Traditional Costumed Figures

Illustrations of individuals in historical costumes depicting various cultures, showcasing their distinct attire and accessories related to rituals and traditions.

Habit of a pilgrim of Mecca called Sacquaz who carries about aromatic simple waters to sell. Pélérin de la Mecque, apellé Sacquaz, qui vend des eaux de senteur 1588.. Nicolay, Nicolas de, 1517-1583. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, pilgrims , Saudi Arabia , Mecca

Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his surtout, and one in a conical bonnet.. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

A canon handing a crucifix to a man, from a group of drawings depicting Peruvian costume 1848 Attributed to Francisco (Pancho) Fierro For comment on the group of drawings to which this belongs, see 38.145.451.. A canon handing a crucifix to a man, from a group of drawings depicting Peruvian costume. Attributed to Francisco (Pancho) Fierro (African Peruvian, 1807-1879). 1848. Watercolor. Drawings

Sun priestess Virgin Virgin du Soleil in the album: Travel to Peru, Made in the Years 1790 is 1794. Collection of Boards. Paris, J. G. Dent, 1809 Dentu j.g. Paris

Habit of a pilgrim of Mecca called Sacquaz who carries about aromatic simple waters to sell. Pélérin de la Mecque, apellé Sacquaz, qui vend des eaux de senteur 1588.. Nicolay, Nicolas de, 1517-1583. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, pilgrims , Saudi Arabia , Mecca

Leader of the quadrille dancers after the procession, Holy Week in Quito, Ecuador, illustration from L'Illustration, Journal Universel, No 581, Volume XXIII, April 15, 1854.

Ecclesiastical Vestments of Chamberlain, Cardinal, Prelate, 16th and 17th Centuries, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

This knight is depicted in his ceremonial robes, with Cistercian scarlet cross on the breast of his cloak.. The Order of Alcantara was a Spanish military order established in 1176. Originally known as the Knights of St. Julian de Pereiro, after a hermit of the country of Salamanca, they are first acknowledged as a military order by a privilege of Pope Celestine III in 1197. They accepted the Cistercian rule and costume, a white mantle with the scarlet overcross. The Knights of Alcántara, under their new name, acquired many castles and estates, for the most part at the expense of the Moslems. They amassed great wealth from booty during the war and from pious donations.. Handcolored copperplate engraving of a knight from a religious military order from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Costume of speakers of theophilanthropos Costume of speakers of theophilanthropos ", anonymous print.

Costumes of the people of Asia, 18th century. Kalmyk man in kaftan, culottes and boots, woman in cape, kaftan, and boots 3, and Arabian man in turban, rich robes and belt, Arab woman in robes with veil and culottes 4. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1792.

Finskie narody: Votiachka. Finnish peoples, Voktiak ( Udmurt ).. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

Finskie narody, Chukhonskaia krest'ianskaia baba. Finnish peoples, Finnish peasant woman.. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

The abbot pressurized / This too large in good-point can only uncomplete; It takes, gentlemen, you have to get rid of it. (IT)

Bedelmonnik Philip Rebaldis Francesco Villa, c. 1576 - 1624 print The monk Philippus de Rebaldis as a beggar. In his hands a crucifix and a basket full of stones. On the left a tree stump with a coat of arms. Five lines of Latin text and assignment in the end margin. print maker: ItalyVaticaanstadItalyItaly paper engraving 'cris de Paris', cries of London, etc.. carrying something in basket, bag, rucksack, etc.

Italy, 19th century. Costumes of Rome and surroundings: woman from Ciociaria with child during a pilgrimage.

Finskie narody: Mordovskaia devushka s tyla. Finnish peoples, Mordvin girl, back view.. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

Lady with high hat and rosary, to the right, 1624 print paper etching

Man wearing blue and green traditional gown.. Paintings, Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Costumes , Chinese

Habit of a Moorish woman in 1695. Femme de Moroc dans sa maison.. Pidou de Saint-Olon, Monsieur (François), 1646-1720. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Morocco, Moors , Clothing & dress , 1600-1699

Go to the devil (TF)

The Order of Saint Catherine was formed by Christian princes to protect pilgrims who visited the relics of St. Catherine on Mount Sinai and to shelter them from profanation from the 11th to the 15th centuries. But according to the Catholic Encyclopedia, "The Knights of St. Catherine of Sinai are not an order, either secular or regular.". The Order of the Sword or the Sword-bearers was a military order founded with the object of mounting a crusade (unsuccessful) against the pagans of Prussia in the 13th century.. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Two Chinese prisoners are led by chains. Gouache painting by a Chinese artist, ca. 1850.

Norman shepherds in capuce (hooded cloak) 108, 109 and Norman peasant in red trousers 110. The shepherds carry crooks and horns, while the peasent wields a staff. Handcolored copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and Middle Ages, Vienna, 1802.

Turkish spiritual with deer and jar, Léon Davent, After Luca Penni, After Nicolas de Nicolay, 1555 - 1568 print Print is part of an album. Lyon paper etching Asiatic races and peoples: Turks (+ costume). religious functionaries ~ non-Christian religions. hoofed animals: deer

Jesters of the 14th century. Fool in yellow tunic blowing a dog like bagpipes from Guyart des Moulins' Bible historiale, f.262, Royal MS 15 D iii, jester in motley or parti-coloured costume with bells holding an owl and stick from Breviary of John the Fearless and Margaret of Bavaria, Harley MS 2897, King David's fool with marotte from the Princess Joan Psalter, Royal MS 2 B viii, f.54, and fool with pig's bladder on a stick from Harley MS 2840. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.

Habit of an Ottawa an Indian Nation of North America. Indien de la Nation Ottawa dans L'Amerique septentrional.. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Ottawa Indians , Clothing and dress, Ottawa Indians , Men , 1700-1799

Habit of dervise of India in 1700. Dervichedes Indes.. Ferriol, Charles, marquis d'Argental, comte de, 1637-1722. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Dervishes, Men , Clothing & dress , India , 1700-1799

Vostochnye sibirskie narody: Kamchadalka v khoroshem plat'e. Eastern Siberian peoples, Kamchadal in dress attire.. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

God's name ... say that I would become like that. (registered title)

Woman of the Greek island of Patmos. She wears a turban, a distinctive full-sleeved tunic, unlike the Turkish dolman or the Greek robe, harem pants, slippers, and carries a water jug. Femme de l'isle de Pathmos. Handcoloured copperplate engraving by J. Laroque after a design by Jacques Grasset de Saint-Sauveur from his Encyclopedie des voyages, Encyclopedia of Voyages, Bordeaux, France, 1792.

Urquhart, Scottish Clans

Finskie narody: Ostiachka s tyla. Finnish peoples, Ostiak woman, rear view.. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

Four men whose distorted shadows are cast on the wall:a an apothecary casting the shadow of a clyster, a censor casting the shadow of a devil, a hereditary peer casting the shadow of a pig, and a Jesuit casting the shadow of a turkey. Coloured lithograph by J.J. Grandville, 1830.

A watercolor by an anonymous artist depicting a monk positioned to the left, showing posture, robe, and figure details.

Chinese kijkkast, c. 1825 - c. 1875 print A woman in a Chinese dress and a parasol stands next to a viewing box with a parrot on top. There are two boys in front of the viewing box. paper peep-show. performance in the open air (pleasure fair). Chinese. ornamental birds: parrot

Two images of priests in liturgical clothing, M.L. Bosredon, Charles de Lalaisse, 1800 - 1899 print Numbered at the top right: pl. 10. paper etching high priest ~ hierarchy of priests

Afghans from the Khyber Pass, Afghanistan, late 19th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Summer habit of a Moor of Morocco in 1695. Habit d'eté d'un Maure d'Maroc.. Pidou de Saint-Olon, Monsieur (François), 1646-1720. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Moors , Clothing & dress , 1600-1699, Men , Clothing & dress , Morocco , 1600-1699

Atheism (IT)

Vostochnye sibirskie narody Kamchadal v zimnem plat'e' (Eastern Siberian peoples, Kamchadal in winter attire), 1799. By Johann Gottlieb Georgi (1738-1802). Issued in St. Petersburg, published by the Imperial Academy of Sciences, Russia. Focus on ethnology and the peoples of Russia

Buddhist priests of Annam (now Vietnam) Date: late 19th century

Last interview of the Emperor of China .... / 558 (registered title) | News. (Title of the whole)

Vostochnye sibirskie narody: Kamchadal v zimnem plat'e. Eastern Siberian peoples, Kamchadal in winter attire.. Georgi, Johann Gottlieb (1738-1802). text. Illustrations. 1799. Rare Book Division. Russia, Ethnology , Russia, People

superstition the three methods to hold a divining rod classic usage colour engraving from ""La physique occulte"" by abb_ de Vallemont Den Haag 1762 private collection historic historical Europe Netherlands 18th century esotericism occultism magic turban dowsing dowser abbe,

Costumes of the ancient Hebrew patriarchs, including Abraham, Moses, angels, etc. Abiti de Patriarchi, &c. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1847.

TRAJES CIVILES, MILITARES Y RELIGIOSOS DE MEXICO - 1828 - SEMINARISTA MEXICANO - LITOGRAFIA SIGLO XIX. Author: LINATI CLAUDIO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

The spirit moves!! I.R. and G. Cruikshank, fect.. British Cartoon Prints Collection . Quakers,Spiritual life,England,1810-1820. , Dance,England,1810-1820.

Two Sinhalese Soldiers, Esaias Boursss, 1662 Two men outside on an uneven terrain. The man on the left is wearing a knee rug (veshti, lungi) in the waist folded. There is a short sword on his left hip (Kastane). Under the high round hat, long wavy hair hangs in his neck. The man on the right, sitting on a stone with the right leg folded on the left knee. He carries a hip rug suspended above the knee (Veshti, Lungi); In addition, a wide waistband is wrapped, the ends of which are loose. On the left hip you can see the decorated hilt of a short sword (Kastane). Under the right arm, the handle of probably a knife protrudes above the waistband. The man has a beard and a mustache, and short hair protrudes on his forehead under the high round hat. Both men are now in the service of the Dutch. They belong to the caste of the Goviiya. Page 4 from a sketchbook with 117 sheets. Sri Lanka paper. ink brush the soldier; the soldier's life. Asiatic races and peoples (SRILANKANS). Asiatic races and

The Martyrdom of Saint Sebastian. (TI)

Egyptian Court Official, Egyptian King, Fanbearer, Ancient Near East, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Chromolithograph titled 'Nail from the Lord's cross, and the cover from the shrine containing the nail,' created by F. Dreher between 1849 and 1853. The artwork depicts a significant religious artifact housed in Uspenskii Cathedral in Moscow

A Turkish Dancer, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743

Queen BOADICEA, died 60 AD, British queen of the Iceni Celts, from Meyrick and Smith, Costume of Inhabitants of British Isles, 1815

A Mohamatan Fakir, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 3 3/4 inches (15.9 × 9.5 cm), religious and mythological subject

Holy Agathon de silent, Frederick Bloemaert, After Abraham Bloemaert, after 1636 - c. 1670 print The Holy Agathon de silent, abbot in Egypt, carries a cross on the left shoulder. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving Male Saints (Agathon of Skete)

An old Hindu ascetic or holy man: standing, wearing a saffron loincloth and turban and carrying a cloth bundle, pot and beads. Drawing, ca. 1880 ().

(5) / The Great Crucified !!! (IT)

Print marked upper right: Fol. 1., Standing Turk in prayer, print maker: Caspar Luyken, (mentioned on object), publisher: Timotheus ten Hoorn, Amsterdam, 1696, paper, etching, h 141 mm × w 88 mm

An Indian couple from Surat Date: circa 1700

Druidic Awenydd (Bardic disciple) and novice, from the pre-Roman era. In the background are British straw-roofed wooden cabins. The disciple carries a cup and a dove, bird of good omen. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

The Order of the Knights Templar was a military order founded in 1118 by Hugues de Payens, a knight of Champagne, and eight other knights to protect pilgrims to the Holy Land. From humble beginnings as "Poor Knights of the Temple," they grew to become a powerful and rich army of warrior monks, with barracks/ monasteries all over Europe, and several castles in Palestine: Safed (1140), Karak (1143), and Castle Pilgrim (1217). The order came to a tragic end in 1312 when all the Templars were branded as heretics, tortured and executed.. The two knights are shown in garb "no longer of the cross.". Handcolored copperplate engraving of a knight from a religious military order from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Three Labsters, Esaias Boursss, 1662 Outside the road are three men, as if they are posing for the draftsman. On the left on a rock is a man. He carries a lines of lines (Veshti, Lungi) built between his legs to above his knees, and over his back, shoulders and left arm a second cloth (Chadar) that leaves his right arm uncovered. The ends of this cloth are on his lap. The man in the middle also wears a calf -long loincloth (Veshti, Lungi), and around his shoulders, back and upper arms a wrap (chadar) whose end is stabbed in the waist. Upper body and both forearms are uncovered. A straw has been drawn in the lifted left hand: probably a toothpick (Dath Katuwa). The standing man on the right is wearing a knee -long lumbar cloth that seems to be draped in a Singalese way. Above that the hip -long shirt (kamisayas) with long covered sleeves. The two men left and middle are workers from South India or Jaffna; The man on the right may be a worker of Eurasian descent. Page 109 from a sketchb

London Cries: Last Dying Speech and Confession. Date/Period: Ca. 1759. Genre subject. Watercolor over graphite on medium, cream, slightly textured wove paper. Height: 175 mm (6.88 in); Width: 143 mm (5.62 in). Author: Paul Sandby.

Kalmyk people (or Kalmyks) is the name given to the Oirats, western Mongols in Russia, whose descendants migrated from Dzhungaria in 1607. Today they form a majority in the autonomous Republic of Kalmykia on the western shore of the Caspian Sea. Kalmykia is Europe's only Buddhist government. Through emigration, small Kalmyk communities have been established in the United States, France, Germany, Switzerland, and the Czech Republic.

The last papal assembly. (IT)

Inca Roca. Unknown

Cold breeding / four and twentieth plate. / Greeks. / From the tyd before Christ; Munchener plates. Leaf with 4 performances of different costumes at the ancient Greeks. Numbered in the middle of: Nro. 132. Numbered at the top right: 132.

A King (in white) with officers of his court Date: 14 Century

1600s CHARACTER SOSIE MOLIERE'S PLAY AMPHTRYON HOLDING LANTERN GREEK COSTUME WHO GOES THERE FEAR INCREASES EACH STEP

Lord greeting a lady. Lord greeting a lady in addition to a pastoral poem on the melody of Chanson Novelle.

TRAJES CIVILES MILITARES Y RELIGIOSOS DE MEXICO - 1828 - CARNICERO AMBULANTE EN MEXICO - LITOGRAFIA SIGLO XIX. Author: LINATI CLAUDIO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Southeast Asian dancer from behind. .

Knight of the Order of Our Lady of Mount Carmel (Ordre de Notre-Dame du Mont-Carmel), a French military and hospitaller order founded by Henry IV in 1607 to prove the sincerity of his conversion and prevent the extinction of the Order of St. Lazarus. Handcolored copperplate engraving of a knight from a religious military order from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

PIE VII. Sovereign Pontiff.

"Anglo Saxon man in tunic without mantle (19), Anglo Saxon man in tunic without mantle in boots (20), and Anglo Saxon man in embroidered tunic (21).". "One can see in 19, 20, and 21, tunics that were worn without mantles. They rarely reached lower than the knee. They were fastened around the waist with a belt. This produced, at the hips, large pleats that served as ornaments. Often, in pictures that show persons of distinguished rank, the clothes are embroidered in various colours or even decorated with precious stones (21)." . Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

God protects Prussia.

The patient tolerance of injustice; VI. OPUS Misericordiae Corporalis / La Sexta Obra De Misericordie Spiritual; The spiritual works of mercy. Portification of one of the spiritual works of mercy: the patient tolerance of iniquity. An old man in Pelgrimstue with stick, three boys is harvested. One of them grabs his stick, another throws a stone and the third draws at his cloak. Title under the show. The scene is caught in an ornament edge.

Sri Lanka, Boursse, Esaias, Two labourers, Two men are standing on an uneven piece of ground in the open air. The man on the left is wearing a knee-length hip-dress (veshti, lungi) folded double and tied at the waist. The long ends of a folded cloth (chadar) of checked fabric hang down from the shoulders. A cloth is tied around the head; the short hair is still visible. The man on the right is also wearing a hip-dress (veshti, lungi) that reaches above the knees, wrapped with one end between the legs to the back and then tucked in and folded at the waist (like a dhoti). A loose checked or striped cloth (chadar) is wrapped around the head with short hair, hanging down the back, one end clasped under the left arm. The men come from South India or Jaffna, and are employed in reconstruction in Colombo. Sheet 8 from a sketchbook with 117 sheets., sketchbook sheet, drawings, height 148 mm, width 196 mm, 1631 - 1672, draughtsman, draftsman, 1662 - 1662, third quarter 17th century, paper, papi

A Sikh man with a halo sitting on a chair. Gouache painting by an Indian painter.

Cards and trade cards depicting a wedding group and scenes from Cinderella.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Shoes, Weddings, Fairy Tales

Reading brother and a priest at an altar. Placed leaf with two drawings.

Ludwig XVI., King of France.

A Chinese woman about to be beaten with a wooden rod as a judicial punishment. Coloured aquatint by W. Alexander, 1804.

Three Sinhalese Soldiers, Esaias Boursss, 1662 Outside on a sloping uneven terrain, three men pose for the draftsman. The man on the left is wearing a short jacket with long sleeves and pleated lower edge (Hettaya), underneath a one -way knee -rug (Veshti, Lungi) and a high waistband. On his head with beard and mustache he wears a high hat, including short hair protruding. The man, standing in the middle, also carries a Singalese way of knee -rug (Veshti, Lungi) with a wide Portuguese shirt with long sleeves (kamisayas) up to the medicine. A waistband is not visible, nor the cord on which a short sword (Kastane) hangs on the left hip. A high hat covers the head. The man on the right is sitting on the floor with raised knees. He is wearing a knee -rug (veshti, lungi), around the waist a highly wrapped band, and above it a short jacket with long sleeves (Hettaya). On the left hip he wears a short sword (Kastane); The hilt is decorated with the head of a myth animal. A high hat covers hi

Doctor of Divinity, in the ermined scarlet gown, cassock, sash and scarf, Cambridge University. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Norman shepherds in capuce (hooded cloak) with crook and horn, and a peasant in red trousers with staff. Norman rustics of the 11th century. From the Winchester Psalter, Cotton MS Nero C iv, and MS Douce 293 f.9r. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.

The Order of Aviz is a Portuguese religious order of knights.. . "After the conquest of Aviz the military castle erected there became the motherhouse of the order, and they were then called Knights of St. Benedict of Aviz, since they adopted the Benedictine rule in 1162. They were indebted to the Cistercians for their rule and their habit ó a white mantle with a green fleur-de-lysed cross.". . Handcolored copperplate engraving of a knight from a religious military order from Robert von Spalart's

H. Margaretha van Antioch, Anonymous, 1700 - 1800 print Numbered at the top right: No. 62. paper etching / engraving the virgin martyr Margaret of Antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls. angels crowning and/or bringing palm-branches

Milk-vendor Anabaptists of Basel, Switzerland, 16th century. Anabattisti. Handcoloured copperplate engraving by Verico from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

Alois Ander as a Prophet in Der Prophet costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

TWO LABOCKERS, ESAAASS BUOURSSEN, 1662 There are two men outside on an uneven soil. The man on the left carries a frayed hip rug (veshti, lungi) to the knee; Around the shoulders a shawl (chadar) hanging along the back. The upper body and the arms are uncovered. With the left hand he holds two things at the same time: a long stick lying over the left shoulder with small hoe (Udalla) and an object that may be a reed blower, a Southeast Asian musical instrument. It consists of a round gourd in which a reed, with a short piece of bamboo for blowing and a long bamboo flute with - not visible here - finger openings to play. In his right hand he holds a stick that supports the ground for his foot, probably a large hoe (Udalla). The man on the right is dressed in a hip rug (veshti, lungi) to the knee; A wrap (Chadar) hangs around shoulders, back and arms. The arms are crossed in front of the chest; The left hand holds the handling of an agricultural tool that lies over the right shoulder; Th

French Revolution 1789. Anti-clerical caricature on confiscation of wealth of the Church. A monk, representing the Church, being told to render unto Caesar what is Caesar's and to the Nation what is the Nation's. Contemporary hand-coloured engraving.

Death next to a little girl. Death dancing next to a girl. Left in the foreground is to see the grave of the girl with the date on which the drawing is made or on which the girl died. The right runs a long funeral procession to the entrance to a church.

Mama Huaco; La Plata, Bolivia; completed in 1616; Ms. Ludwig XIII 16, fol. 23

Russia, 1850 part 1. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Russia

Narrative of a journey to the Zoolu Country, in South Africa undertaken in 1835, 19th century engraving

Irish Brehons and Filidhs or judges, of the Roman era, with Irish wolf-hound. Brehon in cloak, coat, pantaloons, biorrad (cap), carrying laws engraved on bark. With Filidh, assistant judge, similarly attired. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

A Drotte and a Fola, priest and priestess of the Gothic Scandinavians. He wears a long habit and holds a large horn of gold to receive a human blood sacrifice. She wears a scapular, short linen skirt, trousers, carries the sacrificial knife inscribed with Runes. In the background, a naked Fola performs a human sacrifice. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

Four figures; one man leads another by chain around neck.. Paintings, Prints. 1850. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting, Chinese, Punishment & torture , China, Costumes , Chinese

Third Status Etrennes to Clerge Anonymous. "Third-state eTrennes to clergy". Print.

19th century missions (IT)

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