Victorian River Etchings

Etchings depicting serene river scenes with boats and structures, showcasing 19th-century British artistic styles and subtle color palettes.

Scaffolding with several persons and a moored boat, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 225 mm × w 308 mm

Battersea Reach, 1843. Francis Seymour Haden (British, 1818-1910). Etching;

Sir David Young Cameron, 1865-1945, British, Berwick, 1890. Etching printed in brown ink over two counterproofs, engraver's proof, (verso: two counterproofs).

The Inn, Purfleet, 1869. Francis Seymour Haden (British, 1818-1910). Etching;

James McNeill Whistler, San Biagio, 1879 1880 San Biagio

Early Morning, Battersea (Battersea Dawn) (Cadogan Pier). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 4 1/2 × 5 15/16 in. (11.4 × 15.1 cm)Sheet: 6 7/8 x 8 7/8 in. (17.5 x 22.5 cm). Series/Portfolio: Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871). Date: probably 1863. Museum: Metropolitan Museum of Art, New York, USA.

View of a ruin, Johann Daniel Laurentz, After Rembrandt van Rijn, 1739 - 1810 print paper etching landscape with ruins

Scaffolding with several persons and a moored boat, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 225 mm × w 308 mm

Tilbury , Boats, Waterfronts, Rivers. James McNeill Whistler (1834-1903). Lithographs

Billingsgate , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

The Wash-house (Le lavoir). Dated: 1891. Medium: etching in brown on buff paper. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Limehouse. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Riva, no. 1 , Boats, Piers & wharves, Waterfronts. James McNeill Whistler (1834-1903). Lithographs

Face in the port of Hamburg. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1907. Measurements: h 137 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Eagle Wharf. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Turret Ship. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 126 x 175 mm (image, trimmed within plate mark); 129 x 175 mm (sheet). Etching and drypoint in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Koster, Cornelis, Amsterdam, Springer, Flooded landscape between Oss and Lith, verso - stamped, The road between Oss and Lith in a flooded landscape during the flood in March 1855., print, prints, height 125 mm, width 215 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, plaattoon, intermediary draughtsman

The Bridge at Klein Kostverloren on the Amstel 1645 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Piazza del Mercato All Gambarare on the Brenta; Veduta della Piazza del Mercato All Gambarar (...); Le delicie della brenta; Les Delices de la Brenta; Faces on the Brenta River. View of the Piazza del Mercato all Gambarare on the Brenta River. A shit full of hay on the water. Numbered in the middle of: XXII and lower right: Tom: I. This print is part of an album.

The Little Putney, no. 2. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Souvenir deNormandie. Artist: Victor Hamel, French, 1832-1895

James McNeill Whistler (American, 1834-1903), Limehouse, 1859, etching

James McNeill Whistler, Billingsgate, 1859 Billingsgate

Francis Seymour Haden, 1818-1910, British, Egham, 1859. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper.

Antwerpen, Nieulandt, Willem van (II), View of Rome with the Tiber Island, Antwerp, verso - stamped, View of the Tiber River in Rome. The Tiber Island on the right. A bridge on the left and several sloops in the foreground. On the right some people on the bank. At the bottom in the margin two four-line verses in French, two four-line verses in Latin and two four-line verses in Dutch., print, prent, prints, at the bottom: Guilielmus van Nieulandt fecit et excud. Antwerpiae at the top: dedication to Joh. de Cock: 'Ornatissimo Viro Ioanni deCock...Guilielmus de Nieulandt LMDD, under the scene 2 x 4 lines French, 2 x 4 lines Latin and 2 x 4 lines Dutch caption regarding Rome., recto bottom right - stamped, height 415 mm, width 873 mm, Northern Dutch, 1584 - 1635, print maker, printmaker, 1606 - 1628, first quarter 17th century, second quarter 17th century, paper, etching, Publication (Event), Publication, Northern Netherlands, publisher

The Tiny Pool. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 7/8 × 2 9/16 in. (9.8 × 6.5 cm)Sheet: 8 in. × 6 5/16 in. (20.3 × 16.1 cm). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.

Ships on the Maas in Rotterdam, Willem Adrianus Grondhout, 1888 - 1934 print paper etching river. ships (in general) Mesh. Rotterdam

Etching by Rembrandt van Rijn from 1641 depicting a windmill, created with etching techniques and traces of a cold needle.

Thames Warehouses 1859 James McNeill Whistler American. Thames Warehouses 372698

De Vaart, Johan Barthold Jongkind, 1862 print View of a wide voyage, with some buildings. Along the waterfront are boats. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page. Paris paper etching landscapes in the temperate zone. water course. ships (in general) Holland

Battersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Marine. Charles Adams Platt; American, 1861-1933. Date: 1884. Dimensions: 170 x 341 mm (image); 178 x 347 mm (plate); 303 x 455 mm (sheet). Etching in black on cream laid Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Adams Platt.

Cottages, 1888. James Ensor (Belgian, 1860-1949). Etching;

Antwerp (the port) Norbert Goenuette (1854-1894). Antwerp (the port). Dry tip, shiver draw, cream background.

Nocturne , Bays Bodies of water, Sailing ships, Churches. James McNeill Whistler (1834-1903). Lithographs

Scene with sailing craft and cart. From: A Marken sketchbook. sketches, works on paper

Town on the water. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 125 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler, The Little Pool, 1861 The Little Pool

Laakhaven in The Hague, Willem Adrianus Grondhout, 1888 - 1931 print A woman on a moored living barge. A lamppost on the quay next to the barge. Left in the background the silhouette of a city. paper etching houseboat Laakhaven

Billingsgate, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Billingsgate, 1859. James McNeill Whistler (American, 1834-1903). Etching;

The Little Venice, from the First Venice Set (Venice, A Series of TwelveEtchings). Artist: James McNeill Whistler, American, 1834-1903

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Various shipments, a galley about to leave the harbor. Fifth issue of a sequence of 7 pieces (A. de Vesme 807. Dutuit 94) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Nocturne. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 7/8 x 11 5/8 in. (20 x 29.5 cm)Sheet: 8 7/8 × 12 7/16 in. (22.5 × 31.6 cm). Series/Portfolio: First Venice Set ("Venice: Twelve Etchings," 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Islands: Evening. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 126 x 202 mm (plate); 136 x 203 mm (sheet). Drypoint in black ink on cream laid paper laid down on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, from the Tolhuis 1863 James McNeill Whistler American. Amsterdam, from the Tolhuis 372662

Uberto dell'Orto, The Harbor at Viareggio (La Darsena), 1873 1874 The Harbor at Viareggio La Darsena

The Pool, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Thomas Jeavons, ca. 1800-1867, British, Exeter, 1827-1838. Line engraving, engraver's proof, touched.

San Biagio. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 210 x 304 mm (image, trimmed within plate mark); 216 x 304 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Sunset on the Thames, Francis Seymour Haden (SIR), 1865 print Two boats on the River Theems, during sunset. Under the print a text with pencil through Seymour had. paper etching / drypoint river. sunset Thames

Scheepswerf, Wilhelmus Johannes Steenhoff, 1873 - 1888 print In the front right, a barge is moored. In the background the mast of a ship and roofs. Netherlands paper. etching shipyard, shipdock

Old Putney Bridge 1879 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Buttermilk Channel. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 7 1/2 x 11 3/4 in. (19.1 x 29.8 cm)sheet: 10 1/4 x 15 1/4 in. (26 x 38.7 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

Billingsgate James Abbott McNeill Whistler (American, 1834-1903). , 1859. Etching on paper, Image: 5 15/16 x 8 7/8 in. (15.1 x 22.5 cm). American Art 1859

Little Dordrecht. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 13/16 × 5 3/16 in. (9.7 × 13.2 cm)Sheet: 3 13/16 × 5 3/16 in. (9.7 × 13.2 cm). Date: 1885-86. Museum: Metropolitan Museum of Art, New York, USA.

The Old Castle of Collioure 1878 Adolphe Appian. The Old Castle of Collioure. Adolphe Appian (French, Lyon 1818-1898 Lyon). 1878. Etching; first state of three. Prints

Billingsgate., 1859, United Kingdom, by James Whistler. Gift of Sir John Ilott, 1952.

James McNeill Whistler, The Riva, NoII, 1880 The Riva, No.II

Pont Marie in Paris, Stan IV; Pankiewicz, Józef (1866-1940); around 1903 (1902-00-00-1904-00-00);France (state), young Poland (style), Porcabeuf A. (Filigran), Paris (France), Sensan (France - River), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860 -1940) - collection, French (culture), Polish graphics, bridges (architect), state prints, city landscapes, Poland (culture)

The Seine at the Mouth of the Canal Saint-Martin Made 1904 France. Etching on cream laid paper . Louis Auguste Lepère

Eagle Wharf 1859 James McNeill Whistler American. Eagle Wharf 372505

Three River Faces, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1924 print At the top of Paris; Under sailing boats on the Maas; At the bottom of the Kagerplassen with a mill on the horizon. paper etching / drypoint river Paris. Maas. Kagerplassen

Black Lion Wharf 1859 United States. Etching with foul biting in black ink on cream Japanese paper . James McNeill Whistler

Frozen IJ near Amsterdam, Abraham Lion Zeelander, After Albertus Brondgeest, 1799 - 1856 print Winter face near Amsterdam. People walk on the frozen ij. On the left a dike and ships in the ice. Amsterdam paper etching / engraving winter landscape; landscape symbolizing winter (the four seasons of the year) IJ

View of the Rietlanden, Carel Nicolaas Storm van 's -Gravesande, 1884 - 1887 print Two sailing boats sail along a boathouse on the bank. Netherlands paper drypoint boat-house, shed Rietlanden

A Corner of Portland. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 10 1/4 x 8 5/16 in. (26 x 21.1 cm)sheet: 13 5/8 x 10 1/8 in. (34.6 x 25.7 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.

The Thames , Rivers, Boats. James McNeill Whistler (1834-1903). Lithographs

The Port. Chart 6 from the portfolio Gdansk". Mycielski, Jan Kazimierz (1864-1913), graphic artist

The Fleet: Monitors. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 140 x 222 mm (image, trimmed within plate mark); 144 x 222 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Ferdinand Boberg. Norrbotten, Karl-Gustafs sn., Karungi, Nordic

Johan Barthold Jongkind, Soleil couchant, port d'Anvers (Sunset, Port of Antwerp), 1868 Soleil couchant, port d'Anvers (Sunset, Port of Antwerp)

Little Calais Pier, 1865, 3 A.M., 1865. Francis Seymour Haden (British, 1818-1910). Etching;

Italianate Landscape with a Stone Bridge over a River, Abraham Jansz Begeyn, c. 1660 - c. 1670, Stone bridge over a river in a southern landscape; in the foreground carts and a rider in the water., draughtsman: Abraham Jansz Begeyn, c. 1660 - c. 1670, paper, brush, h 272 mm × w 398 mm

Entrée du Port de Honfleur (Entrance to the Port ofHonfleur). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

James McNeill Whistler, The Little Putney, NoII, 1879 The Little Putney, No.II

Old Chelsea, Out of Whistler's Window (Battersea Reach). Dated: 1863. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Warf at Trouville, Félix Hilaire Buhot, French, 1847-1898, Etching on mulberry paper, View of a wharf with several figures in background. At left, a boat for Le Harve as indicated by a sign on the wharf., France, 1878, Print, Print

Effect of the setting sun 1902 France. Etching, drypoint and burnishing from a zinc plate on discolored ivory wove paper . Théophile-Alexandre Pierre Steinlen

Environs deLyon. Artist: Adolphe Appian, French, 1819-1898

Thames Police. Dated: 1859. Dimensions: plate: 15.08 × 22.23 cm (5 15/16 × 8 3/4 in.) sheet: 25.4 × 28.89 cm (10 × 11 3/8 in.). Medium: etching and drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Riva, No. 2. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching and drypoint

View of Docks (Long Island Sound) (from Sketchbook) Henry Ward Ranger American This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects.Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.. View of Docks (Long Island Sound) (from Sketchbook) 16186

Types de petits Gens: La Seine, à Asnières, 1894. Jean-François Raffaëlli (French, 1850-1924). Etching; sheet: 22 x 25.9 cm (8 11/16 x 10 3/16 in.); platemark: 11.8 x 15.8 cm (4 5/8 x 6 1/4 in.).

Pier at Larmor Charles Adams Platt (American, 1861-1933). , 1885. Etching on heavy machine-made Japan paper, Sheet: 17 3/8 x 22 1/2 in. (44.1 x 57.2 cm). American Art 1885

Gondelier booms a gondola along facades on the Canal Grande in Venice, Willem Witsen, c. 1914 - c. 1919 print paper etching gondola. canals, waters (in city) Venice

Eagle Wharf, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Dundee , Cities & towns, Rivers. Sir David Young Cameron (1865-1945). Prints

Harbor face in Temse, Carel Nicolaas Storm van 's -Gravesande, 1880 - 1884 print View of a harbor where sailing boats are moored. On the right the quay; On the left a sailing ship sails on the Scheldt. paper. etching harbour Temse. Scales

Le Chemin de Halage (TheTowpath). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Venice seen from the water, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper drypoint prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat Venice

James McNeill Whistler (American, 1834-1903), Price's Candle-Works, c. 1875, etching

Le Point-du-Jour, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Sir David Young Cameron, 1865-1945, British, A Venetian Fountain North Italian Set: No. 7, 1894. Etching.

Theme from Old Gdansk. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Long Lagoon 1879-1880 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

Quiet Afternoon, Gloucester. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 11 3/4 x 18 3/8 in. (29.8 x 46.7 cm)sheet: 16 1/4 x 23 in. (41.3 x 58.4 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam Seen from Victoria Hotel (Amsterdamvue de Victoria Hotel). Dated: 1901. Medium: etching with drypoint. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Schiffbrücke in Husum. Tüpke-Grande, Helene (1871-1946), graphic artist

Colored woodcut by Maximilian Kurzweil depicting a harbor at sunset, created around 1903, showing boats, water reflections, and sky hues.

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