William Blake Printworks

A collection of William Blake's intricate prints featuring religious and mythological themes, with ethereal figures, nature, and dramatic colors, combining text and imagery.

Songs of Innocence and of Experience: The Sick Rose ca. 1825 William Blake British. Songs of Innocence and of Experience: The Sick Rose. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Jerusalem, Plate 37, 'And One stood forth....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm), beard, branches, dead, death, leaf, literary theme, men, moon, nudes, religious and mythological subject, sky, stars, sun, text, text, trees, wings, women

Songs of Innocence and of Experience, Plate 24, 'The Divine Image' (Bentley 18), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 1/2 x 3 1/8 inches (11.4 x 7.9 cm), branches, children, flowers (plants), historical subject, leaf, men, pairs, plant, procession, text, trees, vegetation, vine, vines, walking, women

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets....", 1793. Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 16, "In the Flames Stood....", 1793. Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets....". Date/Period: 1793. Print. Green print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 235 mm (9.25 in); Width: 171 mm (6.73 in). Author: William Blake.

Songs of Innocence and of Experience: The Sick Rose ca. 1825 William Blake British. Songs of Innocence and of Experience: The Sick Rose. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Little Girl Found (second plate) ca. 1825 William Blake British. Songs of Innocence and of Experience: The Little Girl Found (second plate) 347969

America. A Prophecy, Plate 13, 'Fiery the Angels Rose....', Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), birds, children, clouds, harness, men, moon, nudes, religious and mythological subject, riding, serpent, snake, stars, swan, text

Book of Job, Plate 6, Satan Smiting Job with Boils, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm), Plate: 8 1/2 × 6 3/4 inches (21.6 × 17.1 cm), Image: 7 7/8 × 6 inches (20 × 15.2 cm), and Binding: 16 inches (40.6 cm)

Songs of Innocence and of Experience: The Little Vagabond ca. 1825 William Blake British. Songs of Innocence and of Experience: The Little Vagabond. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Europe. A Prophecy, Plate 10, "Enitharmon slept . " (Bentley 12). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Northern Netherlands, Amsterdam, Picart, Bernard, France, Audran, Jean, The Great Tableau of Folly, New Year's Gift, Lauw Maands Remembrance, because of the new-fangled Golden Age, enchanted in Horse Figs, Lauwmaand commemoration, 1720, Lauwmaand commemoration. Central representation of a separate plate with a satyr (Staartman = John Law) courting a nymph (Pecunia), with three-line caption. In a frame with dwarfs and attributes of winter, with caption with two verses. Print in the bound fourth edition (304 B 12) of The Great Scene of Folly with cartoons on the Wind Trade or Action Trade of 1720., print, cartoon, books, Frederik Muller Historieplaten, height 124 mm, width 84 mm, height 298 mm, width 186 mm, French, 1667-04-28 - 1756-06-17, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1673-06-11 - 1733-05-08

Jerusalem, Plate 6, 'His Spectre driv'n....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), bellows, blacksmith, chain, fire, hammer, literary theme, men, nudes, religious and mythological subject, smoke, stone, text, tongs, wings

Jerusalem, Plate 69, "Then all the Males....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 212 mm (8.34 in); Width: 150 mm (5.90 in). Author: William Blake.

William Blake, 1757-1827, British, Plate 26 (page 49): 'As if the sun could envy, check'd his beam', 1797. Engraving.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

America. A Prophecy, Plate 6, "Appear to the Americans....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 232 mm (9.13 in); Width: 165 mm (6.49 in). Author: William Blake.

Blatt 18 of William Blake's 'The First Book of Urizen', 1794, produced with relief copper engraving, ink, watercolor, and color printing.

Before Ololon Milton stood..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Serpents , Mythology, Dogs, Nudes

The Angel From "Songs of Innocence and of Experience" William Blake (1757-1827 English) The Huntington - San Marino, California

William Blake, 1757-1827, British, Plate 43 (page 95): 'The goddess bursts in thunder and in flame', 1797. Engraving.

Jerusalem, Plate 96, "As the Sun & Moon lead forward....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 203 mm (7.99 in); Width: 143 mm (5.62 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 12, 'Spring' (Bentley 23), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/8 x 3 inches (10.5 x 7.6 cm), and Spine: 7 3/8 inches (18.7 cm), angels, boy, children, lamb, literary theme, nude, religious and mythological subject, sheep, text, vines, wings

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 99, "Ode for Music.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Spiegel of Reason for the despairing actionist, 1720, Jacobus Schijnvoet, 1720 print Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print 34 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving / letterpress printing Rationality, Reasoning; 'Ratiocinatione o Discorso' (Ripa) (+ abstract concept represented by male figure). financial panic IJ

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25), 1789. Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 4, "Why should the mistress.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Clair-obscur woodcut by Francesco Marcolini depicting Pietro Aretino with a siren and text, created around 1540-1550 using two plates. The print combines visual and textual elements in Renaissance engraving.

Songs of Innocence and of Experience: The Ecchoing Green. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Establishment of a monastery in Königstein by Jerzy Bearded, Fr. Saski and his wife Barbara Jagiellonka, daughter of Kazimierz Jagiellończyk (in dedicationem of lapidis. Hecatostichon, a high emser); 1516 approx. (1515-00-00-1525-00-00);Barbara Jagiellonka (1478-1534), Dominik (1862-1944)-collection, Dominik (1862-1944). Royal portrait in graphs, Dominik (1862-1944). Royal portrait in graphics - collection, Emser, Hieronymus (1478-1527), Jerzy Brodaty (Prince of Saxony - 1471-1539), Königstein (Germany), White Eagle (coat of arms), Saxony (Germany), Saxony (Herb), Wettin (Wettin ( coat of arms), Witke-Jeżewski, purchase (provenance)

Songs of Innocence and of Experience: Infant Joy. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Business card from bookstore Dorbon-Ainé in Paris. Interior of a bookstore with a devil in the middle with cockpithen, tail, wings and horns that offers a book to a bookseller that is on a library emphaat in front of a bookcase. In the room eight other devils or fantasy figures of which most supports.

The island of Goskop, 1720, 1720 print The island of Goskop. Map of an island in the form of the head of a jerk. On the left a rioting crowd for the Quincampoix coffee house in Amsterdam, on the right the sail car with banner: after Viane, on the leaf under the plate the caption pressed into two columns of a separate plate. Print 57 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving financial panic. court jester, court fool Vianen. Coffee house Quincampoix

Then Los & Enitharmon knew..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Fires, Nudes, Devil

An old man in his room sitting speaks .. an old man sitting spudited in his room, head in hand and with the other hand on a skull. On the table a shading candle and an hourglass. In a drawer's drawers and precious scales on a cupboard. Allegory on old age and transience (Vanitas). Under the show a verse in six verses.

Vos (Reinaert), Beer (Bruun), Kat (Tybeert) and Raaf (Tiecelijn) near Galg, Bernard Willem Wierink, 1910 print Under Kneelt Reinaert de Vos for King Nobel, De Leeuw, surrounded by other animals. paper fable of Reynard the Fox

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Broadsheet with the ballad of Mr Grasshopper (a middleman) who is shown receiving communion; a metaphor for peasant suffering under corrupt landowners. Artist: Leopoldo Méndez (Mexican, 1902-1969). Dimensions: Sheet: 13 3/8 × 9 1/4 in. (34 × 23.5 cm). Publisher: Taller de Gráfica Popular. Date: ca. 1940. Museum: Metropolitan Museum of Art, New York, USA.

Les p'tits 'Jeune Homme' , Dance, Spectators. Théophile Alexandre Steinlen (1859-1923). Lithographs

True image of Mr. Quinquempoix, 1720; All the image of the listened Mr. Quinquenpoix; The great scene of foolishness. True image of Mr. Quinquempoix. Portrait medallion from John Law as Mr QUINQUEMPOIX above a brewing boiler in which taxes are transformed into shares. Witch kettle with devils, owls etc. Above the portrait the fools with a crown of peacock feathers and holly leaves. Above a banderole with: or shit or king. This plate printed within a larger plate with title and verses in Dutch on either side. Print (cut out and stuck) in the bound first edition (304/ 11) of the great scene of foolishness with cartring prints at the wind trade or action trade of 1720.

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

The Book of Job: Pl. 11, With Dreams upon my bed thou scarest me and affrightest me / with Visions, 1825. William Blake (British, 1757-1827). Engraving;

Bruin near Reinaert for his Hol, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 7): Van den Vos Reinaerde; Bruin, De Beer, near Reinaert in front of his cave. paper. cardboard. chalk. ink. pencil pen / brush fable of Reynard the Fox

The Book of Job: Pl. 6, And smote Job with sore Boils / from the sole of his foot to the crown of his head, 1825. William Blake (British, 1757-1827). Engraving;

Napleon Le Grande December 2, 1813 Thomas Rowlandson Allegorical portrait of Napoléon I, with his face surrounded by a halo of stars and laurel leaves radiating above a globe. Below are two eagles supporting a curtain that holds up the globe, which has France at the center. A pole with Napoleon's head rises from France and is inscribed "Polar Star.". Napleon Le Grande. Thomas Rowlandson (British, London 1757-1827 London). December 2, 1813. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Poems of Thomas Gray, Design 5, 'Ode on the Spring.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), beard, book, fairies, kneeling, literary theme, man, men, nude, nudes, reading, religious and mythological subject, scroll (information artifact), shroud, sitting, text, tree, trees, web, wings

Allegorie op de zware bankroeten door de windhandel aan de Amsterdamse beurs, 1763; Uytlegging van de plaat / Ter nagedagtenis van het wisselvallig wonder jaar 1763.Allegory on the heavy bankruptcy schoits by the exchange-wind trade at the Amsterdam exhibition in the year 1763. A car with merchants escape the city, other dedicated merchants remain in a panic. In the foreground a gate with two medallions and broken chains, left the sad Mercury, right rats in an empty money box. Under the plate a fresh in two columns. A second plate (RP-P-OB-84,581) belongs to the print.

Carl Peter Theodor Rothweiler (1821-1881); Johan Thomas Lundbye (1818-1848), framing with a laerke and flowers, (1842)

Young's Night Thoughts, Page 40, 'Angels should paint it, angels ever there', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 16 x 12 7/8 inches (40.6 x 32.7 cm), angels, bed, literary theme, robes, text

Songs of Innocence and of Experience, Plate 5, 'The Ecchoing Green' (Bentley 6), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 3/4 inches (10.8 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), ball, bat, branches, children, hoop, leaf, literary theme, men, sitting, stick, text, trees, vine, walking, women

Writing Monnik, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Jerusalem, Plate 11, "To labours mighty....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 165 mm (6.49 in). Author: William Blake.

Design for a Frontispiece with the Medici Arms 16th century Jan van der Straet, called Stradanus Netherlandish. Design for a Frontispiece with the Medici Arms 336091

Jerusalem, Plate 21, "O Vala! O Jerusalem....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 216 mm (8.50 in); Width: 152 mm (5.98 in). Author: William Blake.

A relief copper engraving with color printing and watercolors by William Blake from 1794, Blatt 20 of The First Book of Urizen.

The Kikvorschen who desire a king, 1888 print Leaf with a large representation from the fable of Jean de la Fontaine, from the frogs who demand a king. In the middle a text block with a verse. Numbered in the top left: Série 6. - No. 13. Paris paper letterpress printing fables. tailless amphibians: frog

Europe. A Prophecy, Plate 6, 'The shrill winds wake . . . . ' (Bentley 7), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 1/8 x 6 1/2 inches (23.2 x 16.5 cm), and Spine: 15 3/8 inches (39.1 cm), clouds, dancing, fire, flames, men, nudes, religious and mythological subject, text, women

And Only I Am Escaped Alone to Tell Thee..., from Illustrations of the Book of Job William Blake (British, 1757-1827). , 1825. Engraving, 8 5/16 x 6 7/16 in. (21.1 x 16.3 cm). European Art 1825

William Blake, 1757-1827, British, Illustrations of the Book of Job in twenty-one plates. Folio of engravings with covers.

Sampler, Susannah Cathells, American, Medium: silk embroidery on cotton foundation Technique: embroidered in cross, satin and stem stitches on plain weave foundation, Two verses with baskets of flowers, an inscription, and in the lower third, a landscape showing boats on a river, a house and a church on either bank, trees, and figures. The whole is surrounded by a strawberry vine border., The verses read:, How blest the maid whose circleing (sic) years improve, Her God the object of her warmest love, Whose tender years successive as they glide, The book the needle and the pen divide, Who sees her parents hearts exult with joy, And the fond tear stand sparkling in her eye, Jesus permit thy gracious name to stand, As the efforts of an youthful hand, And while her finger on the canvas move, Engage her tender thoughts to seek thy love, With thy dear children let her have a heart, And write thy name thyself upon her heart, New York, USA, 1826, embroidery & stitching, Sampler

Our Max shot, Emperor Maximilian I of Mexico on the bed of Napoleon III, Krone separate print from No, - of the Kukuk , Carl von Stub -, artist

L'Ennemi du peuple. Dated: 1899. Dimensions: sheet: 50 x 32.4 cm (19 11/16 x 12 3/4 in.). Medium: lithograph in black on light brown wove paper. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

MS G-III-7-FOL 1-METAMORFOSIS-MINIATURA -RETRATO DE OVIDIO. Author: Ovid. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

In thoughts perturb'd...., 1794, Blake, William, 1757-1827, In thoughts perturb'd...., Date Issued: 1794, Place: Lambeth, Publisher: William Blake, Serpents, Mythology, Etchings, Relief etched plate in colors.

Jerusalem, Plate 70, 'And this the form of mighty Hand....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm), arch, clouds, hills, literary theme, monument, religious and mythological subject, sky, standing, sun, text, women

Bid the bandy-legg'd sexton go run for the May'r! The lay of St. Aloys.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Monks, Running, Cobblestone streets

America. A Prophecy, Plate 9, 'In Thunders Ends the Voice....', Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 3/4 inches (23.8 x 17.1 cm), birds, branches, men, nudes, religious and mythological subject, sheep, sleeping, text, trees, women

Tuscany Siena Montalcino Museo Civico65. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charles Meryon (French, 1821 - 1868). La Petite Pompe, Paris, 1854. Etching. Second state.

Frontispice for an art book with prints of Nicolaes Berchem. Possible design for a print.

Lord who strictly follows the shoelace of a lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

William Blake, 1757-1827, British, Visions of the Daughters of Albion, Plate 2, Title Page, 1793. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Henry Aston Barker, 1774-1856, British, Siege at Badajoz, ca. 1813. Pen and black ink, pen and red ink, gray wash and graphite on medium, sligtly textured, beige wove paper.

Cartoon on the Arminians, Claes Jansz. Visscher (II) (Rejected Attribution), 1623 print Cartoon on the Arminians (Remonstrants). A beheaded person walks with his head between his legs, with chained legs on crutches and led by a scorpion, lobster, bat and mouse. Above the neck symbols of worldly justice. Printed on the leaf under the plate a verse and the legend A-n in 2 columns in Dutch. Amsterdam paper etching / letterpress printing landscapes. violent death, being killed; being mishandled and maltreated; seeking death

Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1 × 27 cm), architectural subject, church, memorial, Bedfont, England, Greater London, London, Parish Church of St Mary the Virgin, United Kingdom, West London

September, from Life. F. G. Atwood; American, 19th century. Date: 1887. Dimensions: . Lithograph on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: F. G. Attwood.

Valentine - Dear Valentine, my love to thee

Mab et Cupidon , Cupids, Fairies, Alphonse Legros (1837-1911)

Staande koning. Samensprack tussen Coningh en Herderinne (title on object). Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 2-Jun-1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Vulture in the wind; Coeli Foecundor Ad Aura; Life of Mary in emblems. Presentation of a vulture on a tree branch. A face in a cloud blows to him. Above and below this print Latin and French texts in letterpress. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Samuel Jordan, Eaton Family Memorial, American, 1803-1804 - 1831 or after, 1831, oil on canvas

Young's Night Thoughts, Page 13, 'The present moment terminates our sight', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 16 1/8 x 12 1/2 inches (41 x 31.8 cm), beds, children, floating, kissing, literary theme, men, nudes, pillows, spear, text, women

The First Book of Urizen, Plate 25, 'They lived a period of years . . . .' (Bentley 28), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 5 7/8 x 4 1/8 inches (14.9 x 10.5 cm), beard, hills, literary theme, men, net, rope, text

Songs of Innocence and of Experience: The Blossom: Merry Merry Sparrow. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Calenders September with Boom and Valk, Theo Van Hoytema, 1903 print The falcon dives down behind a prey. Under the data a full moon and the constellation Libra. At the top of the leaf a crack line. Print Maker: Hilversum Printer: Amsterdampublisher: Hilversum paper September ~ other concepts. full moon represented as face. Libra (zodiacal sign of September). predatory birds: falcon

Brass Plate for John and Tomasina Goodyere from Teddington Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm), architectural subject, church, memorial, England, Greater London, London, Teddington, Teddington Parish Church, United Kingdom

Shut Gonos.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

The Disappointment Suffered by Don Chepito 1871-1913 México. Relief engraving on zinc on paper . José Guadalupe Posada

Woodcut by Albrecht Dürer showing Christ carrying the cross, part of the 'Great Passion' series, created circa 1498-1499, depicting figures, landscape, and the path to crucifixion.

Sampler, Sarah Constable, Medium: silk embroidery, wool foundation Technique: embroidered in tent, satin, stem, darning and rococo stitches on plain weave, Verse; landscape with house, trees, stag and ducks; signature 'Sarah Constable'; in oval frame of flower sprays., England, ca. 1815, embroidery & stitching, Sampler

A Prophecy. Blake, William, 1757-1827. text. Prints, Illustrations. 1794. Henry W. and Albert A. Berg Collection of English and American Literature. Serpents , Mythology, Angels, Hugging

English Songs and Melodies: The Dangers, 1856. Sheet music: '...poetry by Charles Mackay, Air, "Castabella", the symphonies and accompaniment by Sir H. R. Bishop...0h, child! beware! The treacherous stream runs deep; The ice may glitter fair, Yet be too soft thy weight to bear. Stay, infant, stay! nor tempt the dangerous leap; For winter frost, as thou wilt find, Is often false as summer wind. Fond youth! beware! The glory in thine eyes, Or dream of love so fair, May fade, and leave thee to despair. Stay, young man, stay! be cautious and be wise;For love and glory lure astray, And sc

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6), 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

The milkerin and the can with milk; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a big representation from Jean de la Fontaine Fabel, from the Melkboerin and the can with milk. Top left and bottom right text blocks with fresh rules. Numbered top left: Série 6. - No. 2.

Fairies Sings : "A Midsummer Night's Dream" Arthur Rackham 1867-1939 British New York Public Library New York

Tuscany Siena Montalcino Museo Civico8. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Songs of Innocence, copy G, 1789 (Yale Center for British Art) object 21 The Little Boy Found. Date/Period: 1789. Print. Brown print and watercolor on cream-colored paper (Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper). Height: 117 mm (4.60 in); Width: 73 mm (2.87 in). Author: William Blake.

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