William Blake Illustrations

Illustrations by William Blake showing poetic themes including innocence and creation, featuring ethereal figures, animals, and natural elements in vibrant colors.

Songs of Experience: Introduction: Hear the voice of the Bard ca. 1825 William Blake British. Songs of Experience: Introduction: Hear the voice of the Bard 347955

Songs of Experience: Introduction: Hear the voice of the Bard ca. 1825 William Blake British. Songs of Experience: Introduction: Hear the voice of the Bard 347955

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 8, "The Lamb" (Bentley 8), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence, Plate 8, 'The Lamb' (Bentley 8), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 5/8 x 3 inches (11.7 x 7.6 cm), and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), angels, book, boy, branches, cherubs, children, clouds, house, lamb, leaf, literary theme, mother, nude, plant, reading, sheep, shepherd, text, trees, vegetation, vines, wings, woman

unknown artist, Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...', ca. 1808. Watercolor with pen and brown ink.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 39, "By Satans Watch-fiends....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Amour ne peut rien sur elle. 1697 - 1720. Sweerts, Cornelis, 1669-1742. Berge, Pieter van den, 1659-1737. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

America. A Prophecy, Plate 15, 'What Time the Thirteen Governors....', Print made by William Blake, 1757-1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 7/8 inches (23.8 x 17.5 cm), birds, dead, eating, fish, men, nudes, religious and mythological subject, shell, snake, text, water, women

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Young's Night Thoughts, Page 26, 'Measuring His Motions by Revolving Spheres', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 5/8 x 13 inches (42.2 x 33 cm), and Plate: 15 5/8 x 13 inches (39.7 x 33 cm), angel, baby, bald, children, dead, death, drinking, food, goblet, literary theme, man, men, religious and mythological subject, text, wings, women

Plate 41 (page 92): 'When faith is virtue, reason makes it so', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Songs of Innocence and of Experience, Plate 42, 'To Tirzah' (Bentley 52), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, fruits, gowns, literary theme, man, men, nude, pitcher, text, trees, women

Songs of Innocence and of Experience, Plate 13, 'Nurse's Song' (Bentley 24), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 5/8 x 3 1/8 inches (11.7 x 7.9 cm), and Spine: 7 3/8 inches (18.7 cm), book, branches, children, dancing, grass, hills, leaf, literary theme, reading, text, trees, vines, willow, women

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 69, "Then all the Males....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Photo production of a fresh from the poem The Celestial Country with images. .

William Blake, 1757-1827, British, Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST', 1797. engraving.

Songs of Innocence and of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lily ca. 1825 William Blake British. Songs of Innocence and of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lily 347980

William Blake, 1757-1827, British, Plate 8 (page 13): 'The present moment terminates our sight', 1797. Engraving.

Ilustracja do wiersza satyrycznego "Jurist". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

As when a man dreams...., William Blake (1757-1827), 1804 - 1808, London, Publisher, Keynes, 46 i.e. 49 f. col. illus. 25 cm

Stirling Castle, anonymous, c. 1864 - in or before 1874 photograph Stirling photographic support albumen print palace. inland cliff face Stirling Castle

Der Gang nach dem Eisenhammer. Josef Albert (German, 1825 - 1886)

Young's Night Thoughts, Page 73, 'Draw the dire steel -- ah no!', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 5/8 x 12 inches (39.7 x 30.5 cm), crowns, flames, hands, literary theme, nails, text, thorns

The hunter overcomes the minus, 1720; L'amour ne peut rien sur elle; The great scene of foolishness. The hunter overcomes the min. Emblem in which Cupid's attempts to hit a woman gives up because she is too busy hunting. In a decorative frame with cupids and hunting dogs and nets. Signature upper left: Pag: 48. In the caption, a verse of four lines. Printed on the leaf around and below the plate are five verses. Print 42 in the series The large scene of foolishness with cartriders on the 1820 wind trade or action trade.

Songs of Innocence and of Experience: A Little Boy Lost ca. 1825 William Blake British. Songs of Innocence and of Experience: A Little Boy Lost. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 62, "Repose on me....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Young's Night Thoughts, Page 75, 'The Sun beheld it -- No, the shocking Scene', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 5/8 x 12 5/8 inches (39.7 x 32.1 cm), clouds, fire, flames, horse (animal), horses (animals), literary theme, men, sun, text

Plate 8 (page 13): 'The present moment terminates our sight', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Jerusalem, Plate 59, "And formed into Four precious stones....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper)orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 146 mm (5.74 in). Author: William Blake.

Jozef en de vrouw van Potifar. Lof van Josephs Kuijscheijt (title on object). Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Songs of Innocence and of Experience, Plate 33, 'The Little Girl Lost' (Bentley 34), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Spine: 7 3/8 inches (18.7 cm), birds, branches, kissing, leaf, literary theme, man, pointing, serpent, snake, text, trees, vegetation, vines, woman

Broadsheet relating to mothers-in-law, brothers-in-law and son fighting, the words spoken by each in sections below and on verso. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 11 13/16 × 7 7/8 in. (30 × 20 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1895-1900. Museum: Metropolitan Museum of Art, New York, USA.

Songs of Innocence and of Experience: Night ca. 1825 William Blake British. Songs of Innocence and of Experience: Night 347929

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Allegory on Rescue of England by Willem III and Maria II Stuart, 1688, 1689 print Allegory on Redding of England by Prince William III and Princess Maria II Stuart, November 1688. Emblem with left Willem III as the Dutch Hercules, on the right an English unicorn (Princess Maria II Stuart) kills the snake that is wrapped around an English rose. Upstairs, a knight (Saint Joris) stabs with a lance to a dragon that has a sword and scales in his claws. Stuck under the print is a text sheet with verses in 2 columns, print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing unicorn. Hercules as personification of some other abstract notion. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 15, "A Dream" (Bentley 26), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

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Print made by William Blake, 1757-1827, British, Jerusalem, Plate 74, "The Four Zoa's clouded rage....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Jerusalem, Plate 53, "Jerusalem / Chap. 3". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper)orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper). Height: 223 mm (8.77 in); Width: 165 mm (6.49 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 6, "In living creations appear'd.. ." (Bentley 5), 1794. Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Little Black Boy ca. 1825 William Blake British. Songs of Innocence and of Experience: The Little Black Boy. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Standing soldier. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Fairground print. KermiSprent with representation of three Tamboers, with an eighty verse. Completely in a border of branches with leaves, flowers and buttons. Numbered at the top right: No. 48.

Bound Print, The Epitaph; Written by Thomas Gray (British, 1716 - 1771); Richard Bentley (British, 1708 - 1782); Published by James Dodlsey (British, 1724 - 1797); Print Maker: Charles Grignion I (British, 1717 - 1810); England; letterpress and etching on laid paper

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 33, "The Little Girl Lost" (Bentley 34), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Cartoon on the defeat of Frederik van Bohemen and support, 1620 wanted in the Netherlands; Nederlandsch Blaso or EMBLA van Desen Tengewordeghen Tiit. Cartoon on the defeat of Frederik van Bohemia and the support for support, 1620. The Dutch lion is held in the Dutch garden by spinola on horseback. In the background the Bohemian lion who wants to flee to the Netherlands. On the left in the background, the German eagle is bathed with peace and faith in the heavenly light. Printed under the plate A verse in 3 columns with the legend A-V.

unknown artist, Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...', ca. 1808. Watercolor with pen and brown ink.

Illustration by William Blake (1757-1827) English poet, painter and printmaker, for Edward Youngs (1681-1765) poem Night Thoughts published 1742-1745.

Star of Capelles surrounded by angels ..

Jerusalem, Plate 72, "And the Thirty-two Counties....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 150 mm (5.90 in). Author: William Blake.

Print, Title page, Plate 1, from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventes et dessines par Jean Pillement. Graves par Anne Allen.; Designed by Jean-Baptiste Pillement (French, 1728-1808); Etched by Anne Allen (English, active France, ca. 1750-1810); France; etching with colored inks à la poupé on off-white laid paper; 19.3 x 13.9 cm (7 5/8 x 5 1/2 in.) Platemark: 19.3 x 13.9 cm (7 5/8 x 5 1/2 in.) Mount: 24.3 x 18 cm (9 9/16 x 7 1/16 in.)

The shrill winds wake!, 1794, by William Blake (1757-1827). Relief etched plate in colors. Published in Lambeth. Subjects include women and dancers

Balzer Dahl (1825-1893); , Frederik d. 6. At Lit de Parade, 1825 - 1893

Illuminated Parable: The Tares. Dated: c. 1936. Dimensions: overall: 35.3 x 27.8 cm (13 7/8 x 10 15/16 in.) Original IAD Object: 5 1/2" high; 4 7/8" wide. Medium: black and white photograph with felt-tip pen. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart and James Gross.

Jerusalem, Plate 93, "Enitharmon heard....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 150 mm (5.90 in). Author: William Blake.

Photo production of a drawing of two fighting men, presumably Frithjof and Angantuur, Anonymous, After Knut Ekwall, c. 1872 - c. 1882 photomechanical print Scene Uit de Frithiof's Saga Door Esaias Tegnér. paper collotype fighting

El Purgatório Artístico, en el que yacen las Calaveras de los Artistas y Artesanos The artistic purgatory, where the calaveras of artists and craftsmen lie. Posada, José Guadalupe, 1852-1913. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1904. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Political satire, Mexican, Calaveras

Photo production of a painting of a scene from Der Trompeter von Säkkingen, representing the first kiss between Maria and the trumpeter, Anonymous, After Carl Schweninger (II), c. 1880 - in or before 1890 photograph photographic support albumen print picture, painting. (lovers) kissing each other

The First Book of Urizen, Plate 8, 'In Living Creations Appear'd....' (Bentley 5), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 5 7/8 x 4 1/8 inches (14.9 x 10.5 cm), and Spine: 10 1/4 inches (26 cm), beard, book, fire, flames, leaf, literary theme, men, religious and mythological subject, text, vines

Songs of Innocence and of Experience: The Shepherd. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

The First Book of Urizen, Plate 6, 'In living creations appear'd . . . .' (Bentley 5), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 5 7/8 x 4 1/8 inches (14.9 x 10.5 cm), beard, book, fire, flames, leaf, literary theme, men, text, vines

Europe. A Prophecy, Plate 7, 'Now comes the night . . . . ' (Bentley 8), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), angels, flames, literary theme, men, night, religious and mythological subject, scales, sword, text, wings, women

The Rat and De Oester, 1888 print Leaf with a large performance from the Fabel of Jean de la Fontaine, from the rat and the oyster. At the top right a text block with a verse. Numbered in the top left: Série 6. - No. 12. Paris paper letterpress printing fables. rodents: rat. molluscs: oyster

Jerusalem, Plate 75, 'And Rahab Babylon the Great....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 9 x 6 1/2 inches (22.8 x 16.5 cm), angels, crowns, dragon, dragons, literary theme, medallions, men, religious and mythological subject, serpents, snake, text, wings, women

Jerusalem, Plate 78, "The Spectres of...". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 162 mm (6.37 in). Author: William Blake.

Jerusalem, Plate 23, 'Jerusalem! Jerusalem!....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm), angel, bald, flowers (plants), intestines, literary theme, men, mountain, nudes, religious and mythological subject, stones, text, wings, women

Songs of Innocence, Plate 6, 'The Little Girl Found' (Bentley 35), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), branches, children, girl, infants, leaf, lion, literary theme, nudes, sleeping, text, tiger, tree, vines, women

Songs of Innocence and of Experience, Plate 36, 'The Tyger' (Bentley 42), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 1/2 inches (11.1 x 6.4 cm), and Spine: 7 3/8 inches (18.7 cm), branches, grass, leaf, literary theme, text, tiger, trees, vegetation, vines

The plight of a princess ; The shepherd's dream title page and depictions of a shepherd napping, elves and a ballroom.. Sprague, Rose Mueller. Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Clothing & dress, Fairy tales, Sleeping

Young's Night Thoughts, Page 93, 'If angels tremble, 'tis at such a sight', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/8 x 12 3/4 inches (39.1 x 32.4 cm), angels, literary theme, men, text

Give Me Thy Heart Just as It Is (valentine) 1835-1845 England. Lithograph with hand-coloring on ivory laid paper .

Apotheosis of Maarten Tromp, 1653, Michiel Mosijn, 1654 print Apotheosis of Maarten Tromp, killed on 10 August 1653 during the sea battle at Terheide. The Admiral Seated in a fiery chariot, murdered by death, above the sea where the fight takes place. Under the print, a leaf is stuck with a verse printed in two columns over the death of Tromp in 1653 and the peace closed with England in 1654. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing apotheosis (or ascension) of individuals. Battle of Scheveningen

unknown artist, Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 4, "Unwilling I look up.. " (Bentley 5), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper inlaid to size.

Photo production of a painting, representing a child in a window frame with two pigeons; Children's scenes. .

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 7, "Was living: panting....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

The promotions in the Dolhuis, 1720; The promotions in Dolhuis; The large scene of foolishness (extra pieces). Leaf with a representation of the meeting between two groups and their leaders on a city square with a large building referred to as the Dolhuis that according to the text represents the exhibition in Amsterdam. With a verse in three couplets in which the spot is driven with the promoters and the wind trade in the year 1720. Belongs to the group of prprans added to the series of scene of foolishness with cartring prints at the 1820 wind trade.

Young's Night Thoughts, Page 27, 'O treacherous conscience!', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 16 x 12 3/4 inches (40.6 x 32.4 cm), angels, books, cups, drinking, food, goblets, gowns, literary theme, men, robes, text, wings, women, writing (processes)

The two Misses Tickler of Clapham Rise! The babes in the wood.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Girls

Valentine ca. 1875 Kate Greenaway. Valentine. Kate Greenaway (British, London 1846-1901 London). ca. 1875. White card with cameo-embossed, scalloped border, with chromolithography, gold lithography

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13), 1789. Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 7, "Was living: panting....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Away went Gilpin, and away went postboy at his heels.. Caldecott, Randolph (1846-1886). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Cowper, William, 1731-1800. John Gilpin, Horseback riding, Chasing, Rural areas

Gild or fair os. Leaf with a large representation of a guild OS (also called fairground or prize), decorated with floral wreaths. The show is caught in a list of flower drinks and blasts. Under the show a verse in two columns. Numbered upper left: No. 89.

Blatt 12 of William Blake's 'The First Book of Urizen', 1794, created using relief copper engraving with ink, watercolor, and color printing.

Litografia a color de la partitura de la Sonata op.26 de BEETHOVEN. Publicada en Leipzig en 1885.

William Blake, Restrike from fragment of cancelled plate forA Prophecy, 1793 Restrike from fragment of cancelled plate forA Prophecy

Max Klingers lithograph for Brahmsliedern circa 1886 depicts figures in grass, showing posture, gestures, and natural surroundings using stone drawing techniques.

A girl and a boy, Patty and Paul, sitting on a garden wall, where they have found two snails. Below is a windmill. Date: first published 1879

Bliżej Kultury Bartels, Artur (1818 1885), Fabijański, Stanisław (1865 1947), Pruszyński, Aureliusz

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 5, "A , Prophecy , The deep of winter came.. " (Bentley 6), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper inlaid to size.

The Thundering Calavera of the Modern Bells. José Guadalupe Posada; Mexican, 1852-1913. Date: 1905. Dimensions: 358 x 262 mm (image recto); 358 x 258 mm (image verso); 400 x 305 mm (sheet). Photo relief etching on yellow wove paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Koning Nobel gives Reinaert de Vrijheid, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 12, first design): Van den Vos Reinaerde; King Nobel gives Reinaert, standing with the queen, freedom. Design for a print. paper. cardboard. chalk. ink. pencil pen / brush fable of Reynard the Fox

Mab et Cupidon , Cupids, Fairies, Alphonse Legros (1837-1911)

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 97, "Ode for Music.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Germany, Dutch Befreyung, Das Erwachen des Löwen, Allegory of the liberation of the Netherlands, 1813, verso - stamped, Allegory of the liberation of the Netherlands and the fall of the French in 1813. The unleashed Dutch lion with a bundle of arrows in its claw tramples a yoke, standard and fetters and drives away the French cock. On the sheet below the plate a verse in three stanzas in German., print, prent, prints, prenten, Frederik Muller Historieplaten, height 454 mm, width 342 mm, print maker, prentmaker, 1813 - 1814, paper, papier, etching, etchings, engraving, engraving (printing process)

Animalia Qvadrvpedia et Reptilia (Terra): Plate XXVIII. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

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