Architectural Scenes

Prints depicting various streets, buildings, and public spaces, illustrating civic architecture and landscapes with figures, capturing daily life in past European towns.

View of Biezelinge, Pieter Hendricksz. Schut, 1657 print paper etching prospect of village, silhouette of village. church (exterior). harbour Biezelinge

James T. Willmore, 1800-1863, British, Bedford, Bedfordshire, 1827-1838. Line engraving, engraver's proof.

unknown artist. Hand-colored engraving on Whatman wove paper.

Vauxhall Garden October 2, 1809 Designed and etched by Thomas Rowlandson In 1785 an established pleasure complex south of the Thames River in London was renovated and renamed Vauxhall Gardens. Tree-lined walks were adorned with statues and architectural elements and pavilions offered refreshment and entertainment. Most of the buildings were brilliantly lit and nightly attractions included concerts and fireworks. Here, a military band plays on the balcony of a decorated pavilion, as people dine below and couples dance outside--by the early 19th century it cost 3 shillings and six pence to enter Vauxhall for an evening during the season which lasted from May to August. Rowlandson visited Vauxhall often and found, as his friend Henry Angelo noted, "plenty of employment for his pencil.". Vauxhall Garden. Microcosm of London, pl. 88. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). October 2, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (act

Venice - the Dogana, Print made by unknown artist, nineteenth century, Formerly attributed to Robert Brandard, 1805-1862, British, after print by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, undated, Line engraving

Public entry of His Excellency The Comte de Kaunitz-Rittberg Ambassador of the Emperor and the Empress, Queen of Hungary and Bohemia made in Paris on September 17, 1752. (IT)

Documentation of the city of Weenen title page of a series after Romeyn de Hooghe to , Jacob Peeters -, Copper Engraver, After, Gaspar Booutates -,

View of the Vondelmonument in Amsterdam, Anonymous, After Johan Conrad Greive, After Louis Royer, 1878 print paper park. monument, statue Vondelpark

The Tuileries Basin Auguste Louis LePere (1849-1918). "The Tuileries Basin". Museum of Fine Arts of the city of Paris, small palace.

Design for decoration for Herengracht 527. Draughtsman: Carel Adolph Lion Cachet. Dating: 1898. Measurements: h 308 mm × w 440 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Malton, 1726-1801, British, The Bank, 1790. Hand colored etching and aquatint on slightly textured, moderately thick, cream laid paper.

Imaginary classical setting. Fountain in pool at center of composition. Three upside-down entwined dolphins support central jet. Behind, on left and right, two reclinging figures with urns of water pouring into the pool. Surrounding the pool are symmetrical arrangements of trees, terraces, and classical buildings. Two female figures stand on terrace at right. Pen and brown ink, brush and watercolor, black chalk on white laid paper. Date: 1743. Museum: Cooper Hewitt, Smithsonian Design Museum.

Auguste François Laby, 1784-1860, Sierra Leone, ca. 1850. Lithograph on thick, slightly textured, beige, wove paper.

Stage Design, View of Castle, Pen and brown ink, brush and sepia wash, graphite on paper, Horizontal rectangle. Square castle with towers at the corners. Unfinished figures acting in the foreground. The action takes place before the ducal castle of Ferrara, probably indicating a play about the Este family., Italy, 1810-1820, theater, Drawing, Drawing

Westminster Bridge. Dated: 1884. Dimensions: plate: 28.7 x 40 cm (11 5/16 x 15 3/4 in.) sheet: 30.2 x 42.8 cm (11 7/8 x 16 7/8 in.). Medium: etching, drypoint, aquatint, soft-ground etching, and roulette in brownish-black ink on wove paper, backed with thin tissue. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Chairs, Tuileries show, 1760 (with the Carved Group of Enea and Anchise, LePautre) Gabriel Jacques de Saint-Aubin (1724-1780). The Tuileries show: the chairs. Drawing (feather, ink of China, watercolor), 1760.

Garden at Clifton Hall. Elizabeth Murray; English, c. 1815-1882. Date: 1845. Dimensions: 175 mm × 259 mm. Watercolor over graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Peep-Show Print, Vedute e Maraviglie di Roterdam, Engraving, brush and wash on paper, Peep-show print., Europe, mid- 18th century, Print, Print

Amphitheatre at Kleve, seen to the north, Jan van Call (I), 1675 - 1685, draughtsman: Jan van Call (I), 1675 - 1685, paper, pen, brush, h 178 mm × w 274 mm

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Portraits alongside a street scene , Cities & towns, City & town life

New York, The Narrows and Part of Staten Island, Plate 48 from a set of 54views. Lithographer: Isidore Laurent Deroy, French, 1797-1886 After: August Köllner, American, 1813-1906Printer: Cattier, active Paris, mid-19th century Publisher: Goupil & Cie, French, 1827-1879

The big castle, a day of carnival Auguste S�bastien B�nard (1810-1873). The big castle, one day of carnival. Feather on layer paper.

View of the Bosquet des Dômes in the garden of Versailles, Jacques Rigaud (Possible), c. 1691 - After 1753 print Four lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden fountain. ornamental plants. garden buildings. garden ornaments Domeshid Bosquet

Street scene on leaving Naples at the level of Cisterna, Louis Ducros, 1778, draughtsman: Louis Ducros, 1778, paper, brush, pen, h 183 mm × w 248 mm

Figures on the Outer Staircase of a Castle, David Cox, 1783-1859, British, ca. 1840, Waterolor, brown wash, with pen, in brown ink on moderately thick, moderately textured, cream, wove paper, Sheet: 11 x 17 1/4 inches (27.9 x 43.8 cm), architectural subject, battlements, castle, figures, soldiers, staircase

English War Work: The Urns, Casting Big Shells, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Adoration of idols and false gods in the Jewish temple. L-R: men holding laurel branches; four women weeping at the feet of a naked Adonis; men shaking censers at monsters and beasts; and God talking to Ezekiel from a cloud. Adoration des Idoles, France, Xe Siecle. Taken from Commentaire sur Ezechiel, Latin 12302 F1v, (MS 303), 10th century. Chromolithographed by Guillaume Regamey under the direction of Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Michael Palace by Fyodor Yakovlevich Alexeyev, oil on canvas, circa 1800, 1753-1824, State Russian Museum, St. Petersburg 156x185

Henry Swinburne, 1743-1803, British, Chteau de Menars, undated. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Print, Peep-show, Vue Perspective du Fameaux Pont de Remino Fabriquee du Temps d'Auguste Tibert Empereur Romain, No. 17; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 29 × 46.6 cm (11 7/16 × 18 3/8 in.); 1901-30-7

Piazza nel ballo Lodovico Sforza,' 1820 - 1829. This is a colored aquatint print measuring 12.4 x 16 cm. The work is related to Lodovico Sforza, a choreographic piece from the 19th century, and features set designs associated with ballet in Italy during that time. The print is produced in Milan

Anne Rushout, ca. 1768-1849, British, Eastnor Castle, September 29, 1829, 1829. Watercolor on moderately thick, slightly textured, cream wove paper.

Print (France)

View of Saint Peter's (recto); Study of a Young Man (verso); Federico Zuccaro (Italian, about 1541 - 1609); Italy; 1603; Red chalk (recto); Red and black chalk (verso); 25.9 x 41.3 cm (10 3,16 x 16 1,4 in.)

Prospect of the newly created and with young trees, Allee occupied in the Leopold city on the Tabor Obere Augartenstraße, from, True and accurate illustration , nd part, Fig, After, Salomon Kleiner , Drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Formal garden with fountains by Ivan Vasilievich Chessky (Cheskoy), copper engraving, watercolour, 1782-1848, 19th century, Russia, St. Petersburg, State Hermitage, 58x69

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Eton from the Playing-Fields Artist's working dates 1820-1884 England. Watercolor heightened with touches of white gouache over graphite on cream wove paper . George Pyne

Joseph Mallord William Turner, Basle, June 11, 1807, Etching and mezzotint printed in brown inks.

Plate 24, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." The marketplace in Glastonbury. A water spout and trough at right with women with pails standing to the left. A four-horse carriage driving along the street at left. At center, a woman is bucked off a horse.. Plate 24, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Lodewijk Napoleon on the site of the Ramp, 1807, Friedrich Christoph Dietrich, after Franciscus Andreas Milatz, 1807 print King Louis Napoleon visits the place of the gunpowder disaster in the evening on the Steenchuur, a canal in the extension of the Rapenburg, in Leiden, January 12, 1807. Netherlands paper etching gunpowder disaster Rapenburg. Shed

'Dorchester', c1910. Artist: Unknown.

William Walcot, Bullfight, Seville, C. 1922, etching on wove paper.

Le grand ballon captif à vapeur de Henri Giffard dans la Cour des Tuileries, en 1878. Tableau à l'huile.. La Vaulx, Henry de, 1870-1930. Manuscripts, Portraits, Drawings, Prints. 1922. Science, Industry and Business Library: General Collection. Tuileries Palace (Paris, France), Balloons (Aircraft), Giffard, Henri, 1825-1882, Spectators , France , Paris , 1800-1899

Fran�ois-Joseph Belanger (1744-1818). "Project of Fran�ois-Joseph Belanger (1744-1818). Decoration project for the party of the entrance of Louis XVIII in its capital. Lavis Bister, 1814.

st, Stadtpark - course salon, postcard, Marcus Munk M, Vienne, Producer, Unknown, Drawer

Vincent P Rosel and Gordon Saltar, Thirty Hour Clock, c 1936 Thirty Hour Clock

In the French gallery of the industrial palace, Illustration to the Viennese world exhibition from About the Land und Meer , Amédée Daudenarde, Xylographer, after, Frédéric Lix -, artist

Manner of Sleeping in the Forest', 1813 Artist: John Gabriel Stedman. From 'Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam, in Guiana, on the West Coast of South Africa', volume II, by J G Stedman, London, 1813. Engravings were made from drawings by the author.

Vierstromenfontein te Rome, Louis Rouhier, after Giovanni Lorenzo Bernini, 1693 - 1717 print The four -stream fountain by Gian Lorenzo Bernini on the Piazza Navona in Rome, seen from the east. Print is part of an album. print maker: Romeafter sculpture by: Romepublisher: RomeThe Hague paper etching square, place, circus, etc.. ornamental fountain. church (exterior). parts of church exterior and annexes: façade Piazza Navona. Vierstromenfontein

Greetings from Vienna Prospect of a Viennese place called Hoff, After, Johann Adam Delsenbach -, Copper Engraver, Questionable, Kautsky, Producer

Tableau comparatif de la Hauteur des PrincipauxMonuments. Artist: Édouard Hocquart, French, 1789-1870 After: Antoine Marie Perrot, French, 1787-1849

Ekaterinhof, by Carl von Hampeln, watercolor on paper, 1794-after 1880, Russia, St. Petersburg, State Russian Museum,

MADRID. CARRERA CICLISTA EN LOS JARDINES DEL BUEN RETIRO. GRABADO DE JUAN COMBA. ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1886. MADRID PINTADO.

France: Early Flight - 'Premier voyage aerien par Charles et Robert, 1783' (First aerial voyage by Charles and Robert, 1783), Paris, Romanet, c. 1895

Anonymous, 1785. Grave paper (enhanced with gouache), Metal (copper alloy), glass. Palais Galliera, fashion museum of the city of Paris.

Metz, Verlag der Deutschen Buchhandlung, Lorraine, Holt, C., Metz und seine Umgebung, Denkmal d. 8. ostpreuss. Jnf. Right. No. 45 b. Aubigny, War memorial probably near Metz, recto - printed, photograph, photo, page, photos, photographically illustrated books, 21., height 98 mm, width 154 mm, photographer, 1865 - 1875, photographic paper, photo paper, albumen print, Publication (Event), Publication, publisher

Mabille

The Passing of the Queen, W. Walton, I. Cordwell, Lithograph Support: white wove paper, England, England, 1837, Print, Print

Union Pond, Williamsburgh, L.I.. Eno, Amos F., 1836-1915. Prints. 1863. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Brooklyn (New York, N.Y.), Williamsburg (New York, N.Y.), Ice skating , New York (State) , New York , 1860-1869

Embroidered picture 1873 Austrian. Embroidered picture 229708

Business card from lithographer N. Vanhecke in Brussels, c. 1840 - c. 1875 print. porcelain card View of a building with pedestrians, riders and a carriage on the square in the foreground. In a frame with flowers and birds. . ornamental birds. unidentifiable plant forms ~ ornament. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

K, Cavalry Exercities in front of the water bastion, After, Josef Ziegler -, Drawer, Nedomansky, Producer

Isaace P. Martin Garden. Dated: c. 1936. Dimensions: overall: 51 x 38.3 cm (20 1/16 x 15 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: William Merklin and Tabea Hosier and Gilbert Sackerman.

Léon Leymonnere (1803-1879). "Back to Paris of the Army of Italy on August 14, 1859: in front of rue du Helder". Watercolor. Paris, Carnavalet museum. Italian army, arrival, banner, column, decoration, drawing, tricolor flag, fete, ixeme ix 9th 9 arrondissement, returned, rue Heder, Second Empire, car attelee, scene

Festival of August 15, 1852 on the Place de la Concorde Leon SYMONNEYE (1803-1879). Festival of August 15, 1852 on the Place de la Concorde. Pencil, Watercolor, 1852.

Sampler. Dated: c. 1937. Dimensions: overall: 38.2 x 50.9 cm (15 1/16 x 20 1/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charlotte Angus.

Coaching: The Birmingham Tally-Ho! Coaches Passing the Crown at Holloway, Charles Bentley, 1806-1854, British, James Pollard, 1792-1867, British, 1828, Aquatint, hand-colored, Sheet: 20 x 30in. (50.8 x 76.2cm)

Bandbox. Dated: c. 1939. Dimensions: overall: 30.3 x 35.9 cm (11 15/16 x 14 1/8 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Paul Ward.

The rotunda in danger caricature of the Viennese world exhibition from Kikiriki , Friedrich Graetz Grätz -, Caricaturist, Göschl, Reproduction Technician

, Schlosspark Schönbrunn - Neptune fountain and Gloriette, postcard, After, Unknown, Drawer, Philipp , Kramer, Printer, Publisher

Project for the Madeleine Vaudoyer. Project for the Madeleine. Feather, lavis and watercolor.

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