Triumphal Arch Designs

A collection of historic prints featuring elaborate triumphal arches, decorative cabinets, and ornate chimneys reflecting Baroque style and rich social history.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Door frames, Door frame with putti, verso - stamped, Door frame with rocaille ornaments, leaf motifs, two winged putti, a vase on the left and a cartouche above. Publisher number 298., print, picture, ornamental print, prints, pictures, ornamental prints, height 249 mm, width 190 mm, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Triumphpoort at the entry of Karel Alexander van Lotharingen and Maria Anna in Brussels, 1744, 1744 print Triomfpoort founded at the entry of governor Karel Alexander van Lotharingen (Karel van Lorreinen) and his wife (governor) Maria Anna van Austria, in Brussels, March 26, 1744. With inscriptions in Pen. According to the inscription, the gate was completely burned down the night after the entry. Brussels paper etching triumphal arch Brussels

Cabinet with two doors, Anonymous, After Jean Lepautre, c. 1680 - c. 1700 print The doors are decorated with vases in octagonal panels. At the top is a Keizersbust flanked by two women. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching

Chimney, Jean Lepaut, c. 1651 print In the middle, a horse driver is depicted above four chained prisoners of war or slaved men, Corinthians sunken on the sides with the image of a Roman general in between. From series of 12 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching slavery; serfs and the enslaved. chimney. chimney ornaments. prisoner of war (after the battle)

Decoration design; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

The triumphal arch of Philip (front); Entry of Ferdinand in Antwerp in 1635 (no. 12), 1639 - 1641 print The triumphal arch of Philip on the corner of the Hintevetterstraat and the Meir (front). In the central performance the marriage between Maximilian and Maria van Burgundy in 1477. At the top Jupiter and Juno. Marked top left: p. 25. Page no. 12 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch Antwerp

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Door frames, Door frame with putti, verso - stamped, Door frame with rocaille ornaments, leaf motifs, two winged putti, a vase on the left and a cartouche above. Publisher number 298., print, picture, ornamental print, prints, pictures, ornamental prints, height 249 mm, width 190 mm, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

This copper engraving from 1521 by Agostino Veneziano depicts an ornamental field, showing decorative motifs and symmetrical design.

Round grave monument with bas-relief; Tombeaux Ou Mausolées. In addition, Minerva (). From first edition.

Chimney, decorated with three shields with inscriptions, garlands and mascarons; Second Livre d'Architectvr (...); Sheet from the series of chimneys. In the middle is an oval with Fortuna on the plate. From a series, consisting of a title page and 66 sheets with chimney jackets, decorated with columns, hermen, cartouches, garlands and mascarons. All chimney jackets are equipped with firesters.

The triumphal arch of Philip (front); entry from Ferdinand in Antwerp in 1635 (no. 12); Arcus Philippei Pars Anterior. The triumphal arch of Philip on the corner of the huidevetterstraat and the Meir (front). In the central show the marriage between Maximilian and Maria van Burgundy in 1477. Upper Jupiter and Juno. Signature upper left: p. 25. Sheet no. 12 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Grave monument with adversed man in niche.; Flat decorations and grave monuments / Father's Niewe Inventien (...). On a base with a protruding middle risalite, a double articulated wall, decorated with figures and groteskes, has a niche decided. In the niche a sarcophagus on a pedestal, worn by three cariatides. There is a woman with a tablet on the lid. In the middle in Cartouche: Beati Qui in / Domini Mori / Untur. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Wandindeling met schouw; Wandindelingen.Wall layout with a fireplace and three panels with rocaille picture frames. The two panels left and right with pastoral scenes are visible to half. Publisher number 137.

Oval cartouche in a temper front; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. Middle up is a putto, fighting with a snake. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Bacchus oner one pergola, rené boyvin (workshop off), After Léonard Thény, 1551 - 1580 print At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France paper engraving

Drawing (France & Italy)

Chimneys in the Italian Manner. Jean Le Pautre; French, 1618-1682. Date: 1669-1670. Dimensions: 215 × 149 mm (plate); 224 × 155 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Paris, Tavernier, Melchior, France, Barbet, Jean, Bosse, Abraham, Livre d' Architecture et d' Autels, Onderboezem, schacht dekoreerd met Neptune en Amphitrite, Sheet 14 from second edition of series. The numbering of the prints only partially corresponds to that of the first edition., ornament print, prints, ornament prints, height 190 mm, width 130 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1638 - 1643, second quarter 17th century, paper, etching, etchings, Work conception, 1605 - 1654, after a design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Alkoof with five figures, Jean Lepautre, c. 1655 - c. 1657 print The alcove is closed by a balustrade. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Epitaaf with vase and cartouche, Michael Heinrich Rentz, after Johann Jakob Schübler, 1711 - 1726 print An epitaph with rocaille ornaments and half a vase and half cartouche with helmet in the middle. Around garlands and skulls. Neurenberg (possibly) paper engraving Epitaph. Rocaille ornament. Ornament ~ cartridge. vase ~ ornament

Louis XIV (king of France), Louis XIII (king of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Altars with plan, Altar with painting, In the middle hangs a painting of the Annunciation. With elevation and plan., print, ornamental print, prints, ornamental prints, height 183 mm, width 120 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1666, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, 1601-09-27 - 1643-05-14, granter of privilege, 1638-09-05 - 1715-09-01

Graftombe by Willem Lodewijk, count of Nassau, in the Grote Kerk in Leeuwarden, 1620, 1629 - 1631 print Graftombe of Willem Lodewijk, count of Nassau, died 31 May 1620, buried in the Grote Kerk in Leeuwarden on July 13, 1620. The tomb was designed by Pieter Hendricksz. De Keyser seen from the side and the front and map. De Graaf in armor kneeling between personifications of strength (fortitudo) and caution (prudentia). Northern Netherlands paper etching grave-building, monumental tomb Big church

Netherlands, Custos, Dominicus, France, Androuet, Jacques, Germany, Sibmacher, Hans, Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit, Flat decoration with two satyrs in the middle on either side of a basket, verso lower left - stamped, Equilateral copy after a print by Jacques Androuet Ducerceau, based on a flat decoration by Enea Vico. Sheet from series with architectural fantasies and grotesques with mythical creatures, garlands, candelabra and mascarons., print, ornament print, prints, ornament prints, height 105 mm, width 69 mm, German - 1611-03-23, print maker, 1525 - 1594, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, Work conception, French, 1515 - 1584, after a print by, Publication (Event), Publication, German, 1560 - 1615, publisher

The underbust stands between two composite columns. With upstand and plan. Sheet 6 from series of 6. Lower atrium with emperor bust Nouueaux Desseins de Cheminees a l'Italiene , print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: Nicolas Langlois (I), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, c. 1665 - c. 1670, paper, etching, h 234 mm × w 163 mm

Epitaaf with vase and cartouche; Representation d'Orthographie The Diverses Sortes d'Epitaphes (...). An epitaph with rocaille ornaments and in the middle half a vase and half cartouche with helmet. Around garlands and death heads.

Pulpit with putto; Prece chairs. Pulpit with rocaille ornaments between two arches. On top a winged putto that indicates the letters IHS in beams. Publisher number 166.

Cabinet with three vertical panels, Jean Lepautre, in or before c. 1709 - 1716 print There are three drawers under the panels. From fourth edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Pulpit with draperies, 1699 - 1726 print A pulpit with rocaille ornaments, leaf motifs, garlands, draperies left and right and crowned with half a face and half a burning heart. Neurenberg (possibly) paper engraving pulpit, ambo, chancel. rocaille ornament. hangings and drapery

Hadrian we., Papa.

Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Borromini, Francesco, 1599-1667, Specchi, Alessandro, 1668-1729, Engraving, 1702-1721, Architecture by Borromini.

Cabinet, Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1650, Print, Print

Underbooling with variant for right half; Underbools. Above the underbousus, a small rectangular painting hangs with a head frame on top of which a pedestal with an emperor bust is. From series of 6 sheets.

Figures kneeling for madonna statue, Jan Goeree, 1724 print A group of men and women are kneeling for a Madonna statue. Left and right are figures for other religious artworks in the interior. Around a frame with saters and putti. paper engraving kneeling figure. Madonna: Mary standing (or half-length), Christ-child close to her bosom

Title page: Alcaves à la Francoise; Alcofen à la Francoise. Alcove, the rear wall of which is decorated with paintings. Title page from series of 6 sheets.

Drawing, Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique"; Jean-Charles Delafosse (French, 1734-1791); France; pen and brush and black ink, wash, black chalk on white laid paper, pen and black ink framing lines; 35.8 x 21.5 cm (14 1/8 x 8 7/16 in.)

. Copy to the print of Jacques Androuet Ducerceau. The upper part is derived from part of a flat decoration from Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

TROOMFBOOG MET COMEL IV, ABOBASTIES LECLLC (I), afterHe Claude at a 2006 print Triumph arch with three passages crowned with an image of Charles IV on horseback and a palm tree flanked by personifications of faith and strength. There are ionic columns between the passages. Above the passages weapon trophies and musician people on a balcony. paper etching triumphal arch. riding a horse, ass, or mule; rider, horseman Nancy

Collection of furniture planks: other cabinet, composition with 2 pieces of cabinets. Second cabinet of a sequence of 21. Jacques Androuet du Cillece (1515-1584). Furniture Plank Collection: Other cabinet, composition with 2 pieces of cabinets. Second cabinet of a sequence of 21. Etching. 1575.

A drapery with fleurs-de-lis hangs on either side. At the bottom of the wall openings are two panels with the crowned L of Louis XIV. Third ed. Alcove closed by balustrade Alcoves a la Romaine , print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, publisher: Pierre Mariette (II), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, after 1657 - before 1716, paper, etching, h 148 mm × w 212 mm

Paris, Mariette, Pierre (II), Lepautre, Jean, Desseins De lambris à l'Italienne, Wall paneling with two statues in niches, Wall paneling with two statues in niches. In the middle a panel depicting a landscape. Print is part of a album., print, ornamental print, album sheet, prints, height 224 mm, width 150 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1659 - 1659, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Design for a print, possibly a title page, Monument to the marriage of Jonas Witsen and Elisabet Basseliers., draughtsman: Jan Goeree, Simon Schijnvoet, 1699 - in or before 1702, paper, pen, brush, h 290 mm × w 194 mm

Rocaille cabinet. An ornamented rocaille cupboard with drawers, awarded a rocaille clock. On the left is a rocaille vase with flowers on a pedestal, on the right two putti on a pedestal. Against the wall on the top of seed beads and flower garlands. In the middle of No 11.

Tabernacle in the form of a triumphal arch, c. 1658 - 1678 print Tabernacle in the form of a triumphal arch with four images at the top. Print is part of an album. Antwerp paper etching chalice bearing the Host. tabernacle ~ altar

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Designs for altars, Altar with John the Baptist and John the Evangelist, verso - stamped, Design and plan of altar with rocaille ornaments. Left and right John the Baptist with staff and lamb and John the Evangelist with book and eagle. Above two putti. Publisher's number 34., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 338 mm, width 192 mm, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for Altars, from 'Autels et Retables', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Fireworks representing Lille on March 16, 1749 in rejoicing of peace (IT)

Augsburg, Wolf, Jeremias, Berain, Jean (le Vieux), Fireplaces with sphinxes and medallion, verso - stamped, Two ornamented fireplaces. Left with a vase, a mask, garlands, two sphinxes and a hearth plate with mermen. Right with a medallion with Venus and Amor, a caryatid, a vase and a hearth plate. The fireplaces flank a panel with wickerwork, a caryatid and a table with crockery., print, ornamental print, prints, ornamental prints, height 275 mm, width 300 mm, print maker, printmaker, 1686 - 1724, paper, papier, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, German, 1673 - 1724, publisher

Tabernackel to Altar, Jean Lepautre, c. 1666 - c. 1693 print At the top is the monogram of Christ in a medallion. In the middle of the letter is the letter b. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Monument for Hendrik IV, King of France and Navarra, Thomas de Leu, After Isaïe Fournier, 1596 print Monument for Henry IV, King of France and Navarra, with his centrally his portrait in an oval, flanked by Mars and Roem in Nissen. At the top of personifications of strength and justice. The battle at Ivry is shown below. France paper engraving historical persons. monument, statue

Erepoort XXXI in The Hague, 1747; Neat image and ample bladice of honor gates, headed by the blyde to back from wyle (...) Willem Karel Hendrik Friso, Prince of Orange and Nassau (...) Uyt Zeeland, and sometimes Intreated in 'SGravenhage, on Den 6 Juny 1747. Leaf with the erepoort numbered XXXI. Loos leaf Originally part of the sheet metal neat image and ample description of the Ele ports from 1766 with representations of the honorary foals and triumph arches prepared in The Hague during the festivities around the entrance of Prince Willem IV as the Stadholder of Holland and West Friesland on 6 June 1747.

Design for a monstrans, Daniel Hopfer (I) (Possibly), After Daniel Hopfer (I), 1480 - 1536 print Monstrans with two angels who stop the host. In addition, there are twelve apostles in Nissen. In the middle of the last judgment. Germany (possibly) paper etching

Fountain 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Fountain 340126

Fireplace with caesarean bust; Schouwen and wooden paneling in interiors. Cross section of a room with inspection with emperor-bust in around medallion worn by two sphinxes. On either side a door with Dessus de-porte with eagle.

Louis XIV (king of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Lower bosoms, Lower bosom with painting of young Louis XIV, At the top is the French royal crown on a coat of arms with the letter L. At the bottom is a hearth plate with the French coat of arms and the French royal crown. From a series of 6 sheets., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 297 mm, width 212 mm, French, 1618-06-28 - 1682-02-02, print maker, prentmaker, 1660 - 1666, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1594 - 1666, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Design for Three Tomb Monuments, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, at left: the architectural setting is imilar to 1938-88-1296, the entablature not being indicated. The monument is a variation of 1938-88-1298, left row above. Two putti sit upon the cover of the sarcophagus. A woman sits upon the upper edge of a drapery covering part of the lower part of the pedestal. At right: the architectural setting with the canopy and the scheme of the monument are similar to 1938-88-1292, left. At the front, the sarcophagus is supported by feet. The front of the body is a trapezium containing a relief. Upon the cover sit two figures supporting an escutcheon with a crown. Female allegories are sitting upon steps similar to the design at left. On top, upon a seat similar to 1938-88-1352, sits a crowned woman. Lower row, horizontally. The setting with the canopy is similar to that above, at right. In the center, in

Finestrone con tutti li suoi ornamenti posto sopra la porta principale della naue maggiore della Basilica di S. Giouanni in Laterano nella parte interiore, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Borromini, Francesco, 1599-1667, Specchi, Alessandro, 1668-1729, Engraving, 1702-1721, Architecture by Borromini.

Door frame with putti and vase, unknown, after Franz Xaver Habermann, 1750 - 1760 print Door frame with rocaille ornaments, leaf motifs, two putti with garlands and half a cartouche and half vase with flowers above. Publishing number 298. Augsburg paper etching / engraving Door. Cupids: 'Amores', 'Amoretti', 'Putti'. jar ~ ornament

Altar Tabernacle with the AdulterousWoman. Artist: Daniel Hopfer the Elder, German, 1470-1536

Architectural Study. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: 7 11/16 x 5 1/4 in. (19.5 x 13.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Schouw with two chained prisoners, Jean Lepautre, 1658 - 1670 print Diameter of a room with a fireplace with two chained prisoners for a weapon trophy. Two Corinthian columns left and right. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Cabinet-making: an architectural overmantel, elevations and sections. Etching by J. Verchère after himself, 1880.

Louis XIV (king of France), Paris, Langlois, Nicolas (I), France, Lepautre, Jean, Nouueaux Desseins de Cheminees a l'Italiene, Lower bosom with square painting, The painting shows the death of Procris (). Sheet 4 from a series of 6., print, ornament print, prints, ornament prints, height 235 mm, width 162 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1665 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1640 - 1703, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Germany, Cuvilliés, François de (Sr.), Charpentier, 19me Livre T Livre de decorations de Lambris, Wall decorations, Stove in niche, verso - stamped, A ornamented stove with putti in a semicircular niche, panels on either side. Print number 75., print, ornament print, prints, ornament prints, height 351 mm, width 226 mm, French, print maker, printmaker, 1745 - 1745, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1695 - 1768-04-14

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Nouveau Livre des Chemines, Mantelpiece with clock, verso - stamped, A mantelpiece with rocaille ornaments, a rocaille fire screen on the right, garlands, leaf motifs and clock on the left middle and right above. On the left is a rocaille piece of furniture and on the right hangs a rocaille (mirror) frame., print, ornament print, prints, ornament prints, height 294 mm, width 191 mm, print maker, printmaker, 1699 - 1726, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Benedikt XIII., Dad.

Above the tablet of the chimney cowl hangs a frieze with a battle scene, above it hangs a portrait medallion of Louis XIV., Lower cowl Verschyde Schoorsteen Mantels (series title), print maker: Cornelis Danckerts (I), Pierre Bullet, printer: Justus Danckerts, print maker: Netherlands, (possibly), France, (possibly), printer: Amsterdam, publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 271 mm × w 148 mm

Furniture Design 1565-70 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Graftombe of Willem I, Prince of Orange, 1623; Architectura Moderna or Buildinge van Onsen Tyt (...) Mr. Hendrick de Keyser (...) and Cornelis Danckerts (...) Amsterdam 1631, PL. XL. Graftombe or Praalgraf of Willem I in the new church in Delft, completed in 1623. Seen from the side with the image of the lying prince.

Marie Therese d'Austriche son espouse: dans la ville de Paris capitale de leurs royaumes, au retour de la signature de la paix generalle et de leur heureux mariage: enrichie de plusieurs figures, des harangues and de diuerses pieces considerables pour l'histoire, L'entree triomphante de leurs maiestez Louis XIV roy de France et de Nauarre, Tronçon, Jean, 1662

Fireplace with mirror and wall decoration in the cabinet of Graaf van Bielinski, Pierre Chenu, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching decorations (interior of the house). art collection, art gallery

OrnamentalDesign. Artist: Petrus Faber, French, died 1650

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Neufaconirte Orgel-verkleidungen und unterschiedliche Wand Chantzeln, Pulpit with smoking barrel, verso - stamped, A pulpit with rocaille ornaments, garlands, a half face right center and crowned with a half smoking barrel left. Drapes hang on the left., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 279 mm, width 180 mm, German, 1689 - 1741, print maker, prentmaker, 1699 - 1726, paper, papier, engraving, engraving (printing process), Work conception, based on own design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

. Leaf 14 of 15 numbered sheets + title sheet from a series of 16.

Monument in honor of Johann Baptista von Tassis, 1588. Monument erected in honor of Johann Baptista von Tassis by his son, killed in the siege of Bonn on 26 April and buried in Cologne on May 12, 1588. Papee with a painting by tassis with Johannes The Baptist kneeling in front of the crucifix. At the top of a sticky with Latin inscription and decorated with allegorical figures of virtues.

Submash with square painting, Jean Lepautre, c. 1710 print Subsema flanked by two consoles of leaves, at the top hangs a painting of a Landschp. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Cheminées a l'Italienne, Title page: Cheminées a l'Italienne, Lower bosom flanked by large consoles of leaves with garlands of fruit, and crowned with a portrait medallion of an emperor, supported by a putto., print, ornament print, prints, ornament prints, height 221 mm, width 151 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Alcove with Joseph and Potifar's wife; Alcofen a la romaine. Alcove with Joseph fleeing for Potifar's wife. On the right stand soldiers with shields and lances. Legal education numbered.

Print (France)

Engraver: Domenico Maria Bonaveri, Italian, 1653-1731, After: Annibale Carracci, Italian, 1560-1609, The Founding ofRome, Engraving, sheet: 44.5 × 34.6 cm (17 1/2 × 13 5/8in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Design of a fireplace with a painting featuring putto and a vase of flowers. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Primum Tenplum Iovis in Capitolio, Print made by Agostino Veneziano, active 1509-1536, Italian, Published by Antonio Salamanca, ca. 1500-1562, Spanish, Published by Antonio Lafreri, 1512-1577, French, between 1514 and 1536, Line engraving on medium, slightly textured, cream laid paper, Sheet: 15 1/2 × 12 1/4 inches (39.4 × 31.1 cm), Plate: 11 1/2 × 8 3/8 inches (29.2 × 21.3 cm), and Image: 10 3/4 × 7 5/8 inches (27.3 × 19.4 cm)

Design for a Monumental Altar, Plate d from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: After Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Georg Gottfried Winckler (German, 1710-1786). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table, flanked by four statues of female personifications of the Cardinal Virtues. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Choir fence with two pilasters with cannelures, Jean Lepautre, After 1634 - Before 1667 print In the middle of a medallion with God the Father. From a third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Rectangular cartouche between a man and a woman, sitting on the rollerwork; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. Above their heads stand bases with fruits on a mascaron in the shape of a dog cup. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Carlo Antonio Buffagnotti, Architectural Motif with a Landscape, c 1690 Architectural Motif with a Landscape

Italy, Vanni, Francesco, Villamena, Cartouche for a cardinal's coat of arms, verso application sheet - stamped, In the middle an empty cartouche, possibly intended for interchangeable coats of arms. On the left and right an allegorical figure and above the cartouche a cardinal's hat worn by three putti. On the right a blindfolded Amor., print, prent, prints, prenten, height 220 mm, width 393 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), plaattoon, Work conception, 1563 - 1610-10-26

Nymphaeum in the courtyard of the Palazzo Borghese in Rome; Fontana Nel Palazzo del Signor Prencipe Borghese in Roma (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 11. The print is part of an album.

Project for an altar with alternative suggestions, Pen, brush and sepia on paper, Vertical composition of an altar with the statues of St. Nicholas and another holy bishop. Two angels sit on top of the coupled pediment and two smaller angels sit above a smaller pediment with a cross. All four angels have one hand raised., Italy, 1625-1650, furniture, Drawing, Drawing

Title Page, Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, A fireplace decorated with lions flanking an escutcheon with a crowned roundel. Two urns and a bust of a Roman emperor sit on the mantelpiece. Above, oval-shaped cartouche with title and a Doric entablature. Scale below., Netherlands, ca. 1700, architecture, Print, Print

SINCERE CEDALLIC TROPHY AND CHANGING HOUSING; Trophy Medalliqve sincere and housing (...); Medallic trophies of the lords of Rostaing. Monument Voor Raoul de Rostaing, Parijs, 1661.

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Nouveau Livre des Chemines, Fireplace, table and wall candlestick, verso - stamped, A fireplace with rocaille ornaments, an ornamented fire screen, half faces above and below and half a flower basket below. To the right of the fireplace hangs a rocaille wall candlestick, to the left is part of a rocaille table visible., print, ornament print, prints, ornament prints, height 290 mm, width 188 mm, print maker, printmaker, 1699 - 1726, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Fireplace with weapons and harness; Johann Jacob Schüblers Vierzehende Ausgab Seines Vorhabenden Werchs, Worons Vergestellet became Neu-Inherdende Camine und Ausserordelliche Stuben-Ofen (...). An ornamented fireplace with a harness, a shield and weapons such as lanings and swords from the right seen. A five-line German text in the undermarge.

Sarcophagus of Hendrik Casimir II: Head decorated with weapon trophies, Petrus Aeneae, 1680 - 1700 print On the lid there are two crowned lions on both sides of the coat of arms of the pins of Nassau-Dietz. The sarcophagus is based on three lions with coats of arms of Nassau (left), Vianden (center) and katzellenbogen (right). On top is a pillow with a crown. Leaf from series of 3. Franeker paper engraving

Oeuvres du Sr. D. Marot published 1703 or 1712 Daniel Marot the Elder French First overview publication of Daniel Marot's prints, published in 1703 in The Hague by Pierre Husson. The complete overview contained 23 series, most of which were first published individually by Marot himself. The collection contains the title page and 22 series of the entire publication, several individual leaves as well as volume 22 are missing from the set. The series have been rebound indivually.. Oeuvres du Sr. D. Marot 353702

Spanish triumph port (front), 1594; Forma Portae Triumphalis Hispanorum. The Spanish triumph port (front), 1594. Founded in the long Gasthuisstraat. Part of the description of the arrival of Aartshertog Ernst in Antwerp, July 18, 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex officina Plantiniana, Antwerp 1595.

Vasari, Lazzaro.

Tomb Sculpture (), Wendel Dietterlinn the Elder, 1551 - 1599, Engraving on paper, Germany, late 16th century, Print, Print

. Hercules offers the personification of the Republic of Switzerland to his club. She is surrounded by personnifications of the virtues: caution, unity, freedom, wisdom and Fortuna. Right Minerva that drives her harps. On the right in the background the Swiss crossbow gunner Willem Tell who was dedicated with his bow to shoot an apple from his son's head after he took the hat to greet land guardian watchers on a stake on the village square as a symbol for the ruling Habsburg . The show is framed by two pillars on which a list of Swiss cities and a garland where coat of arms. In the margin a three-legged caption in French.

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architecture with diverse ornamental cavati from the Ancient World, Composito, Composite entablature, capital and detail of frieze, At the bottom are three lines of text., print, ornament print, prints, ornament prints, height 281 mm, width 182 mm, 1534 - 1621, print maker, printmaker, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Italian, publisher

Design for a grave monument for Margaretha van Austria, Lancelot Blondeel, 1543 - 1556 drawing paper. ink pen / brush the virgin martyr Margaret of Antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls. one person praying. grave-building, monumental tomb

Macchina delle 40 ore, Pen and brown ink, gray wash, black chalk Support: white laid paper, laid down, Rome, Italy, Italy, 1685-1700, graphic design, Drawing, Drawing

of 3