William Blake Illustrations

A collection of prints by William Blake illustrating themes from 'Songs of Innocence and of Experience' with vibrant colors and poetic text.

Songs of Innocence and of Experience: A Dream ca. 1825 William Blake British. Songs of Innocence and of Experience: A Dream 347935

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 9, "The Little Black Boy" (Bentley 10), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 18, 'The Lamb' (Bentley 8), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/4 x 3 inches (12.1 x 7.6 cm), and Plate: 4 1/2 x 3 inches (11.4 x 7.6 cm), book, boy, branches, children, dancing, grass, hills, historical subject, house, lamb, leaf, reading, sheep, shepherd, text, trees, vegetation, vines, woman

Songs of Innocence and of Experience: A Dream ca. 1825 William Blake British. Songs of Innocence and of Experience: A Dream 347935

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 40, "Los shudderd at beholding Albion....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 18, "From every-one of the Four Regions....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Brass Plate of Constance Bothwell and her Baby from Heston Church, Attributed to Daniel Lysons, 1762-1834, British, 1796-1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, brass, church, memorial, plate, England, Greater London, Heston, London, St Leonard Church, United Kingdom

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate of Constance Bothwell and her Baby from Heston Church, 1796-1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 44, 'The Human Abstract' (Bentley 47), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Spine: 7 3/8 inches (18.7 cm), beard, branches, leaf, literary theme, man, men, net, rope, text, trees, vines

Jerusalem, Plate 28, "Jerusalem / Chap. 2....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25), 1789. Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 27, 'The Divine Image' (Bentley 18), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), flowers (plants), leaf, literary theme, men, nude, plant, religious and mythological subject, text, vegetation, vines, women

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), Plate: 8 1/2 × 6 5/8 inches (21.6 × 16.8 cm), Image: 7 3/4 × 6 inches (19.7 × 15.2 cm), and Binding: 16 inches (40.6 cm)

Forget thee, oh Never! (valentine) 1835-1840 United States. Lithograph with hand-coloring on cream wove paper .

Songs of Innocence and of Experience, Plate 22, 'The Little Girl Found' (Bentley 36), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 1/4 x 2 5/8 inches (10.8 x 6.7 cm), beard, branches, children, harp, historical subject, infant, kneeling, leaf, leaf, lion, men, nudes, sleeping, standing, text, tiger, trees, vines, women

Songs of Innocence and of Experience: Voice of the Ancient Bard ca. 1825 William Blake British. Songs of Innocence and of Experience: Voice of the Ancient Bard 348043

The Book of Job: Pl. 4, And I only am escaped alone to tell thee, 1825. William Blake (British, 1757-1827). Engraving;

Lodewijk XIV exchange office, 1706, 1706 print Milan exchange office in which King Louis XIV (Harpagon) weigh money for Harlequin who stands for him, masked and with a key in hand. With two verses in Dutch in the caption and a verse in Dutch on the magazine on either side of the plate. Part of a series of 19 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing political caricatures and satires. money-changer

Songs of Innocence and of Experience, Plate 6, 'The Little Black Boy' (Bentley 10), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 1/2 x 2 5/8 inches (11.4 x 6.7 cm), and Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), branches, children, historical subject, leaf, men, river, shepherd, text, trees, water

Young's Night Thoughts, Page 55, 'Ungrateful, shall we grieve their hovering shades', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 3/4 inches (40 x 32.4 cm), angel, flowers (plants), grass, grave, gravestone, literary theme, mourning, pointing, text, thorns, tombstone, vines, women

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13), 1789. Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 12, "Why wilt thou give to her....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.

Songs of Innocence and of Experience: Laughing Song ca. 1825 William Blake British. Songs of Innocence and of Experience: Laughing Song 347924

Young's Night Thoughts, Page 46, 'Where sense runs savage broke from reason's chain', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 1/2 inches (41.9 x 31.8 cm), and Plate: 16 x 12 1/2 inches (40.6 x 31.8 cm), literary theme, nudes, shroud, text, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

True portrait of the famous Lord Messire Quinquenpoix. (Title registered (letter))

Jerusalem, Plate 42, 'Thus Albion sat....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), fruit, grapes, leaf, literary theme, men, nudes, religious and mythological subject, text, vines, women

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Albrecht Dürer, The School Teacher, 1510 The School Teacher

Jerusalem, Plate 83, 'Corruptability appears upon thy limbs....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm), clouds, literary theme, nudes, religious and mythological subject, sky, smoke, text

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 73, "Draw the dire steel -- ah no!", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 7, 'Till at Death's Toll, Whose Restless Iron Tounge', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 7/8 inches (42.5 x 32.7 cm), and Plate: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm), arrows, beard, bell, book, bow, hourglass, lamp, literary theme, men, quill pen, religious and mythological subject, text

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 33, "Turning his back to the Divine Vision....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 149 mm (5.86 in). Author: William Blake.

Escutcheon with a Landscape. Jacques Bailly (French, 1634 - 1679)

Inn interior with two deaths and a drinker. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 14, "One hair nor particle of dust....", 1804 to 1820. Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper.

Plate 40 (page 90): 'That touch, with charm celestial heals the soul', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Seven capacities / sees gy holding kick by staircase, / as the fogging, own to the virtue / and religion take them into eight, ô Youth!. Leaf with a big representation of a staircase of virtues. A staircase with seven steps with the personnifications of moderation, strength, caution, justice, love, hope and faith. Under the show a verse in three columns. Numbered at the top right: No. 201.

Young's Night Thoughts, Page 31, ''Tis greatly wise to talk with our past hours', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 16 1/8 x 12 5/8 inches (41 x 32.1 cm), chairs, literary theme, men, paper, scrolls, seated, sitting, text, women

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 41, "Bath who is Legions....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

The First Book of Urizen, Plate 5, 'Chap: 1....' (Bentley 3), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 5 7/8 x 4 inches (14.9 x 10.2 cm), and Spine: 10 1/4 inches (26 cm), fire, flames, leaf, literary theme, men, nudes, religious and mythological subject, text, vines

Sweet are the Flowers (valentine) 1845-1855 England. Lithograph with hand-coloring on cut and embossed ivory laid paper (lace) . George Kershaw

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

The School Teacher. Dated: 1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...', unknown artist, after William Blake, 1757-1827, British, ca. 1808, Watercolor with pen and brown ink

Young's Night Thoughts, Page 63, 'This King of Terrors is the Prince of Peace', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm), beard, literary theme, men, paper, scrolls, text

Standing lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Jerusalem, Plate 89, "Tho divided by the Cross....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 203 mm (7.99 in); Width: 146 mm (5.74 in). Author: William Blake.

Plate 6 (page 10): 'Disease invades the chastest temperence', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Natural History for Youth, Charles Comte, After Anthony de Vries, 1872 print print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper letterpress printing teacher and pupil

Young's Night Thoughts, Page 63, 'This King of Terrors Is the Prince of Peace', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm), and Plate: 16 1/4 x 12 1/2 inches (41.3 x 31.8 cm), beard, literary theme, man, paper, religious and mythological subject, scroll (information artifact), text

Lord and a lady standing in front of a poor mother and her children. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 1654 - 1655. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Fly, Caterpillar, Pear, and Centipede; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Songs of Innocence, Plate 28, 'Laughing Song' (Bentley 15), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 1/4 x 2 5/8 inches (10.8 x 6.7 cm), and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), branches, chairs, children, dinner, drinking, food, leaf, literary theme, men, mother, sitting, sunset, table, text, trees, vines, women

Study for a Title Page. Artist: Carl Alexander von Heideloff (German, Stuttgart 1789-1865 Haßfurt). Dimensions: 5 7/8 x 3 7/16 in. (15 x 8.7 cm). Date: early to mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Consolation to the Dutch virgin at the death of Prince Maurits, 1625; Vertroosteringh aen The Hollantsche Maardht / About 'Tafirten des Vorsts Maurits Prince of Oraingien, Grave Van Nassouw, & c .. Allegory with a consolation to the Dutch virgin at the death of Prince Maurits, April 23, 1625. The Dutch Virgin with the weapon of Holland , sitting in the Dutch garden, pointing to the radiant tetragram in heaven. Printed under the plate A fresh in two columns in the form of an acrostichon.

The new banknotes of Joh, Sothen , The new banknotes of Johann Karl Sothen, Innsbrucker Lose caricature from Der Floh , Wessely, Caricaturist, Johann Tomassich, realization

Fly, Caterpillar, Pear, and Centipede; Joris Hoefnagel, Flemish / Hungarian, 1542 - 1600, and Georg Bocskay, Hungarian, died 1575; Vienna, Austria, Europe; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9/16 x 4 7/8 in.)

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 27, "A Long Story.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15), 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Illuminated Parable: The Sower. Dated: c. 1936. Dimensions: overall: 34.9 x 24.7 cm (13 3/4 x 9 3/4 in.) Original IAD Object: 5 1/2" high; 4 7/8" wide. Medium: black and white photograph with felt-tip pen. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart and James Gross.

William Blake, Job and His Family, 1825 Job and His Family

Jerusalem, Plate 57, "And the voices of Bath....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 149 mm (5.86 in). Author: William Blake.

Man and ballerina hug and kiss each other, Henri Gabriel Ibels, 1892 print Paris paper (lovers) kissing each other. (lovers) embracing each other, 'symplegma'. female dancer

Smoker sitting at a table. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 21-Dec-1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Con las suegras, poco y bueno (With the Mother-in-Laws, Little and Good) Artist's working dates 1850-1900 México. Relief print on paper . Manuel Manilla

William Blake, 1757-1827, British, Plate 12 (page 19): 'Emblem of that which shall awake the dead', 1797. Engraving.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico4. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La Pobreza Reinante Poverty Reigns. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Political satire, Mexican

The Goldland Mississippi, 1720, 1720 print Landscape on the Mississippi with fighting between the original populating and Europeans. In the four corners of medallions with representations of the consequences of the wind trade in a Dutch family. On the leaf under the plate a caption in two columns. Print 59 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / letterpress printing financial panic. Native peoples of North America Mississippi

'Doublure in Levant Morocco, with Inlay and Tooling', c.1880, (1914). Artist: Robert Riviere.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 58, "In beauty the Daughters of Albion....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Songs of Innocence, Plate 4, 'A Dream' (Bentley 26), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 7/8 x 3 inches (12.4 x 7.6 cm), and Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), birds, kissing, leaf, literary theme, men, pointing, serpent, snake, text, trees, vegetation, vines, women

To unveiled the Schiller monument in Vienna, To the revelation of the Friedrich Schiller-Denklale in Vienna, vignette with portrait, praise poem and newspaper articles Neue Illustrirte Zeitung , Vienna, Unknown

Council meeting of the rats; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a large representation from Jean de la Fontaine Fabel, from the council meeting of the rats. In the middle a text block with a verse. Numbered top left: Série 6. - No. 9.

When on the highest lift..., Blake, William, 1804 - 1808, London, Publisher, Keynes Blake, Dwellings, Etchings, 46 i.e. 49 f. col. illus. 25 cm

Beautiful Snow.. Benjamin West Kilburn (American, 1827 - 1909)

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Juliusz Kossak (1824-1899), November; from: "Kłosy" no. 643, vol. XXV, p. 313. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

French Rose and Pistachio.

Daniel Lysons, 1762-1834, British, Tomb of Philip James de Loutherbourg, from Chiswick Churchyard, between 1796 and 1811. Pen and black ink and watecolor over graphite on medium, slightly textured, cream wove paper.

Lisitsa i vinograd.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Ballonvaart van Blanchard, 1807; Zang, op de 62ste ongelukkige Lugtreis van den Heer Blanchart en deszelfs vrouw.Taking off the hot air balloon with Jean Pierre Blanchard and his wife Marie Madeleine Sophie Armant from the Koekamp in The Hague, July 9, 1807. In the show, both fall out of the air balloon. Under the image a spot song in twelve four-regulated verses on Blanchard and his wife.

The sisterless.. Dalziel, Thomas Bolton Gilchrist Septimus (1826-1906). Illustrations. 1868. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Children and adults

Trade cards depicting children smoking a large cigar and a man chasing after his horse.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Cigars

Chant II.

Jerusalem, Plate 66, "In awful pomp & gold....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 223 mm (8.77 in); Width: 162 mm (6.37 in). Author: William Blake.

Cover for 'Las Lindas Mexicanas', two elegantly dressed women ca. 1890-1910 José Guadalupe Posada. Cover for 'Las Lindas Mexicanas', two elegantly dressed women. José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Photo-relief and letterpress printed on blue paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Yvette Guilbert. Dated: 1894. Dimensions: image: 33.5 x 14.5 cm (13 3/16 x 5 11/16 in.) sheet: 37.7 x 38 cm (14 13/16 x 14 15/16 in.). Medium: lithograph in olive green. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

The Tap Dance. José Guadalupe Posada; Mexican, 1852-1913. Date: 1913-1923. Dimensions: 305 x 196 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

`December` - design of an illustration. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Charity 1830-62 Freeman Gage Delamotte British. Charity 363567

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 50, "A Poison Tree" (Bentley 49), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Embroidered message on a wall hanging, Sweden.

Schembart Buch, Schembard Büch, Anonymous, 16th century, Leaves 2r-4r: historical account of the civic festival of the Nuremberg Schembartlauf. Watercolors of 64 Schembartlaüfe or runners for the years 1449-1539, each with a heraldic device and described on the facing leaf; watercolors of 20 floats named Hölle, or Hell.

Love and Good Will, I Bear to Thee (Valentine) 1825-1835 United States. Collaged elements on embossed cream wove paper .

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