William Blake Engravings and Prints

A collection of engravings by William Blake showcasing literary and mythological themes with intricate details, figures, and expressive scenes. The artworks blend text and visual elements.

Songs of Innocence and of Experience: The Human Abstract ca. 1825 William Blake British. Songs of Innocence and of Experience: The Human Abstract 348001

William Blake, 1757-1827, British, Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot', 1797. Engraving.

Young's Night Thoughts, Page 12, 'Its Favours Here Are Trials, Not Rewards', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 15 3/4 x 12 3/4 inches (40 x 32.4 cm), birds, children, grass, hill, literary theme, men, religious and mythological subject, rocks (landforms), serpent, sky, snake, text, vines, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Engravings by William Blake, 1757-1827, British, Plate 13 (page 23): 'We censure nature for a span too short', 1797. Engraving.

Songs of Innocence and of Experience: The Human Abstract ca. 1825 William Blake British. Songs of Innocence and of Experience: The Human Abstract 348001

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Plate 43 (page 95): 'The goddess bursts in thunder and in flame', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Plate 34 (page 73): 'Draw the dire steel -- ah no!-- the dreadful blessing', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Plate 26 (page 49): 'As if the sun could envy, check'd his beam', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 18, 'From every-one of the Four Regions....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), angels, flower (plant), fruit, kissing, literary theme, men, moon, nudes, religious and mythological subject, sky, text, women

Songs of Innocence and of Experience: The Sick Rose. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Regrets à Ninon , Couples, Courtship. Théophile Alexandre Steinlen (1859-1923). Lithographs

Register of the prints in the great scene of foolishness, 1720, 1720 print Register of the prints in the great scene of foolishness. List of prints numbered 1-74 (the numbering on which Muller based his). In a frame decorated with animal heads, vegetables, a smoker with two pipes and all kinds of objects. Register on the Series scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Woman with the body of her lover. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 41, 'One Radiant Mark; the Deathbed of the Just', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 13 inches (42.5 x 33 cm), and Plate: 16 1/8 x 12 3/4 inches (41 x 32.4 cm), angels, clouds, literary theme, religious and mythological subject, text, wings

Songs of Innocence and of Experience, Plate 46, 'A Little Boy Lost' (Bentley 50), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 3/4 inches (10.8 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), fire, flames, kneeling, leaf, literary theme, mourning, shrouds, text, vegetation, vines, woman

Memorial print in memory of the Battle of Waterloo, The print was published fifty years after the event. In a decorative border consisting of arms, leaves, a family crest, a crown and lions, there is a poem by Samuel Johannes van den Bergh. Under the poem the Batavian Virgin and Lion. In her left arm the virgin has a medallion with the portrait of King William II. With her right hand she holds, together with the lion, a banner with 'Waterloo', beasts of prey, predatory animals: lion (animals used symbolically), personifications of countries, nations, states, districts, etc, weapons, Willem II (King of the Netherlands), Carel Alphons Eckstein (mentioned on object), 1865, paper, h 558 mm × w 405 mm

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 34, "The Little Girl Found" (Bentley 35), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Shepherdess on a country road. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652 - c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Young's Night Thoughts, Page 90, 'That touch, with charm celestial heals the soul', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 7/8 inches (40 x 32.7 cm), literary theme, men, nudes, text

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 92, 'When faith is virtue, reason makes it so', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 5/8 x 12 7/8 inches (39.7 x 32.7 cm), crowns, literary theme, paper, scales (weighing devices), text, women

Songs of Innocence and of Experience: The Ecchoing Green (second plate) ca. 1825 William Blake British. Songs of Innocence and of Experience: The Ecchoing Green (second plate) 347904

The Poems of Thomas Gray, Design 99, 'Ode for Music.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), angel, cape, clouds, laurel, leaf, literary theme, man, religious and mythological subject, sky, text, woman

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep.. ." (Bentley 13), 1794. Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12), 1789. Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

An old man in his room Sittenende, speckles. Leaf with a big representation of an old man in a fur-lined cloak, sitting at the table in a room. It achieves precious objects, including rings, from a pouch. Through a window in the background, view of a landscape with setting sun. Under the picture 24 fresh rules.

De Bubbeljongen Hunting, 1720, 1720 print The bubble boy hunting. A naked boy hunts a torch on a lion and unicorn with a torch. In a decorative frame with lions and deer. In the caption a verse of four lines. Printed on the leaf around and under the plate are five verses. Prent 44 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving / letterpress printing unicorn. hunting, chase

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 43, "The Little Vagabond, " (Bentley 45), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Crazy Machine! 1920 México. Relief print on paper . José Guadalupe Posada

Photo production of a painting of a scene from Der Trompeter von Säkkingen, representing Maria who puts on a flower wreath, Anonymous, After Carl Schweninger (II), c. 1880 - in or before 1890 photograph photographic support albumen print picture, painting. garland, wreath

The wolf and the lamb; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a large representation from Jean de la Fontaine Fabel, from the wolf and the lamb. In the middle a text block with a verse. Numbered top left: Série 6. - No. 6.

Songs of Innocence and of Experience, Plate 43, 'The Little Vagabond, ' (Bentley 45), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Spine: 7 3/8 inches (18.7 cm), beard, cave, children, fire, kneeling, literary theme, man, men, text, vegetation, vines, women

Songs of Innocence and of Experience, Plate 7, 'The Chimney Sweeper' (Bentley 12), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, children, leaf, literary theme, text, trees, vine, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Lord and Dame, c. 1653 Lord and lady besides love complaint without indicated melody, in which the narrator addresses Roselijn. Zwolle paper. ink. watercolor (paint) brush / calligraphy Lord and lady besides love complaint without indicated melody, in which the narrator addresses Roselijn. Zwolle paper. ink. watercolor (paint) brush / calligraphy

The Fairy Family, A Series of Ballads & Metrical Tales Illustrating the Fairy Faith of Europe, 1857, Sir Edward Burne-Jones, Bound volume with frontispiece, title page and tail-piece engraved from pen and ink drawings.

The World That Is (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 113 x 72 mm (card). Engraving with hand-coloring and traces of graphite on ivory card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Standing soldier, c. 1653 Seen a standing soldier from behind, next to love complaint in the wise of Waerom o Star. Gesina has added a couplet at the bottom. Zwolle paper. ink. watercolor (paint) brush Seen a standing soldier from behind, next to love complaint in the wise of Waerom o Star. Gesina has added a couplet at the bottom. Zwolle paper. ink. watercolor (paint) brush

Songs of Innocence and of Experience: The Tyger ca. 1825 William Blake British One of Blake's best-known verses, "The Tyger," comes from the Songs of Innocence and of Experience. Blake originally produced this small, richly illustrated collection of short lyric verses as two separate books, in 1789 and 1794, then combined them into a single volume in the latter year. Although its small, colorful format recalls a children's book, its message is sophisticated and complex. Innocence and Experience contrast human existence, before and after the Fall. The pastoral poems in Innocence express religious faith and acceptance, and exhibit fine detail and flowing lines; the bardic verses in Experience, by contrast, convey disillusionment and anger, and employ bolder outlines. Published during the height of the Terror, the French Revolution left its mark on the second book.Blake produced only twenty-four copies of the combined volume; this page comes from one of the last, prepared about 1825 for t

Songs of Innocence and of Experience, Plate 37, 'Nurses Song' (Bentley 38), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), comb, fruit, grapes, historical subject, men, mother, text, vegetation, vines, vineyard, women

Broadsheet relating to the ballad of Mr Grasshopper (a corrupt middleman) who exploits starving workers; he is being carried aloft by peasants. Artist: Leopoldo Méndez (Mexican, 1902-1969). Dimensions: Sheet: 13 3/8 × 9 1/4 in. (34 × 23.5 cm). Publisher: Taller de Gráfica Popular. Date: ca. 1940. Museum: Metropolitan Museum of Art, New York, USA.

The Queen of the Fishes: Plate 2, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 19, "His children exil'd from his breast....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Visions of the Daughters of Albion, Plate 4, 'Visions, Enslav'd the Daughters . . . . ', William Blake, 1757-1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 5/8 x 4 5/8 inches (16.8 x 11.7 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.7 cm), and Spine: 14 inches (35.6 cm), clouds, literary theme, men, nudes, text, trees

The Book of Thel, Plate 3, 'Thel / I / The daughters of Mne Seraphim . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm), Plate: 6 1/8 x 4 3/8 inches (15.6 x 11.1 cm), and Spine: 11 1/2 inches (29.2 cm), bird, children, leaf, literary theme, men, religious and mythological subject, shield, sword, text, vines, women

Inn interior with a trict racer. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Jerusalem, Plate 83, "Corruptability appears upon thy limbs....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

Cartoon on the defeat of Frederik van Bohemen and the support sought in the Netherlands, 1620, 1621 print Cartoon on the defeat of Frederik van Bohemen and the support sought in the Netherlands, 1620. The Netherlands Lion is held in the Dutch garden by Spinola on horseback. In the background the Bohemian lion who wants to flee to the Netherlands. On the left in the background, the German eagle is bathed with peace and faith in the heavenly light. Printed under the plate a verse in 3 columns with the legend A-V. Southern Netherlands paper etching / letterpress printing fenced or walled garden; 'Hortus Conclusus'

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 3, "Introduction" (Bentley 4), 1789. Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: A Poison Tree ca. 1825 William Blake British. Songs of Innocence and of Experience: A Poison Tree. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Tribute to Cornelis Corneliszoon van Uitgeest, the inventor of the Houtzaagmolen, 1592, Jan Schenk, After Adolf van der Laan, 1708 - 1752 print Trekon to Cornelis Corneliszoon van Uitgeest, the inventor of the Houtzaagmolen, 1592. According to the caption, the mill was invented in Uitgeest and built in Zaandam. Allegory with an image of an old wood sawmill including a verse surrounded by Minerva, Aeolus and Putti. Putti tension a cord at the top with all kinds of carpenters. Under the show a verse of 24 lines in Dutch. Northern Netherlands paper etching / engraving saw-mill (works). machine driven by wind. sawing (industrial process). tools, aids, implements ~ crafts and industries: drill. tools, aids, implements ~ crafts and industries: saw. tools, aids, implements ~ crafts and industries: scissors Uitgeest. Zaandam

Daniel Lysons, 1762-1834, British, Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 24, "What have I said....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 70, "And this the form of mighty Hand....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Incident between a Jew and a Keeshond, 1789, Anonymous, 1789 print Landscape with a carriage at the Haarlemmertrekvaart. A keeshond drags a Jew, to whom the dog was sold, through the water to the other side back to his former owner. It - fictional - Incorrect should probably be interpreted as a political analogy. On the leaf under the plate a verse of 24 lines. Northern Netherlands paper etching / engraving / letterpress printing anti-semitism Haarlemmertrekvaart

Plate 12 (page 19): 'Emblem of that which shall awake the dead', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

The Rebel Calavera of the Federal Army, Merchants, and Artisans. José Guadalupe Posada; Mexican, 1852-1913. Date: 1911. Dimensions: 402 x 300 mm. Photo relief etching on red wove paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Illustration by Randolph Caldecott 1846-1886 picture shows scenes of gambling at roulette in Monaco c1880

Songs of Innocence and of Experience, Plate 48, 'The Fly' (Bentley 40), William Blake, 1757-1827, British, 1794, Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), badminton, branches, children, historical subject, leaf, mother, shuttlecock, text, trees, vines, women

Mon petit homme , Hugging. Théophile Alexandre Steinlen (1859-1923). Lithographs

Job's Comforters 1825-26 William Blake British. Job's Comforters 383459 Artist: William Blake, British, London 17571827 London, Publisher: Published by William Blake, British, London 17571827 London No. 3 Fountain Court, Strand, Job's Comforters, from Illustrations of the Book of Job, 182526, Engraving, plate: 8 9/16 x 6 7/8 in. (21.7 x 17.5 cm) sheet: 16 1/2 x 11 in. (41.9 x 27.9 cm). The Metropolitan Museum of Art, New York. Gift of Edward Bement, 1917 (17.17.17)

De Vrek, who lost his treasure, 1890 print Leaf with a large performance from the fable of Jean de la Fontaine, from the Vrek who has lost his treasure. A man is kneeling for another man. At the top right a text block with verse lines. Numbered in the top left: Série 8. - No. 54. Paris paper letterpress printing fables. miser. kneeling figure

William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

The First Book of Urizen, Plate 27, 'They Lived a Period of Years . . . .' (Bentley 28), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 x 4 1/8 inches (15.2 x 10.5 cm), and Spine: 10 1/4 inches (26 cm), beard, hills, literary theme, men, net, religious and mythological subject, rope, text

The Poems of Thomas Gray, Design 21, 'Ode on a Distant Prospect of Eton College.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), boy, boys, branches, hat, literary theme, text, toy, trees, vials, wind

Coloured illustrated music score called "Atrouville". Lyrics by L Xanrop and music by Leopold Ganglops. People at the beach. From "In the streets: Songs and Monologues" of Aristide Bruant (1851-1925).

France, Paris, frontispiece of Fables (The dairywoman and the pot of milk) by Jean de La Fontaine, engraving

To bathe in the waters of Life..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Fires, Dancers

'Fourth Sheet of the Poem 'Blancheflour' by K.F. Scherenberg'. Germany, 1854. Dimensions: 44,5x55,6 cm. Museum: State Hermitage, St. Petersburg. Author: CARL GEORG ANTON GRAEB. Ernst Friedrich Gotthold Schütze II.

Memorial to David Garrick from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 11 1/8 inches (38.1 × 28.3 cm), architectural subject, architectural subject, church, memorial, England, Greater London, Hampton, London, St Mary's Parish Church, United Kingdom

Página con un fragmento de «Los hijos del pescador» cuento de fábulas populares catalanas ilustradas por Joan d'Ivori.

Gift from Calaveras. José Guadalupe Posada; Mexican, 1852-1913. Date: 1905-1913. Dimensions: 404 x 300 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

De stropende actie-valk, om hals, en 't bubbel-rotje onder de klaauwen van den uil The strapping share-hawk and the bubble rate caught between the claws of the owls. Venne, Adriaen Pietersz. van de, 1589-1662. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 63, "Jehovah stood among the Druids....", 1804 to 1820. Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper.

Give Me Thy Heart Just as It Is (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 145 × 91 mm (folded sheet). Lithograph with hand-coloring on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

An illustrated extract from "The Epping hunt" by Thomas Hood. Thomas Hood was an English poet, author and humourist. Dated 19th century

Title Page, from Twelve Months of Flowers. Henry Fletcher (English, 1710-1750); after Peter Casteels III (Flemish, 1684-1749). Date: 1720-1750. Dimensions: 575 × 455 mm (image); 595 × 465 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

THE COCK AND THE PEARL; THE WOLF AND THE LAMB

Jerusalem, Plate 94, 'Albion cold lays on his Rock....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 6 inches (21.2 x 15.2 cm), arch, dead, death, hill, literary theme, men, mourning, religious and mythological subject, roots, sinews, stone, sun, text, women

There was an old woman who lived in a shoe, she had so many children, she didn't know what to do...... Date: 1884

Paradisio XXXI, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Christmas Wishes. ca. 1899-1915, May love I send you, crowned with best wishes for a good old fashioned Merrie Christmas.

There Was an Old Woman Tossed Up in a Basket, Maud Humphrey - Mother Goose Tales

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 43, "They saw their Wheels....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

A Human Skeleton at the Foot of a Rock Face. Florence Kingsford Cockerell (English, 1871 - 1949)

Songs of Innocence and of Experience: The Garden of Love. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Pitcher. Dated: c. 1936. Dimensions: overall: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.) Original IAD Object: 7.9" High 8.4" Dia at spout (including handle). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Barnes.

Death of the Local, 1720, 1720 print Emblem in which a falcon (the campaign) that wants to eat with the loot (the bubble rat) of the owl is killed by a heron. With five verses on either side and under the plate. Print 55 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper engraving / letterpress printing symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). birds

THE STAG IN THE OX STALL; THE DEER AND THE LION

A Hunter Sitting in a Rocky Landscape. Florence Kingsford Cockerell (English, 1871 - 1949)

Xenophon (author). Works. Printed book. 1581. Museum of Fine Arts of the city of Paris, Petit Palais. 99049-9 Art medieval, Catholicism, Catholic iconography, religious iconography, book, illustrious book, Enlumin manuscript, Middle Ages, Miniature

De inventeur de wind negotie op zyn zegekar Inventor of the wind trade, upon his chariot. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Forget Me Not (valentine) 1825-1835 United States. Engraving in blue ink with hand-coloring and traces of graphite on ivory card .

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/4 x 3 inches (12.1 x 7.6 cm), bird, book, children, fruit, historical subject, mother, reading, seated, text, trees, vine, women

of 1