746. Charles-Nicolas Cochin (French, 1715-1790). Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer; sheet: 45 x 30.9 cm (17 11/16 x 12 3/16 in.).

Schouwburg with theater decor: De Moderne Zaal, Cornelis Brouwer, After Jan Bulthuis, After Johannes van Dregt, 1787 print Theater performance in the new Amsterdam Schouwburg with the CoulissenDecor De Moderne Zaal, with scene from the father of the house family. The decor printed of a separate plate within a passe-partout with the room, side logs, pillars with statues and the facade of the stage. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Napoleon III marriage H. Jannin. Wedding of Napoleon III, Emperor of the French, January 30, 1853. Engraving.

House of Lords 1808 Designed and etched by Thomas Rowlandson The Lords are shown here in session, surrounded by tapestries that record key moments in the Spanish Armada's 1588 failed attempt to invade England. Parliament's hereditary upper house moved into this space, just south of Westminster Hall, in 1801 to accomodate new members added by the Act of Union with Ireland--known as the "Lesser Hall," the building had previously been used for banquets. In 1834, when a disastrous fire destroyed most of the Palace of Westminster, the Lords would move again.. House of Lords. Microcosm of London, pl. 52. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). 1808. Hand-colored etching and aquatint. Prints

Joseph Constantine Stadler, active 1780-1812, British, Lottery Drawing, Coopers Hall, 1809. Aquatint, hand-colored.

Schouwburg with theater decor: the common neighborhood, Jan Punt, After Paulus van Liender, 1770 - 1772 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenesendecor the common neighborhood with scene out: the Brechje in love. The decor printed of a separate plate within a new passe-partout with the room, orchestra box and the facade of the stage with columns and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a later edition of the series of 12 theater decors. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Ball offered by the city of Paris at LL. AA. Prince and Princess Napoleon, February 14, 1859.

Timotheus Playing the Lyre before Alexander and Thaïs in the Hall of the Palace at Persepolis. Dated: c. 1820. Dimensions: overall: 56.1 x 78.5 cm (22 1/16 x 30 7/8 in.). Medium: pen and brown ink with gray wash over black chalk and graphite, squared for transfer, on two joined sheets of wove paper. Museum: National Gallery of Art, Washington DC. Author: Pietro Fancelli.

Pantheon Masquerade. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the

The Ball Was Given in the Cloth Hall in Honor of Józef Ignacy Kraszewski on October 5, 1879 Accering to the drawing of Juliusz Kossak. Cleastle from Tygodnik Ilustrowany 1879 (2) 264 Unknown, Kossak, Juliusz (1824 1899)

INTERIOR DEL CONGRESO DE LOS DIPUTADOS EN LA SESION DE APERTURA DE SESION POR ISABEL II EL 31 DE OCTUBRE DE 1850- L'ILLUSTRATION, JOUR. Author: M G ANDRIEU (S XIX). Location: CONGRESO DE LOS DIPUTADOS-ARCHIVO. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904).

Viewing of the Great Chandelier, Gift to the Russian Tsar, 1659, 1779 - 1781 print Viewing by in the Burgerzaal of the Town Hall of the Great Chandelier donated by the Republic on the Russian Tsar, November 1659. Netherlands paper etching Chandelier, a candlestick City Hall of Amsterdam (1655-1808)

Madame Tussaud's Exhibition of waxworks, Bazaar Baker Street. Victorian tourists admiring the wax figures of royalty and celebrity in the museum. Steel engraving drawn and engraved by Henry Melville from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Vaux-hall June 28, 1785 after Thomas Rowlandson British Like his predecessor William Hogarth, Rowlandson satirized Regency society in all its squalor and splendor. At this evening outdoor concert in the poshest of London's pleasure gardens, he turned the fashionable crowd of spectators into the object of amusement. In the foreground, Georgiana, Duchess of Devonshire, and her sister Lady Duncannon stand arm in arm while, at right, the Prince of Wales whispers to his mistress Mary "Perdita" Robinson. Jukes and Pollard effectively captured in aquatint the delicate tonal gradations and animated line of Rowlandson's lively watercolor.. Vaux-hall 360374

The Wedding at Cana by Veronese. Dusacq et Cie. (French, active 19th century)

Sacre de Napoleon to Notre Dame de Paris, December 2, 1804. (TF)

Kockers, George, Middelburg, Accurate illustration of the National Assembly in The Hague, First National Assembly in The Hague, 1796, verso - stamped, Session of the First National Assembly in The Hague, from 1 March 1796 to 31 August 1797. View of the meeting room (former ballroom of the Stadholder's Palace) with the members, all wearing the representative's ribbon. On the left the chairman Pieter Paulus, on the left front a speaker on the lectern. In the background the full public gallery., print, prints, Frederik Muller Historieplaten, height 680 mm, width 615 mm, print maker, printmaker, 1797 - 1797, fourth quarter 18th century, paper, stippelets, Work conception, after own design by

Engraving showing an illustrated lecture given by Albert Smith, on the subject of his ascent of Mont Blanc in 1851, in the Egyptian Hall, Piccadilly, London, 1852. 25th December 1852

La Naissance d'une Enfante. Dated: 1882. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Vierge.

Princess Anna takes a seat in the meeting of the States General, 1752, Jan Caspar Philips, 1754 print Princess Anna van Hannover takes a seat as governor of Prince Willem v in the meeting of the States General, December 21, 1752. Amsterdam paper etching / engraving Lower House, Parliament, Chamber

Exhibition Room, Somerset House April 1, 1808 Designed and etched by Thomas Rowlandson Founded in 1768, London's Royal Academy mounted exhibitions every summer from 1769. Recent works by the academicians were given pride of place and supplemented by submissions by non-members. In 1780, the institution moved from cramped quarters on Piccadilly into custom built galleries in Somerset House on the Strand. The Great Room of these new galleries is shown here densely hung from floor to ceiling. Visitors were admitted for a shilling and flocked to inspect the art and enjoy the views of London society. This rare uncolored example of Pugin and Rowlandson's print devoted to the annual event was published in 1808.. Exhibition Room, Somerset House. Microcosm of London, pl. 2. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). April 1, 1808. Etching and aquatint. Prints

Covent Garden Theatre, Interior, John Bluck, British, 1791-1832, A.W.N. Pugin, English, 1812-1852, Thomas Rowlandson, British, 1756-1827, Ackermanns, London, England, Colored aquatint, England, 1808, theater, Print, Print

Jean-Michel Moreau le Jeune (French, 1741-1814) after P. L. Moreau (French). The Masked Ball, Given to the King and Queen by the City of Paris on 23 January 1782 on the Occasion of the Birth of the Dauphin, 1782. Etching and engraving on laid paper. Plate: 521 mm x 397 mm (20.51 in. x 15.63 in.). Second of two states.

The Pavilion Theatre, 85 Whitechapel Road, unknown artist, after unknown artist, after 1873, Gelatin silver print on medium, matte photographic paper, Sheet: 4 1/2 × 5 1/2 inches (11.4 × 14 cm) and Image: 4 1/4 × 5 1/4 inches (10.8 × 13.3 cm), architectural subject

Pinaud and Meyer perfumery, on Boulevard de Strasbourg, Paris, France, illustration from L'Illustration, Journal Universel, No 1420, Volume LV, May 14, 1870.

Decor showing the interior of the farmhouse in the Nieuwe Schouwburg in Amsterdam with a scene from the play The Three Farmers. In the auditorium the orchestra is playing and the audience is watching, including from the lodges. In the margin below is a six-line verse, Decor with the peasant's dwelling in the Nieuwe Schouwburg in Amsterdam The peasant's dwelling with the Picture of the Last Scene from the Bly play The Three Farmers Decors in the Nieuwe Schouwburg in Amsterdam , print maker: Cornelis Brouwer, (mentioned on object), after: C. Henning, (mentioned on object), intermediary draughtsman: Jan Bulthuis, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1790, paper, etching, engraving, h 333 mm × w 417 mm

Joseph Constantine Stadler, active 1780-1812, British, Freemasons Hall, Great Queen Street. Colored aquatint.

Antoine Jean Duclos after vicomte Charles Henri Desfosses, Le Reine annoncant a Mmme de Bellegarde des juges et la liberte de son mari en mai 1, 1779 Le Reine annoncant a Mmme. de Bellegarde des juges et la liberte de son mari en mai 1

Christie's Auction Rooms February 1, 1808 Designed and etched by Thomas Rowlandson. Christie's Auction Rooms. Microcosm of London, pl. 6. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Praying Tartars, Istrimdjami-Kara-sou-Bazar, Crimea, October 19, 1837. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Chez Gihaut Frères (French, 19th century). Date: 1844. Dimensions: 186 × 373 mm (image); 188 × 377 mm (primary support); 275 × 442 mm (secondary support). Lithograph in black on gray chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reception of Siamese Ambassadors by Emperor Napoleon III at Fontainebleau palace, France, from a painting by Jean-Leon Gerome, illustration from L'Illustration, Journal Universel, No 1171, Volume XLVI, August 5, 1865.

Main gallery at the World Exhibition in Amsterdam, 1883, 1883 print View in the main gallery of the World Exhibition on the Museumplein in Amsterdam. Part of a group of sixteen records and a map of the World Exhibition in Amsterdam from 1 May to 1 October 1883. Edition of the News of the Day. print maker: Netherlandsprinter: Netherlandspublisher: Amsterdam paper world fair, world exhibition Amsterdam. Museum square

BARCELONA. SALON CENTRAL DEL PALACIO DE BELLAS ARTES. SECCION ESCULTURA. GRABADO DE LA ILUSTRACION IBERICA , AÑO 1894.

Thomas Rowlandson, 1756-1827, British, Vauxhall Gardens, ca. 1784. Watercolor, pen and black ink, pen and gray ink, and graphite on medium, sligtly textured, cream laid paper.

Design for a Sitting Room. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 10 11/16 x 14 15/16 in. (27.2 x 38 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

The opening of the Great Industrial Exhibition of all nations , Crowds, Exhibitions, Exhibition buildings, Great Exhibition 1851 : London, England, Crystal Palace Great Exhibition, 1851, London, England. George Cruikshank (1792-1878). Prints and Drawings

The Jägerball of the City of Vienna to celebrate the marriage of Archduchess Gisela, The Jägerball of the City of Vienna to celebrate the marriage of Archduchess Gisela of Austria from Neue Illustrirte Zeitung , Vienna, Franz Kollarz Kolá - , Artist

Napoleon accepts the crown of iron. (IT)

The Sculpture Gallery at Holdernesse House, Park-Lane, London, 1850. 'The Sculpture Gallery...as well as the whole suite of saloons on the principal floor of the mansion, were thrown open for the festivities. The former magnificent apartment was used as the grand ball-room, for which its large dimensions admirably adapted it. The magnificent works of art this gallery contains are world-famous, the statuary including several chefs-d'oeuvre by Canova and other eminent sculptors. Among these we may especially particularize "Theseus and the Minotaur"...and the "Kneeling Cupid&qu

Magesyn der Italiaense Gebouwen, Courtyard of a palace with a crowd, View of the courtyard of a large palace. In the courtyard and on the balconies around it there is a crowd of people. In the foreground on the right is an ornamental canopy with Apollo in his sun chariot on top. The print is part of an album., print, prent, albumblad, prints, prenten, height 111 mm, width 162 mm, print maker, prentmaker, 1600 - 1699, paper, papier, etching, etsen

Redeemed Christenslaven thank the mayors of Amsterdam for their liberation, ca. 1682-1684; 178 Redeemed slaving Vancken de E: Heeren Burger Masters of Amsterdam on Stadthuys for Hain Redemption. A large group of 178-redeemed Christenslaven thanked in the civilian hall of the town hall The mayors of Amsterdam for their liberation, ca. 1682-1684.

In the year 1565. Meeting in a room, probably the covenant of nobles at the castle of Hendrik van Brederode in Vianen, 1565.

NEF of the Parisian coffee (IFF, 15)

Brooklyn Sanitary Fair , 1864. Lithograph on wove paper, image: 16 1/8 x 14 in. (40.9 x 35.5 cm). American Art 1864

Engraving. - Picture Gallery, Birmingham Society of Arts. Wilkinson Collection, Vol I

Reception of the Veenendalers in the Geertekerk in Utrecht, 1855. Draughtsman: anonymous. Dating: 1855. Place: Netherlands. Measurements: h 324 mm × w 423 mm. Museum: Rijksmuseum, Amsterdam.

Thanks to military and political activities in Egypt, the Egyptian Gallery is well stocked with statues and other artefacts 'acquired' in the cause of culture. Date: 1854

Carroussel in Florence, Stefano Della Bella, 1661 print Two triumph cars and the mountain Atlas reconstructed in the amphitheater in the Boboli gardens in Florence. Around men in costumes on foot and on horseback. Italy paper etching festivities. riding a horse, ass, or mule; rider, horseman Florence

James Caldwall, 1739-1819, British, Fete Champetre, 9 June 1774 (Inside of the Supper-Room), 1780. Engraving.

Debating Society, Piccadilly, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and watercolors on paper, Large, almost windowless room, with seats in stands along the sides. Tables and benches center; the moderator at the rear at a lectern. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Blancard, Hippolyte (1843 - D.1924), The Romans of Decadence by Thomas Couture on the first floor of the Palais des Beaux -Arts, 7th arrondissement, Paris (Faithful title), 1889. Platinum draw. Carnavalet museum, history of Paris.

Print made by William Wallis, 1794- active 1830, Palace of Justice, Bruges, undated. Line engraving on medium, slightly textured, cream wove paper.

Thomas Higham, 1796-1844, British, Rouen Cathedral, 1834. Line engraving on steel, engraver's proof (early).

Firenze - R. Galleria Uffizi. Della Niobe room. (Achitetto Poletti.) Florence. Uffizi Gallery - so -called Niobe hall from the exhibition ancient river and the image of Peter Paul Rubens (1577-1640), Tium of Henry IV; Alinari, Fratelli (Florence; Photographic Zak 1852-); around 1880-around 1895 (1870-00-00-1900-00-00);

Turkey. Constantinople (Today Istanbul). Dinner for a European ambassador at the Grand Vizier's court, in the imperial Council chamber, around year 1788. Engraving by Lemaitre, Lalaisse and Branche. Historia de Turquia by Joseph Marie Jouannin (1783-1844) and Jules Van Gaver, 1840.

MOLIERE, Jean-Baptiste Poquelin, called (1622-1673). French dramatist and actor. Performance before the Versailles' court of 'Le Malade imaginaire' (The Hypochondriac) (1676). Etching. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

Funeral in a fantasized classical interior, Jacques François Blondel, 1715 - 1774, draughtsman: Jacques François Blondel, 1715 - 1774, paper, pen, brush, h 224 mm × w 297 mm

Rehearsal of an antiphon for full orchestra. Engraving by Severini after a painting by the Spanish artist Jiménez Aranda. The Spanish and American Illustration (La Ilustración Española y Americana). Supplement to issue XXXVI, September 1884. Author: José Severini (1838-1882). Spanish xylograph.

United Kingdom. London. The Royal Exchange. Engraving by Dore. 19th century. Author: GUSTAVE DORÉ.

Opening of the Italian Exposition at Florence by Victor Emmanuel, 1861: 19th century black and white illustration

Comforts of Bath, Plate 10 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 10. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Etching. Prints

Exhibition of Prizes for the Lottery to raise money for the Algerian girls' shelter, Governor's hall, Algiers, Algeria, illustration from L'Illustration, Journal Universel, No 535, Volume XXI, May 28, 1853.

Callot, Jacques, work, Combat a la Barriere, illustration (1000 - 2000), technique text: line etching, graphics, leaf width 23, 9 cm, leaf height 14.8 cm

Netherlands, Weissenbruch, Isaac, Shop interior with customers looking at the goods, print, prints, height 130 mm, width 191 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Engraving depicting a meeting of the Royal Society in Somerset House, London. Dated 19th century

First National Meeting in The Hague, 1796, Reinier Vinkeles (I), After Jan Bulthuis, 1796 print Session of the first national meeting in The Hague, from 1 March 1796 to 31 August 1797. Face in the meeting room (former dance hall of the Stadhouderlijke Palace) with the members, all with a ribbon as a representative. On the right, the chairman addresses the meeting. In the background the full public gallery. Netherlands paper etching / engraving Lower House, Parliament, Chamber. revolutionary government Courtyard

The circular gallery in a museum in Madrid, Spain, from a drawing by Barroeta, illustration from L'Illustration, Journal Universel, No 567, Volume XXIII, January 7, 1854.

Küfner, Abraham Wolfgang, Assassination of Gustavus III in masquerade, (1000 - 2000), technique text: copper engraving, graphics, image width 34, 9 cm, image height 28.1 cm

A pencil drawing by Friedrich König depicting a ceremony for unveiling a monument dedicated to C. Müller, including figures in attendance.

The British Institute 1816 , Paintings, Galleries & museums, Vases, Sculpture. Thomas Rowlandson (1756-1827). Prints and Drawings

Visit of King William III to Emperor Napoleon III, 1861, 1861 print Two performances of the visit of King William III and his wife at the court of Emperor Napoleon III, 1861. At the top of the arrival of the royal couple at the Château de Compiègne. At the bottom of the king's reception with wife in the gallery des cent-gardes. Leaf taken from a magazine, printed on the back with text. France paper palace. arrival and return ~ travelling Castle of Compiègne

Christie's Auction Room. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was

Assemblée des notables à Rouen (Assembly of Notables atRouen). Engraver: Amédée Varin, French, 1818-1883 After: Jean-Paul Alaux, French, 1788-1858

Society of Friends of the Constitution. (IT)

Satirical observation of visitors at a painting exhibition in the Royal Academy of Arts, London, 1771. After a 1772 engraving by English engraver Richard Earlom from a work by French artist Michel Vi

Spain. Catalonia. Barcelona. Transfer of the mortal remains of Ramon Berenguer III the Great (1082-1131), Count of Barcelona, from the Cent Room in the Barcelona City Hall to Ripoll. Engraving. "La Ilustracion catalana", 1893.

The Egyptian and Turkish pavilions at The Great Exhibition in London, United Kingdom, illustration from L'Illustration, Journal Universel, No 457, Volume XVIII, November 27-December 4, 1851.

Viennese world exhibition, Turkish gallery, Illustration from About Land und Meer , Unknown

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