Theatrical Scenes

Etchings illustrating dramatic theatrical representations, featuring elaborate stage settings and characterized figures in historical narratives.

Jacques Callot (1592-1635). "Soliman, 1st act. Second issue of a series of 6 pieces" (Lieure 364, Meaume 435). Etching. 1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-5 Etching, engraving

Jacques Callot (1592-1635). "Soliman, 1st act. Second issue of a series of 6 pieces" (Lieure 364, Meaume 435). Etching. 1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-5 Etching, engraving

Second Intermezzo: Hellish beings are going to avenge Circe; Three Intermezzi in the play 'La Liberazione di Tirenno, E d'Arnea' by Andrea Salvadori. On a stage with burning ruins and towers (a representation of hell), a large devil is flanked by two smaller ones in the foreground. Demons on the left and right behind them, put on two rows; Her and there in the air, on the water and on the buildings in the background also many devilish weons. Under the show a line of Italian text. This print is part of a series of three performances from Intermezzi in the play 'La Liberazione di Tirenno, E d'Arnea' by Andrea Salvadori, as was performed during the Carnival party in Florence in 1616.

Hoftuin with David and Batseba, Pieter van der Borcht (i), c. 1600 - c. 1601 A court garden. Batseba can be seen in the middle of the print, which is bathing at a fountain. King David (top left) sees her from his roof terrace (2 Samuel 11: 2). He sends a messenger (bottom left) with the assignment to bring Batseba to the palace (2 Samuel 11: 4). The messenger then brings the message to the still bathing Batseba. A monkey (sinfulness) and two peacocks (pride) watch the events. The print is part of an album. Antwerp paper etching A court garden. Batseba can be seen in the middle of the print, which is bathing at a fountain. King David (top left) sees her from his roof terrace (2 Samuel 11: 2). He sends a messenger (bottom left) with the assignment to bring Batseba to the palace (2 Samuel 11: 4). The messenger then brings the message to the still bathing Batseba. A monkey (sinfulness) and two peacocks (pride) watch the events. The print is part of an album. Antwerp paper etching

Print, The temples of Apollo and Diana built for the first day of the fireworks at SS. Peter and Paul by Paolo Posi; Italy; etching paper; watemark: lily in double ovoid topped by v; 43.7 × 59.5 cm (17 3/16 × 23 7/16 in.)

Le Marché de la Place de L'Annonciade a Florence (The Marketplace of L' Annunziata in Florence), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Marché de la Place de L'Annonciade a Florence (The Marketplace of L' Annunziata in Florence), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel One of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini.. Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching

Face from the amphitheater over the garden to Het Loo palace, Laurens screen, 1689 - 1702 print View from the amphitheater over the garden to Paleis Het Loo. paper etching / engraving French or architectonic garden; formal garden. garden fountain. palace Palace Het Loo

Cityscape with equestrian statue of Louis XV van France, René Jacques Le Charpentier, after Jacques de Sève, 1764 print print maker: Francepublisher: Paris paper etching / engraving monument, statue (+ city(-scape) with figures, staffage). equestrian statue Place de Louis XV

Maria Oigniacensis, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

Villa Pigneto Te Rome, Alessandro Specchi, 1699 Title in the lower margin. Print is part of an album. print maker: Italyafter drawing by: Italypublisher: RomeVaticaanstadRomeItaly paper etching Pigneto villa Title in the lower margin. Print is part of an album. print maker: Italyafter drawing by: Italypublisher: RomeVaticaanstadRomeItaly paper etching Pigneto villa

View of the sick in The Hague, Iven Besut (attributed to), 1757 print View of the sick in The Hague, with the wall on the left around the garden of and part of the Leprozenhuis. A sailing ship and a barge in the water. The sick was part of the Trekvaart between Delft and The Hague. Under the show the title and assignment in Dutch and French, with the family crest of the ships Johannes Patijn in the middle. Print from a series of eighteen faces in and around The Hague. paper etching / engraving armorial bearing, heraldry. canal. street (+ city(-scape) with figures, staffage). hospital Sick. Leprozhuis. The Hague

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1769 A Building for Public Entertainment, 1769 The Seconda Macchina for the Chinea of 1769: A Building for Public Entertainment

The Temple of Janus, for the "Chinea" Festival. Dated: 1722. Dimensions: plate: 41.7 x 54.7 cm (16 7/16 x 21 9/16 in.) sheet: 45.3 x 66 cm (17 13/16 x 26 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Girolamo Frezza after Alessandro Specchi (architect).

Visit to A. Roelants. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 9 3/4 × 16 1/4 in. (24.8 × 41.2 cm)cut on the platemark. Series/Portfolio: Title-page plus a series of four prints commemorating the visit paid by the Imperial Postmaster-General, the count de la Tour et Tassis, and his wife to Alexander Roelants, the Imperial Postmaster for the Netherlands (P.562-566).. Date: 1650. Museum: Metropolitan Museum of Art, New York, USA.

. Many Romanly dressed figures a classic grave monument.

Jacques Callot, Second Intermezzo, 1617 Second Intermezzo

Lente, Matham Merian (i), 1603 - 1650 print paper etching spring, 'Ver'; 'Primavera' (Ripa). castle. French or architectonic garden; formal garden. garden fountain Heidelberg

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Place Dauphine in Paris, verso - stamped, print, prints, height 75 mm, width 108 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

The Escuries Courses, and Avenues of Versailles, Veues de Versailles, Swidde, Willem, 1661-1697, Engraving, 1686

Hyrcanus plundered the grave of David, Jan Luyken, 1682 print Amsterdam paper etching plundering of David's grave by Johannes Hyrcanus

Decor with garden in the new theater in Amsterdam; The garden. With the image of the last stage from the singing blaise and babet.; Decors in the new Schouwburg in Amsterdam. Decor with garden in the new Schouwburg in Amsterdam with scene from play Blaise and Babet. In the room the orchestra plays and the audience faces, even from the lodges. In the margin below a verse in six rules.

Imperial library and curiosity cabinet, Jan Luyken, 1682 print Amsterdam paper etching Study; 'Studiolo'; Library. Cabinet of Curiosities, 'Kunst- und Wunderkammer'

Jacques Callot, Piazza SS Annunziata, Florence, c 1622 Piazza SS. Annunziata, Florence

Arrival of the ambassadors in Rijswijk, 1697, 1697 print Arrival of the carriages with the ambassadors at the Ter Nieuburch house in Rijswijk for the peace negotiations, May 20, 1697. In the caption Titels and Legends 1-10 in French and Dutch. Part of the series of fifteen prints about the Ter Nieuburch house in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk closed on September 20, 1697. print maker: Northern Netherlandspublisher: The Hague paper etching arrival and return ~ travelling. being welcomed ~ travelling House Ter Nieuburch

The Wheel, plate fourteen from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 73 x 182 mm (image); 82 x 184 mm (plate); 101 x 202 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Man met hoed bij de Piazza del Duomo te Florence; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Left in the foreground is a Lord with a hat and a hand in the side. In the background the Piazza del Duomo in Florence, on which it is a busy interest. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Entry of King William III in The Hague, 1691, Jan Luyken, 1691 print Entry of King William III in The Hague, 5 February 1691. A long procession of carriages and soldiers draws through the Triumphpoort set up at the Buitenhof for the Stadholder Quarter. In the caption De Legenda A-Q in Dutch and French. Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Buitenhof

Inauguration of Christina, Queen of Sweden in Stockholm, 1650, Caspar Luyken (attributed to), 1701 print Frankfurt am Main paper etching / letterpress printing coronation procession - BB - female ruler Stockholm

The Slave Market. Jacques Callot; French, 1592-1635. Date: 1629. Dimensions: 115 × 218 mm (image/plate); 122 × 224 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Face locking Hässelby, from the east and south, Johannes Jacobsz van den Aveele, 1707 The print is part of an album. Stockholm paper etching Slot Hässelby The print is part of an album. Stockholm paper etching Slot Hässelby

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and scenes of Mirame tragicomedia, a scene from the 2nd act: 4 characters including a man on his knees in front of a lady. Third number of a series of 6 pieces (A. de Vesme 938. Dutuit 74) (main title), 1641. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Festive entry of Farnese after the relief of Paris, 1590, 1670 - 1699 Festive entry of Alexander Farnese After the relief of Paris, which was besieged by the Huguenots, 1590. Procession of knights and nobles behind the column of Karren pulls through a triumphal arch into the city to provide Paris with Proviand, 3 September 1590. Bottom right the title And the legend A-C in French. Netherlands paper etching Paris Festive entry of Alexander Farnese After the relief of Paris, which was besieged by the Huguenots, 1590. Procession of knights and nobles behind the column of Karren pulls through a triumphal arch into the city to provide Paris with Proviand, 3 September 1590. Bottom right the title And the legend A-C in French. Netherlands paper etching Paris

Realizing during the suspension of a man and woman at the Waag in Amsterdam, June 28, 1748. During the suspension of a man and woman (Piet van Dort and the lemon and dried school saleswoman Mat van den Nieuwendijk), two participants in the tenant robper , At the Waag in Amsterdam, June 28, 1748. The shooter opens the fire on the spectators.

View of the pond towards the colonnade in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View on the pond towards the colonnade in the French garden of Huis ter Meer. There are two groups of conversing figures in the foreground. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden. garden fountain House Ter Meer

Theater Design, Possibly The Triumph of Hannibal 1784-1792 Louis Jean Desprez French Originally trained as an architect, Desprez is best known for his drawings for the abbé de Saint Nons Voyage pittoresque de Naples et de Sicile (1781-86), and from 1784 on, his theater designs for the Gustav IIIs opera house in Stockholm. This sheet may have originally been part of a sketchbook and can, in any case, be considered as part of a group of sketches of similar dimensions, executed in the same media, and all lightly squared. The majority of such drawings are conserved at the Nationalmuseum in Stockholm, Sweden. The subjects of these sketches often feature classical architecture either observed in or inspired by the environs of Rome, southern Italy, or Sicily, with figures enacting imagined historical events. This drawing appears to represent an ancient theater in a style influenced by the many ruins Desprez studied during his travels across southern Italy and Sicily that he undertook with D

From birth to 16 years old: the composite order; Composita; The six ages of man symbolized by the construction orders; Theatrum Vitæ Humanæ. Walled inner garden with arsen, fountains and pergolas. Small children play everywhere. In the foreground older boys studying. In the margin a four-line caption, in two columns, in Latin.

Speculum Romanae Magnificentiae: Circus Flaminius in Rome 1581 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients comp

Feather drawing with wash by Baccio del Bianco showing the Arno bridge in Florence with a carriage crossing and staffage figures, on a prepared sheet.

Rubens, Peter Paul, Southern Netherlands, Causé, Hendrik, Specimina magnificentiorum in civitate Antverpiensi locorum et operum, Sheet with ten representations of the entry of the Cardinal Infant Ferdinand into Antwerp, 1635, Sheet with ten representations of the entry of the Cardinal Infant Ferdinand of Austria as the new governor for the Spanish Netherlands, into Antwerp on 17 April 1635. Various famous buildings in Antwerp and the triumphal gates specially erected for this event., print, prent, historical print, prints, pnten, Frederik Muller Historical plates, height 325 mm, width 415 mm, 1648 - 1699-05, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1577-06-28 - 1640-05-30

View of the garden of the Gansenhoef country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 26. Print is part of an album. paper engraving / etching French or architectonic garden; formal garden. country-house Maarssen

Carroussel in Florence; Carroussel in honor of the marriage of Cosimo III and Marguerite Louise d'Orléans; Il Mondo Festeggiante. Two triumph trolleys and the mountain atlas recreated in the amphitheater in the Boboli Gardens in Florence. Around men in costumes on foot and on horseback.

by Adriaan Schoonebeek (Schoonebeck), Copper engraving, 1705, Baroque, 1661-1705, Russia, Moscow, State History Museum,

La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Arrest of Paulus Buis, 1586, 1782 - 1784 print Paulus Buis, pensioner of Utrecht, imprisoned on the street by order of Leicester during the day, July 19, 1586. Northern Netherlands paper etching Utrecht

View of the Campidoglio as re-designed by Michelangelo from the 'Speculum Romanae Magnificentiae'. Artist: Etienne DuPérac (French, ca. 1535-1604). Dimensions: Mount: 18 1/8 × 22 1/4 in. (46 × 56.5 cm)Sheet: 15 15/16 × 21 3/4 in. (40.5 × 55.2 cm)Plate: 14 13/16 × 21 5/8 in. (37.6 × 55 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1569.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page f

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1774 Hercules and the Dragon in the Garden of the Hesperides, 1774 The Prima Macchina for the Chinea of 1774: Hercules and the Dragon in the Garden of the Hesperides

Title print with Figures in the courtyard with fountain, Gabriel Perelle, 1650 - 1677 print Paris paper etching ornamental fountain. courtyard

Open ondergang der actieonisten Rue de Quinquempoix The rising and failing of the share-dealers. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Image of the Jlumination on the occasion of the Jubilaeum of the hundred and fifty years of sincerification of = / the Utrecht Academy at the expense of the Lords students, under Direxia and after the Invention of the Painter P.J. Muller, the 31st Meij 1786.

Jacques Callot (1592-1635). "The slave market" (Lieure 369, Meaume 712). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-13 Etching, engraving

Vedute del Castello dell' Acqua Paola sul Monte Aureo, 1759, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 16 x 24 1/4 in. (40.64 x 61.6 cm) (plate), Etching, Italy, 18th century

Hyrcanus plunders the tomb of David Le Tombeau de David pillé par Hyrcan , print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, h 136 mm × w 84 mm

The Large Ecce Homo. Lucas van Leyden (Holland, Leiden, circa 1494-1533). Holland, 1510. Prints; engravings. Engraving

The person portrayed is wearing a toga and a bef Beneath the portrait his name, Portrait of Joannes Clarisse, print maker: Wilhelmus Cornelis Chimaer van Oudendorp, (mentioned on object), publisher: Gebroeders van Lier, (mentioned on object), print maker: Netherlands, publisher: The Hague, 1832 - 1873, paper, h 225 mm × w 140 mm

Temple founded for the house of the Imperial Ambassador in The Hague in honor of the birth of Archduke Leopold Johan, 1716; Joys temple in honor of the dear and bleyde birth of the boy Aertshertog and prince of asturine, on April 13 by den baptism called Leopoldus Johannes (...) by z. Excelle. The Baron Heems (...) celebrated the 1st, 2nd and 3rd Jun. 1716 / Temple de Ioye Erigé (Pour La Naissance Glorieuse et Pompeuse de l'Archiduc d'Aûtriche Prince d'Asturie Le 13 Avril, Nommé Leopoldus Iohannes (...)) Par Le Baron Heems (...) Celebré Le 1, 2; ET 3, Juin 1716. Temple founded in June 1716 For the house of the imperial ambassador Arnold Baron von Heems in The Hague in honor of birth on April 13, 1716 of the Young Archduke Leopold Johan (the crown prince died in the same year). Extension decorated with allegorical figures, weapons and banners. For the house, visitors gather with buckets to stick to the wine from the fountain. Links some details of the party temple, above the title with

Dahlberg, Erik Jönssen, Lepautre, Jean, Suecia Antiqua et Hodierna, Diursholm, View of Djursholm Castle, The print is part of an album., print, album sheet, prints, height 235 mm, width 377 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1669 - 1669, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Entry of King William III in The Hague, 1691, 1691 Entry of King William III in The Hague, February 5, 1691. The royal procession pulls through a triumph gate. Plate no. 14 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching The Hague Entry of King William III in The Hague, February 5, 1691. The royal procession pulls through a triumph gate. Plate no. 14 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching The Hague

View of the Villa d'Este, Tivoli, from Views of Rome Made 1773 Italy. When Giovanni Battista Piranesi came to Rome in 1740, he was fascinated with the coexistence of antiquities and modern developments in the city. Especially fond of Romeís architecture and ruins, the artist used his etchings to bring the cityís landmarks alive, romantically capturing Rome in its most idealized state. View of the Villa díEste, Tivoli contrasts the ancient Roman statues on the grounds with the grandiose Mannerist-style villa. Piranesiís precise detail transforms an already-majestic view into a utopian paradise. Traditionally sold as loose sheets, the Views of Rome series attracted collectors and tourists as a souvenir of their experiences in Rome.. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Bird flight face on the stock exchange of Hendrik de Keyser in Amsterdam; Byrsa amster code. Bird flight face on the stock exchange of Hendrik de Keyser in Amsterdam. OM, in and on the building many figures. At the bottom left of a cartouche with a eight-line verse in Dutch. Above a money exhibition and a caduceus. Above and the middle a banderole with the title. Leged numbered: 45.

Face through a hedge on the large cave in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print Face through a hedge on the large cave in the French garden of Huis ter Meer in Maarssen. There are conversing groups of figures in the garden, riding the garden path. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden House Ter Meer

. Print at the top right labeled: third part fol. 272.

Carousel in the Hofburg in Vienna, Anonymous, After Jan van Ossbeeck, in or after 1667 print paper etching high-school riding. military honours (+ cavalry, horsemen) Hofburg

Campo San Rocco view; Marieschi, Michele (1710-1744); 1741-1742 (1st edition) (1741-00-00-1742-00-00);Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920)-collection, Venice (Italy), Italy (state), gift (provenance), churches (architect), paintings in composition, WUDUTY, exhibitions

Colon of Marcus Aurelius in Rome, Giacomo Lauro, 1612 - 1628 print View of Piazza Colonna and the column of Marcus Aurelius in Rome. Text in Latin in STUDMARGE. The print is part of an album. Rome paper etching square, place, circus, etc.. triumphal column with helical friezes Colon of Marcus Aurelius. Piazza Colonna

The entrance for the Allies for the Ter Nieuburch House in Rijswijk, 1697; Gesight from the Koninckary Huijs to Rijswick van de Silk Der de Hooge Allied in Quamen / Vüe de la Maison Roidale de Rijswick du Côté de l'Entrée des Hauts Allies; Series of fifteen prints about the house Ter Nieuburch in Rijswijk and the peace negotiations, 1697; Le Chteau Roial De Ryswick Appelle De Neubourg AVEC Les Differens Apartenens Ou Se Tiennent Les Conference De La Paix Generale / The Koninglyke Castle to Ryswyck, Names Nieuwburg, with all the Selfs rooms and pleasants, in BYSonder, since the conference of the general sweetheart Held, & c .. The entrance for the allied negotiators for the house in Nieubch in Rijswijk. In the caption the two titles in French and Dutch. Part of the series of fifteen prints about the house in Nieubch in Rijswijk and the peace negotiations held there in the Peace of Rijswijk closed on September 20, 1697.

Jardin Royal, Paris: showing figures strolling in the garden. Line engraving by J.B. Scotin the younger.

The Martelaren van Alkmaar hung in Enkhuizen, 1572, 1698 - 1700 print Martelaarschap van Pater Daniel Arendonk and five brothers from Alkmaar, known as the martyrs of Alkmaar, hung in Enkhuizen, 1572. Low Countries paper etching violent death by hanging Alkmaar. Enkhuizen

Quinquumoix (Ti)

Amsterdam, Banse, Hendrik Arend, Waard, C. van, Netherlands, Beek, Jan Lucas van der, Leydens Jammer Toneel Na de Ontschrikende Gevalenis van de 12 Jan: 1807, Jamertoneel na de Leidse gunpowder disaster, 1807, verso - stamped, Theater with a view of the devastated area after the gunpowder disaster on the Rapenburg (Steenschuur) in Leiden on January 12, 1807. In the foreground on the right the grieving city maiden of Leiden, on the left two citizens are wailing over the deceased victims who are still under the rubble., print, prent, prints, enten, Frederik Muller Historieplaten, height 420 mm, width 555 mm, 1753-05-06 - 1818-10-12, print maker, prentmaker, 1807 - 1807, paper, papier, etching, engraving, engraving (printing process), Dutch, intermediary draughtsman, after drawing by, Publication (Event), Publication, publisher

Pont Neuf in Paris, Stefano della Bella, 1646 print View of the Pont Neuf in Paris, with the Louvre on the right. In the foreground a mass of walkers, riders, merchants and carriages. In the foreground on the right a group of listeners with a turning gland player. In the middle of the arms of Paris, worn by two angels. Text and explanatory list of numbers in STUDMARGE. France paper etching four-wheeled vehicle drawn by two animals. two-wheeled, animal-drawn vehicle. pack-animal. carrying something with yoke. vocal popular music. hurdy-gurdy player Paris

Capitol te Rome, Giacomo Lauro, 1612 - 1628 print View of the Capitool hill with the Piazza del Campidoglio and the palaces with the Capitoline museums. Central the Equestrian Statue of Marcus Aurelius. Text in Latin in Snack and in frameworks left and top right. The print is part of an album. Rome paper etching representation of real building (either existing or having existed). square, place, circus, etc. Capitol. Campidoglio square. Capitolijnse Musa. Palazzo dei Conservatori. Palazzo Nuovo. Senatorial palace

View of the garden and the François I Gallery of the Palace of Fontainebleau; Le Jardin de l'Etang, et la Gallerie de François Premier, A F. B .. The garden and gallery François I of the Palace of Fontainebleau. There is a garden statue on a base on a crossing of paths, cycling around.

The Cradle of the Pouterre

Piazza del Quirinale Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Piazza del Quirinal on the quirinal hill in Rome with the Palazzo del Quirinal and the Fontana di Monte Cavallo (fountain with Castor and Pollux). Title and explanatory list of songs in STUDMARGE. Rome paper etching one of the Dioscuri: Castor, the horse-tamer. one of the Dioscuri: Pollux, the boxer. piece of sculpture, reproduction of a piece of sculpture. square, place, circus, etc.. hôtel, i.e. small palace in city. ornamental fountain Rome. Piazza del Quirinale. Palazzo del Quirinale. Monte Cavallo fountain. Quirinaal

Bella, Stefano della, Twelve different scenes, Papal Palace, verso - stamped, A crowd of men before the papal palace., print, prints, height 115 mm, width 63 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Italian, 1610-05-18 - 1664-07-27

Of Sy-Baalen; Van Binnen, Over from Kom / Naer Agteren op Het Cabinet Te sien. // Le Sy-Baalen by inside, looking at the basin on the cabinet.

Carl Schütz's 1775 ink drawing shows Joseph welcoming his brothers at the king's court, part of a series of historiated architectural works.

Procession through the Hippodrome, Constantinople (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, plate 15). Artist: After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 9 13/16 x 13 7/16 in. (24.9 x 34.1 cm). Etcher: William Hogarth (British, London 1697-1764 London). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.

The large body of water Israel Silvestre (1621-1691), Israel Henriet (1590-1661). "The Great Water Square". Fight, 1655-1656.

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Entry of the Duke of Parma into Antwerp, 1585, Antwerp submits to Parma, August 27, 1585. Festive entry of the Duke of Parma into Antwerp, with the route the procession takes through the city. With a 14-line caption in German. Numbered: 90., print, picture, news print, album sheet, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1585 - 1587, fourth quarter 16th century, paper, papier, etching, etchings

View from the terrace on the large basin in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View from the terrace on the large basin in the French garden of Huis ter Meer. Figures walking in the foreground. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden. garden fountain House Ter Meer

GRABADO - ABDICACION DE CARLOS V EN FELIPE II EN LOS PAISES BAJOS EL 25/10/1555 - BRUSELAS. Author: FRANS HOGENBERG (1535-1590). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. Charles I (V of the Holly Roman Empire). PHILIP II OF SPAIN. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Jacques Callot (1592-1635). "The little passion, the presentation to the people: ninth number of a series of 12 pieces" (Lieure 545, Meaume 27). Etching. 1624-1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-22 Etching, engraving

Erepoort founded at the Loosduinse bridge in The Hague, 1691; Klyne honorated LO O Sduynsebrug; England's spectres represent the main events in Yrland from 't year 1690 to the Velttogt of S: K: Mayesteit of Great Britain 1691. Erepoort founded at the Loosduinse Brug in The Hague, for the arrival of King Willem III in The Hague, 5 February 1691. Plate No. 17 in the 'England's spectreous' series over the war between Willem III and Jacobus II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French.

Giovanni Battista Sintes, after Nicola Michetti, The Prima Macchina for the Chinea of 1732 The Council of the Gods, 1732 The Prima Macchina for the Chinea of 1732: The Council of the Gods

Fountain for wall with fountains, After 1628 - Before 1703 print On the left in the foreground are Meleager and Atalante, at the bottom of three lines of text. Page 1 from series of 6. paper etching

View on a square where a black man with fire pit Rent, Jan Luyken, 1681 print View of a square where Oosterlingen and two Europeans watch a black man with a fire pit runs over the square. Amsterdam paper etching square, place, circus, etc.. Asiatic races and peoples. Europeans. Africans

Slavenmarkt, Jacques Callot, 1619 - 1635 print In a square, groups of people are busy with the prisoners made slave. On the left at a staircase, a few fascinated men are shown. On the right in the foreground is a distinguished gentleman at a round tower (prison) money for another gentleman, to buy the fascinated Christian () Who is (free) Made behind him. In the middle of the square, a few prisoners with chains on their ankles follow a first name couple. On the left in the foreground, a man with Eastern appearance points another couple to the people at the tower. In the background a face on the Isle Saint Louis, the Pont Neuf, the Nôtre Dame and the Tour de Nesle. print maker: Franceprint maker: Francepublisher: Paris paper etching village square, place. slave-trade. freedom ~ slavery. prison, jail. city-view in general; 'veduta' Paris

View of a driving school in a suburb in Vienna, 1700 - 1799 print Left and right, a number of women are looking at a dozen men on horseback. publisher: Parisprint maker: France paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating riding-school, maní¨ge Vienna

Print (France)

Fountain in the garden of Rosendael Castle; Grotte and fountain of Rozendael, biven by the gold-plated fortune.; Faces at Rosendael Castle. View of the cave entrance and on the fountain in the garden of Rosendael Castle. In the middle a picture of Fortuna in the middle.

Paris - Carrousel Carousel of 1662: comparsed five quadrilles in the amphitheater. Engraving of Israel Silvestre.

April: a garden (bull), Antonio Tempesta, 1599 print Imagination of human activity in the month of April. Face in a garden with people who work in the garden and people looking for their entertainment there. In the middle of the symbol for the constellation bull. Italian fresh and title in the lower margin. print maker: Italypublisher: RomeItaly paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. Taurus (zodiacal sign of April). garden. gardening

Entry of Ernst van Austria in Brussels, 1594, 1613 - 1615 print Entry of Archduke Ernst van Austria, appointed as governor over the Southern Netherlands, in Brussels, January 30, 1594. The procession passes triumph gates and statues of Austrian emperors set up on the Grote Markt in Brussels. With caption of 4 lines in Latin. Numbered 215. Printed on the back with text in Latin. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Large market. Brussels

Netherlands, Marot, Daniël (I), Nouveaux Lieure de Paysages, Triumphal arch on a bridge, In the foreground rests a couple. Reverse-sided copy after sheet from series Nouveau liure de paysages. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 249 mm, width 166 mm, print maker, printmaker, 1703 - 1703, first quarter 18th century, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by, Publication (Event), Publication, publisher

Netherlands, Amsterdam, Ratelband and J. Bouwer, The heirs of the widow J., Letter of greetings with people wishing each other a happy new year, verso - stamped, Letter of greetings with blank cartouche within a decorative frame with representations of playing children and people wishing each other a happy new year. Numbered top right: No. 30., print, popular print, wish letter, prints, popular prints, height 406 mm, width 329 mm, height 395 mm, width 317 mm, Publication (Event), Publication, Dutch, publisher, 1782 - 1793, paper, papier, etching, etchings, kleuren, print maker, printmaker

Erepoort founded for the Hoogstraat in The Hague, 1691, 1691 print Erepoort founded for the Hoogstraat in The Hague, for the arrival of Koning Willem III in The Hague, 5 February 1691. Numbered top left: fol. ... and over it: 3. Northern Netherlands paper etching / engraving triumphal arch Hoogstraat

View of the flight of Lutgendorf as the crow flies Augsburg 24 August 1786 Frehling. "View of the Flight of Lutgendorf as the crow flies in Augsburg, 24 August 1786". Etching.

Procession at the initiation of the University of Leiden, 1575, Simon Fokke, 1752 - 1784 print Procession at the initiation of University of Leiden, 8 February 1575. procession depicted in four rows above the other. Bottom left the ship with Apollo, Neptunus and the nine muses. Furthermore, soldiers, musicians, allegorical figures who represent the sciences, dignitaries, city bubbles and professors. Figures and parts in the performance are indicated by numbers and letters. Amsterdam paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities). founding of a university Leiden

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