William Blake Engravings

A collection of engraved illustrations by William Blake featuring symbolic figures and themes related to morality, spirituality, and innocence, using intricate details and vibrant colors.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Plate 7 (page 12): 'Its favours here are trials, not rewards', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Plate 37 (page 86): 'His hand the good man fastens on the skies', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

William Blake, 1757-1827, British, Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale', 1797. Engraving.

Songs of Innocence and of Experience, Plate 46, 'The Human Abstract' (Bentley 47), William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 1/2 x 2 5/8 inches (11.4 x 6.7 cm), beard, branches, historical subject, leaf, men, net, rope, text, trees, vines

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

The Book of Thel, Plate 7, 'But he that loves the lowly . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm) and Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), children, flowers (plants), gowns, infants, leaf, literary theme, nudes, plants, text, vines, women

Visions of the Daughters of Albion, Plate 8, 'But when the morn arose . . . . ', William Blake, 1757-1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.7 cm), Plate: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm), and Spine: 14 inches (35.6 cm), clouds, literary theme, men, nudes, text, whip, women

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Photo production of a painting of a scene out of the trompeter von Säkkingen, representing Mary who puts the trumpeter a flower wreath. .

Suite of the most notable things seen by John Wilkins erudite English Bishop during his famous voyage from the Earth to the Moon dedicated to Sir William Hamilton ambassador to the Court of Naples: Title and Dedication Page, 1766-67. Filippo Morghen (Italian, 1730-1827). Etching;

William Blake, 1757-1827, British, Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge', 1797. Engraving.

The wife of the deportee / the refrains of the street

Photo production of a painting of a scene out of the trompeter von Säkkingen, representing the trumpeter in a garden drinking with a company. .

Mirror of the reason for the desiring promotionist, 1720; Mirror of the reason for the desiratory actionists; The great scene of foolishness. Mirror of the reason for the desiring promotionist. A wind dealer who is about to stick to the chest with a dagger is kept a mirror by the personification of the reason. In the background the caution with a shield labeled y (= the IJ in Amsterdam) stops the wind trade. On the sheet around the plate are three parts text. Print 34 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

Songs of Innocence and of Experience, Plate 28, 'On Anothers Sorrow' (Bentley 27), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), birds, branches, leaf, literary theme, text, trees, vegetation, vines

The two goats, 1888 print Leaf with a large representation from the fable of Jean de la Fontaine, of the two goats. At the top right a text block with a verse. Numbered in the top left: Série 6. - No. 14. Paris paper letterpress printing fables. goat. falling. landscape with bridge, viaduct or aqueduct. girl (child between toddler and youth)

The Book of Thel, Plate 7, 'But he that loves the lowly . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm), Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), and Spine: 11 1/2 inches (29.2 cm), baby, children, flowers (plants), infant, literary theme, nudes, plants, religious and mythological subject, sitting, text, vines, women

The Lamb, From Songs of Innocence, William Blake, (1757-1827/British)

Photo production of a drawing, representing Redcrosse and Duessa next to a bleeding tree, Anonymous, After Charlotte Mount Brock Morrell, c. 1861 - In or Before 1871 photomechanical print paper knight. lying figure - AA - female human figure

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Great companion / on Louis Bonaparte. / 10

Jerusalem, Plate 39, 'By Satans Watch-fiends....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 1/4 inches (22.5 x 15.9 cm), archery, bald, beard, bow, fire, flames, horse (animal), literary theme, men, religious and mythological subject, sky, sun, text, wings

The armed peace, The armed peace, caricature on the current current events - Napoléon III, Bismarck, Wilhelm I, caricature sequence from Der Floh , Unknown

Johann Martin Graack (1816-1899); , Diderik August Holberg, (1840)

Ignaz Kuranda in front of the former three other Reichsratshododoroh Julius Alexander Schindler, Adolf Pratobevera Freiherr von Wiesborn, Karl Wilhelm Tinti caricature with poem from The Flea, Unknown

Spiegel der Reden voor de Wanho'pende Actionisten Mirror of the Reason of the despairing stock-holders. 1720. Schijnvoet, Jacobus, 1685-1747. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 6, "III. / Then Thel astonish'd.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

America. A Prophecy, Plate 13, "Fiery the Angels Rose....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 238 mm (9.37 in); Width: 171 mm (6.73 in). Author: William Blake.

Archangel Michael slays the dragon, surrounded by various inscriptions, print maker: Jan Luyken, publisher: Jacobus van Nieuweveen, (mentioned on object), Amsterdam, 1694, paper, etching, h 182 mm × w 136 mm

Land of the Moon, Plate 1 Filippo Morghen (Italian, 1730-1807). Land of the Moon, Plate 1, 1764. Etching on laid paper, 10 13/16 x 14 3/4 in. (27.5 x 37.5 cm). European Art 1764

Songs of Innocence and of Experience: The School Boy. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Etchings of Paris: Dedication to Reynier Nooms, called Zeeman, 1854. Charles Meryon (French, 1821-1868). Etching;

Adoration of the shepherds. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: Dec-1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Young's Night Thoughts, Page 93, 'If Angels Tremble, 'Tis at Such a Sight', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 15 5/8 x 12 3/4 inches (39.7 x 32.4 cm), angels, literary theme, man, men, nude, religious and mythological subject, text, women

The two peasants and the cloud (IT)

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Study of decorative moulding, with SUPERBIA poem. Artist: Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Guadalupe Bejarano in the Dungeons of Belén Prison. José Guadalupe Posada; Mexican, 1852-1913. Date: 1886-1896. Dimensions: 398 x 300 mm. Relief engraving or photo relief etching on wove paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Juliusz Kossak (1824-1899), August; from: "Kłosy" no. 635, vol. XXV, p. 136. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Nocturnal attack on a Roman fortress, 69-70, 1768 - 1770 print Night attack on a Roman fortress. The soldiers were adorned in the army camp. Print 13 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. Printed on the back of planche XII. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

The Tyger From "Songs of Experience" William Blake (1757-1827 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Man in a landscape outside of Zwolle. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1659. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Standing officer, from behind. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654 - c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Cartoon on the Arminians; The Tegwoordeghen Arminiaen. Cartoon on the Arminians (Remonstrants). His hair runs with his head between his legs, with chained legs on crutches and led by a scorpion, lobster, bat and mole. Above the neck symbols of worldly justice. Printed on the leaf under the plate A fresh and the legend A-N in 2 columns in Dutch.

Lord courting a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Soldier, lady and gentleman, from behind. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1653 - c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Young's Night Thoughts, Page 19, 'Emblem of That Which Shall Awake the Dead', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 16 1/8 x 12 3/4 inches (41 x 32.4 cm), literary theme, man, men, nude, nudes, religious and mythological subject, skeleton, text, trumpet

Songs of Innocence, Plate 30, 'The Little Black Boy' (Bentley 10), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 1/8 x 2 5/8 inches (10.5 x 6.7 cm), and Plate: 4 3/8 x 2 1/2 inches (11.1 x 6.4 cm), beard, branches, children, crook, shepherd's, harp, kneeling, leaf, literary theme, men, nude, river, shepherd, staff (walking stick), standing, text, trees, vines, water, women

Sampler (USA); silk embroidery on linen foundation

The Poems of Thomas Gray, Design 19, 'Ode on a Distant Prospect of Eton College.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), blood, boy, crowns (costume components), fire, flame, king (person), literary theme, men, nude, nudes, queen (person), sceptre, spears, text, throne, women

BOETHIUS, Anicius Manlius Severinus (480-524). Latin philosopher and politician. Page from the book 'De Consolatione philosophiae' (Consolation of Philosophy) in which the author appears in prison, writing his work during the year before being executed. Middle Age. Miniature Painting. ITALY. TUSCANY. Florence. Biblioteca Medicea Laurenziana (Laurentian Library).

Jerusalem, Plate 19, "His children exil'd from his breast....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

BA set UE 忑. (TI)

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Portrait of Necker.

True image of Mr. Quinquempoix, 1720, 1729 print Ware image of Mr. Quinquempoix. John Law portrait medallion as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witch boiler with devils, owls etc. Above the portrait the fool with a crown of peacock springs and holly leaves. Above a banderole with: No. 1 tout ou rien. This plate printed within a larger plate with title and verses in French on either side. Marked at the top right: Tom: 2. Page: 327. Print 37 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. print maker: Northern Netherlandsprint maker: Southern Netherlands paper etching / engraving brewing, boiling (in a cauldron); witches' kitchen

Pencil, brush, watercolor, and white cover paint work by Maximilian Lenz showing an artist of the Hagen Society as a clergyman with a joke poem, 1894.

The Poems of Thomas Gray, Design 27, 'A Long Story.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), chicken, chicks, children, dresses, fan, fence, geese, hat, house, leaf, literary theme, man, piglets, stairs, text, trees, vines, wall, window, women

Jerusalem, Plate 23, "Jerusalem! Jerusalem!....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper)orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper). Height: 226 mm (8.89 in); Width: 162 mm (6.37 in). Author: William Blake.

Luigi Balugani, 1737-1770, Italian, Locust, undated. Graphite, watercolor, and gouache on medium, slightly textured, beige laid paper.

End of the XIX Century 1890 México. Double-sided relief etching on zinc on paper . José Guadalupe Posada

A Montparnasse , Eating & drinking. Théophile Alexandre Steinlen (1859-1923). Lithographs

March; Z: "K Osy" 1877, No. 610 (March 8), p. 157; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1877 (1865-00-00-1890-00-00);

Engraving titled 'The Last Aboriginal' depicting an elderly aboriginal male. Dated 19th Century

Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii (Life of the Virgin), Dürer, Albrecht, Impressum Nurnberge, woodcut, letterpress, 1511

Death of the action bar, 1720; The stripping action falcon to neck, and the bubble-ridge under the flaps of the owl; The great scene of foolishness. Emblem in which a falcon (the action bar) who wants to eat with the booty (the bubble rat) of the owl is killed by a heron. With five verses on either side and under the plate. Print 55 in the series The large scene of foolishness with cartring prints at the wind trade or action trade of 1720.

Eight faces looking over a wall -- they are expecting the King and Queen to pass by. Date: first published 1879

Amsterdam, Pfeiffer, François Joseph (I), Memorial print for Hendrik Danielsz. Hooft, The virgin of Amsterdam mourns next to a memorial column with the portrait of Hendrik Danielsz. Hooft, former mayor of Amsterdam. Below the memorial print four poems of praise, one of which is set to sheet music., print, prent, prints, prenten, height 102 mm, width 89 mm, height 205 mm, width 156 mm, Noord-Nederlands, 1741 - 1807, print maker, prentmaker, 1794 - 1796, second quarter 18th century, second quarter 18e eeuw, first quarter 19th century, first quarter 19e eeuw, paper, papier, etching, etchings, aquatint

Song by Commodore Curtis. Tune Cease Rude Boreas. September 4, 1809 Thomas Rowlandson Commodore Curtis sits in an armchair at the head of a table in the cabin of his yacht. Around him, five naval officers in red coats are happily drinking and enjoying themselves. He holds a large two-handled gold cup inscribed "Speedy and Soon." The nine verse song below is a parody of "The Storm" by G.A. Stevens.. Song by Commodore Curtis. Tune Cease Rude Boreas.. Thomas Rowlandson (British, London 1757-1827 London). September 4, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Restrike from fragment of cancelled plate for"A Prophecy". Dated: 1793. Medium: relief etching//plate inked by transferring ink from another plate thinly coated with ink. Museum: National Gallery of Art, Washington DC. Author: William Blake.

According to the inspiration..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Families, betrayal

Smoking student in Studerverkrek, François Van Bleyswijck, 1681 - 1746 print A student is in his studying room and smokes a long pipe while he thinks about life and death. He looks at a globe that stands on a pedestal in front of him. The walls are covered with bookcases. Under the image a velum on which a long poem by W. chess over the volatile smoke and the finiteness of life. print maker: Leidenpublisher: Amsterdam paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

A man punting, England. William Grundy (English, 1806 - 1859)

Historical illustration, a facsimile of a sheet by Johann Fischart: Die Barfüsser Secten und Kuttenfreiheit, 1577. Johann Baptist Fischart, 1545 to 15...

Killing stands up for the Last Judgment, Eugène van Maldeghem, 1850 print paper notation of music. resurrection of the dead ~ Last Judgement

The common painted by themselves / Allix

John Law, the inventor of the Windnegotion, in his victory cart, 1720, 1720 print John Law, the inventor of the Windnegotion, pulled in his victory cart by two French roosters. On the right the sentry of the Mississippi in a tower, in the foreground the crippled courier of the South Sea Compagnie. Printed on the leaf on either side of the plate a fresh in two columns. Prent 46 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving / letterpress printing chariot, triumphal car

There was an old woman tossed up in a basket.. Smith, Jessie Willcox (1863-1935). Illustrations. 1918. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Baskets, Brooms & brushes, Bonnets

Compositione di Messer Vincenzo Vincenzo Capirola Newberry Library, Chicago

Old Father Time falls through the ice at the end of the old year Date: 1887

De inventeur der windnegotie, op zyn zegekar. British Cartoon Prints Collection .

The Skeleton of the Buses, c. 1900-10. José Guadalupe Posada (Mexican, 1852-1913). Relief etching and letterpress; sheet: 39.4 x 29.3 cm (15 1/2 x 11 9/16 in.).

William Blake, 1757-1827, British, Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP', 1797. Engraving.

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