Theatrical Stage Designs

Diverse prints of theatrical stage designs showcasing opulent interiors and architectural features, reflecting historical theater aesthetics and performance settings.

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Une scène du 2e acte: 4 personnages. Della Bella, Stefano (1610-1664). 1641. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print made by Jacob Bonneau, 1741-1786, British, One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, 1751. Etching and stipple engraving on moderately thick, slightly textured, cream laid paper.

Interior of an Octagonal Room (Stage Design). Artist: Tranquillo Orsi (Italian, Venice 1771-1845 Venice). Dimensions: Sheet: 9 5/16 × 11 13/16 in. (23.7 × 30 cm). Date: ca. 1790-1830.Design for an octagonal room with a large dome and sculptures and niches designed by the Venetian professor of perspective Tranquillo Orsi. During the early 19th century, Orsi worked on the interior of the Teatro la Fenice in Venice. This design is possibly a stage set for that theater. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and scenes from Mirame tragicomedy, A scene from the Third act: 11 characters. Fourth issue of a series of 6 pieces (A. de Vesme 939. Dutuit 74) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Theater Decor: De Klooster-Kapel, Reinier Vinkeles (I), After Pieter Barbiers (I), 1776 print The CoulissenDecor de Klooster-Kapel, with a scene from: the Gijsbrecht van Aemstel. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Schouwburg with theater decor: De Nieuwe Garden, Jan Punt, After Paulus van Liender, After Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenes of the new garden with scene from: the feigned crazyness by love. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of twelve theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Theater performance in the Amsterdam Schouwburg for the Princely Paar, 1768, Simon Fokke, 1769 - 1773 print Theater performance of the Treurspel Demophontes for the Stadholder Willem V and Princess Wilhelmina van Pruisen in the Nieuwe Amsterdamse Schouwburg on the Keizersgracht, 1 June 1768. Part of a print series with title print and 14 records of the Prince and Princess in Amsterdam, 30 May - June 4, 1768. Northern Netherlands paper etching public festivities on the occasion of royal events. theatre, theatrical performance Schouwburg Keizersgracht (1637-1772)

Une scène du 1er acte: 16 personnages. Della Bella, Stefano (1610-1664). 1641. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Scene from the opera de deserteur, 1772; The IX stage, from the second part of the opera of the deserteur (...) / la IX scene, du Second Act de l'Opera du deserteur (...). Scene from the second part of the opera de deserteur. During the performance of this opera in the Amsterdamse Schouwburg on the Keizersgracht on 11 May 1772, the fire broke out. Under the show the assignment and title in Dutch and French, with the arms of Gerrit Gerritsz in the middle. Hooft.

Medea: or the Marriage of Jason andCreusa. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Gallery of a palace; Dessseins de Lambris à l'Italienne. At the top a chandelier hangs on the vault. Off series sheets with wooden paneling, in an Italian way. Third edition.

Print made by Jacob Bonneau, 1741-1786, British, One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, 1751. Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper.

. Rear right is a closed four-poster bed.

Philip II (King of Spain), Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae architecturae formae, Hall with a cross vault decorated with grotesques, Hall with a cross vault decorated with grotesques. Statues stand in niches. The print is part of an album., print, ornamental print, album sheet, prints, height 210 mm, width 257 mm, print maker, printmaker, 1601 - 1601, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher, Spanish, 1527-05-21 - 1598-09-13, grantor of privilege

Stage set with an artist painting Venus and Cupid; from Aurelio Aureli, 'Il Favore De Gli Dei'. Artist: Gianantonio Lorenzini (Italian, Bologna 1665-1740 Bologna); After Domenico Mauro (Italian, active 17th century). Author: Aurelio Aureli (Italian, 1652-1708). Dimensions: Sheet: 15 11/16 × 17 1/16 in. (39.8 × 43.4 cm)Plate: 12 7/16 × 15 11/16 in. (31.6 × 39.8 cm). Date: 1690. Museum: Metropolitan Museum of Art, New York, USA.

Feather and lavated drawing by an anonymous artist depicting a festival in a Sala Terrena with colonnade, canopy, and city architecture in the background, from the second half of the 18th century.

Funerary Scene in a Temple. Artist: Pierre Moreau (French, 1722-1798 Paris). Dimensions: image: 5 1/16 x 7 1/2 in. (12.9 x 19.1 cm)plate: 5 3/16 x 7 9/16 in. (13.1 x 19.2 cm)sheet: 5 3/16 x 7 11/16 in. (13.2 x 19.5 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Removal from some members of the executives to the minister of their posts, on the 16ths / 17ths and 18ths of summer month 1799 (Ti)

Schouwburg with a stage decor: The Italian street; The Italian street; Theater decors of the Amsterdam Schouwburg, approx. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decor the Italian street with scene from: The croped lawyer. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

1810 wedding album. The Emperor and the Empress crossing the museum gallery, to go to the chapel Hippolyte-Louis-Emile Pauquet and Charles-Pierre-Joseph Normand (1765-1840) after Fontaine. 1810 wedding album. Emperor Napoleon I and the Empress Marie-Louise of Austria crossing the Great Gallery of the Louvre Museum, to go to La Chapelle. Paris (IER ARR.). Etching.

Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling Possibly after Ludovico Ottaviano Burnacini Italian ca. 1650-1700 Theatrical scene, possibly after set designs by Ludovico Burnacini. View more. Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling. Possibly after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). ca. 1650-1700. Etching

Isis turns iphis into a man, Jean Lepautre, 1670 - 1682 print Paris paper etching love-affair of Iphis and Ianthe. Iphis changed into a young man: in response to Iphis' prayer, Isis changes her into a young man to enable her to marry Ianthe (Ovid, Metamorphoses IX 785). transgender, transsexual

The Catafalque of the Emperor Mathias. Dated: 1619. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Company in an inn, Robbert Muys, 1770 - 1825 print In an inn, in front of a fireplace, a man, woman and a child, standing one man. Left behind a woman enters the room. The print depicts a theater scene from Fanny, or the Happy repentance, a play by François Thomas Marie de Baculard d'Arnaud. Leiden paper etching theatre, theatrical performance. hotel, hostelry, inn

Pen drawing by Giuseppe Galli Bibiena in brown and gray wash depicting a magnificent hall with statues, caryatids, and opera figures.

Cinyras attacks his daughter Myrrha, Jean Lepautre, 1670 - 1682 print paper etching when Cinyras discovers the incest, he attempts to kill his daughter

. Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the Coulis Decor De Klooster Kerk with scene from: Gijsbrecht van Aemstel. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

Drawing, Stage Design, Palace Interior; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and light brown ink, brush and watercolor, graphite on paper

Southam Gloucestershire unknown

Drawing by Hans Vredeman de Vries of a reception hall featuring a fireplace, executed in brown and black ink with wash on brownish paper, dated 1558.

Sparrow, active 1773-1787, Herstmonceux Castle, Sussex Pl. 4, undated. Engraving, with graphite on slightly textured, medium, white wove paper.

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Scene from the Opera de Kuiper, Cornelis Bogerts, after Pieter Barbiers (I), After Rysschoot, 1768 - 1772 print Scene from the Opera de Kuiper. Under the show the assignment and title in Dutch and French, with the coat of arms of Gerritsz in the middle. Hooft. paper etching / engraving opera. armorial bearing, heraldry Schouwburg Keizersgracht (1637-1772)

Town Hall of the Xie Arrondissement. Concert for the benefit of choled orphans

The Catafalque of the Emperor Mathias. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Scene from the apartment of Ruggiero, King of Sicily, depicted in a performance of the heroic ballet 'Bianca, o sia Il perdono per sorpresa' by Salvatore Viganò at the I. R. Teatro alla Scala in the spring of 1819. The artwork was created by A. Sanquirico and engraved by Bramati, published in Milan by Anto. Bossi Editore in 1819. The image features dancers and is rendered in aquatint

Design for a Stage Set. Artist: Attributed to Pietro Righini (Italian, 1688-1742). Date: 1688-1742. Museum: Metropolitan Museum of Art, New York, USA.

Interior of Temple, Design for Stage Scene 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Interior of Temple, Design for Stage Scene 389543

. Theater performance in the new Amsterdam Schouwburg with the coulis decor the gothic palace, with scene from Jacob Simonszoon de Ryk. The decor printed from a separate plate within a passe-partout with the hall, side loges, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Theater Decor: poor residential, Reinier Vinkeles (I), After Andries van der Groen, 1777 print The weaving Decor poor resident, with a scene from: the virtuous poverty. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving stage design Schouwburg Leidseplein (1774-1890)

View of Potsdam, Grenadier Redeiranof and Frederick William I, Frederick II's dinner at the Sans-Souci rotonda, Frederick II and Voltaire on the Sans-Souci terrace, Church of Peace, Chinese tea-house, Sanssouci park entrance, Potsdam, Germany, illustration from L'Illustration, Journal Universel, No 1143, Volume XLV, January 21, 1865.

Stage Setting with Ballet 1657-1743 Ferdinando Galli Bibiena Italian. Stage Setting with Ballet 340235

The Hague, Royal Dutch Lithographic Printing House of C.W. Mieling, Netherlands, Exhibition of ladies' needlework and other objects, donated for the lottery for the benefit of the DORCAS Fund in the great hall of the Harmonie Society in Rotterdam on 20, 21, 22 & 23 March 1849, verso - stamped, View of the hall where visitors view the exhibition of needlework and other objects donated for the lottery for the benefit of the DORCAS Fund, established by Mr. H. Nijgh, in the Harmonie Society in Rotterdam, 20-23 March 1849. Within a decorated frame with a portrait of Queen Sophie at the top, further banderoles with verses and two angels at the bottom., print, prints, enten, Frederik Muller Historieplaten, height 368 mm, width 545 mm, print maker, printmaker, 1849 - 1849, paper, lithography (technique), printer

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Men fencing. Engraving by Boetius a Bolswert.

REMAINS OF ROMAN LONDON, GUILDHALL MUSEUM, UK

Etching by Rembrandt, 1648, with traces of cold needle, depicting Medea and the wedding of Jason and Creusa, showing figures, gestures, and composition.

London, Blondel, Jacques François, Interiors of buildings in Rome, A View of the Vestibule of St. Peter at Rome, View of the hall of St. Peter's Basilica, verso - stamped, print, prints, height 567 mm, width 409 mm, French, 1705 - 1774-01-09, print maker, printmaker, 1765 - 1765, paper, papier, mezzotint, Work conception, after own design of, Publication (Event), Publication, publisher

Vnutrennii vid Isaakievskago sobora. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Interior of St. John Lateran in Rome, Jan van Londerseel, Claes Jansz. Visscher (II), 1601 - 1652.

John Buckler FSA, 1770-1851, British, The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham, 1817. Watercolor and pen and black ink on moderately thick, cream wove paper.

The newly decorated theater in the Leopoldstadt in Vienna theatrical picture gallery for the theater newspaper, Jg, No, Severin Buemann -, Copper Engraver, after, Severin Buemann -, Artist

Pateline turned to the left, anonymous, after Jean Lepautre, c. 1670 - c. 1690 print With octagonal body that is attached to the column. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Naumachia in the Courtyard of Palazzo Pitti. Orazio Scarabelli; Italian, active c. 1580-1600. Date: 1592. Dimensions: 244 x 356 mm (image/plate); 277 x 393 mm (sheet). Etching in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Une Visite au Couvent ca. 1834 Anonymous. Une Visite au Couvent. Anonymous. ca. 1834. Lithograph. Prints

Celebrations at Ferdinand VI of Spain's court: Farinelli in the set workshop.. Madrid, Royal palace library. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN. CARLO BROSCHI (1705-1782) FARINELLI.

The Grand Gallery of the Prado 1898-1908 United States. Oiled charcoal with stumping and erasing, heightened with touches of gouache and white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board . Joseph Pennell

Egyptian burial chamber with hieroglyphen, Cesare Massimiliano Gini, after Mauro Antonio Tesi, 1787 print Print is part of an album. paper etching Egyptian hieroglyphs

Speculum Romanae Magnificentiae: Great Hall within the Villa of Pope Julius. Artist: Anonymous. Dimensions: sheet: 13 5/8 x 18 1/8 in. (34.6 x 46 cm)plate: 11 5/8 x 16 1/8 in. (29.5 x 41 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Laf

. Theater performance in the new Amsterdam Schouwburg with the Coulis Decor the garden, with scene from Blaise and Babet. The decor printed from a separate plate within a renovated passe-partout with the room, side logs, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Watercolor and feather drawing by Giovan Francesco Costa depicting the Sala delle Muse in the Museo Pio Clementino, Vatican, including statues and gallery architecture.

China Mandarin's courtyard Art Verlag Creuzbauer in Carlsruhe, Thumling

Bookmaking at Egmond Abbey in the 13th century. Four monks reading in books and talking. Octagonal representation. Bookmaking in the Abbey of Egmond in the 13th century, print maker: Johann Heinrich Maria Hubert Rennefeld, (mentioned on object), Johannes Bosboom, (mentioned on object), 1865 - 1870, paper, steel engraving, h 190 mm - w 243 mm

La Halle aux Blés, Interior View. Artist: Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Dimensions: Sheet: 11 7/16 x 10 1/16 in. (29 x 25.5 cm). Date: ca. 1810. Museum: Metropolitan Museum of Art, New York, USA. Author: PIERRE FRANCOIS LEONARD FONTAINE.

Excise Office, Broad Street February 1, 1810 Designed and etched by Thomas Rowlandson. Excise Office, Broad Street. Microcosm of London, pl. 103. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Design for a room painting with a grotto face. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 273 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

Stage with actors in Roman and Oriental costumes. They are performing a play. In the foreground, a Roman restrains another who wants to draw the sword. Stage with actors in various costumes, print maker: Pieter Hendrik Jonxis, (mentioned on object), Utrecht, 1772 - 1843, paper, etching, engraving, h 341 mm × w 421 mm

Netherlands, Marot, Daniël (I), Liure dappartement, Canopy bed in interior, On the left a window can be seen through an open door. The head of the bed is decorated with two soldiers. Reverse copy after sheet from the series Second Liure Dappartements., print, ornament print, prints, ornament prints, height 275 mm, width 189 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

American declaration of independence, Daniel Nikolaus Chodowiecki, 1783 print paper etching History. interior of the house. meeting. Freedom, Liberty; 'Libertà' (Ripa)

Interior decoration of states hunt with seascapes; Interior decorations from the States Hunt of the Committed Councils of Holland. Designs for decorations of the interior of the States hunt of the committed councils of Holland: room, scores, with weapon, trophies and seascapes.

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

Colonade et Jardins du Palais Medicis (Colonnade and Gardens of the Medici Palace). Dated: c. 1776. Dimensions: sheet (trimmed within plate mark at top & bottom): 29.1 x 24.4 cm (11 7/16 x 9 5/8 in.). Medium: etching and wash-manner printed in yellow, blue, red, and blackon pale green paper. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Hubert Robert.

An engraving depicting the national assembly, illustrating political gathering and governance in the 18th century.

. Stadhouder Willem V takes a session between the directors of the VOC in Amsterdam as an elevator, June 1, 1768. Part of a print series with title print and 14 plates of the prince and Princess in Amsterdam, 30 May - June 4, 1768.

Design for a Stage Set 19th century Anonymous, French, 19th century French. Design for a Stage Set 362137

Design for the 1639 Altarpiece in Exeter Cathedral, William Cavell, undated, Pen and black ink, gray wash, watercolor on moderately textured, medium, white laid paper, Sheet: 15 3/4 × 26 3/8 inches (40 × 67 cm), architectural subject

Drawing Room, St. James's, John Bluck, active 1791-1831, British, after Thomas Rowlandson, 1756-1827, British, And after Augustus Charles Pugin, 1762-1832, French, 1809, Aquatint hand colored, Image: 7 7/8 x 10 1/4in. (20 x 26cm) and Plate: 9 5/16 x 10 7/8in. (23.6 x 27.7cm)

Set design for the Opera Ernani by Giuseppe Verdi, Conti, M. (1810-1886)

Marot, Daniel (I), Nouveaux Liure de Cheminées a la Hollandaise, Lower bosom, The chimney breast consists of two long consoles with a mirror and a painting above them. Chinese vases stand on the partially curved cornice. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 245 mm, width 173 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Giovanni Niccolò Servandoni's drawing depicts a figurative scene set within elaborate architecture, executed using feather, watercolor, gouache, and deck white.

Annual fair in the Vladislavsky room in Prague (right leaf), Aegidius Sadeler (II), 1607 print Annual fair in the Vladislavsky room of the old Royal Palace in Prague. On the right there are cupboards against the wall. Many visitors walk around. Under the performance a five -line, Latin text and a three -line assignment. Prague paper engraving (annual) fair, trade fair Royal Palace of Prague

Santa Maria Formosa, Venice Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Gnauth Adolf (1840-1889), porch with fountain (without a year): perspective interior view. Oil on transparent, 44.3 x 51.2 cm (including scan edges) Gnauth Adolf (1840-1884): Vorhalle mit Brunnen

Fountain in the form of a tomb, 1568 print A corner fountain in the form of a tomb crowned the image of a man who leans against a jug from where water comes out. On the left a standing woman with a bowl under the arm and a jug in hand. Behind her sight in a gallery. This print is part of an album. paper etching ornamental fountain. standing figure (canon, proportions) - AA - female human figure. civic architecture; edifices; dwellings

Meissonier's workshop D. Bourgouin ( -). Meissonier's workshop. Chinese ink and white gouache enhanced on paper , -. Carnavalet Museum, History of Paris.

Drawing, The Entrance Hall, East Sutton Place, Kent; Charles James Richardson (British, 1806 - 1871); brush and watercolor, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.); Thaw Collection; 2007-27-33

Sketches in Belgium and Germany, Second Series: No. 17 - Screens at Lierre, 1845. Louis Haghe (British, 1806-1885). Lithograph;

Interior of a museum with numerous sculptures/Woborn Abbey. W. Daniels (British, active 1860s - 1870s)

Turbe or tomb of Abu Ayyub al-Ansari in the Eyup Sultan Mosque, Istanbul. The tomb is open day and night and lit with two large torches and a flagpole wrapped in green cloth. Walls covered in Isnik tiles. Turbe dEyub. Chapelle sepulchrale dEyub. Handcoloured copperplate engraving by Verico after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1842. Copied from Ignace Mouradgea dOhssons Tableau General de lEmpire Othoman, Paris, 1790.

The bibliophiles by Mariano Fortuny y Marsal (1838-1874) Spanish painter, he was considered one of the great Spanish painters of the 19th century. Old 19th century engraved illustration from La Ilustración Artística 1882

Wejście na Dworzec Południowy w Wiedniu. Bilińska-Bohdanowiczowa, Anna (1854-1893), draughtsman, cartoonist

Awake from the young girls, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print An old woman calls the two girls who live in her house from her box bed wake up. The rooster crows in front of the window. Amsterdam paper etching waking up. built-in bedstead (Dutch: 'bedstee'). old woman

Francesc Xavier Parcerisa i Boada / Sepulcros reales del monasterio de Poblet, 1839.Procedente de la obra Historia Universal Ilustrada, Tomo III. Colección privada.

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Pulpit in the San Giovanni Fuorcivitas Church, Romanesque masterpiece, preserves works by Luca della Robbia and Taddeo Gaddi, Pistoia. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle 1871. Le Tour du Monde 1879

Praalgraf van Willem van Oranje in Delft, ca. 1790, 1824 - 1825 Two images of Prince Willem van Oranje's praavraf in the Nieuwe Kerk in Delft, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper etching / engraving Delft. new church Two images of Prince Willem van Oranje's praavraf in the Nieuwe Kerk in Delft, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper etching / engraving Delft. new church

Design for a stage decor for the Flemish Opera the captive ..

Lea Castle, View in the Library, Looking East. Artist: Attributed to John Carter (British, London 1748-1817 London). Dimensions: sheet: 7 1/4 x 6 3/4 in. (18.4 x 17.1 cm). Date: ca. 1816. Museum: Metropolitan Museum of Art, New York, USA.

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