Winter Landscapes with Figures

Charming depictions of winter scenes featuring figures near a mill and on a frozen waterfront, highlighting serene landscapes, muted colors, and pastoral themes.

Convicted clouds over the role, sketch to the image of the Earth; Ruszczyc, Ferdynand (1870-1936); 1898 (1898-00-00-1898-00-00);Bohdanów (Belarus), Milan (Italy), Partage Plus, birch, buildings, clouds (meteorol.), Gondols, Autumn, Cathedral, Church, Milan, Women, Churches (Archite.), Prayer (genre scenes), Mill (Archite .), vaults, stogi, streams, village, purchase (provenance)

Winter landscape with a woman and child on a path near a mill, c. 1825 - c. 1829 The path borders a bridge over a frozen canal. Leaf 60 Recto from a sketchbook with 95 sheets. paper. pencil. watercolor (paint) brush windmill in landscape. frost, freezing weather. bridge

Two figures in a moored rowing boat on a waterfront. Leaf 48 Recto from a sketchbook with 95 sheets.

Vrouw in Landschap; Carmosine; Three objects for a program; The test.

Le Clovis, Plateau de Bellecroix. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 229 × 164 mm (image); 320 × 265 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Convicted clouds over the role, sketch to the image of the Earth; Ruszczyc, Ferdynand (1870-1936); 1898 (1898-00-00-1898-00-00);Bohdanów (Belarus), Milan (Italy), Partage Plus, birch, buildings, clouds (meteorol.), Gondols, Autumn, Cathedral, Church, Milan, Women, Churches (Archite.), Prayer (genre scenes), Mill (Archite .), vaults, stogi, streams, village, purchase (provenance)

Wheelwright 1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper . James McNeill Whistler

Lindsey Row, Chelsea Made 1888 United States. Transfer lithograph in black on grayish ivory chine laid down on off-white plate paper . James McNeill Whistler

Hoffmann Emil (1845-1901), street scene in Tormini. () (04/04/1894): Street scene. Pencil on paper, 32.4 x 24.6 cm (including scan edges) Hoffmann Emil (1845-1901): Straßenbild, Tormini ()

Abklatsch of the chalk drawing on page 10, c. 1897 - c. 1899 Page 11 from a sketchbook with 17 sheets. paper

Seashore, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Male and female figures at the seashore., USA, 1879, seascapes, Drawing, Drawing

Grinding block on a shore, Willem Adrianus Grondhout, 1888 - 1934 print A grinding block with grindstone on a bank near Voorburg. paper etching sharpening, grinding (industrial processes). river bank

Farm with windmill, draughtsman: Jan Veth, 1874 - 1925, paper, pen, brush, h 268 mm × w 366 mm

Banlieue de Paris , Cities & towns, Suburban life, Artists, Alphonse Legros (1837-1911)

. Beach face with walking figures, two sailing ships lie in the water.

Snowy peasant shed, Barend Cornelis Koekkoek, 1829 - 1830 print Numbered left and top right: '4th Lev' and 'PL 20'. Amsterdam paper barn. snow

Piran od strony morza. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Rozległa dolina u podnóża Karkonoszy (okolice Cieplic). Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Study for an arch of Pont Notre-Dame, Paris 1853 France. Graphite on cream wove tracing paper, tipped on ivory wove paper . Charles Meryon

View of the elsene canal and face on castle of rivers; To revower / den Groote Vaerwech from Elsen; Landscapes in the Brussels area. Two prints on a leaf. Above: View of the castle of rivers in the municipality of Ganshoren. Below: View of the Ixelles canal. Along the canal a few walkers. Reconstructed from three fragments.

Robert Wallis, 1794-1878, British, Hohenlinden, 1837. Line engraving, engraver's proof, touched.

Sheet of Sketches: Four Landscapes and a Greyhound. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 170 × 230 mm. Graphite with brush and brown wash, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wolkenlucht, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk firmament, sky. clouds

Landscape with male and two carts with coppice, Willem de Zwart, 1924 print paper etching transport of timber, timber-trailer. road, path. (farm) wagon, freight wagon, cart

Near Clevedon, September 1845, Capt. Thomas Hastings, 1778-1854, British, 1845, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)

Latest from the FrontOur Friends the Mosquitoes Preparing and Off for the Summer Campaign, Illustration for Harper's Weekly (XVII, No. 860, June 21, 1873, p. 532), Harper's Weekly, Etching in black ink, Left, group of mosquitoes playing instruments. Right, mosquitos sharpening their proboscis. Mosquitoes seen flying in the background., USA, June 21, 1873, animals, Ephemera, Ephemera

A series of pencil sketches by Ferdinand Georg Waldmüller from 1827, showing figure and object studies as well as compositional arrangements in a sketchbook.

Lullaby, from Mélodies de Désiré Dihau 1895 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Face from Pozzuoli on the bay of Naples, 1830 Leaf 9 Verso from a sketchbook with 26 sheets. Pozzuoli paper. pencil gulf, bay Pozzuoli. Ischia, island of

Mabel invalidates scouts, p.267,Cooper, James Fenimore (1789-1851). Stories of leather stockings. Scout, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, illustrations, literature, modernism (style), test print

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 15.5 cm, Berndtson, Gunnar

The Little Café au Bois 1894 James McNeill Whistler American. The Little Café au Bois. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1894. Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago);printed in blacl ink on antique ivory laid paper. Prints

Drawing, Sketches for scenes 1 and 2 of the cartoon for cotton printing: The History of Henry IV L'Histoire de Henri IV; Possibly by Hartmann et Fils (France); France; graphite on cream-colored paper, mounted; 29.1 x 87.3 cm (11 7/16 x 34 3/8 in.)

Edward Alfred Goodall, 1819-1908, British, Leaving Home. Line engraving, engraver's proof.

Lobster Pots - Selsea Bill. James McNeill Whistler; American, 1834-1903. Date: 1879-1881. Dimensions: 128 x 202 mm (plate); 275 x 380 mm (sheet, sight, bound). Etching and drypoint with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tracks of the Armies (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 13/16 x 6 5/8 in. (12.2 x 16.8 cm)Sheet: 7 15/16 x 10 7/16 in. (20.2 x 26.5 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

Lullaby, from Mélodies de Désiré Dihau. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 245 × 204 mm (image); 382 × 281 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Shepherd with sheep. Mycielski, Jan Kazimierz (1864-1913), graphic artist

Concert with guitar player, Isaac Israels, 1875 - 1934 print paper concert hall. one person playing an instrument

Landscape with trees, 1882 A sail or spire in the background. Drawing on page 10 of an album with 24 pasted sketches. paper. ink. watercolor (paint) pen / brush A sail or spire in the background. Drawing on page 10 of an album with 24 pasted sketches. paper. ink. watercolor (paint) pen / brush

Hoffmann Emil (1845-1901), garden wall in Taormina (22.03.1894): Garden wall. Pencil on paper, 32.4 x 24.7 cm (including scan edges) Hoffmann Emil (1845-1901): Gartenmauer, Taormina

Little Court, Cloth Fair. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 192 x 85 mm (image); 322 x 206 mm (sheet). Transfer lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Panorama of the Bay and Cities of Anzio and Nettuno, Caspar van Wittel, 1674 - 1736 drawing Anzio paper. graphite (mineral). chalk. ink pen / brush coast. prospect of city, town panorama, silhouette of city Anzio

Edward Alfred Goodall, 1819-1908, British, Land Discoverd by Columbus, 1834. Line engraving, engraver's proof on thick, slightly textured, cream, wove paper.

Sewing on the grass.. Cassatt, Mary, 1844-1926. 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lalanne, Maxime (n.1827-11-27-D.1886-07-29), view of the Fort de Médoc (dummy title), 1870. Musée Carnavalet, Histoire de Paris.

Spring to Rhenen; Two river landscapes. Two landscapes on one plate. Above a landscape with a sailing ship and a figure on a riverside. Below is a house on a road at the water. Furthermore, some figures can be seen, two of whom on a boat.

The Louvre, Viewed from the Pont-Neuf, plate thirteen from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

The laundry room at Marino, c. 1778 - c. 1839 drawing Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli). Italy paper. chalk river Marino

This etching by Johann Oswald Harms (1678-1680) shows a stage design draft for the Planet Ballet prologue featuring Cupido, including theatrical architecture, set elements, and symbolic decorations.

Diebitsch Carl von (1819-1869), Hohensalzburg Fortress in Salzburg (without dat.): 2 views of the castle in Salzburg. Pencil on paper, 28 x 22.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Festung Hohensalzburg, Salzburg

Composition study for Science Revealing the Treasures…”: sketch for mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John Singer Sargent) (recto); Figure studies (verso). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Bow with garden vases in a garden.design for a painting.

Through the Window, Venice. John Marin; American, 1870-1953. Date: 1907. Dimensions: 199 x 140 mm (plate); 246 x 170 mm (sheet). Etching, selectively wiped, on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Winslow Homer, Roof Line (verso), 1862 Roof Line verso

Early Morning Made 1878 United States. Lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper . James McNeill Whistler

Abklatsch of the chalk drawing on leaf 12 recto. Leaf 11 Verso from sketchbook LVI with 26 sheets.

Edelfelt, Albert, work, Sketch book, pencil, chalk, marker and ink border, drawing, 22.5 cm x 29.5 cm, Edelfelt, Albert, pencil, chalk, marker and ink border, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Abklatsch of the chalk drawing on page 23, c. 1886 - c. 1903 Page 24 from sketchbook XXXIII with 47 pages. Amsterdam j: paper

Korfu od strony morza; widok Potamos. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Ornamental composition in chinoiserie style; Ornamental designs in Chinoiserie style for Deuxième Cahier de Six Baraques Chinoises. Design for a print.

Etching and aquatint by Max Klinger titled 'Narcissus and Echo 2', Work 2, sheet 8, printed on rolled French China paper in 1882, depicting mythological figures of Narcissus and Echo.

An Old Bridge at Salisbury. John Constable; English, 1776-1837. Date: 1826. Dimensions: 116 × 180 mm (plate); 128 × 185 mm (chine); 305 × 447 mm (sheet). Etching on ivory China paper, laid down on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Sailing and rowing boats on open water, 1900 - 1931 In the background a landscape with mills. Page 51 Recto from a sketchbook with 55 sheets. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. city-view, and landscape with man-made constructions

View of a village on a river, Vicomte Arthur -Jean le Bailly d'eghuem, 1850 - 1899 print paper etching village. church (exterior). public road in village. landscapes

Thomas Daniell, 1749-1840, British, active in India, South India, undated. Graphite on medium, slightly textured, cream, laid paper.

The Abandoned Village. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Tree Made 1892 France. Lithograph on cream China paper, laid down with chine collÈ on ivory wove paper . Odilon Redon

Muren Rondom Coelius en Restanten Van Arc Neroniani Te Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Leaf with two performances of Roman buildings. Upstairs: ruinous walls around the hill Coelius. Numbered in the top left: Xxiv fig. I. Title and explanatory list of letters in STUPME. Below: remnants of the end of the Arcus Neroniani, a branch of the Aqua Claudia aqueduct. Numbered in the top left: Fig. Ii. Explanatory list of letters in STUDMARGE. Rome paper etching ruin of a building ~ architecture. aqueduct (~ water supply) Coelius. Arch neroniani

Wawel - bones by the entry to the cathedral; The coat of arms of Poland and Lithuania. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Sketchbook, English and French Landscape and Coastal Subjects William Trost Richards (American, 1833-1905). Sketchbook, English and French Landscape and Coastal Subjects, 1880. Graphite on paper, 3 15/16 x 6 7/8 in. (10 x 17.5 cm). In June 1880, before returning to Newport, Richards made a brief expedition to France. His sketchbook records his impressions while traveling, including this charming study of a picturesque French doorway made, perhaps, at Saint-Cloud, or in Paris. American Art 1880

Sketches: Spars andBuckets. Artist: Truman Seymour, American, 1824-1891

Spring is coming "; Wojtkiewicz, Witold (1879-1909); 1900 (1900-00-00-1900-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / sepia; products from W ókien / Paper; Wys. 19.5 cm, width 26.8 cm; Fig. 7578 MNW; all rights reserved.Young Poland (Styl), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Polish (culture), birds, Polish drawings, satire, symbolism (style), Purchase (provenance), winter

Trampaarden (Leidseplein), George Hendrik Breitner, c. 1895 - c. 1900 print Right horses and tram wagons, on the left some figures; sketched. paper. printing ink etching diligence, omnibus, horse-tram Leidseplein

Print made by John Horsburgh, 1791-1869, British, Mayburgh (Vignette), 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

On Road to Villeneuve, Arnold William Brunner, American, 1857-1925, Graphite on paper, An uphill road with figures, tower at right and houses beyond, USA, 1892, architecture, Drawing, Drawing

Scene of a Fire. Caspar David Friedrich; German, 1774-1840. Date: 1802. Dimensions: 84 x 120 mm (image); 91 x 136 mm (plate); 200 x 285 mm (sheet). Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Appelboom, Rudolf Schönberg, 1911 - 1942 print Next to the apple tree are shelves and crates at a shed. Netherlands paper drypoint trees: apple-tree

Xantippe, the wife of Socrates, throws water in her anger from a window over Socrates' head while standing outside with his pupils, Socrates and Xantippe., print maker: Jan Tersteeg, (mentioned on object), Jan Tersteeg, Amsterdam, 1765, paper, drypoint, h 327 mm × w 217 mm

Two figures on a boat with an ironed sail. Leaf 15 Recto from a sketchbook with 44 sheets.

Two trial sketches by James McNeill Whistler (1834-1903) issued in 1891. A. Grande Rue, Dieppe; B. An interior. The artwork is a lithograph, measuring 15.4 x 13 cm

An etching by Johann Wilhelm Baur around 1640 depicting the Battery Mochensis and Louis Requeseni Pilot in 1574.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a tree on abank, Graphite on wove paper, 33.4 × 22.3 cm (13 1/8 × 8 3/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

La belle jardinière , Gardens, Spouses, Whistler, Beatrice, 1857-1896. James McNeill Whistler (1834-1903). Lithographs

Windsurfers, 1982 drawing paper. ink pen

Cartoon from Leiden student almanac, 1851; Audibility of Leyden in Junij 1850. Cartoon from the student almanac of the University of Leiden of the year 1851. People lead to Leiden from all sides. Cartoon on the masquerade and reunion of former students at the celebration of the 275th anniversary of the university.

Abklatsch of the chalk drawing on page 3. Page 2 from a sketchbook with 29 sheets.

Constructions for bird and duck strikes, Bernard Picart (workshop or), 1730 print Two performances on a leaf. Above: Construction for a bird bow. Below: different bows in the water to catch ducks. Amsterdam paper etching bird hunting

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 17.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Drilling in Iwonicz; Care, Ignacy (1865-1941); 1931 (1931-00-00-1931-00-00);Iwonicz (Podkarpackie Voivodeship), Dar (provenance), Polish graphics, forests, forest landscapes, Poland (culture), Łopieński, Ignacy (1865-1944), Łopieński, Ignacy (1865-1944)-collection

Drawing Drawing, Soldier Leading a Pack-Horse; Winslow Homer (American, 1836-1910); USA; graphite on paper; Sheet: 14 x 11 cm (5 1/2 x 4 5/16 in.)

Magicians fly on brooms in the wind, James Ensor, 1888 print paper etching groups of sorceres. flying on broomstick, pitchfork, trident ~ witches' sabbath

The Plain of Troy, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm), Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm), Chine collé: 9 × 6 3/8 inches (22.9 × 16.2 cm), and Image: 3 1/4 × 3 1/2 inches (8.3 × 8.9 cm)

Girl Reading. Robert Frederick Blum; American, 1857-1903. Date: 1883. Dimensions: 49 x 62 mm (image/plate); 331 x 240 mm (sheet). Etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Millbank , Waterfronts, Rivers, Embankments. James McNeill Whistler (1834-1903). Lithographs

Triumphwagen with lute players, Triumphwagen van de Trouw, Anonymous, After Jacques Callot, 1627 - 1652 print Top print: Triumph wagon with lute players, drawn by the fame. Bottom print: triumph wagon with a personification of loyalty, drawn by two dogs. These prints are part of a series of prints of triumph cars, copies in mirror image to details of illustrations from a book about the festivities (including a tournament) in the Dufer Palace in Nancy on February 14, 1627. Amsterdam paper etching / engraving chariot, triumphal car. musician. lute, and special forms of lute, e.g.: theorbo. Fama as Roman personification. Fidelity; 'Fedeltí' (Ripa). dog

Collection of the Princess of Orange and the children, 1787, Mathias de Sallieth, after Maria Margaretha La Fargue, 1787 print Including the princess of Orange and the children by the bourgeoisie in The Hague, 24 September 1787. The open carriage with the royal family is pulled by men a women across the road to the Bosch bridge. With pendant. Northern Netherlands paper etching public festivities at other royal events, not meant or mentioned above. human being(s) drawing or pushing a vehicle not usually propelled by manpower The Hague

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a grove oftrees, Graphite (recto); graphite, watercolor (verso0, Wove, 34.8 × 25 cm (13 11/16 × 9 13/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

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