William Blake's Artistic Prints

Artistic prints by William Blake, featuring poetic imagery and mythological themes. Rich colors and detailed illustrations capture deep literary and emotional narratives.

Little girl playing with a doll

America. A Prophecy, Plate 18, "Over the Hills....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 241 mm (9.48 in); Width: 171 mm (6.73 in). Author: William Blake.

America. A Prophecy, Plate 18, 'Over the Hills....', Print made by William Blake, 1757-1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm), flowers (plants), mourning, religious and mythological subject, serpent, snake, text, thorns, trees, vines

Plate 13 (page 23): 'We censure nature for a span too short', Engravings by William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Little girl playing with a doll

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 13, "Fiery the Angels Rose....", 1793. Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Plate 33 (page 72): 'And vapid; sense and reason shew the door', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 10, "Enitharmon slept.. " (Bentley 12), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Berglied. Josef Albert (German, 1825 - 1886)

Jerusalem, Plate 46, "Bath, mild Physician....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Songs of Innocence and of Experience, Plate 41, 'The Chimney Sweeper' (Bentley 37), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), bag, boy, children, houses, literary theme, rain, street, text, vines

Netherlands, Letter of greeting with the Annunciation and the adoration of the shepherds, recto - handwritten in brown ink, Letter of greeting with inscribed cartouche within a decorative frame with representations of the Annunciation, the Annunciation to the shepherds and the adoration by the shepherds. Handwritten message in calligraphy by a child to father and mother., print, engraving, folk print, letter of greeting, prints, engravings, folk prints, verso - stamped, Christmas letter, Highly esteemed father and mother, Christmas is long gone ..., height 412 mm, width 325 mm, Publication (Event), Publication, publisher, 1739 - 1739, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, print maker, printmaker

An old man sitting in his room, speaks., 1725 - 1780 print An old man sitting in his room, with his head in hand and with the other hand on a skull. A smoking candle and an hourglass on the table. In a drawer and precious scales on a cupboard. Allegory of old age and transience, Vanitas. Under the show a verse in six verses. publisher: Amsterdamprint maker: Northern Netherlands paper letterpress printing 'Vanitas' symbols. person(s) sitting among objects forming a 'Vanitas' still life. old man. hourglass

Jan Havicksz. Steen portrays his wife, 1800 - 1900 print Jan Steen is in his studio for the portrait of his wife with a basket around her arm in which sheep heads and legs. His wife stands behind him and reproduces him for these attributes that spoil her portrait. paper letterpress printing historical persons. portrait, self-portrait of painter. negative criticism. the artist and his family, relatives, etc.. painter at work, in his studio

True image of Mr. Quinquempoix, 1720; Veritable Portrait du Tres Fameux Seigneur Messire Quinquenpoix; The great scene of foolishness. True image of Mr. Quinquempoix. Portrait medallion from John Law as Mr QUINQUEMPOIX above a brewing boiler in which taxes are transformed into shares. Witch kettle with devils, owls etc. Above the portrait the fools with a crown of peacock feathers and holly leaves. Above a banderole with: No. 1 or shit or king. This plate printed within a larger plate with title and verses in French on either side. Print 37 in the series of large scene of foolishness with cartrots at the 1820 wind trade or action trade.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Photo production of a drawing by a boy wearing a girl over a tree trunk over a river, anonymous, after Knut Ekwall, c. 1872 - c. 1882 photomechanical print Scene Uit de Frithiof's Saga Door Esaias Tegnér. paper collotype carrying a person. crossing a river

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 18, "From every-one of the Four Regions....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848), framing with storked in Elande, (1842)

Cicilia with flowers, 1654 Standing shepherdin next to poem that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Zwolle paper. ink. watercolor (paint) brush / calligraphy Standing shepherdin next to poem that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

The island casual, 1720; Picture of the very renowned island of crazy cup (...); The great scene of foolishness. The island cuddling. Map of an island in the shape of the cup of a jester. On the left a racing crowd for the Coffeehouse Quincampoix in Amsterdam, on the right the sailing trolley with banner: after viane, pressed the caption in two columns of a separate plate on the blade under the plate. Print 57 in the series The great scene of foolishness with cartrents at the 1820 wind trade or action trade.

Snowy landscape with a logging man. .

Jerusalem, Plate 59, 'And formed into Four precious stones....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 5 3/4 inches (22.5 x 14.6 cm), fire, flames, literary theme, religious and mythological subject, spinning, spinning wheel, text, vegetation, women

De Haas and the Turtle, 1888 print Leaf with a large representation from the fable of Jean de la Fontaine, Van de Haas and the turtle. In the middle of the right a text block with a verse. Numbered in the top left: Série 6. - No. 3. Paris paper letterpress printing fables. tortoises, turtles. rodents: hare. animals acting as human beings

Young and young lady in an embrace. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

America. A Prophecy, Plate 3, "Preludium. Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 232 mm (9.13 in); Width: 165 mm (6.49 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 13, "The present moment terminates our sight", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 25, 'Behold him, when past by; what then is seen', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 3/8 x 12 3/4 inches (41.6 x 32.4 cm), Plate: 15 7/8 x 12 5/8 inches (40.3 x 32.1 cm), and Plate: 15 1/2 x 12 3/4 inches (39.4 x 32.4 cm), angel, bald, grass, literary theme, nudes, text, wings

The Ploughman and His Horse 1854 France. Reproduction of an etching on ivory laid paper . Charles Meryon

Young's Night Thoughts, Page 41, 'One radiant Mark, the Deathbed of the Just', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 5/8 inches (41.9 x 32.1 cm), and Plate: 16 1/8 x 12 5/8 inches (41 x 32.1 cm), angels, clouds, literary theme, text, wings

The month of May

Escutcheon with a Landscape; Jacques Bailly (French, 1634 - 1679); Paris, France; about 1663 - 1668; Gouache, gold, and ink on parchment; Leaf: 37.1 x 25.4 cm (14 5,8 x 10 in.)

Bal of the 4 Z'Arts 1921 Anonymous. Show poster. "Ball of 4 Z'Arts 1921". Lithograph and pencil. 1921-1921.

The dream of the drunkard

Beneath the Plow of Rintrah..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Weaving, Spinning, Cromlechs

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 52, "A Little Girl Lost" (Bentley 51), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Reinaert bends for King Nobel and the collected animals, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 11, second design): Van den Vos Reinaerde; Reinaert bends for King Nobel and the collected animals. paper. cardboard. chalk. ink. pencil pen / brush fable of Reynard the Fox

Reproduction of drawing: Juliusz Kossak (1824-1899), Illustration for: `Pan Tadeusz`, Book IV `Diplomacy and the Hunt`; excerpt from a magazine. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), photo studio, unknown, publisher

Farmers couple, from behind. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: Dec-1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Louis Anquetin, Dancing Nude and Advertisement for Eugène Verneau's Estampes décoratives (verso), 1897 Dancing Nude and Advertisement for Eugène Verneau's Estampes décoratives verso

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 31, "Introduction" (Bentley 30), 1789 to 1794. Relief etching printed in dark-brown with pen and blue ink, black ink and watercolor on moderately thick, slightly textured, cream wove paper.

The Poems of Thomas Gray, Design 101, 'Ode for Music.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), angel, banner, boat, flag, gown, Horn (Musical instrument), literary theme, man, night, religious and mythological subject, rowboat, sail, sky, star, text, tree, trumpet, water, waves (natural events), wings, woman

Farmyard. .

The Milliner, Renée Vert 1893 France. Dinner parties and celebrations were near constant events for Henri de Toulouse-Lautrecís coterie of friends and fellow artists. Throughout the last decade of the 19th century, Lautrec designed menus for these alcohol-fueled affairs, frequently filling them with inside jokes and illustrations of his companions. This menu was created for a June 1893 party for the SociÈtÈ des Artistes IndÈpendants (Society of Independent Artists) and features a milliner and her hats, with Lautrecís mark appearing on her hatbox.. Color lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Europe. A Prophecy, Plate 4, "Unwilling I look up . " (Bentley 5). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 59, "The Bard.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Ilustracje do wierszy "Die gewiegten Flaschen" i "Die zerbrochene Flasche". Menzel, Adolph (1815-1905), graphic artist, Schroeder, Eduard Heinrich (1805-1849), publisher, Schrödter, Adolf (1805-1875), painter

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, above it lie two dogs, Sheet III. Cartouche with the text Aymés iustice.... From a series of 21 numbered cartouches with calligraphy in a frame of scrolls and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 215 mm, width 281 mm, print maker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Dutch, 1541 - 1583-03-29, printmaker, Work conception, Southern Dutch, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Job and His Wife Restored to Prosperity. Dated: 1825. Medium: engraving on India paper. Museum: National Gallery of Art, Washington DC. Author: William Blake.

The Poems of Thomas Gray, Design 115, 'Elegy Written in a Country Church-Yard.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), angels, clouds, grass, hat, leaf, literary theme, man, religious and mythological subject, sarcophagus, sky, staff (walking stick), text, tomb, tree, walking sticks, women

Cartoon on the pulled out Amsterdam citizens, 1787, 1787 print Cartoon on the Amsterdam citizens, 1787, in Utrecht, a patriot as armed Kees or keeshond standing on hind legs with mounting and rifle. On the leaf under the plate a verse in six couplets. Northern Netherlands paper etching / letterpress printing animals acting as human beings

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Fraktur. Dated: 1935/1942. Dimensions: overall: 34.5 x 46.8 cm (13 9/16 x 18 7/16 in.) Original IAD Object: 12 1/2" high; 15 1/2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Roy S. Brown.

William Blake, Job's Comforters, 1825, engraving on chine collé on cream wove paper.

Lord in cape. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: Dec-1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

News (19) / Suppression of the freedom of the press by vinoy / winner of December 2nd and January 22 .....

Plate 15 (page 25): 'Behold him, when past by; what then is seen', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Dutch cartoon protesting against Oliver Cromwells rule in Britain. It shows him as Hercules clad in a lionskin, breaking open the royal money barrel, thus ending the Long Parliament. Britain, c1652.

The new Mother Angot.

La petite pompe, Paris (The Notre Dame Pump, small plate). Dated: 1854. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 9, "In Thunders Ends the Voice....", 1793. Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 51, "The Progress of Poesy.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Jerusalem, Plate 13, "And that toward Eden....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 223 mm (8.77 in); Width: 162 mm (6.37 in). Author: William Blake.

Possible design for a print, Frontispice for an art book with prints by Nicolaes Berchem, draughtsman: Gerard van Nijmegen, 1794, paper, pen, brush, h 525 mm × w 369 mm

Feather and black ink drawing by Jakob Gauermann from 1798 showing a seated female figure holding a child on her lap, depicting posture, gesture, and interaction.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 27, "O treacherous conscience!", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

THE OAK AND THE REEDS; THE FIR AND THE BRAMBLE

Brass Inscription for Henry Cherke, Verare Jenyns and Reverend Samuel Spence from Hayes Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, brass, church, inscription, memorial, England, Greater London, London, United Kingdom

The Poems of Thomas Gray, Design 51, 'The Progress of Poesy.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), angels, boy, children, literary theme, lyre, men, meteorology, rainbow, religious and mythological subject, science, text, women

If the Kikeriki risks a distance, Franz Tewele, Anton Ascher and the Kikeriki caricature with text from Kikeriki , Unknown

Cartoon with Napoleon as the pool star, 1813; Napoleon Le Grande / Polar Star. Cartoon on Napoleon as the radiant pool star. The head of Napoleon inside a wreath of hoses exhibiting radiantly as the pool star on a stick above the globe. In the rays inscriptions with all the stress of the emperor. At the bottom of two eagles with a cloth, at the top of the devil, at the top right syringe a sitting fat Dutchman on a jug called 'Dutch Comet' a liquid towards Napoleon in an attempt to extinguish shine. With two-legged French caption. Satirical copy to a French example 'Astre Brillant'.

Cartoon on King George IV, 1820, 1820 print Cartoon on King George IV, 1820. The king presented as a great child in a cradle, well -groomed and desired. Under the album a song in twelve couplets. paper etching / letterpress printing cradle, crib. political caricatures and satires

Jerusalem, Plate 71, 'And above Albions Land....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/4 x 6 3/4 inches (22.2 x 17.1 cm), bird, leaf, literary theme, mythological figures, nude, nudes, religious and mythological subject, swan, text, text, vines, wings, woman, women

Sampler, 1823. England, early 19th century. Embroidery; silk on woolen canvas; overall: 44.2 x 33.7 cm (17 3/8 x 13 1/4 in.).

'Fifth Sheet of the Poem 'Blancheflour' by K.F. Scherenberg'. Germany, 1854. Dimensions: 44,5x55,6 cm. Museum: State Hermitage, St. Petersburg. Author: CARL GEORG ANTON GRAEB. Ernst Friedrich Gotthold Schütze II.

Arise from Your Graves, Calaveras... José Guadalupe Posada; Mexican, 1852-1913. Date: 1904. Dimensions: . Photo relief etching on orange wove paper. Origin: Mexico. Museum: The Chicago Art Institute, USA.

PULGARCITO CON EL OGRO - DIBUJO PARA EL CUENTO DE PERRAULT. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Sketches of Quin and Garrick. 1797. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

BEARDSLEY, Aubrey Vincent (1872-1898). Salome. 1894. Title page of the illustrated edition by Beardsley from Oscar Wilde's play 'Salome', written in 1893. Art Nouveau. Xylography.

Illustrations to 'Concerning dragons'., 1919, United Kingdom, by Eric Gill, Hilary Pepler, St. Dominic's Press. Bequest of P Martin Hill, 2007.

Playing Card, Card with Verse; printed black ink, brush and red paint on paper

Adrià Gual / "Airam. Canción oriental del inspirado maestro Ernesto Elorduy". Institut del Teatre de Barcelona.

Faustina de Jongere, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Faustina de Jongere, the wife of the Roman emperor Marcus Aurelius. Text in STUDMARGE. Numbered in the top left: 6. Paris paper etching ruler, sovereign - BB - female ruler

Onder verbeetering. De laatste basuyne, of 't verrysen der dooden Upon improvement, the last trumpet of the resurrection of the dead. 1720. Ridder, Jan de, 1665-1735. Ridder, Jan de, 1665-1735. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Reuchlin, Johann .

Litografia a color de la partitura de Schweizers Heimweh (Nostalgia suiza), de J. R. WYSS. Publicada en Leipzig en 1885.

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 2, Title Page, 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Illustration by Cecil Aldin, Forty Fine Ladies, with text by Patrick R Chalmers. The Huntsman's Story -- a fantasy story about a huntsman who helps a lady from fairyland to deal with a troublesome fox who is eating all their eggs. As a reward the lady gives the man a special skill with horses and hounds, which would be passed down to his descendants. The teller of the story is his grandson. Date: 1933

Illustration with half-naked woman in landscape at poem image of gustave kahn; Illustration pour le poème de gustave kahn image; L'Epreuve ..

William Blake, 1757-1827, British, The Complaint and the Consolation; or Night Thoughts (and title page), 1797. Engraving.

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