Vintage Portrait Etchings

A collection of etchings depicting portraits of women and men, showcasing unique expressions and historical clothing styles. The artworks feature varied techniques and textures.

Chestpiece of a man with headgear with feathers, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, h 165 mm × w 91 mm

Bust of a young woman.

Chestpiece of a man with headgear with feathers, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, h 165 mm × w 91 mm

Portrait of an old woman, and Profil, Philip Zilcken, 1867 - 1890 print paper etching / drypoint old woman

Self -portrait with hat, Jan van Ossbeeck, 1647 - 1674 print unknown paper etching portrait, self-portrait of artist

Rembrandt's mother with a headscarf, look downwardly: only the head. Mirror image copy to the print of the same name from Rembrandt.

Piping sitting man with beret seen from aside. .

Head of a Man Turned Left. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Beggar Seated on a Bank, Rembrandt van Rijn, 1630 print The face of the beggar is a self -portrait. paper etching Begin

Self-portrait of Dirck de Bray.

Self-Portrait in A Fur Cap, Rembrandt van Rijn, c. 1629 print paper etching

Titus, The Artists Son, Rembrandt van Rijn, c. 1656 print Japanese paper (handmade paper) etching

Girl's head ..

Gentleman Seated at a Table n.d. François de Troy French. Gentleman Seated at a Table 339789

Portrait of a man with long hair, Carel de Moor (II), 1665 - 1738 print Netherlands paper etching adult man

Bust of a young man.

Old Woman Sleeping (copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), book to learn to draw. Halfweed from a young woman wearing a helmet garnished with several plumes. Fifteenth number of a suite of 16 rooms. (A. de Vesme 306; Dutuit 146) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Adult male, Jan Chalon, 1748 - 1795

Portrait of the artist Dirk Helmbreeker. Draughtsman: Leendert van der Cooghen. Draughtsman: Dirck Helmbreeker (rejected attribution). Dating: 1642 - 1681. Measurements: h 220 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.

Bust of an African woman, by Rembrandt van Rijn, 1628-32, Dutch print, etching on paper. The woman wears a headscarf with a feather (BSLOC_2016_3_40)

Head of a young woman, Anton Maria I Zanetti, 1690 - 1757 print Italy paper etching head (human). adolescent, young woman, maiden

Man reads letter. A man reads a letter for a table. A lighth test on the table.

Heads of an old and a young woman; Collection of different scribbles and etchings part 2; Recueil De Divers Griffonen et Preuves d'eau forte part 2. .

Head of an old man with a turban with plume; Small study of heads with oriental headwear. An old man looking down. He is wearing a turban with a plume on top. Print from a series of sixteen.

Head study of Jean Baptiste Coclers, the artist's father, Head study of Jean Baptiste Coclers, print maker: Louis Bernard Coclers, , unknown, 1756 - 1817, paper, etching, h 85 mm × w 60 mm

Wyngaerde, Frans van den.

Portrait of Anton Rem. Hans Schwarz (German, about 1492 - after 1521)

Young Man with a Fur Cap, Seated and Writing in an Account Book, draughtsman: Constantijn Verhout, draughtsman: Gabriël Metsu, (rejected attribution), Gouda, (possibly), c. 1650 - c. 1660, paper, h 219 mm × w 184 mm

Sick woman with a large white headscarf.

Woman with hood, Jan Chalon, 1793

A bust of a young man wearing a cap with feathers, turned three-quarters to the left, the coat of arms of the Grand Duke of Tuscany in top left, title page from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne) 1650 Etched by Stefano della Bella Italian. A bust of a young man wearing a cap with feathers, turned three-quarters to the left, the coat of arms of the Grand Duke of Tuscany in top left, title page from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne) 376393

Head of woman with glasses and a headscarf, 1659 drawing Zwolle paper. chalk brush

Bust of man with left face. Bust of a man with curly hair and a left face.

Self-portrait Rembrandt (1606-1669). Rembrandt at the flat cap, B.26 single state, water, around 1642.

Kneeling, writing man. Draughtsman: David Pièrre Giottino Humbert de Superville. Dating: 1780 - 1849. Measurements: h 143 mm × w 77 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of man ("clubist") Georges Fran�ois Marie Gabriel (1775-1836). Portrait of Man ("Clubist"). Black Stone and Lavis, 1796-1799.

Rijn, Rembrandt van, Beggar, sitting on the bank, Beggar seated on a bank, verso - stamped, print, prints, height 113 mm, height, 68 mm, print maker, printmaker, 1630 - 1630, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Angel of the Annunciation. Draughtsman: anonymous. Dating: 1500 - 1600. Place: Noord-Italië. Measurements: d 190 mm. Museum: Rijksmuseum, Amsterdam.

Manskop, with long hair, from before, Anthony van Dyck, 1610 - 1641 drawing paper. chalk anonymous historical person portrayed alone

Bust of a young man with hat, Peeter Snijers, 1694 - 1752 print paper etching youth, adolescent. head-gear: hat (+ men's clothes)

Study magazine with self-portrait, beggar, woman with child. Copy to the Print of the same name by Rembrandt.

Lying Man, Jan Weenix, 1631 - 1719 drawing paper. chalk counterproof lying figure

Self-Portrait Scowling, Rembrandt van Rijn, c. 1631 print paper etching

Harmensz van Rijn Rembrandt, a scarf around the neck Harmensz van Rijn Rembrandt (1606-1669). Harmensz van Rijn Rembrandt, a scarf around the neck (B 17 - 2nd state), 1633.

Head of an Old Woman Looking Up ca. 1763 Jean-Baptiste Greuze French. Head of an Old Woman Looking Up. Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). ca. 1763. Red chalk; framing lines in pen and brown ink. Drawings

Sitting woman with hat, Jan Chalon, 1748 - 1795 print An adult woman with hat. Bust to the left. She sits on a chair and holds flowers in her hand. Northern Netherlands (possibly) paper etching morphology of human expression (+ adult female (human being))

De Lach, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching laughing

A Boy Smiling. Dated: c. 1748. Dimensions: overall: 20.5 x 15.6 cm (8 1/16 x 6 1/8 in.). Medium: black and gray chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO ZUCCARELLI.

Bust of an Old Man with a Flowing Beard: the Head Bowed Forward: Left Shoulder Unshaded. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 3 3/4 × 3 1/8 in. (9.5 × 8 cm)Plate: 3 9/16 × 3 1/16 in. (9.1 × 7.7 cm). Date: 1630. Museum: Metropolitan Museum of Art, New York, USA.

Carter, the Colorman ca. 1680 Charles Beale British Charles Beale II's remarkable red-chalk studies of family members and friends comprise his most distinguished legacy, though they were not intended for sale or display. Here, he depicted a family friend George Carter (act. 1680-1742) who sold artists' materials. The intimate approach and distinctive technique are virtually unique in the late Stuart period and relate more closely to Dutch precedents than to the portrait practice of the artist's mother, Mary Beale. Early in his career, the artist worked mainly as a miniaturist and perfected his draftsmanship in drawings like this one, made when he was about twenty years old (others that date between 1679 and 1681 are preserved in sketchbooks at The Morgan Library & Museum and the British Museum). Beale described the face using a tightly hatched web of waxy red lines, treated the hair more broadly, used only a few strokes to suggest the cravat and shirt. His choice of red as the primary

Etching by Rembrandt depicting his son Titus van Rijn, created around 1656 with a light flat tone technique.

Self-portrait with long bushy hair: head only, Rembrandt van Rijn, c. 1631 print paper etching

Sitting smoker. .

Man who stops a pipe, with a ton, David Teniers (II), 1620 - 1690 drawing paper. ink pen / brush male sex; man. pipe ~ tobacco

A man wearing a feathered cap sits at a table. In front of him on the table tobacco, a test and a pipe. Between his fingers he forms the tobacco to stop his pipe with., Man stops his pipe, print maker: anonymous, Adriaen Brouwer, (mentioned on object), print maker: Low Countries, Southern Netherlands, 1622 - 1688, paper, etching, h 94 mm × w 81 mm

Mansbuste, Abraham van Strij (I), 1763 - 1826 print A man with a beret with plume on the head. Dordrecht paper etching head-gear: cap (+ men's clothes)

Self-portrait in a cap, wide-eyed and open-mouthed, anonymous, after Rembrandt van Rijn, after 1630 print paper etching portrait, self-portrait of graphic artist

The Artist's Mother: Head and Bust Three Quarters Right 1628 Rembrandt (Rembrandt van Rijn) Dutch. The Artist's Mother: Head and Bust Three Quarters Right 391409

Bust of a young man. Draughtsman: Jacob de Gheyn (III). Dating: 1606 - 1644. Measurements: h 144 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Boy with hat, Jacobus Ludovicus Cornet, 1851 print A boy with a hat. Bust to the left. paper etching male infant. head-gear

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Rembrandt van Rijn (Dutch, 1606-1669), Self-Portrait in a Fur Cap, 1630, etching

Study of a Head 1837-1911 Alphonse Legros French. Study of a Head 337600

Study for Alceste; Design for the illustration of "Le Misanthrope'' from the 1734 edition of Molière's works (vol. III, p. 341).

Portrait of a man with beret.

Self-portrait with curly hair and white collar: bust, Rembrandt van Rijn, c. 1630 print paper etching

Man puts his pipe. A man with a hat with feathers is sitting at a table. For tobacco table, a test and a pipe. Between his fingers he forms the tobacco to stop his pipe.

An old man, seen on the back, and Profil to the right: Halven Lijve.mirror image Copy to the print of the Same Name from Rembrandt.

Herm with face of girl. Herm with the head of a young girl. Part of a group of nine blades of six different cups.

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Rijn, Rembrandt van, Self-portrait with Saskia, where Saskia is replaced by the portrait of Rembrandt's mother, verso lower left - stamped, print, prints, Rembrandt f. 1636, upper left, height 105 mm, width 95 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1636 - 1636, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Head of a boy and two profiles of men, Wenceslaus Hollar, 1645 print Antwerp paper etching head (human)

Bust of a young man with hat, print maker: Peter Snijers, (mentioned on object), 1694 - 1752, paper, etching, h 81 mm × w 71 mm

Adult man with scarf. Portrait of an adult man. Bust to the right.

Red chalk drawing by Fra Cesare Bacciocchi depicting the head of a young man wearing a cap, looking to the bottom left.

A half-length portrait of a laughing satyr by an anonymous artist, executed in black chalk on brownish tinted paper with graphite pencil lettering.

Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman) 1609-70 Frederick III, King of Denmark and Norway. Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman). Frederick III, King of Denmark and Norway (Hadersleben 1609-1670 Copenhagen). 1609-70. Graphite. Framing line in pen and brown ink on support (by Zoller). Drawings

Portrait of a boy with hat, Gerard van Nijmegen, After Cornelis Visscher (II), 1796 print Rotterdam paper etching boy (child between toddler and youth). head-gear: hat

Portrait bust of an unknown man with a fur hat on his head and a fur collar, Portrait of an unknown man with a fur hat, print maker: Simon Klapmuts, (mentioned on object), Moordrecht, 1744 - 1780, paper, etching, h 69 mm × w 58 mm

Rhine, Rembrandt van, Self-portrait with Saskia, veso lower left - stamped, print, prints, Rembrandt f. 1636, upper left, height 105 mm, width 95 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1636 - 1636, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Rijn, Rembrandt van, Busch, Johann Jürgen, Self-portrait in a cap, wide-eyed and open-mouthed, verso - stamped, print, prints, height 56 mm, width 51 mm, German, 1758 - 1820, print maker, printmaker, 1768 - 1820, paper, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Caricature of a Man with Bushy Hair; Leonardo da Vinci, Italian, 1452 - 1519; about 1495; Pen and brown ink; 6.6 x 5.4 cm (2 5/8 x 2 1/8 in.)

Girl with a basket, Rembrandt van Rijn, c. 1642 print Girl with flat hat on the head, a basket on the right arm. On the left hip a bag on a belt. paper etching

Rembrandt and his Wife (copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Etcher: Chevalier Ignace Joseph de Claussin (French, 1766-1844). Date: 1786-1844. Museum: Metropolitan Museum of Art, New York, USA.

Drawing young man behind the table. Draughtsman: Aert de Gelder. Dating: 1660 - 1669. Measurements: h 118 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Mascaron with men's head, Christian Bernhard Rode, After Andreas Schlüter, 1759 print paper etching mask, mascaron ~ ornament Armory

After Claude Henri Watelet, Self Portrait with Saskia, 19Th Century French, etching on paper.

Shocked soldier and man with hat with plumes (portrait of Rembrandt), Stefano della Bella, after Rembrandt van Rijn, 1620 - 1664 print (possibly) paper etching head-gear: hat (+ feathers used for clothes). the soldier; the soldier's life. portrait, self-portrait of artist

Oriental in a Fantastic Headdress. Dated: 1731/1732. Dimensions: overall: 14.5 x 11.2 cm (5 11/16 x 4 7/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christian Wilhelm Ernst Dietrich.

Studies of the Head of Saskia and Others, 1636, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 5 15/16 x 5 in. (15.1 x 12.7 cm) (plate), Etching, The Netherlands, 17th century, For these informal etched studies, Rembrandt treated the copper printing plate as though it were a sheet of paper, perhaps even a page in a sketchbook. The image grows from-and criticizes-the tradition of master artists designing prints as model sheets from which aspiring artists could learn to draw. Most such prints showed idealized figures executed in formulaic patterns of line. Rembrandt's approach was based on direct observation and intuitive drawing. His composition appears casual, but in fact he took great care to vary the poses and lighting in each of the studies and to arrange them artistically on the plate. Saskia seems unaware that Rembrandt was taking her likeness. Perhaps she had grown so accustomed to being observed that she took no notice. He took advantage of these unguarded moments to create rem

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Chalk and brown brush drawing by Andrea Solario showing the head of Christ crowned with thorns, slightly inclined to the left, on brown primed paper with laved technique and chased corners.

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