Architectural Scenes

Prints depicting various streets, buildings, and public spaces, illustrating civic architecture and landscapes with figures, capturing daily life in past European towns.

View of Biezelinge, Pieter Hendricksz. Schut, 1657 print paper etching prospect of village, silhouette of village. church (exterior). harbour Biezelinge

. The Buitenhof, seen to the stadholder fifteen minutes (center) and the Hofvijver and the Lange Vijverberg (left). On the right the lead of Leiden. With walking figures and soldiers. Print from a series of eight faces in The Hague.

View of Biezelinge, Pieter Hendricksz. Schut, 1657 print paper etching prospect of village, silhouette of village. church (exterior). harbour Biezelinge

Street face with wall fountain, 1568 print Street face with a wall fountain with three statues in Nissen on the right. The fountain is placed against the side of a staircase. Left on the street a woman with a child by the hand. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. street. civic architecture; edifices; dwellings

Print (France)

Trial pressure for a engraved fan blade with three scenes from the inheritance celebrations of Emperor Leopold II on April , Johann Hieronymus Delete Kohl -, publishing house

Bridge of Meulan, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

Częstochowa. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Bourbon Palace Construction Project According to Bullee Jean-miche Moreau (D's Jeanne, 1741-1814). Bourbon Pigeon Projet of Apr�s Soul�e 1764. Crayon, Lavis Encre Noire, Rehuts de Gouache. Paris, carnavalet Mus�e.

Face of the bushes lounies on the kolveniers goals etc. in Amsterdam. In two sheets next to each other. In the air four geniuses containing the weapon of the A.T.o.i. Company and a banderolle with inscription. In the margin a two-legged French caption "Vue du Bosjeslogsloys" etc. To the left of this caption, the Hollandsche statement of seven on the plate occurring NOS and to the right of that capture the French statement of the NOS.

Klooster Coudewater.Leaf 58 Recto from a sketchbook with 65 sheets.

View of the village of Oude Wetering, Anonymous, 1700 - 1850 drawing paper. ink drawing / pen river. village. rowing-boat, canoe, etc.. sailing-ship, sailing-boat Old Wetering

Jean Démosthène DuGourc stage design for a port scene in the opera 'Roland,' drawn with black and brown pen and brush with wash over a lead handle before 1780.

Mantes, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof (unfinished)

France, Loyer, Paris, Maillet, View of the Grand Arsenal in Venice, with two gates, one for the workmen, the other for entering the vessels, View of the Arsenal in Venice, print, prent, opticaprent, prints, prenten, opticaprenten, height 298 mm, width 453 mm, Publication (Event), Publicatie, Frans, publisher, uitgever, 1744 - 1760, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, brush, Borstel, cutting, Snij, perforating, perforateren, print maker, prentmaker

Print, RÉPRÉSENTATION DES JOUTES, EXERCICES DE LA BAGUE, DE LOYE, AUTRES JEUX, ET PÊCHE CONSIDÉRABLE; Designed by Johann Martin Weis (French, 1711 - 1751); France; etching and engraving on paper; 45.5 × 77 cm (17 15/16 × 30 5/16 in.)

. The duck pond in the garden at Soestdijk Palace, hunting liter of Stadholder Willem III of Oranje-Nassau. In the foreground figures in the garden.

Swiss Guard in the field of Anna van Hannover in Delft, 1759; Slates of Princess Anna van Hannover in Delft.The Cent-Suisses. Part of a Series or 16 plates in Ince Printing of the Corpse of the Princess Anna van Hannover in Delft on 23 February 1759.

Design for a Fan: Courtly Figures in a Landscape. Dated: mid 17th century. Dimensions: sheet (trimmed within plate mark): 28.4 x 21.5 cm (11 3/16 x 8 7/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: NOEL COCHIN.

Print (France)

Gezicht op achterzijde landhuis Weltevreden. Weldt Vried Vüe par derriere De L'autre Coteé du Pont (title on object). Draughtsman: A. de Nelly (possibly). Dating: 1762 - 1783. Place: Batavia. Measurements: h 318 mm × w 489 mm. Museum: Rijksmuseum, Amsterdam.

Defense of the Rousonowtky Bridge in Vienna on October , Franz Werner, publisher

The entrance to the Jouffroy passage on the Montmartre boulevard, January 1871. Gustave Golden (1832-1883). The entrance to the Pouffroy passage on the Montmartre Boulevard, January 1871. Pencil.

Monplaisir in the garden of the Peterhof Palace. Brandard, Robert (1805-1862), graphic artist

View of waterfalls and fountains, Gabriel Perelle, 1664 - 1695 print Print is part of an album. publisher: ParisFrance paper etching landscape with tower or castle. garden fountain. French or architectonic garden; formal garden Garden of Versailles

Figures and sweating on the street, anonymous, 1800 - 1850 print paper animal-drawn sledge (Dutch: 'toeslede'). street (+ city(-scape) with figures, staffage)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), imitation of the previous play: three dancers in a fan (A. de Vesme 210. Dutuit 46 bis) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

View of the Rotunda in Ranelagh Gardens in London with a masked ball on the occasion of the birthday of the Prince of Wales on May 24, 1751, Robert Sayer, After Canaletto, 1751 - 1753 print publisher: Londonpublisher: Londonprint maker: England paper. watercolor (paint) etching / brush civic architecture; edifices; dwellings. garden. masquerade, masked ball. birthday Rotunda

Ruins in Leiden after the gunpowder disaster, 1807, Joannes Bemme (attributed to), 1807 print Oval representation of the destroyed area on the north side on the Steenchuur with the boring hall in Leiden after the gunpowder disaster on January 12, 1807. Netherlands paper etching / engraving gunpowder disaster Rapenburg. Stone barn. Boring hall

Die ruins in the garency des k, LUSTCHING CONSES VOON SHOWNING , RUINS, Place Dans Le Iardin, The shaen bound nd etty, Johann andreas Diggle , EFURE JaRover, AFRERRO SUBRARIA , CERLISISH, PLACISISHY HAUSH

Visit to flower nursery: the month of April. The drawing originally belonged to a series of twelve with representations of months, Visit to a Flower Nursery Visit to flower nursery: the month of April., draughtsman: Jacob Cats (1741-1799), 1791, paper, brush, h 131 mm × w 182 mm

Peep-show, Maison Quiserie de Magasins, pour la Marine du Roy, et une partie du Port de Plimouthe en Angelterre, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Raschdorff Julius (1823-1914), Brunnen, Cologne (without date): View. Pencil watercolor on the box, 25.2 x 31.1 cm (including scan edges) Raschdorff Julius (1823-1914): Brunnen, Köln

Éclise de Djoulfa, Ispahan.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Map of the Heerlijkheid Maarsseveen; A part of the Heerlyckheyt of Maerseveen. Left top plate. The map of a part of the Heerlijkheid Maarsseveen. A large banderole with face on Goudestein, a countryside in the Heerlijkheid Maarsseveen. Along the river Vecht, several couples and a shepherd walk. Some boats and swimming swans on the river. In the background the Buitenverblijf Goudenstein. The allegorical figure of fame comes from behind the Banderol. She blows on a trumpet with a banner and drives away a devil.

Book, Viennese scenen from common life after nature drawn by Sigmund by Perger, Hofmahler , Tableaux Caracteristiques du Bas Peuple de Vienne, Publiés à Vienne Chez Tranquillo Mollo, - Blatt , A bread seller bread seller and a Hungarian drathy binder, Une Boulangère de Campagne, et and Marchand de Grits de Fert Hongraits,

Troyes, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Hoffmann Emil (1845-1901), equestrian monument (without dat.): Mirror with an equestrian statue. Pencil on paper, 11.4 x 18 cm (including scan edges) Hoffmann Emil (1845-1901): Reiterdenkmal

De Hoofdpoort op het Oude Hoofd te Rotterdam. Witt in Oostpoort van t oude hooft te Rot: (title on object). Draughtsman: Cornelis Pronk. Dating: 1701 - 1759. Measurements: h 163 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Latona fountain, fragment of the park in Versailles; Best, Jean (1808-1879), Hotelin, Laurent (1821-Non Ante 1884), Brunox (Versailles; Litographic AD, Publisher; Ca 1850-1865); 1850-1865 (1850-00-00-1865-00-00);

Study for a Stage Set 18th century Jacques de Lajoüe French. Study for a Stage Set 343068

'Basin with a Fountain in the Lower Garden of Peterhof. Perspective. Draft'. Italy, 1721. Dimensions: 17,5x19,8 cm. Museum: State Hermitage, St. Petersburg. Author: NICCOLO MICHETTI.

French Revolution: Days of 21, 22, 23 Flooreal year 2 or 11, 12, 13 May 1794. Fraternal dinners in front of the Luxembourg Palace, Rue de Tournon. 6th arrondissement. Plate # 98 of the historical paintings of the French Revolution (factic title)

Thursday / Barrier of the Trone (morning) (IT)

Oproer on Dam Square during the Speaker riot, 1696, Laurens screen, 1702 print Crowd furious citizens armed with sticks and brooms in front of the town hall on Dam Square during the speaker riot, January 31, February 1696. paper. ink etching / pen street-fights, riots. political demonstration. townhall City Hall of Amsterdam (1655-1808). Dam

Casini del Lord Andreucci Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Casini del Signore Andreucci on the Brenta River. Numbered in the middle: Lix and bottom right: Tom: I. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city Brenta

Trap Ball Played at the Black Prince, Newington, Butts, Robert Dighton, 1752-1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm), games, genre subject, leisure, sporting art, England, Europe, Newington, Newington, United Kingdom

VIEW NEAR OURNELO CONTRADA DI SORA, KINGDOM OF NAPLES, PAINTED BY W. LEITCH

Fontana del Sig. Prencipe di Pallestrina (...). From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'. 1691 or after Giovanni Battista Falda Italian View of the Triton fountain on the Piazza Barberini in Rome designed by Bernini and erected in 1642/3. The fountain contain is made up out of dolphins, the Barberini coat of arms and Triton blowing water through a horn, shaped like a shell.. Fontana del Sig. Prencipe di Pallestrina (...). From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'. 414693

Maze at Paleis Het Loo, Jan van Call (I), c. 1700 print Amsterdam paper etching garden. labyrinth, maze ~ garden Apeldoorn. Palace Het Loo

Face Lock Steninge, Willem Swidde, 1694 The print is part of an album. Stockholm paper etching Slot Steninge The print is part of an album. Stockholm paper etching Slot Steninge

Theater Decor: De Burgerbuurt, Reinier Vinkeles (I), after Jan Gerard Waldorp, 1775 print The CoulissenDecor de Burgerbuurt, with a scene from: Wanhine Love. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

A North East View of the Tuesday Market Place of Lynn Regis, Robert Pollard, 1755-1838, British, after unknown artist, ( J. Butcher ), 1797, Colored aquatint on moderately thick, moderately textured, blued white, wove paper, Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm) and Image: 14 13/16 × 25 3/8 inches (37.6 × 64.5 cm)

Troyes, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Departure from the ladies of the hall to fetch the king at Versailles Departure from the ladies of the Halle to pick up the king in Versailles ".

Netherlands, Grient, Cornelis van der, Fire in the Museum Boijmans in Rotterdam, 1864, verso - stamped, Fire in the Museum Boijmans in the Schielandshuis in Rotterdam, February 16, 1864., print, prints, Frederik Muller History Plates, height 43 mm, width 75 mm, 1827 - 1918-10-15, print maker, printmaker, 1864 - 1864, paper, papier, etching, etchings

View of the Château de Saint-Cloud seen from the Chemin de Versailles, Anonymous, 1730 print paper. cardboard. watercolor (paint) etching / brush civic architecture; edifices; dwellings. road, path Castle of Saint-Cloud

Near the statue are two women and a boy, Voltaire's house at Ferney, Rousseau statue in Geneva , print maker: Carel Christiaan Antony Last, (mentioned on object), printer: Hendrik Leonardus van Hoogstraten, (mentioned on object), The Hague, in or before 1859 - 1896, paper, h 240 mm × w 160 mm

Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Dutch Title and 40 engraved plates from a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Printed in color, several signed. Pls. 25 - 28, 37, 40-48 (14 plates missing). Scherm, pls. 1-9, ll, 13.Leupennius, pls. 37-40. Traces of Scherm's signature on pls. 31,32,33.. Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld 669208

Carlisle, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper

Design for a room wallpaper with face in a park, anonymous, 1700 - 1800, draughtsman: anonymous, draughtsman: Isaac de Moucheron, (rejected attribution), 1700 - 1800, paper, pen, brush, h 135 mm × w 400 mm

Port view in city on the Mediterranean Sea, draughtsman: Jan Abrahamsz. Beerstraten, 1632 - 1666, paper, brush, h 349 mm × w 618 mm

France, Feast of the Supreme Being

Peep-show, Le Cingle, la Tour de Jan-Rooden-Poort, et la Nouvelle Eglist Lutherienne, à Amsterdam, No. 15, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Nantes, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving on medium, slightly textured, beige, wove paper, Sheet: 8 5/16 × 5 1/8 inches (21.1 × 13 cm) and Image: 5 × 3 5/8 inches (12.7 × 9.2 cm)

Thomas Rowlandson, 1756-1827, British, Monks Carousing outside a Monastery, undated. Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream, wove paper.

Competition of gondolas and rowing boats in Venice; Scenes from the Venetian life; Habiti d'Huomeni e Donne Venetiane Con La Processione della Ser.ma Signoria et Altri Particoli Cioè Trionfi Feste et Cerimony Publiche Della Nobilissima Città di Venetia. Above: in the foreground a game of gondolas and rowing boats. From the palazzi located on the water is viewed. Below: Two-year Italian text. The print is part of an album.

Print, Title page, "Il Campo Marzio dell'Antica Roma," from part 20 of "The Complete Works of Giovanni Battista Piranesi"; Giovanni Battista Piranesi (Italian, 1720-1778); Etched by Francesco Piranesi (Italian, about 1756 - 1810); etching on off-white laid paper; Sheet: 50.6 x 33.6 cm (19 15/16 x 13 1/4 in.) Platemark: 45.7 x 28.7 cm (18 x 11 5/16 in.); The John Jay Ide Collection; 1977-52-77

Haut-facts of memorable days of July 27th, 28th and 29th, 1830./pont of Arcole. (IT)

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Gilbert's Monument, Piccadilly Circus. Joseph Pennell; American, 1857-1926. Date: 1902-1903. Dimensions: 281 x 203 mm (image); 343 x 220 mm (sheet). Etching and drypoint on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

M. A. Gliddon, active 1840, British, Hackney Grammar School, 1844. Watercolor over graphite on wove paper with wash mat laid down to sheet.

Mount Vernon, Virginia. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 6 3/8 x 10 7/8 in. (16.2 x 27.6 cm)Sheet: 8 5/8 x 12 7/8 in. (21.9 x 32.7 cm). Date: 1932. Museum: Metropolitan Museum of Art, New York, USA.

A scene from the mythological ballet 'Mirra, ossia La vendetta di Venere,' featuring a serene grove with a temple dedicated to Venus. The work was created for the I. R. Teatro alla Scala by Salvatore Viganó during the spring of 1817. Designed by A. Sanquirico and engraved by Carolina Lose. The image is part of a collection of various scenic decorations for the I. R. Teatro alla Scala in Milan, published by Antonio Bossi Editore

Great Ribston, plate 61 from Britannia Illustrata Published 1707 Netherlands. Etching and engraving in black on cream laid paper . Johannes Kip (Engraver)

Stage decor: the citizen neighborhood; Theater decors of the new Amsterdam Theater, 1775-1777. The coupling decor the citizen neighborhood, with a scene from: mischief love. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

The promenade on the water glacis, Johann Vinzenz Reim -, artist

The monument to Henri Danil Guyot in Groningen's Guyot Square. Guyot was a preacher and the founder of deaf education in the Netherlands. The memorial, made by father and son Sigault, contains his portrait. To the right and left of the representation are four smaller representations with the ornaments and inscriptions of the monument., Monument to Henri Danil Guyot, print maker: Alphonse Pierre Giraud, (mentioned on object), Charles Joseph François Sigault, (mentioned on object), Jean François Sigault, (mentioned on object), Amsterdam, 1829, paper, etching, w 342 mm × h 245 mm

Complete prospect of the above garden Palais Liechtenstein, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann - , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Garden Beaujeon French mountains.

French Revolution. Looting of the house and workshops Revillon, Faubourg Saint-Antoine, April 28, 1789, 4th arrondissement Philippe Joseph Maillart (1764-1856). French Revolution. Looting of the house and aveillon workshops, Faubourg Saint-Antoine. Paris (êtes arrested), April 28, 1789. Colorful water. 1789.

View of a painting gallery in the Musée du Louvre, Antoine Maxime Monsaldy, 1800 - 1801 print paper etching 'gemalte Galerie'. picture, painting. permanent exhibition, museum Louvre Museum

View taken in the garden of French monuments. (Title registered (letter))

St. Mark's Place, Venice - Juliet and her Nurse, Print made by George Hollis, 1792-1842, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm), Plate: 21 1/8 × 25 1/2 inches (53.7 × 64.8 cm), and Image: 16 1/2 × 22 1/8 inches (41.9 × 56.2 cm)

Sworn in the Government Regulations on the Grote Markt in Haarlem in 1787, Hermanus Numan, 1754 - 1825 print On September 5, 1787, a freedom stamp was founded on the Grote Markt in Haarlem by the Patriots when sworn in the government regulations. On the left the freedom stamp and on the right the Sint-Bavokerk. In the foreground, men are at a cannon. Netherlands paper etching public festivities. church (exterior) Sint-Bavokerk. Large market

The Netherlands as a refuge for refugees to faith, 1675. The Netherlands as aid and refuge for refugees to faith, 1675. Central sailing the pilgrims from Delfshaven to America in 1620, left the Jewish synagogue in 1675 built in Amsterdam by the from Spain And Portugal driven Jews, right the Walloon orphanage in Amsterdam where the Driven Waldzen found a retreat in 1733. At the top of the medal in 1688 beaten as a reminder of the loving daycare of the driven Huguenoten from France, at the bottom of the medal to commemorate assistance by the Netherlands granted to the exudent Protestant Salzburgers in 1733.

City of Angers, draughtsman: anonymous, 1600 - 1650, parchment (animal material), pen, brush, h 112 mm × w 175 mm

Allegory on society. Draughtsman: Jan Brandes. Dating: 1777. Place: Doetinchem. Measurements: h 155 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

View of the statue of Henry IV, Israel Silvestre, 1652 print paper etching monument, statue. equestrian statue Paris

Vue de la promenade principale de la Havane hors les murs. Vista del paseo extramuros de la Habana.. Garneray, Hippolyte-Jean-Baptiste (1787-1858). Prints. 1830. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Havana (Cuba), Streets , Cuba , Havana

The hohemarett , viewing the skin market , etty, Carl, Artist, artist, Artaria , Colder, Publishishing House

The Louvre Near the New Bridge, 1838. Adolphe Jean Baptiste Bayot (French, 1810-1866), Julien Louis Jacottet (Swiss, 1806-1880). Color lithograph; sheet: 39.6 x 53.8 cm (15 9/16 x 21 3/16 in.); image: 24.5 x 34.5 cm (9 5/8 x 13 9/16 in.).

Stage decor: The Italian street; The Italian street / Rue Italienne; Theater decors of the new Amsterdam Theater, 1775-1777. The scene decor the Italian street, with a scene from: Son's betting-made. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Anonymous, 1785. Grave paper (enhanced with gouache), Metal (copper alloy), glass. Palais Galliera, fashion museum of the city of Paris.

Print made by William Miller, 1796-1882, British, Venice - the Piazzetta, 1853-1874. Line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with chine-collé.

THE OLD STAR AND GARTER, 1870

Monument / Erigated on the Square Victoire in honor of General Dements, died at the Battle of Marengo, the Prairial An 8.

Embroidered Picture (England); Embroidered by S. Handley; silk embroidery on silk foundation; Frame H x W: 22.9 x 36.2 cm (9 x 14 1/4 in.)

19th century, Unknown American, 19th century, 16 9/16 x 21 1/8 in. (42.07 x 53.66 cm) (sight)22 3/16 x 26 3/4 in. (56.36 x 67.95 cm) (outer frame), Watercolor, pencil and ink on paper, 19th century

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