Vignettes and Designs

Elegant vignettes and artistic designs featuring tools, symbols, and memory tributes, highlighting intricate linework and historical craftsmanship.

Vase with figures and branches, c. 1870 - c. 1894 Paris paper. cardboard. graphite (mineral). ink brush containers

Vignette in memory of Mary Vincentia Huizinga-Schorer, Richard Nicolaüs Roland Holst, 1919 print Fire in a bowl. paper open fire (in general)

Vignette with tools and the weapon of Haarlem, Elias Voet Jr., 1878 - 1940 print paper pedestal of a piece of sculpture (perhaps in the form of a herm). coat of arms (as symbol of the state, etc.) (+ nation; national). tools, implements of architect

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1892. Graphite, ink and watercolor on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on tan illustration board; Image (A): 4.5 x 3.8 cm (1 3/4 x 1 1/2 in.) Image (B): 4.5 x 3.8 cm (1 3/4 x 1 1/2 in.) Sheet: 17.7 x 10.3 cm (6 15/16 x 4 1/16 in.)

Graph in graphkersers van l.Truntius van's mattress petranasi, c. 1756 - c. 1757 print View on and cross -section of a tomb in the burial chambers of L. Arruntius. Numbered in the top left: Tom. Ii. Numbered at the top right: XI. Under a text and explanatory list of letters, printed from another plate. Rome paper etching ruin of a building ~ architecture. grave, tomb Italy

Koch Friedrich (1828-1922), travel studies from Germany 1851-53 (20.09.1851): Nuremberg: Bank building (view portal), Landauer monastery (detail), Munich: Aukirche (details portal). Pencil on paper, 39.6 x 34.1 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Deutschland 1851-53

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (01.06.1852): Taormina: S. Agostino (view). Ink, pencil on paper, 39.4 x 34.6 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Four images of two; the beginning of the 20th century (1900-00-00-1910-00-00);

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without dat.): Detail floral ornament. Pencil watercolor on the box, 20.3 x 22.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Vase with figures and branches, c. 1870 - c. 1894 Paris paper. cardboard. graphite (mineral). ink brush containers

Cor de chasse antique, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) hunting horn. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament Royal Palace

Deraisme, Pierre -Georges (n.1859 - D.1932), Trèfle pins (main title), 1905. Ink on the front, gouache on the back on film -coated vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Diebitsch Carl von (1819-1869), Alhambra, Granada. () (Without dat.): Floral ornament above a capitals. Pencil watercolor on the box, 40.3 x 27.2 cm (including scan edges) Diebitsch Carl von (1819-1869): Alhambra, Granada ()

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without dat.): Ceiling design ornament with rosettes within squares. Pencil on cardboard, 41.2 x 29.6 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Kader, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1884 - 1952 photomechanical print paper printing block

Plaster model for decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Portrait of an unknown man, Louis le nain, 1861 - 1911 print paper etching historical persons. adult man

An etching by Wenzel Hollar from 1627-1677 showing a book and insignia, depicting symbolic emblems, text, and detailed engraving of objects.

Quast Ferdinand von (1807-1877), Altarkelch from the parish church in Andernach (without date): Grundriss Kelchfuß. Pencil on transparent, 35.8 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Altarkelch aus der Pfarrkirche, Andernach

Quast Ferdinand von (1807-1877), baptismal basin in the church in Wietzen near Nienburg (1875): Perspective view of the pelvis with wine leaf fries and heads. Pencil on transparent, 21.2 x 17.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Taufbecken in der Kirche, Wietzen

Part of a cartouche, Jac van Looij, 1877 - 1894 print On the cartouche the letters: md. Numbered in the middle: No. 4. Amsterdam paper ornament ~ cartouche

Deraisme, Pierre -Georges (n.1859 - D.1932), cachet (main title), 1905. Graphite, ink on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Beer (Bruun) and Vos (Reinaert), Bernard Willem Wierink, 1909 print Under six foxes. paper fable of Reynard the Fox

Sketchbook 2: Ornament studies

Eight frames with decorative motif, Carel Adolph Lion Cachet, 1919 print Left four narrow frames, on the right four wide frameworks with: 1869-1919 Dec. 15. paper

Print, Plate from Recueil des Ouvrages en Serrurerie...sur la place Royale de Nancy (A Collection of Locksmith's Designs for the Royal Palace of Nancy); Designed by Jean Lamour; Etched by Dominique Collin (French, 1725 - 1781); France; etching on heavy cream laid paper; 45.2 × 60.5 cm (17 13/16 × 23 13/16 in.)

Design for title page for: Stijn Streuvels, Reinaert de Vos, 1910, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Sharing with a baroque sheet metal in a wooden church in a shawl church, according to the drawing of Jan Sas-Zubrzycki in 1903; loam. Z: Jan Sas-Zubrzycki, Treasure of architecture in Poland, vol. 1, tabl. Xciii, Kraków 1909; Sas-Zubrzycki, Jan (1860-1935); 1909-1910 (1909-00-00-1910-00-00);

Deraisme, Pierre -Georges (n.1859 - D.1932), Hatter Epingle (main title), 1899. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Arabesken with mythical figures and leaf vines

Lier with Dolphins, in Or Before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. lyre, cithara, psaltery Royal Palace

Blanco Signature Leaf with Leaves, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Blank signature sheet with space for eight signatures. paper. watercolor (paint). pencil brush foliage, tendrils, branches ~ ornament

Woven Wool Bedspread. Dated: c. 1936. Dimensions: overall: 30.3 x 22.7 cm (11 15/16 x 8 15/16 in.) Original IAD Object: 93" long; 80" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Christopher Hobbs.

Bertha Semple, Carved Wood Ornament, c 1937 Carved Wood Ornament

Sievers Georg (1803-1887), Villa Sy in Berlin-Tiergarten (without date): Medallon, Diana. Ink, pencil watercolored on paper, 37.1 x 31.4 cm (including scan edges) Sievers Georg (1803-1887): Villa Sy, Berlin-Tiergarten

Plaster model for a decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Design by Aldengrever. Édouard Baldus (French, born Germany, 1813 - 1889)

A 16th-century etching by an unknown monogrammist showing a decorative frieze with ornamental patterns and motifs.

Quast Ferdinand von (1807-1877), silk fabric, probably Luccheser work, from Italy in the Austrian Museum of Vienna (1874): View Detail Geier- und Drachenornamenik of a fabric with color information (subsequent or penetration according to Bucher/Gnauth: handicrafts I, Stuttgart 18 . Pencil on transparent, 34.5 x 25 cm (including scan edges) Quast Ferdinand von (1807-1877): Seidenstoff, wahrscheinlich Luccheser Arbeit, aus Italien im Österreichischen Museum Wien

Cimbales antiques, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. clappers, castanets Royal Palace

Design for four corner decorations for Elsevier's Illustrated Magschrift, Reinier Willem Petrus de Vries (1874-1953), 1905 drawing paper. ink. pencil. deck paint pen / brush flowers ~ ornament

A cutscene with decorative composition; Makowski, Tadeusz (1882-1932); 1914 (1914-00-00-1914-00-00);

Floor mosaic from the new fullonica (fuller's shop), Regio VI, Insula XIV, 21. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Deraisme, Pierre -Georges (n.1859 - D.1932), bracelet (main title), 1897. Graphite and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Cameo Brooch. Dated: c. 1936. Dimensions: overall: 28.8 x 23 cm (11 5/16 x 9 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Doris Beer.

Hoffmann Emil (1845-1901), S. Maria in Cosmedin, Rome (04/30/1894): Floor plates. Pencil on paper, 32.5 x 24.7 cm (including scan edges) Hoffmann Emil (1845-1901): S. Maria in Cosmedin, Rom

Design for an Oblong Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and black ink, brush and watercolor, black chalk on paper, Horizontal format design for an oblong plaster ceiling. Shown are the scheme of the decorations of the central square and of the left sections and the decoration of the lower left quarter of the ceiling. Interlaced ribbons form in the central part one large circle and segments. They are subdivided in smaller circles., London, England, 1773, architecture, interiors, Drawing, Drawing

Drawing, Study for a Corinthian Capital; Italy; pen, ink, and pencil on paper

Two triangular reliefs with branches and a dragon, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). branches, 'Astwerk' ~ ornament. dragon

Drawing, Centrer Motif of Ceiling; Designed by James Byres; England

Scheppig Carl (1803-1885), Cathedral in Civita Castellana (May 22, 1833): Part-Reste of Beasting, cornice, door framing and mosaic. Pencil watercolor on the box, 27.5 x 21.6 cm (including scan edges) Scheppig Carl (1803-1885): Dom, Civita Castellana

Print, Escutcheon, Plate 4 of "Cinqeme Cahier de Cartouches"; Print Maker: P.P. Choffard; etching on paper; 21.6 × 17 cm (8 1/2 × 6 11/16 in.)

Rohscan

Four -sided, silk, use, use in the Ornata - fragment; Kotarbi, Mieczys Aw (1890-1943), Frania, Zygmunt (1882-Post 1932); 1919 (before 19.03.1919) (1919-00-00-1919-00-00);

Relief of a chalice with flowers and leaf vines, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). ornament derived from plant forms. chalice

Pencil design for royal arms of Scotland , Coats of arms. Sir David Young Cameron (1865-1945). Prints

Gypsum Models for Facade Decorations at the Court Lefuel of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Deraisme, Pierre -Georges (n.1859 - D.1932), paper cut (main title), 1900. Graphite on the front, watercolor on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Design for Signpost; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; graphite on paper; 28 x 21.7 cm (11 x 8 9/16 in.)

Design for a carved table. The left side of the drawing exhibits countless variations with respect to the right side; This is an alternative design.

Warsaw. Wooden floor from the Entertainment (Chinese) room at the White House at the Royal Łazienki Park - fragment in the scale of 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Cast of a detail of an archivolt decorated with rankwork, anonymous, 1880 - 1940 photograph baryta paper. cardboard arch, archivolt ~ architecture. trees: oak (+ leaves, putting forth leaves)

Gypsum Model for Decoration of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Fe-fchoung. Chinois; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Gypsum Model for an embellishment of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Quast Ferdinand von (1807-1877), grave at Eski Djouma in Saloniki/Thessaloniki (without dat.): By-drawing: View frieze with mythical animal motifs, now fountain, according to Charles Texier and Richard P. Pullan, pp. 1 and 115. Transparent, 33.6 x 29 cm (including scan edges) Quast Ferdinand von (1807-1877): Grab bei Eski Djouma, Thessaloniki

Lyre des Hebreux; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Man, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Recto: Partial sketch of a male figure wearing a hat; Verso: Three female figures on steps in front of a building., USA, 1879-1880, figures, Drawing, Drawing

Sample (USA); Designed by Eleanor Mabel Sarton (English, 1878-1950); cotton

Sketchbook page, Frederick Krieg, American, b. Germany 1852-1932, drawing, One of fourteen pages in a sketchbook, USA, 1864-78, Sketchbook page

Models for four heads of horses, Anonymous, Hans Sebald Beham, 1565 print paper horse. model-books ~ implements of painter

Fan -shaped flowers, Edouard Gautier d'Agoty, After Jean Baptiste Pillement, 1770 print Fan -shaped flowers and long pointed leaves. Paris paper etching fabulous flowers

Deraisme, Pierre -Georges (n.1859 - D.1932), pendant (main title), 1897. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Warsaw. Rosette in the coffer of the ceiling of the palace chapel in the Royal Łazienki Park - front view and cross section in the scale of 1:2. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Design for a sign with WB. .

Proef pressure for page from Reinaert de Vos, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Instrumens negres, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Grote Diamant in the sale on August 26, 1778, Unknown, 1778 print A large diamond (brilliant) weighing 58 grin. From the estate of Hendrik Coenraad Sander, which will be put on sale in Amsterdam on 26 August 1778. Northern Netherlands paper etching / engraving precious and semiprecious stones: diamond Amsterdam

Portrait of an unknown man, Louis le nain, 1861 - 1911 print paper etching historical persons. adult man

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 3/4 x 10 3/8 in. (37.4 x 26.4 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for the Letter P, Illustration for Eolus (III, No. 1, November 1923, p. 3); Designed by Witold Gordon (American, b. Poland, 1885-1968); France & England; pen and brush and black ink on heavy off-white wove paper; 28.7 × 24.2 cm (11 5/16 × 9 1/2 in.)

Drawing, Designs for embroidery; France; black brayon on tracing paper.

Clip for Saint Louis' Royal Coat 1864 Jules-Ferdinand Jacquemart. Clip for Saint Louis' Royal Coat. Gems and Jewels of the Crown. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1864. Etching. Prints

Gustav garlic (1833-1916), horticultural exhibition 1897, Berlin-Treptow: Department 1: 1500. Ink, colored pencil on transparent, 27.2 x 19.2 cm (including scan edges)

Star Design Comforter. Dated: c. 1937. Dimensions: overall: 66.7 x 52.6 cm (26 1/4 x 20 11/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lloyd Charles Lemcke.

Silk Gown (Detail). Dated: c. 1940. Dimensions: overall: 35.7 x 45.4 cm (14 1/16 x 17 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lester Kausch.

Bauern Hochzeit, Baurn Hochzeit, Göbl, Andreas Benedictus, 1765-1792, ink, gold board, with gilt edges, ca. 1765, 1 boxed deck of playing cards, etching, stencil, hand col., 11.5 x 7 x 3 cm.

Bull Hubert (1838-1907), train station in Uelzen (1885): Wartesaal III. and IV. Class: Bank. Pencil, colored pencil on transparent, 88.4 x 64.4 cm (including scan edges) Stier d. Ä. Hubert (1838-1907): Bahnhof, Uelzen

Tattooing on the poor of the sailors of Tarentin, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush

Deraisme, Pierre -Georges (n.1859 - D.1932), monogram (main title), 1900. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Guard study, scarf and left hand, Gustav Klimt -, artist

Lehmmübner Paul (1855-1916), health and Siechenhaus in Brüssow. Valid execution draft (1899-1899): Coat of arms of the von Winterfeldt family. Pencil on transparent, 37.5 x 26.9 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kranken- und Siechenhaus, Brüssow. Gültiger Ausführungsentwurf

Saber setting from the 17th/18th century from the Gustaw Subise-Bisier collection in 1916-views from the side, from you and from above; Sztolcman, W Adys Aw Roman (1873-1950); 1916 (not after November 3, 1916) (1916-00-00-1916-00-00);

Designs for embroidery, Black brayon on tracing paper., Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 178 (K), France, ca. 1890, Drawing, Drawing

Plaster model for a decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Design for a pin with a blue scarab. Artist: Anonymous, French, 19th century. Dimensions: sheet: 8 7/8 x 6 in. (22.6 x 15.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Insertion 16th century Italian. Insertion 226396

Design for a pendant with a woman with dragonfly wings, of gold, rubies, opals and email, Paul Louchet, c. 1905 Paris paper. graphite (mineral). ink. watercolor (paint) drawing / pen

Stiehl Otto (1860-1940): Sketch and photo album 3: Cistercian abbey Chiaravalle, Milan

Design for a Decorative Border. This print shows how a vine in an unending circle can lend structure to a design. Among the leaves can be distinguished various birds, men, and women. Depicted at the top and bottom are female coats-ofarms. The same design principle was applied to the guilds ceremonial chain.

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