Theatrical Representations

Engravings and etchings portraying theatrical scenes and performances. Captive imagery of artists in motion captures the essence of historical theater.

Fresco 6. From the series: Life of Aeneas Silvius Piccolomini, 1502-1508, maker unknown. Acquisition history unknown.

Copper engraving and etching by Alexander Voet the Elder depicting the sense of hearing, showing a symbolic representation of auditory perception using human figures and objects from the mid-17th century.

Etching by Jean Michel Liotard depicting François comedians, created around 1731, showing theatrical figures and performance scenes.

The Duke of Anjou honored to Antwerp, 1582. Homage of Anjou in Antwerp, 19 February 1582. On a stage he gets the mantle and hat of the Duke of Brabant.

Copper engraving by Jan Collaert the Younger depicting the history of Susanna, created between 1580 and 1628, highlighting Flemish religious narrative engraving and detailed composition.

Man and his job, The teacher, Jakob Matthias Schmuzer Schmuzer -, Drawer, Kunz, Lithographer, Matthias Rudolph Toma -, Printer, publisher

Fresco 6. From the series: Life of Aeneas Silvius Piccolomini, 1502-1508, maker unknown. Acquisition history unknown.

Venice pays homage to Catharina Cornaro, trial pressure with edge drawings, After, Hans Makart -, Peinstre, William Unger -, Etcher

Etching and copper engraving by Edmé Jeaurat around 1735 depicting a battle entering a tripot, disrupting a comedic scene, with detailed figures and interior elements.

Etching by Carl Schroeder depicting a marriage contract, created between 1780 and 1844, illustrating legal agreement, figures, and 18th-19th century domestic or ceremonial setting.

Resentment cuts the hat of Ragotin, Louis Surugue, after Jacques Dumont, 1729 print Interior with gallant company, including a small man whose hat is cut by another. publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title)

Photo production of an engraving of the crucifixion by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print crucified Christ with Mary, John, and Mary Magdalene - DD - the three crosses

Copper engraving by Jan Pietersz. Saenredam depicting the Dance of Salome, showing her performing in a biblical story from around 1600.

Scenes of Parisian Life, Engraving on paper, Divided into three scenes showing the Parisian life of a lady from morning to evening. Depicts 'Naissance Du Dauphin,' 'Lpuis XVI Auprès de la Reine,' and Rèjouissance Populaire.', France, ca. 1780-1785, Print, Print

Offer from a bull, to Raphaël.

A copy of the tapestry with the representation of the Janusz Radziwi priest's camp in 1649 (bringing the wounded Mikhach Krzyczewski before Janusz Radziwi, after the battle of the Battle of Ojow, August 1, 1649).; unknown, Marszewski, Józef (1825-1883), Westerveld, Abraham von (CA 1620-1692); 1850-1873 (1850-00-00-1877-00-00);

Jonkvrouw, as a result, is received on a castle, Jean Baptiste Madou, 1835 - 1837 print publisher: Brusselspublisher: Parispublisher: Rotterdam paper adult woman. riding a horse, ass, or mule; rider, horseman. castle. being welcomed ~ travelling

Alva demands the tenth penning, 1571. Alva demands the tenth tenning, 1571. The Duke of Alva sitting on his throne, kneeling the mouth-mouthed by him. Bible and privileges torn on the ground.

Interior with noblemen at a table, Jean Baptiste Pierre Michiels, After Pierre Verreydt, 1831 - 1890 print paper etching interior ~ representation of a building. table. adult man (+ four persons)

Ball given by the city of Paris A S.A.R. Bishop Le Duc d'Angoulême on 15 XBR 1823. (IT)

Mr. Veto. (IT)

Copper engraving and etching by Charles Nicolas Cochin the Younger depicting an allegory of the Lorraine meeting in France under the Cardinal Department of Fleury, created in 1737.

A copper engraving and etching by Pierre François Basan depicting the farewell and departure of the lost son, created in the 18th century.

The entrance of Henri IV in the city of Paris (TF)

Copper engraving and etching by Jacques Bouillard depicting the child Moses stepping on the crown of Pharaoh, created between 1764 and 1806.

Hendrik for Krelis Louwen as Alexander de Grote, Jan Wandelaar, 1715 - 1730 print Krelis Louwen sits on a throne in the country house of Ferdinand in the assumption that he is Alexander the Great. He holds a pipe in his hand and is surrounded by his so -called consequence. In front of him, Hendrik, a black man dressed as a "Indian" with feathers headdress. On the left is the doctor. On the right in the foreground is a dog. On the set -up sheet there is a description of the scene displayed. North Netherlands paper etching / engraving throne. Native peoples of the Americas (+ caricatured). physician, doctor. dog. title-page

1809 etching by Bartolomeo Pinelli depicting Italian costumes in characteristic environments, focusing on traditional clothing and social life.

Children playing in front of the window of an old shoemaker, Denis Auguste Marie Raffet, 1827 print Paris paper children's games and plays. child

The King Cancelling his Servant's Debt, from the Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti 1585 Anonymous, Netherlandish, 16th century Netherlandish. The King Cancelling his Servant's Debt, from the Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti 690119

Ectypum vetustissimae piciturae in hypogeo Basilicae S. Clementis inventae anno 1862. Unknown maker, Italian

Rejtan in the Warsaw Sejm on April 21, 1773; Sotain, Noel Eugene (1816-1874), Bocourt (Fl. Ca 1862), Matejko, Jan (1838-1893); 1862 (1862-00-00-1862-00-00);

Copper engraving by Johann Georg Wille from 1730-1808 depicting Hagar presenting Abraham to Sara, showing biblical figures and interior setting.

Gevatter Michel distributes the German Pate to the European nations caricature on Arnold Ruge, MP of the National Assembly in Frankfurt , August Friedrich Pecht -, Etcher, Louis Rocca, publisher

Day of 18 Fructidor, / 4 and 5 7Bre. 1797. (IT)

Two performances from the life of Louis XVI, Daniel Nikolaus Chodowiecki, 1792 print With caption in German. Berlin paper etching History. ruler, sovereign. imprisonment. revolution, revolt

Bouwmeester en Gezellen, 13th century, David van der Kellen (1827-1895), 1857 - 1864 print Construction work under the leadership of the Bouwmeester and his companions, 13th century. Haarlem paper building activities Netherlands

Memorial for Jan Nieuwenhuyzen, 1806. Allegorical Memorial for the Jan Nieuwenhuyzen died on 24 February 1806, founder of society to the usefulness of 't General. Grave monument with bust of the deceased surrounded by grieving allegorical figures and other people. On the right the personification of society with the shield of society. In the background, the Dutch Virgin crowns the bust with a wreath of oak.

Pot Fair Cambridge, and, The College Gate Etcher Thomas Rowlandson British Henry William Bunbury British 1780-90 Two scenes printed on one sheet, the subjects relate to Bunbury's days as a student at Cambridge."Pot Fair Cambridge": pots are laid out on tables for sale. A fat divine stumbles backward as dogs fight in the foreground. A seller at right is alarmed as he threatens to fall onto her table."The College Gate": Three men ride off in different directions after coming through a gate with square brick pillars surmounted by stone vases. Behind the left rider walks a fat divine wearing an academic cap. Through the gateway we are shown a short fat man in a clerical wig standing on a mounting block as a groom approaches with his horse. View more. Pot Fair Cambridge, and, The College Gate. Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1780-90. Etching, printed in brown ink. Prints

Etching by Heinrich Friedrich Füger depicting Brutus, showing facial features, classical clothing, and human posture, created between 1770 and 1900.

Summer desire; Hahn, Christian (1820-), Richter, Ludwig (1803-1884), Hanfstaengl, Franz Seraph (1804-1877); 1852 (1895-00-00-1905-00-00);

Luxembourg in 1830 (IT)

Bombario, O Dead Gy Waars No Wind Of Law When Gy, Pope Clemens Schoot (ti)

Grown Gentlemen Taught to Dance February 1, 1803 After () Henry William Bunbury. Grown Gentlemen Taught to Dance. After () Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). February 1, 1803. Etching. Rudolph Ackermann, London (active 1794-1829). Prints

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior)

Etching and copper engraving by Louis Surugue, created in 1729, depicting the arrival of a performer from Comedien A in a city setting.

Head and hand of Nikanor shown to the people, Johannes Wierix, after Gerard van Groeningen, 1579 print The severed head and hand of Nikanor are shown to the people in Jerusalem. Nikanor wanted to eradicate Israel, but the Israelites conquered him and his army. Under the show a reference in Latin to the Bible text in 1 bubble. 7. Antwerp paper engraving Nicanor's head and hand hung near Jerusalem (+ variant)

Edelvrouwen, 13th century, David van der Kellen (1827-1895), 1857 - 1864 print Clothing from red women, 13th century. Castle interior with seven women in open windows. Haarlem paper clothes, costume (+ women's clothes). nobility and patriciate; chivalry, knighthood Netherlands

Evening of rafters on the Nemunas; Redlich, Henryk (1838-1884), Piotrowski, Maksymilian (1813-1875), Meerman, A. (Munich; Druchium; 185.-189), Society of Friends of Fine Arts (Kraków; Association; 1854-); 1866 (1866-00-00-1866-00-00);

Quarrel between women from Rome, Bartolomeo Pinelli, 1819 Three women in fight. On the right is a young man who watches. The print is part of an album. Rome paper etching Rome Three women in fight. On the right is a young man who watches. The print is part of an album. Rome paper etching Rome

Woodcut depicting a ruler audience, showing a seated ruler, attendants, and visitors in a formal setting from the 16th to 19th century.

Comforts of Bath, Plate 11 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 11. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Etching. Prints

A walk in the garden. Faust and Malzata, Mephistopheles and Marta.; Ruscheweyh, Ferdinand (1785-1846), Cornelius, Peter von (1783-1867), Wenner, Johann Friedrich (1772-1835); 1816 (edition); 1813 (matrix) (1813-00-00-1816-00-00);Faust, literary figure, Goethe, Faust, Karnicki Justinian, collection, Mephistopheles, Faust, literary figure, Germany, country, romanticism, illustration, literature, garden

Leaf with title print and the death of Maria Tudor in 1558; Maria Queen of Englandt etc. dies on November 17, 1558; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. Needled leaves with two plates: the title print and death of Maria Tudor on November 17, 1558. Title print and a leaf from a series about the fortunes of the English royal family of Stuart of 1558-1711, of which are included here, sixteen prints about the battle between Jacobus II and Willem III in the years 1688-1689.

Heinrich IV., King of France.

Bartolomeo Pinelli's 1821 etching depicts Italian costumes in characteristic surroundings, representing regional attire and cultural practices of Italy in the early 19th century.

Masked ball. .

Etching by Gerard de Lairesse depicting the biblical scene of Joseph being recognized by his brothers, created in 1668.

A Third Modern Military Punishment, Print made by Samuel Ireland, active 1760-died 1800, British, after William Hogarth, 1697-1764, British, 1794, Etching and aquatint on medium, slightly textured, cream wove paper

Soldiers plunder a farm; Les Miseres et les Malhors de la Guerre; The horrors of the war (large). Soldiers torture, raping and kill the residents of a farm, and rob their goods and food. Under the show a blank margin. This print is part of a series of 17 (18 incl. Title Print) prints with performances of various types of misery that warfare entails.

Scene U La Gerusalem Messa is Free, Infra Baldel ,FRE AREN Giovanni Battista Piazzetta, 1745 print Ornament edge with flowers, plants, cupidos and a fountain. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. fruits and vegetables ~ ornament. armorial bearing, heraldry

Etching by Franz Ertinger, 1660-1710, depicting Bertrand of Toulouse receiving the keys of Tripolis, showing ceremonial figures, architecture, and heraldic symbols.

Engraving and etching by Gilles Rousselet showing an allegory with portraits of Jean-François Paul de Gondi and two other prelates, created between 1636 and 1686.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Print, Decorations by Lebrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-62

The martyrdom of the Holy Erasmus, Jacques Callot, 1608 - 1611 print Under the watchful eye of a king and two other men, the intestines of the holy Erasmus are pulled out of his body with a Windas by two executioners. Under the performance a caption in Latin. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print). Rome paper engraving St. Erasmus lies naked on a block; his bowels are wound on to a windlass

Copper engraving and etching by Crispin de Passe II from 1623-1629 illustrating a riding school, showing horses, riders, and equestrian training exercises.

Etching by Johann Elias Ridinger depicting a hand horse owned by a pasha, showing equine features, conformation, and posture around 1770.

Grinder Album of the engravings French, William (1815 1898), Weenix

Bound Print (France)

Chinese man on a resting bed greeted by two people, Pieter Schenk (I) (Possible), After Romeyn de Hooghe, 1682 - 1711 print A Chinese man on a rest bed is greeted by two people. One of them holds a fan in hand. Amsterdam paper etching Chinese

Sketch magazine with various figures and animals, Nicolas Toussaint Charlet, 1830 print print maker: Parisprinter: Parispublisher: Parispublisher: Parispublisher: London paper robber. nun(s). tot, toddler ~ the ages of man. clown

Requirements to the corpse of Raphael, Alexandre Vincent Sixdeniers, after Pierre Nolasque Bergeret, after 1806 - 1846 print France paper. etching / engraving deathbed

Etching and copper engraving by Pierre Alexandre Aveline between 1722 and 1760 depicting 'The inconvenient package' and 'The merit of all peace.'

. The city sign academy (Teek Academy) above the Corps de Garde in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the town hall on December 4, 1767 on the Dam Square. A group of male sign pupils in a fairly dark interior in the event of a lambatic detection to a male nude model, the model sitting from the front. In the margin at the bottom of the title and the assignment to Willem Huyghens with his family crest.

Copper engraving and etching by John Mitchell from 1850-1874 showing a Flemish farm with buildings, landscape, farm animals, and rural activity.

Germanicus speaks with Burgers, Raphael Morghen, After Jean Grandjean, 1779 print Germanicus speaks with a group of citizens. Behind Germanicus are soldiers with spears. Numbered at the top right: IV. print maker: Italyafter design by: Romepublisher: Amsterdam paper etching the soldier; the soldier's life. (story of) Germanicus Netherlands

Century party in Leiden, 1776..

Copper engraving and etching by Crispin de Passe II from 1623-1629 depicting a riding school scene with horses and riders, showing equestrian exercises and figures.

Enrollment of volunteers on the Earth-Fill of Pont-New in September 1792, Decorative Panel of the Town Hall

Village view with the distribution of bread, anonymous, after David Teniers (II), 1771 print Numbered at the top right: 84. paper etching village. bread, loaf. armorial bearing, heraldry. feeding a baby

Candide plays card and Candide in Norway, Daniel Nikolaus Chodowiecki, 1778 print On the left, Candide loses 50,000 francs with the Faro card game after he has returned as a wealthy man from Eldorado. On the right is Candide among the inhabitants of Norway. His left leg has since been dropped off. Numbered: IV and V. paper etching Literature. card games. hoofed animals: reindeer. wooden leg

Etching by Daniel Nikolaus Chodowiecki depicting various scenes, created between the mid-18th and mid-19th centuries, showing 18th-19th-century printmaking and illustration techniques.

Etching by Georg Kaspar Prenner from 1747 depicting King Henry II of France marrying his daughter Diana to Orazio Farnese, showing figures, attendants, and ceremonial setting.

Little Aristocratic Club, July 28, 1830. Denis Auguste Marie Raffet (French, 1804-1860); printed by Chez Gihaut Frères (French, 19th century). Date: 1831. Dimensions: 152 × 221 mm (image); 272 × 358 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Batavians dominated by the Franks; Bishop of Utrecht; William I, Count of Holland ennobled; Alliance between the Batavians and the Romans., print, prints, verso - stamped, 3, 10, 11, 2, height 115 mm, width 261 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Copper engraving by Nicolaes de Bruyn depicting the adjoining of the kings, created in 1621.

May - Old May Day from George Cruikshank's Steel Etchings to The Comic Almanacks 1835-1853 (top left) Made 1836 England. Four steel etchings in black on cream India paper, laid down on off-white card (chine collÈ) . George Cruikshank

Rejtan; Zajkowski, Andrzej (1851-1914), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Rarecons, Anonymous, 1750 - 1850 print A man presents a viewing box to a group of children and their mothers on a square. Scenes have been presented in Rarekiek. Netherlands paper etching 'driving people', vagrants. Child and Art

Fourth event of October 5, 1789, the Parisian women sitting at the National Assembly among the members (Title) | Historical engravings of the main events since the opening of the generals of 1789 (TS)

Conversazione, and A Country Club. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Image: 5 7/8 × 9 7/16 in. (15 × 24 cm)Image: 6 9/16 × 9 7/16 in. (16.7 × 24 cm)Plate: 13 3/4 × 9 3/4 in. (34.9 × 24.8 cm)Sheet: 17 1/4 × 11 1/4 in. (43.8 × 28.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1806-11 (). Museum: Metropolitan Museum of Art, New York, USA.

Fish fags , Rivers, Ships, Peddlers, Fishmongers. Thomas Rowlandson (1756-1827). Prints and Drawings

Frederik Hendrik takes the oath as a stadholder and takes a seat in the States of Holland, 1625, Anonymous, 1651 - 1652 print Frederik Hendrik takes the oath as a new stadholder and takes a seat in the States of Holland, September 1625. On the right Frederik Hendrik takes the oath standing. On the left the States of Holland gathered in session in the presence of Frederik Hendrik. Imagined: fol. 7. paper engraving new ruler taking the oath. popular representation ~ government The Hague

Apotheosis of Ches. FERD. of Artois / sons of France, Duc de Berry. (IT)

Orange only visits the rebellious Ghent, ca. 1579, Theodoor Koning, After Jacobus Buys, 1788 print At the Stadspoort van Gent, Willem van Oranje is in conversation with furious soldiers for his visit to the rebellious Ghent, ca. 1579. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 And is an illustration in the twenty -first singing. Amsterdam paper engraving dog Ghent

The barricade fight in Prague, in Pentecost week No, from, Vaterland picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

Assassination of the Pelletier, February house restorer ... (IT)

Etching by Wenzel Hollar depicting the seating arrangements of Maximilian and Ferdinand at dinner and Hugh Lupus, Earl of Chester, with Barons and Abbots in Parliament, created between 1627 and 1677.

City sign academy in Amsterdam, 1764-1767, 1768 print The city sign academy (sign academy) above the De Garde Corps in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the Town Hall on Dam Square on December 4, 1767. A group of male drawing pupils in a fairly dark interior in the case of lamb obligation to be drawn to a male nude model, seen the model standing from the front. In the margin at the bottom of the title and the assignment to Willem Huyghens with his family crest. Northern Netherlands paper etching / engraving drawing-lesson Leidsepoort

Frederik Willem II says goodbye to the princess and her children, 1788; Tough goodbye to His Majesty, from Haare Jewelery high.D and royal springs on the Loo den 13th Julij 1788.king Frederik Willem II of Pussen Takes Goodbye to His Sister and Her Children on Palace and Her Children, July 13, 1788.

Interior with tailor Balthazar Knoopius and visit, Johannes Christiaan Bendorp, 1813 print Interior with tailor Balthazar Knoopius and men, two of whom are fighting in which a candle falls over. print maker: Netherlandspublisher: Rotterdam paper etching fighting

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