War-Time Urban Scenes

Depicts moments from the First World War, showcasing emotional scenes of men and women in urban settings, with a focus on anticipation and conflict.

James McNeill Whistler (American, 1834 - 1903), The Forge, 1861, etching

Women wait for recurring men during the First World War, Théophile Alexandre Steinlen, 1916 print paper the soldier; the soldier's life

Street Fight recto. Dated: 1907. Dimensions: image: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.) framed: 73 x 82.5 x 4.5 cm (28 3/4 x 32 1/2 x 1 3/4 in.). Medium: conté crayon, pastel, graphite, and brush and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Making a masterpiece : Matthew Webb, National Gallery , Painters Artists, Paintings, Painting, Galleries & museums. Joseph Pennell (1857-1926). Prints and Drawings

Line in Front of the Butcher Shop. Edouard Manet (French, 1832-1883). Etching;

Oliver Amazed at the Dodger's Mode of 'going to work', Print made by George Cruikshank, 1792-1878, British, 1837, Etching on medium, slightly textured, cream wove paper

Home from the War (Harper's Weekly, Vol. VII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/4 x 14 in. (23.5 x 35.6 cm)sheet: 11 13/16 x 16 1/8 in. (30 x 40.9 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: June 13, 1863. Museum: Metropolitan Museum of Art, New York, USA.

The Forge 1861 James McNeill Whistler American. The Forge 372788

James McNeill Whistler (American, 1834 - 1903), The Forge, 1861, etching

Sketch, Funereal or Deathbed Scene in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Funereal or Deathbed Scene in Classical Interior, Rome, Italy, 1820-1850, Drawing, Drawing

In Quinces Shop, illustration for Act I, Scene ii, A Midsummer Nights Dream. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Newspaper stall, Rue de Seine , Newspaper vendors, Stores & shops. James McNeill Whistler (1834-1903). Lithographs

The forge., 1861, United Kingdom, by James Whistler.

Catching a Tune, probably 1867. William Sidney Mount (American, 1807-1868). Graphite; sheet: 10 x 15.4 cm (3 15/16 x 6 1/16 in.).

Drawing, The Club; Charles S. Keene; England

Les Chemins de Fer (series of prints)

August Xaver Karl von Pettenkofen created three figure studies and a box using bister, feather, and brown laved, depicting human figures and spatial arrangements.

Performance of play, draughtsman: Alexander Ver Huell, 1832 - 1897, paper, h 247 mm × w 329 mm

After Winslow Homer, Home from the War, 13 June 1863, wood engraving on newsprint.

In Came a Storm of Wind, Rain and Spray - and Portia (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII) December 1869 After Winslow Homer American An illustration for "Susan Fielding," a story by Annie Edwards (died 1896) serialized in "The Galazy Magazine.". In Came a Storm of Wind, Rain and Spray - and Portia (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). December 1869. Wood engraving. Prints

Appeal "; Wróblewski, Leon (1893-1975); 1918 (1918-00-00-1918-00-00); was downloaded from the Muse of the National Museum in Warsaw; Drawing / o . 31.8 cm, width 22.3 cm; 122475 MNW; all rightsPoland regaining independence (1918), Witke-Jeżewski, Dominik (1862-1944)-collection, reading (genre scenes), collective scenes, purchase (provenance)

Twelve Etchings from Nature: Title Page - Delauney Sketching, 1858. James McNeill Whistler (American, 1834-1903). Etching;

Bliżej Kultury Krzesz Męcina, Józef (1860 1934), Łuszczkiewicz, Władysław (1828 1900), Pruszyński, Aureliusz

Sketch book for "Travel for the Eternity": Caricatures, Bossus JJ Grandville (1803-1847). Sketch book for Voyage for Eternity: Caricatures, Hunch. Feather and brown ink on pencil features. Around 1830.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Sketch of Girl Kneeling by a Cradle, enclosed in a letter from Vincent van Gogh to Theo van Gogh. Date: 18 March 1883, The Hague. Dimensions: 7.2 cm x 6.4 cm. Museum: Van Gogh Museum, Amsterdam.

From the Jewish Quarter in Amsterdam: Fishmarket on the Street Corner. Dated: 1908. Dimensions: plate: 24.8 × 30.6 cm (9 3/4 × 12 1/16 in.) sheet: 39.4 × 60 cm (15 1/2 × 23 5/8 in.). Medium: etching on heavy wove cream paper. Museum: National Gallery of Art, Washington DC. Author: MAX LIEBERMANN.

Cartoon for Revival of Immigration”. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

An etching and aquatint by Francisco Goya from 1810, first published in 1863, titled 'This Is the Worst!' illustrating extreme suffering and destruction caused by war.

Association de malfaiteurs , Corruption, Discussion. Théophile Alexandre Steinlen (1859-1923). Lithographs

The dissolution of the Senate, Johan Braakensiek, 1904 Amsterdam paper political caricatures and satires. violent death ~ beheading by guillotine Courtyard

The city poster, in Amsterdam when it rains, draughtsman: Cornelis Stephanus Roos, 1881, paper, h 423 mm × w 332 mm

Franco-Prussian War: hospital ward, Dieulouard. Etching by A. Lançon, 1870.

Séguin, F., Chez Fradin, end of the century hotel, rue Saint Denis. A corridor on the ground floor (dummy title), 1898. Pierre Noire Rehaut de Gouache. Carnavalet museum, history of Paris. Men piled up in a corridor

Ombre , Banquets, Alphonse Legros (1837-1911)

The empty seat.

The Dying Man, Sir John Everett Millais, 1829-1896, British, ca. 1853, Pen and brown ink and brown wash on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 9 5/8 inches (20 x 24.4 cm), dying, family, genre subject

CHINESE ARTISTS, CHINA

Print made by James Bretherton, ca. 1730-1806, British, The Slumbers of Ragotin Interrupted, 1773. Etching on moderately thick, rough, beige laid paper.

Scene at a Fair: A Magician. Artist: Anonymous, French, 18th century. Dimensions: 6 7/16 x 5 1/16 in. (16.4 x 12.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

An opium den in London's East End with smokers lying on wooden bunks and slouching by the fire. Wood-engraving by W. B. Murray, c. 1880.

(EN TYROLIENS.). Artist: Paul Gavarni, French, 1804-1866

HUZAAR with glass and bottle at a table, a shoe cleaner and figures, Jacob Ernst Marcus, 1809 print Study magazine with a hussar at a table with a glass in one hand and a bottle in the other. On the right a kneeling shoe cleaner with a brush in his hand. In the background a reading man and some figures. Amsterdam paper etching private soldier. container of glass: bottle, jar, vase. shoe-maker, cobbler

Dammerung, c1887-1898, (1898). Artist: Robert Hermann Sterl

Pencil drawing by Rudolf Konopa depicting a tobacco transformer located in Königsklostergasse.

Street scene in London. Draughtsman: Jan Toorop. Dating: 1888. Measurements: h 436 mm × w 705 mm. Museum: Rijksmuseum, Amsterdam.

Etching - Two men in Dominion Square Ernst Neumann (1907-1956)

Family in interior. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 274 mm × w 388 mm. Museum: Rijksmuseum, Amsterdam.

Students in the Latin Quarter, Paris. Dated: c. 1858. Dimensions: sheet: 18.9 × 27.6 cm (7 7/16 × 10 7/8 in.). Medium: graphite and red colored pencil on green wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

Honoré Daumier, La cinquième acte a la gaité, 19th century La cinquième acte a la gaité

Arriving at the Free Capital, chart 11 from the portfolio Pro memoria. The Prussian in Poland (1915-1918)". Cotty, Jan (Warszawa ; drukarnia i zakład litograficzny ; 1863-1939), lithography atelier, Rapacki, Józef (1871-1929), graphic artist, Tygodnik Ilustrowany (Warszawa ; wydawnictwo ; 1859-1939), publisher

Photo collection Government information service. Honore Daumier (1806-1879): 'The art protectioners'. undated. France

Design for illustration in De Amsterdammer: Both boys and adults come from a school (26 July 1896). Draughtsman: Johan Braakensiek. Dating: 1896 - before 26-Jul-1896. Measurements: h 290 mm × w 460 mm. Museum: Rijksmuseum, Amsterdam.

Scottish. / No. 5 (IFF 8 or 13) (registered title)

Séguin, F., Entrance and large room of the Fradin asylum, rue Saint Denis. (Faithful title), 1895. Black Pierre. Carnavalet museum, history of Paris. A man enters a room where other characters are seated around the tables

James Ward, 1769-1859, British, Study for The Mother's Bribe, or The Temptation to be Washed, undated. Graphite and gray wash on medium, slightly textured, beige laid paper.

In L'Assiette au Beurre satirical magazine; colour drawing of workers walking, one with hat in hand

DIBUJO DE UN CAFE - SIGLO XIX. Author: Leonardo Alenza. Location: MUSEO DE HISTORIA-DIBUJOS. MADRID. SPAIN.

Etching 'Grave of Christ' by Rembrandt on Japanese paper around 1654, depicting burial scene with figures, drapery, and ledge details.

John Baptist Jackson after Veronese, The Marriage at Cana (left plate), 1740 The Marriage at Cana left plate

Le Départ de l´Imperatrice Eugénie Pour le Zululand, Lord Barrington Baisant Le Main , L´impératrice offrant of the violet , The departure of ex -empress Eugénie de Montijo in Zululand - Lord Barrington kisses the Empress hand, the empress gives her well -known violet, captain Coxwell welcomes the Empress on board the German from L´ illustration, Unknown

Four people around a table and a woman with food. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 233 mm × w 278 mm. Museum: Rijksmuseum, Amsterdam.

Emperor Charles V is taught, Henri Leys (Baron), 1825 - 1869 print paper etching education

To Miss Augusta, further introduced (Unclear in the original) 1879. This Hedin starts to become sad! Revolution's women 3: the part ". Nordic

Leiden, Trap, Pieter Willem Marinus, Last, Carel Christiaan Antony, Tien jaren later, Bos ibi pastum, Man surrounded by figures, verso - stamped, The man is wearing a top hat and has a whip in his left hand. Around him are scenes from the life of a gentleman, possibly the same man. This print is bound together with a brown sheet of paper that was part of the cover., print, prent, prints, prenten, height 190 mm, width 290 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1836 - 1876, paper, papier, toonlithografie, Publication (Event), Publicatie, 1821-04-20 - 1905-10-20, publisher

Count Taaffe from the Standpuncte des Ewig-Witliche,

Etienne after Honoré Daumier (French, active 19th century), Bal de l'Opera: Tu t'amuses trop!, 1868, wood engraving

Black chalk drawing by Auguste Raffet showing Boissy at the National Assembly in 1795, created around 1830/31, highlighting figure, posture, and historical setting.

Among two bailiffs, from 'News of the day,' published in Le Charivari, March 11, 1865 March 11, 1865 Honoré Daumier - My poor colleague, I believe we should better look for another job. - Yes, ... here we stand, our promising career interrupted.. Among two bailiffs, from 'News of the day,' published in Le Charivari, March 11, 1865. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 11, 1865. Lithography on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Rialto. Dimensions: plate: 10.1 x 14.8 cm (4 x 5 13/16 in.) sheet: 28.2 x 37 cm (11 1/8 x 14 9/16 in.). Medium: etching and drypoint on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Norbert Goeneutte.

Model room at the Grand Theatre in Warsaw. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Three Lane Traffic Harry Gottlieb American Published by WPA Raphael (Raffaello Sanzio or Santi) Italian 1937 Gottlieb made this print at the New York Graphic Arts Division, the first of many printshops opened by the Federal Art Project and a breeding ground for the creation of socially conscious prints. The composition is divided into three parts. In the left foreground are striking workers, identifiable by their protest signs, and on the right are pedestrians, hurriedly walking with umbrellas in hand. In the background, sitting inside and protected from the rain, are capitalistsrepresented by two rotund men in suitswho, in the eyes of the artist, were responsible for the type of labor exploitation being protested on the street before them. Despite the strikers dogged determination, both the pedestrians and capitalists meet them with indifference, suggesting how commonplace such events had become.

Interior with figures at a window. One man in the company focuses towards the window that closed in shutters. Leaf 15 Recto from a sketchbook with 33 sheets and 10 loose drawings.

Old Maids at a Sale of Curiosities. Thomas Rowlandson (British, 1756-1827). Pen and brown and gray ink and watercolor wash;

Orphan girl Fleur-de-Marie in the caf, print maker: Jules David (1808-1892), (mentioned on object), printer: Formentin & Cie., (mentioned on object), publisher: Henri Jeannin, (mentioned on object), Paris, 1843 - 1844, paper, h 355 mm × w 473 mm

The soup (La soupe), by Honore Daumier (1808-1879).

Michael Neders 1852 pencil drawing depicts his fathers workshop in Döbling, emphasizing interior space, tools, and figures.

Family at the Fireside, by Cambiaso Luca, 1527 - 1585, 16th Century, black pencil, watercoloured ink and white lead. Italy, Veneto, Venice, Accademia Art Galleries. Whole artwork. Man woman parents mother father child new-born child brothers (and sisters) wall pail fireplace white black sepia signature: autograph.

Un Voyage d'Agrément de Paris a Orléons. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Man Catching Train Artist's working dates 1843-1891 England. Pen and brown ink on cream wove paper, laid down on card . Charles Samuel Keene

Failed air journey of A. Hopman (Plate II), 1804, Daniël Vulaard (I) (Possible), After Jacob Smies, 1804 - 1805 print Chaos in the notary's office where Abraham Hopman and Louis Samuel Loude let their will make up. Their wives pull their hair out of their heads, children crying on the floor. In the background the unsuccessful attempts to fill the air balloon with hot air on the Overtoom in Amsterdam on July 5, 1804. There are plates of earlier failed flights of hot air balloons on the walls. A vessel is equipped with cannon, rudder, flags and a barometer on the ceiling. Hopman and Loude took attempts on July 5 and 6, 1804 to make a trip in a hot air balloon called 'Lust to Research'. Ultimately, the air balloon was released without passengers. See also the Pendant. Netherlands paper etching balloon flight (sport). notary. making a testament Vertoom

Cadart's Shop Window. Pierre-Georges Jeanniot; French, 1848-1934. Date: 1879. Dimensions: 150 × 195 mm (plate); 259 × 362 mm (sheet). Etching ond drypoint on dark cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Engraving of Robin Hood kneeling before King Richard I. Dated 18th Century

Refugee Family. Dated: 1922. Dimensions: plate: 28 × 35 cm (11 × 13 3/4 in.) sheet: 34.2 × 41 cm (13 7/16 × 16 1/8 in.). Medium: drypoint with aquatint printed with plate tone on wove paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm Oesterle.

Hablot Knight Browne, 1815-1882, British, The Search after Truth, undated. Pen and black ink, black chalk, gray wash, and graphite on moderately thick, slightly textured, brown, wove paper.

Cornelis Ploos van Amstel and Cornelis Brouwer after Gerbrand van den Eeckhout, Horticulturist, 1780 Horticulturist

Procession. Jasiński, Feliks Stanisław (1862-1901), draughtsman, cartoonist

Charles Maurand after Honoré Daumier, Interieur d'un omnibus (bottom half), published 1864 Interieur d'un omnibus bottom half

On Leave 1915-1917 France. Lithograph in black with a fawn tint on thick off-white wove paper . Théophile-Alexandre Pierre Steinlen

Ink drawing depicting the cheese and butter market in Delft, showing market stalls, traders, and goods, executed in brown and gray ink around 1530-1540.

Via Del Corso, Carl Gustaf Hjalmar Mörner, 1820 print Carnival parade about the Via del Corso. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration) Rome. Via del Corso

PRINCE LEOPOLD AT THE HOME OF HIS AFFIANCED BRIDE, TABLEAUX VIVANTS AT THE PALACE, AROLSEN

Society Ball verso. Dated: c. 1907. Dimensions: sheet: 54.61 × 61.91 cm (21 1/2 × 24 3/8 in.). Medium: charcoal and pastel on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Tas connu le fils au monsieu Finet. Il avait monte une societe pour loseille, lui,…. Artist: Paul Gavarni, French, 1804-1866

Sketch - Kicking Uncle Sam out of the Dominion House John Henry Walker (1831-1899)

TERTULIA DE CAFE EN ROMA - 1904 - DIBUJO - 22X31 CMS. Author: FRANCISCO LLORENS DIAZ (1874-1948).

Five polder boys, Johannes Josephus Aarts, 1881 - 1934 print Five polder workers, three of which are on the back and two from the front. One of them is on an inverted tub. Japanese paper (handmade paper) etching polder, reclaimed land. working class, labourers

Une Leçon d'Agrément en 1844 Honoré Daumier (French, 1808-1879). , February 29, 1844. Lithograph on newsprint, laid down on wove paper, Sheet: 9 7/16 x 13 3/16 in. (24 x 33.5 cm). European Art February 29, 1844

Cartoon NAV An exhibition of female artworks in Amsterdam, 1882, 1882 print Cartoon NAV An exhibition of female artworks in Amsterdam. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 16, 1882. print maker: Netherlandsprinter: Netherlandspublisher: The Hague paper temporary exhibition, 'Salon' Amsterdam

The Procession, 1901, United Kingdom, by William Strang. Gift of Sir John Ilott, 1969.

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