Dramatic Dutch Scenes

Etchings capturing vibrant winter landscapes, intimate indoor scenes, and detailed architectural elements, emphasizing light and shadow.

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Dutch Winter Landscape with Windmills and Skaters, Ludovic Napoléon Lepic, 1870 - 1880 print Dutch winter landscape with mills and skaters, seen by an opening between some large dark trees. paper etching landscapes in the temperate zone. windmill in landscape. skates (winter sports) Netherlands

Room with fighting men and an efficient woman, Käthe Kollwitz, 1893 print paper etching fist-fight

Cast of a detail of an archivolt decorated with rankwork, anonymous, 1880 - 1940 photograph baryta paper. cardboard arch, archivolt ~ architecture. trees: oak (+ leaves, putting forth leaves)

Tuscany Siena Poggibonsi S. Lucchese7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sous le charme, final condition; Jasi Ski, Feliks Stanis AW (1862-1901), Worms, Jules (1832-1914 Ant 1924), Chardon & Sormani (Paris 1886 (1886-00-00-1886-00-00);Spain, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), French (culture), guitar (musical instruments), French graphics, Polish graphics, reproductive graphics , Japanese, Poland (culture), genre scenes, torreadors

Marches Macerata Matelica Museo Piersanti4. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cabinet perpendicular, two -wing, inside with drawers from around 1720-1740 in the collections of the National Museum in Warsaw from 1924 - a general view with one open wing; around 1925 (not after 4/11/1925) (1923-00-00-1925-00-00);

The first windmills in Holland, 14th century, 1865 - 1870 The first windmills are commissioned in Holland, 14th century. Water landscape with three mills. Part of the group of steel engravings to the paintings of the historic gallery of society Arti et Amicitiae. Netherlands paper steel engraving Netherlands The first windmills are commissioned in Holland, 14th century. Water landscape with three mills. Part of the group of steel engravings to the paintings of the historic gallery of society Arti et Amicitiae. Netherlands paper steel engraving Netherlands

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Lazio Viterbo Gradoli Palazzo Farnese7. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Amor, Tod und Jensseit, pl.12, Intermezzi, op.IV; Stroefer, Theodor (1843-1927), Klinger, Max (1857-1920); 1881 (1880-00-00-1880-00-00);

Umbria Terni Terni Palazzo Montani. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching by Wenzel Hollar from 1650 showing a ceremonial event with a prince and fireworks, including procession, attendants, and celebratory display.

Photo production of the fresco The coronation of Constantijn by Rafaël in the Camere di Raffaello, Vatican City, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Raffaello rooms (Vatican Palace)

Car with chimaera; Twelve woodcuts. A Chimaera, a winged lion with sheep legs, draws a car with punished wheels. There is a man with a sword on the car. Right, estimates are stinked. In the background the setting sun.

Marriage turc. Vanmour, Jean-Baptiste, 1671-1737. 1714. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , Turkey, Weddings , Turkey

Foots of the rue de la Colombe / 1898. Excavations of the rue de la Colombe, 4th arrondissement, Paris Excavations of the rue de la Colombe. Paris (IVEM arr.). Photograph of Henri Emile Cimarosa Godefroy (1837-1913). Draw on Albuminum Paper, 1898.

The Horrors of War: Even Worse, 1810. Francisco de Goya (Spanish, 1746-1828). Etching;

Lazio Frosinone Certosa di Trisulti Certosa di Trisulti, Monastery (Pharmacy)2. Hutzel, Max 1960-1990 Views of the pharmacy and two receiving rooms apparently located in the pharmacy complex. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Autograph manuscript of Victor Hugo (1802-1885). Illustrated travel story in the Chenay album. Folio 30, engraving of a drawing by Victor Hugo (1802-1885) "Amica Silentia". Engraving by Paul Chenay (1818-1906). 1861. Paris, house of Victor Hugo. 100200-14 Chenay album, album, drawing, traveling travel, engraving

Lazio Roma Subiaco S. Francesco7. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Nicolas Poussin depicting the Plague of Ashdod, produced in the 17th-18th century, showing a biblical scene with figures and architectural context.

Lazio Viterbo Bagnaia Villa Lante91. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Jan Pietersz. Saenredam created in 1600 depicting a symbolic list of objects associated with Belgium and Greece. The print shows detailed items in organized composition.

The Temptation of Saint Anthony: The Buddha (page 81), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Umbria Terni Narni S. Agostino3. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th century). Post-medieval: Sculpture, painting, frescoes (15-17th century) General Notes: Conservation: pressure-sensitive tape German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Kuckuck Walther, baptismal font. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (23.02.1902): View. Pressure on paper, 24.3 x 33.3 cm (including scan edges)

Alinari, Fratelli, No. 11380 PISA, Fresco of Youth and first miracles of Moses by Benozzo Gozzoli in the Campo Santo in Pisa, PISA - Camposanto. Infanzia e primi prodigi di Mosè. (Benozzo Gozzoli)., photograph, foto, foto's, height 192 mm, width 263 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, albumendruk, Publication (Event), Publication, publisher

Dec. for hospital, Gloucester , Dance, Musicians. The Massachusetts WPA Federal Art Project Photograph Collection

Lazio Rieti Tarano L'Assunta, Parish church5. Hutzel, Max 1960-1990 Medieval: Exterior: architecture: late romanesque facade, portal with re-used Roman fragments, rose window, and campanile (1114). Post-medieval: Interior: frescoes 12-13th, 14th, 15th centuries; painting dated 1562 from ruins of S. Francesco; wooden sculpture 17th century by Iacopo da Maiano; painting by Girolamo Troppa, and 15th century terracotta polychromed Pieta German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Argenta S. Domenico0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Umbria Terni Lugnano in Teverina S. Francesco2. Hutzel, Max 1960-1990 Exterior views of this 13th-century church and cloister that was the site of a miracle by St. Francis (1212) include a bell tower, details of the medieval architecture and a well in the courtyard. The lunettes of the cloister are decorated with a cycle of frescoes that portray the miracles of St. Francis (1616) by an unknown master from Foligno. Interior views of the restored church interior focus on the altar paintings and marble intarsia altars, some of which also show scenes from the life of St. Francis. Object Notes: Hutzel photo campaign date: September 9, 1985 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Fall of Nineveh, from Illustrations of the Bible 1835 England. After gaining early fame with his impressive biblical paintings and earning recognition as a printmaker, John Martin returned to biblical themes later in life with Illustrations of the Bible. The mezzotint process, in which the entire plate is roughened and then burnished to create highlights, accentuated Martinís breathtaking visions of the Bible. He changed his usual literal approach to illustration and took some liberties with the text in these portrayals. Unfortunately, due perhaps to its high price and the glut of prints in the market, Illustrations of the Bible was a commercial failure and the series was never completed.. Mezzotint in black on ivory wove paper . John Martin

The street , Streets, City & town life. The Massachusetts WPA Federal Art Project Photograph Collection

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo8. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Roma Rome S. Gregorio Magno0. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Wallpaper Panel 1700-1730 This wallpaper panel is part of a set originally consisting of seventeen pieces (see 14.106.1-.16 for set.). The panels depict mountain landscapes, scenes with houses, birds, and flowering shrubs. They were hand-painted in China during the early eighteenth century for export to England. There, as in America, such exotic wallpaper enjoyed a vogue among the fashionable gentry. Considered a great luxury, it added richness and colors to walls. This wallpaper hung in an English home for two hundred years. The panels are installed, in whole or in part, in the Powel Room in The American Wing.. Wallpaper Panel. 1700-1730. Paper, painted by hand and mounted on linen. Made in China

Vignette Zur "epistel an meinen Brudinand über die wünsche der menschen"; Vogel, Carl Friedrich Otto (1816-1851), Menzel, Adolph (1815-1905); 1848 (1800-00-00-1900-00-00);

Allegorical Image of Peace in the Salon de la Paix in the Tuilerie Palace, Paris, Anonymous, After Denis Antoine Chaudet, 1855 - 1871 tissue stereograph Paris cardboard. paper albumen print / perforating palace - AA - civic architecture: inside. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa) Tuileriep-palpal

Copper engraving by Nicolaes de Bruyn depicting Abraham and Hagar, created between 1591 and 1647.

Beit-Lehem, Mosaïque de l'Église I 1854 Auguste Salzmann French. Beit-Lehem, Mosaïque de l'Église I 287017

Image reproduction: Józef Chełmoński (1849-1914), before the head of the village; around 1890 (1885-00-00-1900-00-00);

A 16th-century copper engraving by Georg Pencz depicting the historical scene of Taking Carthage with soldiers and cityscape.

Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. THE TRIUMPH OF MORDOCHEE Rembrandt van Rijn (1606-1669), Hollander painter. Strong waters. The Triumph of Mardorap�. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church1. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Fresco in the Sixtine Chapel in Vatican City, representing the separation of water and earth, Edizione Brogi, c. 1875 - In or Before 1907 photograph Part of photo album with recordings of sights and artworks in Italy. photographic support gelatin silver print gathering of the waters below the firmament; dry land appears and produces all kinds of plants

Marches Macerata San Severino Marche S. Maria del Glorioso. Hutzel, Max 1960-1990 Exterior and interior views of this renaissance church (1519) include: the coat-of-arms of San Severino over the main portal, frescoes or paintings of the Flight into Egypt, the Nativity, the Christ Child with St. John the Baptist, and various altarpieces. Object Notes: Hutzel photo campaign date: May 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno Monastery of S. Anna9. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alexandermosaic from the house of the Faun in Pompeii, representing the fight between the armies of Alexander the Great and Darius III, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print pavement, floor ~ architecture. Alexander fighting against Darius at Issus Pompeii

Street face with forge in the snow, Anonymous, 1855 - 1875 tissue stereograph photographic support. paper. cardboard albumen print / cutting / perforating snow. smith, blacksmith. street

Etching and copper engraving by Jean Moyreau depicting the Academy of Manége, created in 1742.

Umbria Terni Casteldilago S. Nicola, Parish church5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Johann Adam von Bartsch etching depicting a southern landscape with a stone fountain, a flock of sheep, and two boys, created 1813-1814, showing daily rural life.

Salle du trone, Tuileries; French; about 1865; Hand-colored Albumen silver print

Piet Hein arrives with the silver fleet in Holland, 1629; Piet Hein brings in the silver fleet, in the early 1629. Piet Hein arrives with his fleet and the loot from the silver fleet at the Goerese hole in Holland, 1629. Part of the Steel engraved group to the paintings of the historic Gallery of the Company Arti et amicitiae.

Umbria Perugia Foligno Monastery of S. Anna7. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gypsum Model for the decoration of a vault of the Louvre Palace by Joseph-Félix Simouillard and Eustache Bernard. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agnese fuori le Mura38. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ecce Homo, oil painting by Max Slevogt

Adriaansz, Albert, Detail with console in the Nieuwezijds Chapel in Amsterdam, recto - handwritten, photograph, photo, photos, topography, Amsterdam, NZ Chapel, Wall style in the choir, (North side) at the side aisle, demolished Aug 1908, height 153 mm, width 116 mm, height 323 mm, width 235 mm, Dutch, 1877-09-25 - 1941-12-02, photographer, 1908 - 1908, photographic paper, photo paper, cardboard, gelatin silver print, developing gelatin silver print

Bliżej Kultury unknown

July, c. 1625 - c. 1700 print Human activities in the month of July. Landscape with figures working on the land, busy with the Hooioogst. At the top left the zodiac sign Leeuw. paper engraving July and its 'labours'. shearing (sheep). Leo (zodiacal sign of July)

Tuscany Siena Poggibonsi S. Lucchese13. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Girl with Corsage - Feast - Shepherd with cows - Magnic men, Dirk Jurriaan Sluyter, 1826 - 1886 print Four book illustrations on a record. At the top left a young girl with a rose corsage. Bottom left a large room in which a feast is served. At the bottom right a shepherd with dog and cows. At the top right, three men at a table during a card game. Bystanders watch. Amsterdam paper etching girl (child between toddler and youth). corsage. celebration meal, feast, banquet. herd, flock. card games

Bilavala Ragini Indian. Bilavala Ragini, ca. 1770-1790. Opaque watercolor and gold on paper, sheet: 12 7/8 x 7 7/8 in. (32.7 x 20.0 cm). In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarioshappy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winterthat were illustrated over and over again. This painting depicts an unusually optimistic ragini, Bilavala, with a woman grooming herself in preparation for a romantic tryst. A servant holds up a mirror while the heroine adjusts a hair ornament, and another servant entertains them with music. They are situated within a palace courtyard of the type found throughout northern India in the eighteenth century. The pair of cushions in the cupola on the roof might indicate that this will be the setting for the upcoming tryst. The

Promise. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 670 x 510 mm (image); 1047 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Painter in his studio, Leopold Löwenstam, After Adriaen van Ostade, 1852 - 1898 print A painter at work in his studio. He is sitting behind a donkey by the window. At a table under a staircase, two assistants or students prepare paint. paper engraving / etching painter at work, in his studio. painter preparing colours

Group of the Three Graces, Museum of the Louvre; Attributed to London Stereoscopic Company (active 1854 - 1890); about 1855; Photolithograph, colored;

"Giant's Coffin.". Charles Waldack (American, 1831 - 1882)

Callot. The hunt Jacques Callot (1592-1635). The hunt. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Copper engraving and etching by Giovanni Giacomo Caraglio from 1527 depicting the struggle between the Romans and Sabines, showing combatants, gestures, weapons, and formation.

Marches Macerata Camerino Museo Diocesano6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Boville Ernica S. Michele Arcangelo. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, carved wooden ceilings. Building constructed in the second half of the 18th century, based on a design by Joseph Subleyras. Owner: S. Michele Arcangelo German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Venetian merchant; Gorazdowski, Edward (1843-1901), Gierymski, Aleksander (1850-1901); 1880 (1880-00-00-1880-00-00);Venetian merchant, Shakespeare Wiliam, Illustration, Méyet, Leopold (1850-1912)-collection, Shakespeare, Wiliam (1564-1616)-illustration, Shakespeare, William (1564-1616). Merchant of Venice, gift (provenance), image reproduction, Jew, character

Emilia-Romagna Ravenna Bagnacavallo Museo Civico7. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Revolution in hell with skeletons and demons, Anonymous, 1868 - 1873 tissue stereograph Francepublisher: Paris photographic support. paper. cardboard albumen print / perforating (human) skeleton. devil(s) and demons. revolution, revolt France

Abduction (plate nine from Paraphrase on the Finding of a Glove). Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Overall: 18 5/16 x 26 in. (46.5 x 66 cm). Printer: Printed by F. Felsing. Series/Portfolio: First edition. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Campania Caserta Caserta Palazzo Reale24. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358483

Wrijfprent.Rubbing.

Fortune-teller. Teniers, David II (Flemish, 1610-1690) (designed after) painter c. 1680-1700 Tapestry Dimensions: H 7'9" x W 6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Oudenaarde Ownership History: French & Co. purchased from Trumbauer n.d. probably 1926; sold to Horace Hano 12/4/1926 SS 28899. French & Co. purchased from J. Paley, invoiced 10/20/1936; sold to W. C. Parsons 3/16/1943 SS 18760. French & Co. received from Mr. W. C. Parsons 11/30/1950; returned 10/22/1957 SS 50160. In landscape, gypsy telling fortune of elderly man; seated woman nursing child; formal gardens with fountains in background (BRD) twisting garlands of flowers & fruit Variant of the version used by Brussels weavers. French & Co. stock sheet in archive, 18760 also lists: 41653 French & Co. stock sheet in archive, 50160-x also lists: 41653 French & Co. stock sheet in archive, 28899

Bacot, Edmond. "Edmond Bacot report in Hauteville House: the dome and the staircase chandelier, 1862". Albumin paper draw. 1862-1862. Paris, house of Victor Hugo. 146149-1

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral6. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Table-top Diablerie: Bal Chez Satan..

Callot. Four landscapes Jacques Callot (1592-1635). Four landscapes. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

SALEGEINEENEERD MET MOGEEK FEET IN POMPEES; Pompei mosaic fountain; Vesi D'italia ..

Pleasure model for sculpture on the Palais du Louvre: "La sculpture et la peinture" by François Félix Roubaud, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Figure photography: Stanisław Szukalski (1893-1987), temple, 10.IX.1923; Photo Rep (Paris; Photo Studio; Fl. 1925); 1925 () (1923-00-00-1930-00-00);Stanisław (1893-1987), Szukalski, architecture, painting, Polish painting, drawing (artist), Polish drawing, temples

Umbria Terni Orvieto S. Giovenale3. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata Museo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Willem van Oranje in Enkhuizen, 1572; The arrival of Prince Willem van Oranje in Enkhuizen, October 1572. The arrival of Prince Willem van Oranje in Enkhuizen, October 1572. The prince is greeted on the quay on arrival by a human crowd. Part of the Steel enruges group to the paintings of the historic gallery of the Company Arti et Amicitiae.

Etching by Johannes Galle created between 1600 and 1676 depicting a large farm festival, showing human figures, livestock, and rural celebration in early 17th-century style.

Picture of the Amersfoortse Kei in Amersfoort; With a group of people.

Part of the G. de library room, Vatican ..

Henri de Toulouse Lautrec, Le Chariot de terre cuite, 1894 Le Chariot de terre cuite

Dido Building Carthage, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after Joseph Mallord William Turner (English, 1775-1851). Date: 1900. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plaster cast of a body in Pompeii, Italy, Giorgio Sommer (attributed to), 1863 - 1875 photograph Pompeii cardboard. paper albumen print man in a general biological sense Pompeii

Stage design: The Valkyrie, Festspielhaus Bayreuth: View stage picture 2nd elevator, rocky terrain

Armes et ustensiles du Kaire. Artist: Maxime Du Camp (French, 1822-1894). Dimensions: Image: 8 7/8 × 6 5/16 in. (22.5 × 16 cm)Mount: 12 5/16 × 18 11/16 in. (31.2 × 47.5 cm). Date: December 1849-January 1850. Museum: Metropolitan Museum of Art, New York, USA.

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