Architectural Design Elements

Designs for wall panels and decorative elements inspired by historical styles, featuring ornate patterns and motifs from the 18th century.

Antwerp, Maes, Joseph, Nijvel, Sculpture, XVIe Siècle, Decorated oak gate in the Saint Gertrude's Church in Nijvel, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, SCULPTURES en wood, recto - printed, SCULPTURES. PL. 9., JJvY, height 341 mm, width 235 mm, photographer, 1881 - 1889, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Pompeiian Design for Paneling second half 19th century Jules-Edmond-Charles Lachaise French. Pompeiian Design for Paneling 345671

Representative screen, two-blasts, coated with twice three sheets raised gold leather with a symmetrical Louis Xive pattern. Room screen, two ls, coated with twice three sheets raised gold leather with a symmetrical Louis Xive pattern with garden vase under ballrooms with antique portrait medallions, tire and napkin and a palmet. Painting in brown-red and green on gray soil.

Moscioni, Romualdo, Roma, N. 9489, Detail of relief (candelabra) in the Villa Madama in Rome, photograph, photo, photos, Bottom right: R. Moscioni, Villa Madama, dettaglio Candeliera, Fotog. R. Moscioni, height mm, width mm, 1849 - 1925, photographer, 1868 - 1895, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Character screen, two -slags, covered with twice three sheets elevated gold leather with a symmetrical Louis XIVe pattern, anonymous, c. 1700 - c. 1710 House screen, double-slags, covered with twice three sheets of elevated gold leather with a symmetrical Louis XIVe pattern with garden vase under canopies with antique portrait medallions, tire and napping work and a palmet. Painting in brown-red and green on gray soil. Northern Netherlands wood (plant material). House screen, double-slags, covered with twice three sheets of elevated gold leather with a symmetrical Louis XIVe pattern with garden vase under canopies with antique portrait medallions, tire and napping work and a palmet. Painting in brown-red and green on gray soil. Northern Netherlands wood (plant material).

Design for a Wall Panel, Pen and ink, brush and watercolor, sepia on paper, Elevation of a wall panel with candelabrum. The upper wall shows a motif centered on a vase; the dado shows a wreath and bow knot. The entablature shows a frieze of wreaths., France, ca. 1770, interiors, Drawing, Drawing

Páginas (6) manuscritas y con dibujos árabes, miniaturas de motivos florales y geométricos, tres personajes con indumentaria turca.

th, Mariahilfer Straße - Interior view - Plafond, August Stauda -, photographer

Antwerp, Maes, Joseph, Nijvel, Sculpture, XVIe Siècle, Decorated oak gate in the Saint Gertrude's Church in Nijvel, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, SCULPTURES en wood, recto - printed, SCULPTURES. PL. 9., JJvY, height 341 mm, width 235 mm, photographer, 1881 - 1889, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Stubbe Paul (1849-1874), wrought-iron gate. Monthly competition May 1873 (05.1873): Variant II: View. Light break on paper, 48.4 x 33.7 cm (including scan edges) Stubbe Paul (1849-1874): Schmiedeeisernes Tor. Monatskonkurrenz Mai 1873

Detail intake of decoration; Detail recordings of decorations in the HEREGALERERY and the front hall. .

Bamberg (Germany). Cathedral Piotr and Jerzy - a fragment of stone decoration; Lesser, Aleksander (1814-1884); around 1841 (1841-00-00-1841-00-00);Bamberg (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, foreign architecture, gift (provenance), details, architectural details, Gothic (style), cathedral Saint. Piotr and Jerzy (Bamberg - Germany)

Paris (7th arr.), France The exhibition of decorative arts, mosaics of class VII, galleries of the French section, between the Tour de Champagne and the Tour de Paris , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Mosaïques de la Classe VII , Galeries de la section française , entre la Tour de Champagne et la Tour de Paris). Woman, animal represented , fantastic animal, decorative arts, bird, mosaic, exhibition, exhibition of decorative arts, gallery, ephemeral architecture, Human beings, animal, art, housing , architecture, France, Paris, Exhibition of decorative arts, mosaics of the Marble Gallery of Class VII

Lazio Roma Anguillara Sabazia Collegiata dell'Assunta7. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century) ceiling painting; baptismal font (15th century) General Notes: There were two sets of prints of this monument, most from the same negatives. They have now been synthesized into one numerical sequence and assigned H-numbers 1-17. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt 1582-1647 Giovanni Lanfranco Italian A pupil of Agostino and Annibale Carracci, Lanfranco worked in Rome early in his career, in Piacenza, in Rome again from 1612 to 1634, and finally in Naples. The artist made this fluid and graceful drawing in preparation for the fresco decoration of the Sala Regia in the papal Palazzo del Quirinale, a commission from Pope Paul V on which Lanfranco worked in 1616-17 along with Agostino Tassi, Carlo Saraceni, and others.Erich Schleier (1970) related this drawing to the project for the decoration of a section of the frieze in the Sala Regia of the Quirinal Palace in Rome and identified it as the design for a section of a decorative frieze on the end wall of this important hall - a large room of the Swiss Guard in the Quirinal (also known as Sala de' Svizzeri and Sala de' Corazzieri). This end wall gives access to the Pauline Chapel, frescoed by Michelangelo around 1546

Chalk and watercolor by Alfons Maria Mucha depicting a lying woman with flowers in her hair, with pencil border lines.

Umbria Perugia Bovara S. Pietro di Bovara2. Hutzel, Max 1960-1990 Medieval: Architecture, Romanesque (12th century). Campanile added on to in 1582. Restored facade with rose and bifora windows, decorative friezes, and inscription. Interior is barrel vaulted with a trifora window; wooden crucifix (12th century); sculpture and carved choir stalls; stoups. Post-medieval: Architecture, Renaissance: cloister with a two-story loggia; modern presbytery; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for the upper part of a window in the Noordertransept in the Dom in Utrecht, c. 1868 - c. 1938 drawing cardboard. chalk brush

Wall painting on white ground: candelabrum, from the imperial villa at Boscotrecase last decade of the 1st century B.C. Roman, Pompeian Wall painting on white ground, with red and black plinth; part of a candelabrum supporting a vase. In black predella, bird and fruit.. Wall painting on white ground: candelabrum, from the imperial villa at Boscotrecase. Roman, Pompeian. last decade of the 1st century B.C.. Fresco. Early Imperial. Miscellaneous-Paintings

Ghiberti´s door, the gates of paradise, east door of the Battistero Baptistry, Florence Firenze, Tuscany, Italy, Europe

Opera Nova Universali intitulata Corona di racammi, page 13 (recto) Publisher Giovanni Andrea Vavassore Italian 1530 Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 3 vertical columns: left is very narrow and is illustrated with a line of small black diamonds, middle is illustrated by alternating image of a lion and tree, right is illustrated with 2 dogs flanking a central fountain.

Fragment, 700s. China, 8th century. Tabby ground and twill pattern; overall: 26.9 x 16.2 cm (10 9/16 x 6 3/8 in.).

Pilaster I, from the Loggie Di Rafaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1774 (1774-00-00-1774-00-00);

Sketchbook with 45 sheets, Reinier Craeyvanger, 1822 - 1880 Sketchbook consisting of 45 sheets with figures, genre performances, cityscapes, landscapes and costumes. paper. watercolor (paint). deck paint. pencil. chalk. boekband: leather brush city-view, and landscape with man-made constructions. landscapes. window. anatomy (non-medical)

Lazio Roma Albano Laziale S. Pietro2. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, capital. Post-medieval: Architecture, architectural sculpture, (15-16th century); sculpture, painting, wall painting, tapestry, coats-of-arms Antiquities: Sarcophagus Object Notes: Bibliographic information filed with original worksheets German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Salt paper photograph by Pompeo Pozzi taken between 1854 and 1858 depicting a frieze above the door at Certosa di Pavia, illustrating mid-19th-century Italian architectural documentation techniques.

Campania Caserta Caserta Palazzo Reale53. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Embroidered picture unknown

Drawing, Design for a Wall Panel; Attributed to Pierre Ranson (French, 1736-1786); France; pen and ink, brush and watercolor, sepia on paper

Lazio Viterbo Bagnaia Villa Lante44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Shows a papal portrait in a standing oval above an empty cartridge, flanked by allegorical female figures Pax and Fides, drawn in chalk and feather with wash and white highlights on brown paper.

Floral art pattern example on wood of the Ottoman time

Drawing, Design for a Ceiling; Italy; pen and ink, brush and wash on paper

British, Rococo with fronton frame, Unknown framemaker, 3rd quarter of 18th century, Carved wood and compo, later gilding over original gilding

'Fontaine et animaux' (Fountain and animals), Jean-Baptiste Huët, (French, 1745-1811), Medium: loosely woven cotton plain weave Technique: printed by engraved plate (or roller), Design of an elaborate fountain held up by women over a medallion of Ceres. Alternate with cattle by a pollarded tree. Various birds are around the fountain. In brown on white., Jouy, France, ca. 1803, printed, dyed & painted textiles, Fragment, Fragment

GEDECOREERDE IN MET SENEN BELEGDE KIST VOOR MISBOEK; Evangency box having been part of the Treasury of Saint-Denis; National Louvre Museum.

Versailles, Grille du Chateau. Jean-Eugène-Auguste Atget; French, 1857-1927. Date: 1905. Dimensions: 17.6 × 22 cm (image/paper). Albumen print. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Design for a corner piece of ceiling with Jupiter such as Diana with Callisto, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing Corner piece of a ceiling with Jupiter like Diana with Callisto in a round cartouche. paper. chalk cupids: 'amores', 'amoretti', 'putti'. acanthus ~ ornament. Jupiter, in the guise of Diana, and Callisto. (decorated) ceiling

Pencil and watercolor designs of cornice decorations by Carl von Hasenauer, showing motifs and architectural detailing.

London, Pine, John, Gravelot, Hubert François, Adams, Robert, Ryther, Augustine, Maps of the Spanish Armada (25 and 27 July 1588), Two maps (VII-VIII) showing the Spanish and English fleets in the Channel near the Isle of Wight and at the Strait of Dover, within an ornamental frame. At the top of the frame the portraits of Sir Martin Frobisher and Sir John Hawkins. Between them a Corona Navalis (ship's crown). The portraits are flanked by two putti with laurel wreaths. The one on the right has the wreaths hanging from a trident. Below the portraits Victoria on a Culumna Rostrata, or a column in honour of a triumph decorated with ship's prows. On Victoria's shield are the names of those knighted by the Lord High Admiral. In the lower border of the frame one of the persons on board a ship is knighted. A man next to the Lord Admiral holds up a book. The print is part of an album. The image is part of a book about the Spanish Armada and the tapestries commissioned by Charles Howard., print

Campania Salerno Salerno-S. Matteo, Cathedral5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Simberg, Hugo., 12 cm x 9 cm

GSELL-Laurent workshop. Album n ° 3; stained glass project; Fragment of 3 spans window: the madeleine at the foot of Christ, the meal at Simon. Pencil and wash on tracing paper. Paris, Carnavalet museum. Album n ° 3, apotre, Catholic, Christian, pencil and wash, Christ, disciple, son God, fragment, window, layer paper, Gospel character, project, meal, travee, three, stained glass

Fragment, Medium: cotton, silk Technique: chain stitch embroidery on twill weave, Small section of a coverlet or hanging showing parts of delicately drawn twining stems, leaves, flowers, symmetrical leaf volutes, and graduated dots, in shades of purple, red, blue, yellow, orange, and green silk embroidered on an undyed ground with a small diamond-shaped diaper pattern., India, ca. 1700, embroidery & stitching, Fragment

Attributed to Michael Chuke, 1679-1742, British, The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus, ca. 1715. Bronzed limewood.

Mildred E Bent, Wall Stencil, 1935 1942 Wall Stencil

Italy, Herculaneum. City covered in ash when Mt. Vesuvius erupted in 79 A.D. where it stayed buried for more than 1,600 years. Colorful original frescoes. UNESCO (Large format sizes available).

Artwork of traditional Ottoman Sultans Tugra

Relief from Platform of Dais ca. 1279-1213 B.C. New Kingdom, Ramesside This tiles once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Stereograph, Crystal Palace, John Bell's Una and the Lion. Artist: London Stereoscopic Company (British). Dimensions: Image: 6.8 x 5.9 cm (2 11/16 x 2 5/16 in.), eachMount: 8.3 x 17.1 cm (3 1/4 x 6 3/4 in.). Date: 1854-1862. Museum: Metropolitan Museum of Art, New York, USA. Author: London Stereoscopic Company.

Two drawings in lists; French drawing. Two drawings by Jean Antoine Watteau, presented on panels from collector F. Mannheimer.

Colorful embroidery project for a purse Bojarska, Irena, studio of the Industrial Museum

Brumidis Alligorical Paintings in the Dome of the U.S. Capitol. 1865 - 1875. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

British, Neoclassical frame, Unknown framemaker, late 18th to early 19th century, Carved wood, partially regilded over original oil and water gilding

Portret van Filips II.Round glass plate in wooden mount. Portrait of Philips II, with king's coat and crown. In his right hand a scepter, the left hand in the side.

A fragment of the detail of the secretary's flap from the beginning of the 18th century of the hebal of the heban and the inlaid marketer, from the White Order, in the collections of the National Museum in Warsaw from 1917; around 1925 (not after 10.11.1929) (1910-00-00-1925-00-00);

England, Kent, Rochester, Eastgate House, The Wall Painting Room, Detail of 16th and 17th century Paintings

Sketchbook with 39 blades.sketchbook consisting of 39 blades with cityscapes, landscapes, rivers, Mills and Cows, Among Others at and from Dekkersduin, Rijswijk, Zaandam, Beukelsdijk, North, Kamerik, Loosdrecht, Kortenhoef, De Vecht, Vreeland, Hoog-Soeren And Amersfoort.

Sidewall - fragment, Block-printed on handmade paper, Almost complete width of paper with alternating vertical bands, a white, with grey chevrons and vermiculations, and a dark, with shaded squares enclosing fleurons., France, 1795-1805, Wallcoverings, Sidewall - fragment

Lazio Roma Ponzano Romano Parish church0. Hutzel, Max 1960-1990 Exterior view of flank and facade and detail of 16th century campanile. Interior views of nave and ceiling; remaining views of paintings, some from S. Andrea in Flumine, and of reliquaries, crucifixes, statues. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Spring Farming Scene Katsushika Isai Japanese Because of the poor condition of this fanthe edges frayed and the ivory ribs broken into piecesthe paintings on the two sides were recently separated, trimmed, and remounted as two hanging scrolls. Although neither signature nor seal is found on them, the paintings are unmistakably by Isai, the artist of the fan Winter Farming Scene.. Spring Farming Scene 64505

Netherlands, Otterlo, Song of times, 1893

Leather Seat. Dated: c. 1939. Dimensions: overall: 26.7 x 35.3 cm (10 1/2 x 13 7/8 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Gerald Transpota.

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

Embroidery. Dated: 1937. Dimensions: overall: 28 x 35.6 cm (11 x 14 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.

The fruits of a good upbringing. Ah father don't let us burn, 1823 - 1900 steel (alloy) steel engraving

Stuffed Bureau Cover. Dated: c. 1936. Dimensions: overall: 22.3 x 29.9 cm (8 3/4 x 11 3/4 in.). Medium: gouache, watercolor, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Irene Schaefer.

Left Third of a Martyrdom of Saint Peter and Saint Paul. 1508-ca. 1550 After Antonio da Trento Italian. Left Third of a Martyrdom of Saint Peter and Saint Paul. 341980

Plate. Dated: c. 1936. Dimensions: overall: 35.4 x 27.8 cm (13 15/16 x 10 15/16 in.) Original IAD Object: 9" Dia. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Eyth.

Details of Bourbon Palace Decor

Text page, 1802, Woodcuts

Al Curry, Cast Iron Gate, c 1936 Cast Iron Gate

Gropius Martin (1824-1880), colored wall decoration (without dat.): Upper. Watercolor on the box, 16.3 x 17.5 cm (including scan edges) Gropius Martin (1824-1880): Farbige Wanddekoration

Plaster cast of a bass relief, anonymous, c. 1875 - 1900 Amsterdam paper. photographic support albumen print Amsterdam paper. photographic support albumen print

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 12 13/16 x 11 15/16 in. (32.6 x 30.4 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Decorative Panel. Draughtsman: Jean Démosthène Dugourc. Dating: 1787 and/or 1808. Place: Paris. Measurements: h 816 mm × w 443 mm. Museum: Rijksmuseum, Amsterdam.

Centre. Constantino Brumidi's allegorical painting in the Dome, U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol, Murals, Domes, Ceilings

PORTAPAZ S XVIII (IRIA FLAVIA). Location: MUSEO DE ARTE SACRO. Padrón. Coruña. SPAIN.

Drawing of current boards and recovery details by Carl von Hasenauer, executed in pencil, showing structural elements and layout.

Entombment of Christ model ca. 1498-1500 (possibly cast 17th century) Moderno (Galeazzo Mondella) Italian The composition, in particular the body of Christ, is derived from a gilt-bronze Entombment relief from Mantua, possibly after a design by Andrea Mantegna. This piece is an old aftercast with considerable loss of detail, possibly from the seventeenth century.. Entombment of Christ 460981

Anonymous. Chinese decor from Juliette Drouet's house in Guernsey, West Wall. Platournate dish in earthenware in the Delft style decorating the chimney (left). Ceramic. 1750-1850. Paris, house of Victor Hugo. 79111-16 Asian art, decorative arts, Chinese, Ceramic, Cheminee, Chinoiserie, Decor, Detail, Faience, Faience, Miotif Fleur, Plat Chantourne, Chinese Salon, Delft style, Crockery, XIXth 19th 19th 19th 19th 19th 19th century, 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18th 18

Northern sky. Date/Period: 1649 - 1652. Map. Marble and copper. Author: Jan Wybrandtsz. Colck.

Emilia-Romagna Ferrara Ferrara S. Francesco13. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Florence Baptistry or Battistero di San Giovanni (Baptistry of St. John) in Florence, Italy. The octagonal Baptistry stands in the Piazza del Duomo and was built between 1059 and 1128. The architecture is in Florentine Romanesque style. The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures.

George Edmund Street, 1824-1881, British, Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, undated. Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper.

Picart, Bernard, Vignette with a trophy of a suit of arms, foliate scrolls and scrollwork, verso - stamped, print, ornamental print, book illustration, prints, height 60 mm, width 169 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, intermediary draughtsman, after a drawing by, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, letterpress printing, print maker, printmaker

Paris, Chasteau, Guillaume, France, Lepautre, Jean, Quarter of a rectangular ceiling, Ceiling with a trompe-l'oeil painting of a vault in the form of a dome with the Mountain Olympus. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 222 mm, width 153 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1665 - 1683, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1635-04-18 - 1683-09-15, publisher

Door, Cabinet; wood, carved; 1908-25-36

Warsaw. Rosette in the coffer of the ceiling of the palace chapel in the Royal Łazienki Park - front view and cross section in the scale of 1:2. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Villa of Poppea, remains of the fresco decoration. Historic town of Oplontis, Torre Annunziata, Campania, Italy, Europe

Mosaic of Diana and the seasons mosaic of Diana and the seasons

Columna adosada y arco de medio punto con decoración floral y figurativa clásicas.

matutinarium, illuminated initial C with the shield of the Catholic Monarchs, ink and tempera on vellum, about 1504, scriptorium of the Santa Engracia monastery, Huesca Diocesan Museum, Spain.

Harvest (young fauna holding clusters of grapes ...) Henri Lehmann (1814-1882). Harvest (young fauna holding clusters of grapes ...). Charcoal and gouache. XIXth century.

Project for the Sacred Heart (Plan). Reproduction of the drawing of Abadie in 1874, 18th arrondissement Project for the Sacred Heart (Plan). Reproduction of the drawing of Abadie in 1874. Paris (18th arrest). Draw on albuminum paper from a negative on glass with damp colloodion. 1874-1879. Photograph of Charles Marville (1813-1879).

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824-1881, British, undated, Black ink, graphite, watercolor and gouache on medium, moderately textured, brown wove paper, Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm), architectural subject

RELIEVE DE ANGELES. Location: CATEDRAL DE NUESTRA SEÑORA DE LA ENCARNACION. Almería. SPAIN.

Le Modele Vivant René Magritte (1898-1967 Belgian) Oil on canvas Christie's Images, London, England

Oise, France Art of Trenches: Bas-relief , 1915 - Picardie - Stéphane Passet (French - Oise , France Art des tranchées : bas-relief). Sculpture, bas-relief, front, patriotism, entertainment in wartime, Art, First World War, entertainment, France, low relief: work of a hairy artist: mud and smoke black

Plaquette, To the Men from Glencoe in the GreatWar. Artist: Paul Fjelde, American, 1892-1984

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