Theatrical Engravings

Illustrations from performances highlighting dance and jealousy. The scenes capture emotional narratives with dramatic expressions and elaborate attire of the era.

Grown ladies taught to dance,' an engraving published in London by M. Darly in 1768. The artwork features caricatures and cartoons depicting women in dance attire, accompanied by musicians. The plate mark measures 30.5 x 25 cm

Schilder verklaart vrouw de liefde; L'Amour Peintre.A painter explains a woman whose portrait he has manufactured his love. Behind the donkey is her jealous man, who is being dealt with by the paintsman. Scene from the play Le Sicilien Ou l'Amour Peintre (the painter by love), from Molière.

Grown ladies taught to dance,' an engraving published in London by M. Darly in 1768. The artwork features caricatures and cartoons depicting women in dance attire, accompanied by musicians. The plate mark measures 30.5 x 25 cm

Man and his mistresses in a garden, Jan Punt, 1758 print On a couch in a garden there is a man in between his old and young mistress. Illustration of Fabel XVII l'Homme Entre Deux âges, et Ses Deux Maîtresses. Amsterdam paper etching / engraving specific works of literature. couple of lovers. mistress

Man and his maîtesses in a garden. On a bench in a garden there is a man, between his old and young mistress. Illustration of fabel xvii l'homme entre deux ges, et ses deux maîtesses.

Funeste Effet de la Jalousie. A man killed the beloved of his wife, after he found the two together in bed. The lover collapses into his injuries in the arms of his loved one. Title illustration for part 11 of a book about the tricks of love.

Illustration for Wild Betty Johann Karl Wea Betty is Presented to the Fiancé, Mr. Rat (Die Wilde Betty. A marriage status history in the publisher of the Dykic Book Manual. 1779) Chodowiecki, Daniel Nikolaus (1726 1801)

La Matinée (L'heureuse Union) after 1789 After Sigmond Freudeberg Swiss. La Matinée (L'heureuse Union) 365050

Allegory of the Deception of Aron Abrams, 1737, Simon Fokke, 1737, Allegory of the Deception of the Amsterdam Jewish usurer Aron Abrams (or Abrahams). A man hands over a bag of money marked 2600 and receives a bill of exchange of 4000 in return. This central scene surrounded by several smaller scenes. Print design., draughtsman: Simon Fokke, Northern Netherlands, 1737, paper, h 185 mm × w 114 mm

The Happy Moment (The happy moment), Nicolas de Launay (Goudsmid), After Niclas Lafrensen (II), 1777 print print maker: Francepublisher: Paris paper etching / engraving clothes covering the entire body (+ men's clothes). clothes covering the entire body (+ women's clothes). woman (showing herself) undressed, quasi-nude. lovers; courting, flirting

Doctor Renzo prohibits Sancho to eat. Doctor Renzo prohibits Sancho, the servant of Don Quixote and governor of the imaginary island of Barataria, to eat. Sancho leaves anger because of this.

Scene from the ''Heptameron François"'', Sigmund Freudenberger, 1770 - 1780, Design for a print in ''Heptameron François, Les Nouvelles de Marguerite, Reine de Navarre'' (for Nouvelle III, vol. I, opposite p. 22), draughtsman: Sigmund Freudenberger, 1770 - 1780, paper, pen, brush, h 104 mm × w 64 mm

The Sleeping Boy. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: Nicolaas Verkolje.

Henry the Eighth and Anne Boleyn. 1758. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Julie visiting Frau von Étange, Daniel Nikolaus Chodowiecki, 1782 print Up to the top left: 5. With caption in French. paper etching meeting. visiting; receiving guests; elegant company

'LE MALADE IMAGINAIRE,' BY A. SOLOMON, IN THE ROYAL ACADEMY EXHIBITION, 1861

A man declares love to a young woman and takes her by the hand A man looks on, with his hands on his fat belly Scene from the play L'Amour m, print maker: Jan Punt, (mentioned on object), intermediary draughtsman: Jan Punt, (mentioned on object), Amsterdam, 1739, paper, etching, engraving, h 144 mm × w 87 mm

Dienstmeisje stoot een tafel om.A maid accidentally encounters the breakfast table. The woman of the house, dressed in a morning gown, jumps out of her chair and tries to hold the table.

Joseph de Longueil after Charles Eisen, Le belle nourrice Le belle nourrice

Happy Moment. Nicolas Delaunay (French, 1739-1792); after Nicolas Lavreince (Swedish, 1737-1807). Date: 1759-1792. Dimensions: 293 × 220 mm (image); 368 × 270 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Dismissed Servant. Artist: After Étienne Jeaurat (French, Vermenton 1699-1789 Versailles); Jean-Joseph Baléchou (French, Arles 1716-1764 Avignon). Dimensions: Sheet (trimmed): 14 3/4 × 10 1/2 in. (37.5 × 26.7 cm). Published in: Berlin. Publisher: Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). Date: ca. 1749. Museum: Metropolitan Museum of Art, New York, USA.

Ravenet, Simon François, inventor: William Hogarth, work, Marriage a la mode IV, 1745, etching and copperplate, graphics, plate width 46.7 cm, plate height 38.5 cm, leaf width 49 cm, leaf height 40.3 cm, image width 44.8 cm, image height 35 cm

Gulliver presented to the Queen of Babilary. 1730. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Illustration for the Life of Johann Bunel Thomas Armory Bunel in the Library of Miss Henrieta Noel (Life, comments and opinions Johann Bunels bey Friedrich Nicolai 1778 ') Chodowiecki, Daniel Nikolaus (1726 1801)

Simon Francois Ravenet I after William Hogarth, Marriage a la Mode pl4, 1745 Marriage a la Mode: pl.4

Cromwell Mortimer. Line engraving by Rigou after W. Hogarth.

Miss Macaroni and her loved one for the window of a print trade, John Raphael Smith, 1773 print A man and a woman in fashionable clothing are hand in hand in front of the window of a print trade. The woman has hidden her face behind an open fan. Next to them, two men talk about prints hanging in the shop window. A dog pisses against the leg of one of them. paper shop-window, show-window. art dealer (+ graphic arts). print, e.g.: engraving, etching, lithograph. political caricatures and satires. fashion. print, e.g.: engraving, etching, lithograph. fan. dog London

Nicolas Joseph Voyez after Sigmund Freudenberger, La visite inattendue, 1774 La visite inattendue

Queen Anne Boleyn kneeling before her gaolers and a Beefeater at the entrance to the Tower of London., 1536. Anne Bullein committed to the Tower. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Love Scene, Print made by Jacob Gole, 1660-1737, Dutch, after unknown artist, (R. B.), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 9 7/16 x 7 3/8 inches (23.9 x 18.7 cm), Plate: 9 1/8 x 6 7/8 inches (23.2 x 17.5 cm), and Image: 8 1/8 x 6 7/8 inches (20.7 x 17.4 cm), alcohol, couples, dresses, drinking, drunk, fireplace, food, genre subject, gesture, hats, interior, kissing, laughing, leisure, love, lovers, men, pleasure, smiling, women

Board for the comic scarron novel: Madame de Bouvillon opens the door to Ragotin who makes a bump at the brother after Pater Pierre-Louis de Surugue (1710-1772). Board for the Comic Scarron novel: Madame de Bouvillon opens the door to Ragotin who makes him a bump at the brother after Pater. Forte and Burin, 1735. Museum of Fine Arts in the city of Paris, small palace.

Philibert Louis Debucourt, L'Orange, ou le moderne Jugement de Paris, 1801 L'Orange, ou le moderne Jugement de Paris

Portrait of Pierre de la Roche. Artist: Isaac Sarrabat (French, 18th century); After Robert Levrac de Tournières (French, Caen 1667-1752 Caen). Dimensions: Plate: 14 3/8 × 10 1/4 in. (36.5 × 26 cm)Sheet: 18 5/8 × 13 7/16 in. (47.3 × 34.1 cm). Date: 1703. Museum: Metropolitan Museum of Art, New York, USA.

L'example des Meres. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: François Lucas after Etienne Jeaurat.

Marriage à la Mode, Plate 3, Print made by Bernard Baron, 1696-1762, French, After William Hogarth, 1697-1764, British, 1745, Etching with line engraving, Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)

Childbirth of the Electess of Saxony in Pillnitz, October 24, 1721. Design for one of the nine scenes in the print depicting the events of 1721, Delivery of the Elector Princess of Saxony in Pillnitz, October 24, 1721., draughtsman: Adolf van der Laan, (mentioned on object), Northern Netherlands, 1721 - 1722, paper, pen, brush, h 133 mm × w 182 mm

Wanein Love: widower Joost and Lucia, Pieter Tanjé, after Cornelis Troost, 1752 - 1761 print Joost, an old widower and the father of Lucia's beloved, confesses to Lucia's love. At the bottom of the margin a four -line verse in Dutch and French. Scene from the play De Wanhébbelyke Love, from Philippe Quinault. Amsterdam paper etching / engraving unequal couple, ill-matched couple. living-room, parlour, sitting-room

Benoit Audran II, L'Enchanteur, 1727, etching and engraving on laid paper.

Two women greeted by open window man, Marie-Elisabeth Thibault, After Sigmund Freudenberger, 1780 print print maker: Francepublisher: Bern paper engraving human figure at (open) window, seen from inside - AA - feigned window. saluting

Musicing couple, Wallerant Vaillant, After Gerard Pietersz. van Zijl, 1658 - 1677 print A young woman plays a lute and looks into the music booklet that lies on the table next to her. Behind her a young man who plays the flute. A girl is listening for them. There is a dog next to the lute player. paper small group of musicians, chamber orchestra, jazz band. transverse flute. dog

Maintenance with the princess in Goejanwellesluis, 1787; Maintenance with Haare K. Highness at the GoJanVastle Sluis.Maintenance of Princess Wilhelmina van Pussen with the Deputies of the Commission from Woerden, in the home in Goejanwellesluis, 28 June 1787.

Bernard Baron, 1696-1762, French, Marriage A-La-Mode, Plate II: The Breakfast Scene, 1745. Engraving. . dinner , food , meal

The farewells / morals and customs of the former Paris ...

Meleager in Atalante, Edme Jeaurat (Assigned to), After Bernard Picart, 1698 - 1738 print France paper etching / engraving Meleager gives the head of the boar to Atalanta

Doctors study organisms on strong water; Medical tests; Title page for: S.N., Medical Tests and Comments, 1739. A group of medicine is and is around a table and studies papers with anatomical drawings and organisms on strong water. Behind this a picture of Asclepius. In the background there are two men at a table on which a body seems to lie in a room with skeletons and organisms on strong water.

The separation of Marie-Antoinette of Austria, with his family (IT)

Interior with a reading woman, visited by Amor, François Hubert, after Lefebvre (painter), 1765 print Interior with a woman sat on a chair. She reads 'Julie, Ou La Nouvelle Héloïse' by Rousseau. On the left, Amor comes with a arrow and bow through a doorway. Paris paper engraving / etching reading. (story of) Cupid, Amor (Eros)

Hopman Ulrich or the cheated miserliness: the bribery, A guard with a sword asks a young man (Godefroy), who secretly visits his beloved (Sybille) at night for money. The young man puts his hand in his pocket. The woman is holding a candle. There is a glass and a bottle on the sidewalk. On the right in the background a second guard. Scene from the comedy 'Hopman Ulrich or the cheated stinginess' by Johan van Paffenrode from 1661, in which the stingy character Ulrich is cheated by his wife Sybille, despite having him guarded. Her lover Godefroy bribes the guard, comedy, bribery, night, guard duty, keeping sentry, candlestick, Jacob Houbraken (mentioned on object), Amsterdam, 1760 - 1780, paper, engraving, h 374 mm × w 271 mm

Musicing couple, Bernard Picart, 1708 print Interior with a young pair that makes music with a burning fire. The woman plays the piano and the man a bass. In the margin a six -line poem in French. Paris paper etching / engraving more than one musician with instrument. open hearth, fire-place

Young woman is about to commit suicide. In a room there is a young woman about it to stick herself with a knife. The figures around her try to stop hair in different ways.

Marriage A-La-Mode (Plate III) The Scene with the Quack. 1745. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two women consulting a wizard. Etching by I. Taylor, 1785, after R. Corbould.

Beatrix and Le Basque, which were dressed as Swiss, are spied by Monsieur de Coutre-Ville while they hug each other, Caspar Luyken, 1698 print Amsterdam paper etching (lovers) embracing each other, 'symplegma'. lovers spied upon

L'amour a l'espagnole. Dated: 1783. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin and Noël Pruneau after Jean-Baptiste Le Prince.

Dame receives a visit in a departure, Jan Fokke, 1778 - 1812 print In a departure, a lady receives a gentleman and two small children. This print is made for an unknown play. In the margin there is a rule of text, marked at the bottom right: VDE is: xiiide tone. paper etching visiting; receiving guests; elegant company

Buys, Jacobus, Fokke, Simon, Man and woman at the entrance to a garden, verso - stamped, A woman has placed her hand in that of a man. The man is completely wrapped in a large cloth, only his face and shoes are visible. On the right, behind a tree, a second man spies on the couple. In the background, along a high hedge, the entrance to a garden., print, prints, height 379 mm, width 245 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1734 - 1764, paper, papier, etching, etsen, Work conception, 1724-11-19 - 1801-04-07

Illustration from Tom Jones. Jan Punt (Holland, Amsterdam, 1711-1779). Holland, published 1750. Prints; engravings. Engraving

Les Plaisirs Paternels, Print made by Richard Parkes Bonington, 1802-1828, British, Printed by Lemercier, Benard & Cie, 1803-1887, French, Published by Mme. Brossier, active ca. 1830, French, 1826, Lithograph on medium, smooth, cream wove paper, Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm) and Image: 5 1/2 x 4 1/8 inches (14 x 10.4 cm), aristocrat, bonnet, cane, chair, children, daughter, discussion, drapery, family, fancy dress, father, food, fruit, genre subject, hat, man, pitcher, pleasure, sons, sword, table, window

Minister Grumbkow and Gaultier tell Friedrich Wilhelm that the state treasury is empty, Daniel Nikolaus Chodowiecki, 1786 print With caption in French. paper etching armchair, seat. conversation, dialogue; conversation piece. interior of the house

Family portrait of Frederik Hendrik, Prince of Orange, Amalia van Solms and their children, Anonymous, c. 1642 - c. 1665 print Family portrait of Frederik Hendrik, Amalia and their children Willem II, Louise Henriëtte and Henriëtte Amalia. The group stands on a balcony, a garden in the background. Their names in the lower margin. print maker: Low Countriespublisher: Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Page 22 / 4th song

February, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of February. Dressed figures make music and dance during the carnival celebration. Amsterdam paper etching February ~ other concepts

Receipt of a new member of the Bentvueghels, ca. 1700, 1690 - 1710 print Reception and initiation of a new member of the Bentvueghels, ca. 1700. Members of the Bentvogels, the group of Dutch artists in Rome, dressed as baccians with a priest who points to the new member with a stick. In the caption of verses of 4 lines in Latin and French and 8 lines in Dutch. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving painter in non-work situation. (professional) organization of artists. initiation (~ membership of a society) Rome

Louis XIV (King of France), Paris, Duchange, Gaspard, Etanssane, d', Picart, Bernard, The Five Senses Represented by Elegant Couples, Hearing, verso - stamped, Landscape with an elegantly dressed couple sitting and singing by a ruin. The woman holds an open songbook and a fan in her hands. In the margin a four-line poem in French., print, prent, prints, prenten, height 92 mm, width 112 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1683 - 1710, fourth quarter 17th century, fourth quarter 17e eeuw, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), writer, Publication (Event), Publicatie, 1662-04 - 1757-01-06, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

The Finding of Moses. Artist: Anton Kern (German, Teschen 1710-1747 Dresden). Dimensions: 9 1/8 x 16 in. (23.2 x 40.7 cm). Date: 1725-47. Museum: Metropolitan Museum of Art, New York, USA.

Les Bouquets ou la fête de la grand-maman 1788 Louis Philibert Debucourt. Les Bouquets ou la fête de la grand-maman. Louis Philibert Debucourt (French, Paris 1755-1832 Paris). 1788. Etching and aquatint. Prints

Nicolas Delaunay after Nicolas Lavreince, L'heureux moment, 1777 L'heureux moment

Hearing, Bernard Picart, 1683 - 1710 print Landscape with an elegant dressed pair that sits with a ruin and sings. The woman holds an open songbook and a fan in the hands. In the margin a four -line poem in French. Paris paper etching / engraving hearing, listening (one of the five senses)

Depiction of a dramatic scene in a bedroom with Oriental costumes by Jacob Wilhelm Mechau, showing a woman in a man's arms and a letter on the floor, executed in black pen and brown brush in the second half of the 18th century.

It's good ; Decidedly that's what I choose / cut me a half-aid. / N � 4 (registered title) | Parisian B�otisse. (Title of the whole)

. .

The infant Jones found in the bed of Mr. Allworthy, from "The History of Tom Jones, a Foundling" 1792 Thomas Rowlandson. The infant Jones found in the bed of Mr. Allworthy, from "The History of Tom Jones, a Foundling". The History of Tom Jones, a Foundling. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. Prints

Hugo de Groot gets an invigorating glass of wine in Miss Daatselaar's room, draughtsman: anonymous, Netherlands, 1775 - 1800, pencil, brush, h 257 mm × w 194 mm

France, Paris, The visit of the physician

December "When the rigor of the season ... Henri Bonnart (1642-1711). December when the rigor of the season ... . Engraving.

Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background 1799 Pierre Audouin French. Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background 652745

Luncheon Bernard Lepicié French. Luncheon 394765

William S. Leney, 1769-1831, British, Taming the Shrew, Act III, Scene II, 1793. Engraving and stipple engraving on moderately thick, slightly textured, cream, wove paper.

Print made by George Cruikshank, 1792-1878, British, "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!", 1839. Etching on moderately thick, smooth, cream wove paper with beige chine collé.

The Patriot on his deathbed, 1786, Theodoor Koning, 1786 print A dying man admonishes his son on his deathbed to never tolerate the chain of slavery, but to defend your acquired privileges and freedoms. Presentation within a ornamental framework with law books, arrows bundles, broken yoke and spear and oak leaves. With four -line caption. Northern Netherlands paper etching / engraving deathbed

Two women near a crib in an interior. In a doorway stands a man with his arms folded, Two women by a crib and a man in a doorway Wolfert Swaertveger , print maker: Philippus Velijn, (mentioned on object), after: Hendrik Breukelaar, (mentioned on object), Netherlands, 1832, paper, etching, engraving, h 114 mm × w 75 mm

La coupe enchantee. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Michel Dupreel after Jean-Honoré Fragonard.

On trouve le corps mort de l'hote que l'on avait cache. Dated: 1727. Dimensions: overall: 32.7 x 28 cm (12 7/8 x 11 in.). Medium: black chalk heightened with white chalk on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Oudry.

A Couple of Antiques or my Aunt and my Uncle. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/8 × 15 7/8 in. (28.3 × 40.3 cm)Plate: 10 9/16 × 14 5/8 in. (26.8 × 37.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: November 20, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Repoussée...une porte me reste ouverte.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1849. Prints; lithographs. Lithograph

So the old people sang, the boy squeaks, Schelte Adamsz. Bolswert, after Jacques Jordaens, 1638 - 1659 print A mother is sitting with a small child who plays on her lap at a set table. In addition to her, her husband blows with convex cheeks on a bagpipe and a little boy plays on a flute while his grandfather and grandmother, both with glasses, sing. The singing old man gives the size with a finger. A big dog rests with its snout on the table and looks at the scene with spent ears. A richly ornamented cartouche is displayed against the wall behind the group with the saying soo d'oude Songen soo Pips the boy (so the old ones sang, so the boy squeaks). Under the performance in the margin is a verse with an allusion to this saying in Latin. paper engraving child(ren) with one or both parents and one or more members of the preceding generation (family group). children playing musical instruments. more than one musician with instrument. vocal music, singing

Playing children with a house of cards, François Joullain, After Charles-Antoine Coypel, 1727 print print maker: Francepublisher: Paris paper etching / engraving child (at home). card games

Engraving titled 'Marriage A La Mode' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

Group picture.

Clarissa asks John Belford to leave, Reinier Vinkeles (I), 1803 print At the top right: VI. D. Pl. Ii. Bottom right: Lxviste. Letter. Interior with woman who kneeled on a table. She holds a book in one hand and the other hand keeps she raised. For her two men and a woman. paper etching kneeling on both knees - AA - female human figure. interior of the house. arm raised upward. names of literary characters. female literary characters

Lying man in the middle of gentlemen, On the floor in a room lies a man with a cloth over his head. A man kneels down while the rest of the group of men watch. Print on the top right: Pl. VI., Lying figure, violent death by breaking and striking weapons - EE - death not certain, wounded person, Simon Fokke (mentioned on object), Amsterdam, 1722 - 1784, paper, engraving, h 139 mm × w 84 mm

Picart, Bernard, Amsterdam, Les Opera, Comedie, Elegant company in a room, verso lower left - stamped, An elegant company dances and sings. A lady snatches the wig from a man's head and runs away with it., print, engraving, book illustration, prints, height 135 mm, width 81 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1724 - 1724, first quarter 18th century, paper, etching, engraving (printing process), supervision

The Doge Foscari, pronouncing sentence of exile upon his son.. Herbert, John Rogers, 1810-1890. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Dutch merchants, Princess Anna hand over a complaint about the English attacks, 1758, 1788 print A delegation of Dutch merchants hands over to the Gouvernante (Princess Anna van Hannover) a complaint about the English attacks, December 7, 1758. Probably in response to robberies by the English on Dutch ships in the Antilles. Northern Netherlands paper etching / engraving

A Gentleman and Lady with aPage. Etcher: Cornelis Ploos van Amstel, Dutch, 1726-1798 After: Gerard ter Borch II, Dutch, 1617-1681

The Meeting, a man bows before a seated woman at center, while couples wearing masks converse in the background 1748 Charles Joseph Flipart. The Meeting, a man bows before a seated woman at center, while couples wearing masks converse in the background. Charles Joseph Flipart (French, Paris 1721-1797 Madrid). 1748. Etching. Joseph Wagner (Italian, Thalendorf 1706-1780 Venice). Prints

Musicing company around a table, Jan van Somer, after Gerard Pietersz. van Zijl, 1655 - 1700 print A group of five people is making music around a table. There is singing, violin and lute. On the table booklets with sheet music. paper small group of musicians, chamber orchestra, jazz band. lute, and special forms of lute, e.g.: theorbo. vocal music, singing. violin, fiddle. printed edition of musical score

Honoré Daumier, dussent ils me maudire Ces barbares parens, 1844 ...dussent-ils me maudire. Ces barbares parens...

Satirical drawing: Artist Painting an Old Lady's Portrait. Artist: attributed to Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). Dimensions: 10 7/8 x 15 7/16in. (27.7 x 39.2cm). Date: 1729-1804. Museum: Metropolitan Museum of Art, New York, USA.

Le glouton. Dated: 1794. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Blaise Simonet after Jacques Louis François Touzé.

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