William Blake Art Prints

A collection of historical prints by William Blake, featuring angels, children, and abstract themes, with colorful relief etchings and intricate text designs.

Vondel, Joost van den, Savery, Salomon, Visscher, Cornelis (II), At the Amsterdam Stock Exchange, Poem on the Stock Exchange by Hendrik de Keyser, verso - stamped, Poem on the Stock Exchange by Hendrik de Keyser in Amsterdam, set in a richly decorated frame with Mercury, papers, the city coat of arms of Amsterdam and a sea or river god., print, prints, height 364 mm, width 213 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1643 - 1643, paper, papier, etching, engraving, engraving (printing process), 1594 - 1683-10-16, 1587-11-17 - 1679-02-05, writer

Songs of Innocence and of Experience, Plate 40, 'The Angel' (Bentley 41), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), angel, branches, children, historical subject, infant, nudes, serpent, snake, text, trees, vegetation, wings, women

William Blake, 1757-1827, British, Plate 18 (page 31): ''Tis greatly wise to talk with our past hours', 1797. Engraving.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 45, "Bath, healing City!....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 226 mm (8.89 in); Width: 162 mm (6.37 in). Author: William Blake.

Ilustracja do wiersza satyrycznego "Mediziner". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Songs of Innocence and of Experience, Plate 35, 'The Little Girl Found' (Bentley 36), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), branches, children, infants, leaf, lion, literary theme, nude, sleeping, text, tiger, tree, vegetation, vine, women

America. A Prophecy, Plate 8, 'The Morning Comes....', Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 5/8 inches (23.8 x 16.8 cm), clouds, leaf, men, nudes, plants, religious and mythological subject, sitting, skull, snake, text, thistle, vines

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 42, "To Tirzah" (Bentley 52), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Vondel, Joost van den, Savery, Salomon, Visscher, Cornelis (II), At the Amsterdam Stock Exchange, Poem on the Stock Exchange by Hendrik de Keyser, verso - stamped, Poem on the Stock Exchange by Hendrik de Keyser in Amsterdam, set in a richly decorated frame with Mercury, papers, the city coat of arms of Amsterdam and a sea or river god., print, prints, height 364 mm, width 213 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1643 - 1643, paper, papier, etching, engraving, engraving (printing process), 1594 - 1683-10-16, 1587-11-17 - 1679-02-05, writer

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Lamb. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Shepherd kneeling for a shepherdess. Shepherd kneeling for shepherdess Amaril next to a pastoral poem on the melody of Corante Burbun.

Young's Night Thoughts, Page 35, 'Teaching, We Learn; and Giving, We Retain', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 13 inches (41.9 x 33 cm), and Plate: 16 x 12 3/4 inches (40.6 x 32.4 cm), angels, beard, chair, children, clouds, leaf, literary theme, lyre, man, men, plants, religious and mythological subject, seated, sitting, text, throne, vines, women, women

The Goldland Mississippi, 1720, 1720 Landscape on the Mississippi with fighting between the locals and Europeans. In the four corners of medallions with representations of the consequences of the wind trade in a Dutch family. On the leaf under the plate a caption in two columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / letterpress printing Mississippi Landscape on the Mississippi with fighting between the locals and Europeans. In the four corners of medallions with representations of the consequences of the wind trade in a Dutch family. On the leaf under the plate a caption in two columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / letterpress printing Mississippi

Songs of Innocence and of Experience, Plate 43, 'A Little Boy Lost' (Bentley 50), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), fire, flames, historical subject, kneeling, leaf, mourning, shrouds, text, vegetation, vines

Print, Dedication plate, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper

Jerusalem, Plate 64, 'Of the Mundane Shell....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 x 5 3/4 inches (20.3 x 14.6 cm), beard, book, literary theme, men, nudes, reading, religious and mythological subject, sun, text, women

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 3, "Preludium", 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper inlaid to size.

On Albions Angels...' by William Blake, issued in 1793 in Lambeth. The work features themes of Prophecies, America, Fires, Nudes, and Grapes, represented through etchings printed from relief etched plates

William Blake, 1757-1827, British, Plate 19 (page 33): 'Like that, the dial speaks; and points to thee', 1797. Engraving.

Young's Night Thoughts, Page 70, ''Till death, that mighty hunter, earths them all', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/4 x 12 1/2 inches (41.3 x 31.8 cm), and Plate: 16 1/8 x 12 1/2 inches (41 x 31.8 cm), dogs (animals), literary theme, men, nudes, rocks (landforms), spear, text, trees, wolf, wolves

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 46, "A Little Boy Lost" (Bentley 50), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 3, "To the Public....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 26, 'A Cradle Song' (Bentley 16), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), baby, branches, chair, children, cradle, crib, drapes, historical subject, infant, leaf, mother, sleeping, text, vegetation, vines, woman, women

An old man in his room sitting speaks .. an old man sitting spudited in his room, head in hand and with the other hand on a skull. On the table a shading candle and an hourglass. In a drawer's drawers and precious scales on a cupboard. Allegory on old age and transience, Vanitas. Under the show a verse in six verses.

Young's Night Thoughts, Page 80, 'The thunder if in that the Almighty dwells', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 1/8 x 12 3/4 inches (38.4 x 32.4 cm), grass, lightning, literary theme, men, text, water

Totendanz Ballad of the Dance of Death. Neureuther, Eugen Napoleon, 1806-1882. Goethe, Johann Wolfgang von, 1749-1832. Illustrations. 1829. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Death in art, Human skeleton in art

Photo production of a drawing, representing the population brings tribute to redcrossse. .

Waare afbeelding van den vermaaden Heer Quinquenpoix The true portrait of the renowned Mr. Quinquenpoix. Duvivier, Guillaume, active approximately 1650. 1720 - 1721. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Pompe Notre-Dame, Paris, small plate 1854 France. Etching on ivory laid paper, with ivory laid paper affixed at bottom . Charles Meryon

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Archangel Michael slaying the dragon, around different inscriptions, Jan Luyken, Jacobus van Nieuweveen, 1694

Songs of Innocence and of Experience, Plate 3, 'Introduction' (Bentley 4), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 3 1/8 inches (11.1 x 7.9 cm), branches, historical subject, leaf, text, trees, vines

El novio de mil mujeres les da dinero y placeres (The Boyfriend of a Thousand Women Gives Them Money and Pleasure) Artist's working dates 1850-1900 México. Relief print on paper . Manuel Manilla

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

A relief copper engraving with ink and watercolor by William Blake from 1794, Blatt 23 of The First Book of Urizen, featuring spring imagery.

Juliusz Kossak (1824-1899), May; from: "Kłosy" no. 621, vol. XXIV. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Jerusalem, Plate 35, "Then the Divine hand....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

July; Z: "K Osy" 1877, No. 629 (19 July), p. 41; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1877 (1865-00-00-1890-00-00);

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 6, "The shrill winds wake.. " (Bentley 7), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper.

Dido. Josef Albert (German, 1825 - 1886)

Young's Night Thoughts, Page 95, 'The goddess bursts in thunder and in flame', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 5/8 x 12 5/8 inches (39.7 x 32.1 cm), fire, flames, lightning, literary theme, nudes, pointing, rocks (landforms), text

Land of the Moon, Plate 1 Filippo Morghen (Italian, 1730-1807). Land of the Moon, Plate 1, 1764. Etching on laid paper, 10 13/16 x 14 3/4 in. (27.5 x 37.5 cm). European Art 1764

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Death of the Cambling, 1720, Anonymous, After Adriaen Pietersz van de Venne, 1720 print Emblem in which a falcon (the campaign) that wants to eat with the loot (the bubble rat) of the owl is killed by a heron. With five verses on either side and under the plate. Print 55 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper engraving / letterpress printing symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). birds

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 9, "Arise O Rintrah.. ." (Bentley 11), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 4, 'The Shepherd' (Bentley 5), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), birds, boy, branches, grazing, hills, historical subject, leaf, men, sheep, shepherd, text, trees

A relief copper engraving with ink and watercolor by William Blake from 1794, Blatt 3 of The First Book of Urizen, depicting spring.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 5, "The banks of the Thames....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Down with kings! / Street Refrains N ° 4

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Song from Shakespeare's The Passionate Pilgrim, 1895. Artist: Unknown

Fly, Caterpillar, Pear, and Centipede.

Symbolic representation of the goddess Minerva with the Utrecht city coat of arms who express the mildness of the city of Utrecht to the university. In the background the city wall with the Catharijnepoort.

Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Young's (1681-1765) poem 'Night Thoughts' published 1742-1745.

Emblem with allegory on fortune; 't Fortuyn. Emblem with allegory on fortune depicted by woman with stir and cornucopia. Sit in the landscape (unfortunate) figures on the wheel of fortune and men catch attributes from the air that stand for power such as a crown, scepter, caduceus and beehive. There is a poem under the show and on the Verso.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

The Queen of the Fishes: Plate 4, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

William Blake, 1757-1827, British, Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep", 1797. Engraving.

Treurlied about the death of Prince Maurits, 1625, Anonymous, 1625 print Treurlied about the death of Prince Maurits, April 23, 1625. The Dutch virgin mourning at the Oranjeboom. A carved branch in the shape of a body lying on the ground at a grave, with Frederik Hendrik in the radiant light of the tetragram. To the show a laurel wreath with the weapons of the seven provinces, weapons and banners. print maker: Northern Netherlandsprinter: Utrecht paper engraving / letterpress printing personifications of countries, nations, states, districts, etc. Netherlands

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 9, "Condens'd his Emanations....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

'When beauteous Myra...lifts her eyes...', Black ink, water colors, Folio. Interior. At right figure of woman is seated, looking toward head of a man, seen in a halo of light. Figure of Cupid points the way. Table at left, with globe and open book. Eight lines of verse below. Decorative border., England, ca. 1822, decorated papers, Greeting card, Greeting card

Officer who says goodbye to a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Songs of Innocence and of Experience, Plate 47, 'My Pretty Rose Tree' (Bentley 43), William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), birds, branches, historical subject, kneeling, leaf, text, trees, vegetation, vines, women

Down with kings! (IT)

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Title Page, The Great Passion, Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, Christ is seated, at right, wearing a crown of thorns. A man kneels before Him. Four lines of printed text above (the title). Eight lines below and thirty on verso., Germany, 1510, figures, Print, Print

Dispute of Spouses who are Always Angry. Attributed to José Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 301 x 200 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Harpie taken in Fagua Lake in the Kingdom of Santa Fairy (TI)

Songs of Innocence, Plate 3, 'Introduction' (Bentley 4), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm) and Plate: 4 5/8 x 3 1/8 inches (11.7 x 7.9 cm), branches, leaf, literary theme, text, trees, vine, woman

Northern Netherlands, The lucky ending of the Princely Raffel game at Schenckenschants, Le heureusse fin du Jeu des Princes pour le fort de Schenck, End of the game at Schenckenschans, 1635-1636, Cartoon on the battle for Schenckenschans in the years 1635-1636. The end of the game at the fort. Frederik Hendrik and the cardinal infant Ferdinand are gambling at a table around the fort. The stadtholder throws the winning throw. Cardinal Infante scratches his head, Count Johan van Nassau looks at the stones through a telescope. On the left, the pope, the bishop of Cologne, the king of Spain and the emperor leave. On the right, Cardinal Richelieu looks on. On the left in the background, the farmers of Kleef are dancing with joy. A priest and a nun emerge from under the table. On the right in the background, the conquest of the fort by the Dutch army on 29 April 1636. A larger sheet with 4 columns of text in Dutch is glued under the print. At the top, 10 verses by the main characters in Germ

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

The Kikvorschen, who desire a king; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a large representation from Jean de la Fontaine Fabel, from the Kikvorsen who want a king. In the middle a text block with a verse. Numbered top left: Série 6. - No. 13.

Netherlands, Amsterdam, Moolenyzer, Hendrik, Letter of greeting with large putto with shield, recto - handwritten in brown ink, Letter of greeting with described cartouche within a decorative frame with a representation of a large putto with shield. Handwritten message in calligraphy (New Year's wish) by Jan Baas to his grandfather and grandmother., print, engraving, folk print, letter of greeting, prints, engravings, folk prints, verso - stamped, New Year's wish, To my much beloved, Grandfather and grandmother, God! who gives all blessings ..., height 314 mm, width 391 mm, Publication (Event), Publication, Dutch, publisher, 1792 - 1847, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, print maker, printmaker

Netherlands, Amsterdam, Moolenyzer, Hendrik, Letter of greeting with large putto with shield, recto - handwritten in brown ink, Letter of greeting with described cartouche within a decorative frame with a representation of a large putto with shield. Handwritten message in calligraphy (New Year's wish) by Jan Baas to his grandfather and grandmother., print, engraving, folk print, letter of greeting, prints, engravings, folk prints, verso - stamped, New Year's wish, To my much beloved, Grandfather and grandmother, God! who gives all blessings ..., height 314 mm, width 391 mm, Publication (Event), Publication, Dutch, publisher, 1792 - 1847, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, print maker, printmaker

New Year's passage of the Hoorn Klapperwacht for the year 1780; Klapperwagts Nieuwejaars blessing, at the Hoogten des Lands, capable of Stadtholderlyke and Stadt Government, with the merchants and citizens of Stadt Hoorn, deses year 1780. New Year's passage of the Klapperwacht (Rattlewacht or night watch) of the city of Hoorn for the year 1780. Instructed to the drivers and residents of Hoorn. Two members of the guard with an officer, with the weapons of West Friesland and Hoorn. On the leaf under the show a verse in three columns with a song in three columns at the bottom.

Jerusalem, Plate 38, "His face and bosom....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Copper engraving print by an anonymous artist depicting the noble Austrian tribe with emblematic details and governance symbolism.

Arminian snake with the conspirators against Maurits, 1623, 1623 print The Arminian snake with the portraits of Johan van Oldenbarnevelt and the conspirators arrested in 1623 against Maurits. In the middle the broken Arminian tree and the flowering Oranjeboom protected by the personifications of religion and justice and the radiant light of God. A rod in the tail of the snake. Printed under the performance Text and Legend A-O in 3 columns in Dutch. print maker: Northern Netherlandspublisher: Utrechtprinter: Amsterdam paper etching / engraving / letterpress printing

Music magazine Bonheur de Se Quitter, Pieter van Loon, 1857 drawing Music magazine Bonheur de Se Quitter, three couplets. paper. ink. pencil pen manuscript of musical score. (other) historical names

Jerusalem, Plate 50, 'The Atlantic Mountains....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm), clouds, crowns, fire, island, lightning, literary theme, men, moon, nudes, rain, religious and mythological subject, sea, sun, text

Council meeting of the rats, 1888 print Leaf with a large performance from the fable of Jean de la Fontaine, from the council meeting of the rats. In the middle a text block with a verse. Numbered in the top left: Série 6. - No. 9. Paris paper letterpress printing fables. rodents: rat

The two pigeons; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a large representation from Jean de la Fontaine Fabel, from the two pigeons. Midside a text block with a verse. Numbered top left: Série 6. - No. 17.

Animalia Qvadrvpedia et Reptilia (Terra): Plate XLIV. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

Kate Greenaway, Calendar for 1884: three women, 1883, chromolithograph on paper.

The Streetcleaners. José Guadalupe Posada; Mexican, 1852-1913. Date: 1890-1899. Dimensions: 300 x 203 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, USA.

Sampler (USA); silk embroidery on cotton foundation

Valentine - Rosy cheeks and beaming eyes

The Streetcleaners 1890-1899 México. Relief print on paper . José Guadalupe Posada

. Patriot cartoon on the yacht with a group of orange-kinks, who accompanied the ship from Rotterdam that the Princess van Oranje brought to Breda, July 22, 1785. Passengers go with a scaffolding on board, in the clouds blowing a furie with a bellows: Oranje Boove. On the leaf under the plate a verse of 24 lines.

Milton, Book the Second...', 1804 - 1808, by William Blake (1757-1827). Published in London by Keynes, featuring etchings with fires and lightning. The work comprises 46 (i.e. 49) folios, illustrated in color, measuring 25 cm

Lord courting a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 1658 - 1659. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

THE CAT AND VENUS; MICE IN COUNCIL

Skin Lie on the Chaff Pot! (Ti)

Schyn Bedriegt Sileni Alcibiadis. 1720. Tysens, Gysbert, 1693-1732. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Serafina. Dated: 1914. Dimensions: sheet: 28.5 x 19.8 cm (11 1/4 x 7 13/16 in.). Medium: metalcut on yellow newsprint. Museum: National Gallery of Art, Washington DC. Author: Jose Guadalupe Posada.

of 2