Theatrical Scene Illustrations

Detailed prints depicting elaborate theater settings and performances from historical plays, capturing the stage design and audience engagement.

The Hague, Tethart Philip Christian, Philips, Jan Caspar, Reproduction of a print of the inauguration of Prince William V as Knight in the Order of the Garter by Jan Caspar Philips, verso - stamped, photomechanical print, reproduction, photographs, topography, 4048, recto - handwritten, AA405, verso - handwritten, height 219 mm, width 292 mm, maker, producer, 1875 - 1900, paper, papier, collotype, Work conception, Northern Netherlands, 1700 - 1775-04-24, after a print by, 1737 - 1812-08-03, intermediary draughtsman

Schouwburg with theater decor: De Kerker, Cornelis Brouwer, after Jan Bulthuis, after Pieter Barbiers (I), 1794 print Theater performance in the new Amsterdam Schouwburg with the scenic decor de Kerker, with scene from Gabriëla van Verij. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

The Hague, Tethart Philip Christian, Philips, Jan Caspar, Reproduction of a print of the inauguration of Prince William V as Knight in the Order of the Garter by Jan Caspar Philips, verso - stamped, photomechanical print, reproduction, photographs, topography, 4048, recto - handwritten, AA405, verso - handwritten, height 219 mm, width 292 mm, maker, producer, 1875 - 1900, paper, papier, collotype, Work conception, Northern Netherlands, 1700 - 1775-04-24, after a print by, 1737 - 1812-08-03, intermediary draughtsman

. Theater performance in the Amsterdamse Schouwburg on the Emperorsgracht with the Coulis Decoration The wallpapered room with scene from: the swierce. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of 12 stage decorations.

. The ball in the civilian hall of the Amsterdam town hall given by the city council on the occasion of the visit of Stadholder Willem V and Prinses Wilhelmina van Prussen, 2 June 1768. Part of a print series with title print and 14 plates of the prince and princess Amsterdam, May 30 - June 4, 1768.

Print, Medea: or The Marriage of Jason and Creusa, 1648; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on paper; 24.2 × 17.9 cm (9 1/2 × 7 1/16 in.); Bequest of George Campbell Cooper; 1896-3-164

A festive procession led by Napoleon Bonaparte through the galleries of the Louvre passes jubilant courtiers. Etching by H. Reinhold after B. Zix, 1811.

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decoration The communal neighborhood with scene: the loving brechje. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

The project with a canopy, decorated with a presentation of two ancient deities in armor; unknown, Marot, Daniel (1661-1752; st.); around 1702 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, canopies, decoration - design, French (culture), chambers, inverted copies, furniture, ornaments, projects, interiors, beds, beds, beds

HER MAJESTY'S VISIT TO PARIS, GRAND BALL AT THE HOTEL DE VILLE, THE COURT LOUIS XIV

Vincent Placius unmasks anonymous authors; Title page for: Vincent Placius, Theatrum Anonymorum et pseudonynorum, 1708. Four masked authors in a library. A man, possibly Placius, removes a mask of the face at two of them. At the top of a cartouche with the motto 'Suum Cuique' with a cord with masks below. In the background a look forward to a space with Minerva and Mercury. In the foreground a short title of the publication on a cloth that has been draped over a coffin.

Interior of the anatomical theater Collegium Churgical, Amsterdam, with stands and cutting table. On both sides there are statues in niches, on the left the god Apollo with bow and arrow and lyre and on the right an unknown male saint or philosopher with palm leaves and the caduceus, the wand with winding serpentine of Mercury and the attribute of the surgeon., Dissecting room, ' theatrum anatomicum ', (story of) Apollo (Phoebus), caduceus (staff with two snakes, attribute of Mercury), Barent de Bakker (mentioned on object), 1780, paper, ink, pen, h 212 mm × w 332 mm

Allegory at the glorious history of the Netherlands. Large oval design drawing for the print with a temple in which the history of the Netherlands is extensively glorified.

Funerary Scene in a Temple ca. 1760 Pierre Moreau French. Funerary Scene in a Temple 398039

Giovanni Battista Brustolon after Canaletto (Italian, 1712 - 1796), The Newly Elected Doge Presented to the People in San Marco, 1763-1766, etching and engraving on laid paper

Graftombe van Willem I, prins van Oranje, 1623; Tombe ofte Begraefplaets der Princen van Orange.Graftombe or Palatergraf of Willem I in the new church in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With the frame.

The municipality of Paris declines a C.nesham epee Jean-Louis Prieur (the young) (1759-1795). "The commune of Paris has a sword in C. Nesham, January 15, 1790".

Spain (1822). Liberal Triennium. Madrid (7th July 1822). The staircase of the Palace the night of 7th July. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

View in the Kwartelstraat in Utrecht.

Jean Louis Desprez, 1743-1804, French, Somerset House, the Strand Vestibule, undated. Watercolor, gray wash, pen and black ink, pen and gray ink and graphite on medium, slightly textured, cream wove paper.

Graftombes by Karel de Stoute and Maria van Bourgondia, Guillaume van der Hecht, 1827 - c. 1846 print Brussels paper grave, tomb Onze-Lieve-Vrouwekerk

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scene decor the Italian street with scene from: the croped lawyer. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

Napoleon wedding (TF)

A marble pulpit dramatically suspended between two flights of stairs, designed by de Waily, forms a bridge-like structure across the nave of the Church of Saint Sulpice. A priest, with upraised arms, preaches to the congregation seated in the foreground. A sculpture of Charity adorns the top of the pulpit. A sculpture of Faith (holding a chalice) adorns the left landing; the pedestal shows a bas-relief of the symbol of St. Luke (ox). On the right landing, a sculpture of Hope (holding an anchor) rests on a pedestal decorated with a bas relief of St. Mark's symbol (the lion). Pen and black ink, brush and watercolor, black chalk on white laid paper. Date: 1789. Museum: Cooper Hewitt, Smithsonian Design Museum.

Medee or the wedding of Jason and Creusa Harmensz van Rijn Rembrandt (1606-1669). Medea or marriage of Jason and Cre�sa (B 112 - 1st state), 1648.

Kunstbeschouwing in art and friendship in Amsterdam, John of the sea, after Charles Rochussen, 1851 print In Arti et Amicitiae in Amsterdam, art is considered by many men and women around a long table. Every Thursday evening, artists and collectors discussed each other's work here. Amsterdam paper steel engraving art (+ organization of amateurs and connoisseurs ~ arts). criticizing and discussing art, art criticism. person stimulating the arts; art lover, connoisseur, maecenas, patron. collecting and exhibiting products of the fine arts Art and friendship

Arts Theater Transformation Project: Perspective view of the scene and the forefront Alexandre Th�odore Brongniart (1739-1813). Arts Theater Transformation Project: Perspective view of the scene and the forefront. Feather and ink and watercolor ink on paper, 1739-1813. Carnavalet Museum, History of Paris.

Inferno, 1700s(). Netherlands(), 18th century (). Etching (2 plates, one in center with main subject, the second frames the first, plus inscription plate); sheet: 35 x 45.3 cm (13 3/4 x 17 13/16 in.).

Greenwich Hospital, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolor on paper, Sightseers in a large hall with baroque wall decoration. Wagon with mementos to the right. Title, artists', and publisher's names below., Europe, London, England, 1810, Print, Print

José Gómez de Navia (Drafstman); Cipriano Maré (Letter engraver); Manuel Alegre (Engraver); Calcografía Nacional (The seller) / 'View of the monument to Holy Week, Royal Monastery of San Lorenzo de El Escorial'. 1800 - 1809. Taille douce: etching and engraving on wove paper; 1800 - 1809. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

John Bluck, active 1791-1831, British, Drawing Room, St. James's, 1809. Aquatint hand colored.

THE ATTEMPT ON THE CZAR'S LIFE

Drawing, View of Masquerade Ball; Jean-Charles Delafosse (French, 1734-1791); France; pen and black ink, brush and gray wash, watercolor, black chalk on white laid paper ; 30.8 × 40.1 cm (12 1/8 × 15 13/16 in.) Mat: 40.6 × 55.9 cm (16 × 22 in.)

Day of 28,29,30 Prairial, year seven; Resignation of several directors. (IT)

States General of Paris (1328) (IT)

Fancy Fair in the Painted Hall Date: 1843

. Theater performance in the new Amsterdam thoughts with the coulis decor the old-fashioned citizen room, with scene from the stepmoman. The decor printed from a separate plate within a passe-partout with the hall, side loges, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este, with his Gentle Manner, is Loved by All of the

Loggia en tuin van de villa Medici te Rome, Giovanni Francesco Venturini, 1653 - 1691 In the Loggia a fountain with sculpture of Mercury by Giammologna and the two Medici Leeuwen. In the foreground a sculpture of Silenus with the young Bacchus and a sculpture from Venus. Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Medici. Rome In the Loggia a fountain with sculpture of Mercury by Giammologna and the two Medici Leeuwen. In the foreground a sculpture of Silenus with the young Bacchus and a sculpture from Venus. Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Medici. Rome

Marble Voorhal at the Gothic Hall, Kneuterdijk Palace, The Hague, Augustus Wijnantz, 1850 drawing paper. pencil. ink. watercolor (paint) pen / brush The Hague. Kneuterdijk Palace, Gothic Hall, Voorhal

Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris Joseph Varin French Architect Claude Pierre Convers French 1781 The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers.

. Print at the top right numbered: 145.

Inside of the Mews, unknown artist, after Thomas Malton the Younger, 1748-1804, British, OR after Thomas Malton, 1726-1801, British, 1794, Aquatint, hand-colored, Sheet: 15 5/16 x 12 1/16in. (38.9 x 30.6cm)

Staten van Holland en West-Friesland, Den Haag, Beeck, Anna, Noordelijke Nederlanden, Vianen, Jan van, Le Château Roial de Ryswick Appellée de Neubourg avec les differens apartemens ou se tiennent les Conferenes de la Paix General, The Royal Castle at Ryswyck, called Nieuwburg, with all its Chambers and views, in particular, where the Conferences of the General Peace were held, &c., Series of fifteen prints about the House ter Nieuburg in Rijswijk and the peace negotiations, 1697, The chamber where the plenipotentiaries of all the High Allied assemblies, La chambre ou s'assemblent les plenipotentaires des Hauts Alliez, Chamber of the plenipotentiaries of the Allies in the Huis ter Nieuburch in Rijswijk, The Hague, Northern Netherlands, The room of the Allies' plenipotentiaries in the Huis ter Nieuburch in Rijswijk. A group of men sitting in a circle in a meeting. In the caption the two titles in French and Dutch. Part (print 11) of the series of fifteen prints about the Huis ter Nieubu

Interior view of a pantheon with priests, drawn by Charles de Wailly using pen, ink, Bister wash, and white highlights, 2nd half of the 18th century.

. A ballroom. Ladies and gentlemen are against the walls. In the middle of the departure a dancing couple. Left above the door the orchestra.

Lottery Drawing: Coopers Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and watercolor on paper, Foreground onlookers; then three rows of men in a pit, with tally sheets. The lottery game on stage above, with judges and callers. Title, artists', and publisher's names below., Europe, London, England, 1809, Print, Print

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

THE END OF THE CARLIST WAR, 1876: ROOM IN THE PALACE, ESTELLA, WHERE DON CARLOS RESIDED, NOW OCCUPIED BY GENERAL PRIMO DE RIVERA

Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris. Architect: Claude Pierre Convers (French, active ca. 1782). Artist: Joseph Varin (French, Châlons-sur-Marne 1740-1800 Paris). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm)Plate: 10 1/4 × 8 1/16 in. (26 × 20.5 cm). Date: 1781.The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers. Museum: Metropolitan Museum of Art, New York, USA.

BOCETO PARA 'LOS HUGONOTES" DE MEYERBEER' PRIMER ACTO. Location: MUSEO DE LA OPERA. France.

Assassination of the member Ferraud in the Hall of the National Convention, the 1st Prairial, year 3rd of the Republic Pierre-Gabriel Berthault / Jean Duplessis-Bertaux. Assassination of the member Ferraud in the Hall of the National Convention, the 1st Prairial, the 3rd of the Republic.

De groote kerk te Haarlem, overweldigd, door de sol daaten, int jaar 1578. Artist: Unknown

Print made by Pietro Antonio Martini, 1738-1797, Italian, Exhibition of Royal Academy, 1787. Etching.

Sculpture Gallery at the World Exhibition in Paris in 1889, Anonymous, 1889 photograph Part of travel album European cities, presumably Swedish. Paris photographic support albumen print world fair, world exhibition. gallery of sculptures Paris

Oranjezaal in Huis ten Bosch, ca. 1875, 1850 - 1880 print Face in the Oranjezaal of the Huis ten Bosch Palace in The Hague, ca. 1875. The central representation of Stadholder Frederik Hendrik in his triumphal car drawn by four white horses and awarded by victory and abundance, completed in 1652. Left a few visitors. Netherlands . steel engraving palace. picture, painting Palace Huis ten Bosch

Tentonstelling in de Royal Academy in Londen in 1787, Pietro Antonio Martine, after johann heinrich ramberg, print London paper etching / engraving exhibition ~ art Royal Academy of Arts

The king going to the Church The king going to church . Engraving. Paris, Carnavalet museum.

Print made by Edward Radclyffe, 1809-1863, British, British Museum, Egyptian Room, 1844. Line engraving on medium, slightly textured, cream wove paper.

Synagogue September 1, 1809 Designed and etched by Thomas Rowlandson. Synagogue. Microcosm of London, pl. 82. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). September 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Scene from the second movement of the opera The Deserter. A fire broke out during the performance of this opera in the Amsterdam Schouwburg on Keizersgracht on May 11, 1772. Beneath the scene the dedication and title in Dutch and French, with Gerrit Gerritsz. Hooft's coat of arms in the center, Scene from the opera De Deserteur, 1772 The IX stage, from the second part of the Opera van den Deserteur , La IX scene, du second acte de l'Opera du Deserteur , print maker: Cornelis Bogerts, (mentioned on object), intermediary draughtsman: Pieter Barbiers (I), (mentioned on object), after: Rysschoot, (mentioned on object), Amsterdam, 1772, paper, etching, engraving, h 308 mm × w 443 mm

Kerkhoff, Daniël, Northern Netherlands, Brouwer, Cornelis, Main meeting of the Society for the Public Benefit, 1791, verso - stamped, The main meeting of the Society for the Public Benefit, in the Old Lutheran Church in Amsterdam, on 9 August 1791., print, prent, prints, Frederik Muller Historieplaten, height 253 mm, width 320 mm, Noord-Nederlands, 1735 - 1803-03-31, print maker, printmaker, 1791 - 1791, paper, papier, etching, etchings, engraving, engraving (printing process), 1766-02-05 - 1821-03-05, intermediary draughtsman

John Smith, 1652-1743, British, Inside the Painted Chamber, 1806. Etching.

Theater Decor: poor residential, Reinier Vinkeles (I), After Andries van der Groen, 1777 print The weaving Decor poor resident, with a scene from: the virtuous poverty. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

St. Julian's, Tours, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, engraver's proof

Photo production of painting by Dirck van Parts of the Ridderzaal during the first major meeting, 1651, 1850 - 1877 photograph Painting of the interior of the Grote Zaal on the Binnenhof, the Ridderzaal, in The Hague, during the first major meeting of the States General. Meeting held in the Ridderzaal from 18 to 21 January 1651, invested after the death of Prince William II on November 6, 1650. Hang on the ceiling on the enemy conquered flags and banners. A metal flap is attached to the painting. The flap is open on this photo, making the large meeting visible. In the foreground is a table with books, an hourglass and an ink set. On the table a rug with the saying 'Concordia res parvae crescunt'. Photo stuck on a cardboard with the names of the Manufacturers, collection (Das Königliche Museum in Haag), etc. Probably part of a series of photos (no. 40) of paintings in the Mauritshuis in The Hague. München paper letterpress printing Racing room

Spiegelzaal in the Palace of Versailles. The Spiegelzaal (Galerie des Glaces) in the Palace of Versailles. This print is part of an album.

The Leiden Anatomic Theater, Giuseppe Filosi, 1742 print Anatomical theater of the University of Leiden. Numbered in front of it: Tom XI. print maker: Italypublisher: Venice paper etching university. anatomy lesson To lead. university of Leiden

Thomas Rowlandson, 1756-1827, British, Freemasons Hill, Great Queen Street, 1808. Aquatint, hand-colored.

the international exposition 1867, Paris, France, the exhicition of the manufacture royale de porcelaine de Sevres / die internationale Ausstellung 1867, Paris, Frankreich, die Ausstellung der Manufacture Royale de Porcelaine de Sevres, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Francois Nicolas Barthelemy Dequevauviller after Nicolas Lavreince, L'assemblee au salon, 1783 L'assemblee au salon

Steps leading to the garden of the Hotel de Ville, Paris, France, United Kingdom celebrations for the Universal Exhibition of London, illustration from L'Illustration, Journal Universel, No 441, Volume XVIII, August 7-14, 1851.

Burlington Arcade, J. Stiven, active 1819, after Henry Perry, active 1810-1848, 1819, Hand colored engraving

World Exhibition. All products exhibited by the Christofle and Cie House.

Interior View of the Basilica of Santa Maria Maggiore, Rome. Artist: Anton Hallmann (German, Hannover 1812-1845 Livorno). Dimensions: Sheet: 30 3/8 × 13 9/16 in. (77.2 × 34.5 cm). Date: 1833. Museum: Metropolitan Museum of Art, New York, USA.

The K, Privileged theater in the Josephstadt, On the occasion of the presentation found on November , for the Feyer of the Empress of the Empress Mother, the presentation found on November , Johann Wenzel Zinke -, Copper Engraver, after, Theodor Jachimowicz -, Artist

Brazilian exhibit at the 1867 Exposition Universelle, Paris - Brazilian exhibition, at the Campo de Marte Palace

The Dutch national assembly convenes in Gravenhage (the Hague) 1st March 1796.

Two performances of the meal and the viewing of antiques in the town hall of Vlissingen, 1751, 1753 print Leaf with two performances. At the bottom of viewing by the magistrate and the stadholder of antiques (including the bottle of St. Willibrord) in the town hall. At the top of the meal in the council chamber of the town hall of Vlissingen. Part of the illustrations of the inauguration of William IV as heir to Vlissingen on 5 June 1751. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving celebration meal, feast, banquet Flushing

Meeting of the 7th district Democratic Committee, Election day, Paris, France, illustration from L'Illustration, Journal Universel, No 1371, Volume LIII, June 3, 1869.

William Radclyffe, 1780-1855, British, St. Julian's, Tours, 1833. Line engraving, engraver's proof.

. The Coulis Decor the contemporary bugerkamer, with scene from the crushed silly juffer, or the attorney powder. Separate print of only the decor, without the passe-partout with the stage and the room. Belonging to the series of fourteen stage decors of the new Amsterdamse Schouwburg, 1787-1794.

Face in the hall at the start of the fire in the Schouwburg, 1772, Cornelis Bogerts, after Pieter Barbiers (I), 1772 print View in the room at the start of the fire in the theater. The audience flees in a panic. Part of a series of four prints with title print about the fire in the Amsterdam Schouwburg. Northern Netherlands paper etching / engraving on fire, ablaze. theatre, theatrical performance Schouwburg Keizersgracht (1637-1772)

THE ITALIAN EXPOSITION AT FLORENCE ON THE FIRST DAY OF FREE ADMISSION

Death of the First Born, John Martin, 1789-1854, British, 1836, Mezzotint on thick, slightly textured, cream, wove paper, Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm) and Image: 19 1/8 × 28 13/16 inches (48.6 × 73.2 cm), child, cloud, crying, death, jug, lightning, man, mourning, palace, pharaoh, pillar, plague, religious and mythological subject, temple, the plague of the first-born: the destroying angel passes through the land and kills every Egyptian first-born of man and animal, tree, weeping, woman

Tirion, Isaak, Fokke, Simon, Northern Netherlands, The great church in Haarlem, overwhelmed by soldiers in the year 1578., The Saint Bavo Church in Haarlem stormed by Protestants, 1578, The St. Bavo Church in Haarlem stormed during midday prayers (De Noon) by Dutch soldiers and rioters, May 29, 1578. View of the interior of the church in which the Catholic clergy are chased away and destruction is committed, during which the priest Balling is murdered. This event is known as De Haarlemse Noon., print, prent, historieprent, prints, Frederik Muller Historieplaten, height 175 mm, width 205 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, prentmaker, 1747 - 1759, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etsen, Work conception, after own design of, Publication (Event), Publication, 1705 - 1765, publisher

World Exhibition. - Solemn distribution of rewards by the Emperor, at the Palais des Champs-Elysees, July 1st.

Tsar Peter the Great visits the Wildianum museum, Maria de Wilde, 1697 - 1700 print Interior of the Wildianum museum on Keizersgracht 333. High bookcases with art objects against the side walls. Jacob de Wilde is sitting at the table on the left. He shows his art treasures to Tsar Peter the Great who sits opposite him. The tsar visited the museum on December 13, 1697. Amsterdam paper etching permanent exhibition, museum

Théodore Géricault (French, 1791 - 1824). The Church of St. Nicolas, Rouen, 1823. Lithograph mounted down on white wove paper. Image: 341 mm x 237 mm (13.43 in. x 9.33 in.).

James Peller Malcolm, 1767-1815, American, Leather-seller's Hall, 1799. Engraving.

John Bluck, active 1791-1831, British, Philanthropic Society, The Chapel, 1809. Aquatint, hand-colored.

EXHIBITION OF THE CITY OF LONDON SOCIETY OF ARTISTS IN SKINNERS' HALL, CANNON STREET, 1880

. Arti et amicitiae in Amsterdam is considered by many gentlemen and ladies around a long table. Every Thursday evening artists and collectors discussed each other's work here.

Concourse, Grand Central, New York. Dated: 1919. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

A Soirée in Frascati in Amsterdam, Gerhardus Fredericus Eilbracht, 1841 print The room is decorated with garlands and pine trees. A fountain in the middle. To the left and right of the middle are tables and chairs with ladies and gentlemen, an officer in the foreground. People talk, smoke and drink with each other. print maker: The Hagueprinter: Amsterdam paper private festivities, merry company - AA - in the open air, 'fíªte champíªtre'. fountain (indoors). drinking

An alchemist with his family in their dim dwelling, working a bellows at his furnace. Engraving by J.C. Bentley after A. van Ostade, 1661.

Mummies and sarcophagi attract visitors to the Egyptian Room. Date: 1847

Craeyvanger, Reinier, Haarlem, Binger & Co., Ch., Photographic reproduction of a drawing of the Kalverstraat by Reinier Craeyvanger, recto - printed, photograph, photo, reproduction, photos, topography, Amsterdam, Kalverstraat, 2, Photogr.: by Ch. Binger & Co. Haarlem, height 458 mm, width 303 mm, Dutch, photographer, 1867 - 1882, photographic paper, photo paper, cardboard, daylight gelatin silver print, 1812-02-29 - 1880-01-10, intermediary draughtsman

Print (Netherlands); Jan van Doetechum the Elder (Netherlands); After Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Print Maker: Johannes van Doetechum I (ca. 1530 - 1606), Lucas van Doetechum (Dutch, after 1584); support: white laid paper; Platemark/repeat: 20.9 x 25.5 cm (8 1/4 x 10 1/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

'A Banquet at the Royal Pavilion, Brighton', c1827, (1938). Artist: Joseph Nash.

Plate from "Scenographiae...". Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); After Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()). Dimensions: sheet: 5 7/8 x 8 5/16 in. (15 x 21.1 cm). Date: 1560. Museum: Metropolitan Museum of Art, New York, USA.

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