Dramatic Dutch Scenes

Etchings capturing vibrant winter landscapes, intimate indoor scenes, and detailed architectural elements, emphasizing light and shadow.

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Skeletes dancing with women on a ball, anonymous, 1868 - 1873 tissue stereograph photographic support. paper. cardboard albumen print / perforating (human) skeleton. more than one couple dancing

Fête du Trône/Boutique de foire (Street Fair Booth). Eugène Atget, photographer (French, 1857 - 1927) and Berenice Abbott, printer (American, 1898 - 1991) negative 1925, print before 1954 Of the many pictures that Eugène Atget made of the seasonal street fairs of Paris, this is his most famous. At first it seems to be of a mysterious assemblage composed of disparate elements floating in a void of blackness, but upon examination the components gradually resolve themselves into related pairs, and the secret is revealed. The objects form an advertisement for a sideshow attraction comprised of a giant and a midget. A shoe for each sits next to a chair for each; suspended overhead are photographs of the two together (zoom in on the picture above to see the details). Placards on either side state that the price of admission is one franc. At the apex of the pyramid a single bare light bulb adds a stark, utilitarian note that perhaps bespeaks a threadbare advertising budget. As a three-dimensi

Abruzzo L'Aquila Celano S. Maria Valleverde3. Hutzel, Max 1960-1990 Medieval: Sarcophagus (Early Christian); stoups (9-10th centuries) Post-medieval: Architecture; architectural sculpture; sculpture; frescoes; intarsia; miniatures German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Captivity, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, 1st state on moderately thick, slightly textured, beige, wove paper, Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm) and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm)

Girl in Field with Turkeys (La Dindonnière) Camille Jacob Pissarro (Saint Thomas, (former Danish West Indies), 1830-1903, Paris, France). Girl in Field with Turkeys (La Dindonnière), 1885. Opaque watercolor over graphite on silk mounted on paper, 18 1/2 x 31 in. (47 x 78.7 cm). Camille Pissarro produced many fan designs in the last decades of the nineteenth century, when Japanese and Japanese-inspired arts were very popular in Europe. Fan designs were fine art collectibles, available at lower prices than oil paintings. They were a reliable if tedious source of income, as described by Pissarro in an 1885 letter: I’ve got to slog away at some fans, since times are hard and for the moment, they’re the only things that can find takers.” For his fan designs, a form identified with luxury commodities, Pissarro often chose rural subjects such as the scene depicted here—images of lives in contrast with those of the fashionable urban women who used actual fans or hung decorative ones in their

The Indian tepee, Manufactures building, World's Fair, Chicago, U.S.A. still image. Stereographs, Photographs. 1893. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Illinois, Chicago (Ill.), Exhibitions , Illinois , Chicago, World's Columbian Exposition (1893 : Chicago, Ill.)

Ancient Marble Chimneypiece. Henry Taylor (British, 1800 - 1886)

rd, Beatrixgasse - Modenapalais - Interior view - Detail - ceiling painting, August Stauda -, photographer

Carnavalet museum, history of Paris.

Copy of painting in Ajanta Caves, India

Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion) 17th century Anonymous. Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion). La Petite Passion. Anonymous. 17th century. Etching. Prints

Hugo, Victor (n.1802-02-26-D.1885-05-22), old house (usual name), 1858. Plume, brush, use of feather beards, brown ink and wash, use of A stencil on beige paper laid. Cadre painted by Victor Hugo. House of Victor Hugo - Hauteville House.

Detail of the impost, "at the good well", 36 rue Michel-le Comte (Demoli), 4th arrondissement, Paris Detail of the transom, "at the good well", 36 rue Michel-le Comte (demolished), Paris (�tes arrested), 1908. Photography of Eugene Atget (1857-1927).

UNA FUGA A SEIS VOCES - 2007 - DIPTICO - FOTOGRAFIA SERIGRAFIADA SOBRE SEDA. Author: CRISTINA IGLESIAS 1956/. Location: GALERIA PEPE COBO. MADRID. SPAIN.

Marble sculptures on a balcony in the Santa Maria Maggiore in Trento, Italy, Otto Schmidt, c. 1888 - in or before 1893 photomechanical print This print is part of a cover with twenty prints, two text magazines and a title page. Santa Maria MaggiorennaPublisher: Vienna paper interior of church. piece of sculpture, reproduction of a piece of sculpture. balcony Santa Maria Maggiore

Relief of the Borobúdur ('Relief - I Galerie - Boeroboedor'). .

Ceiling mosaic in baptistery of Santa Maria in Cosmedin, Ravenna. Possibly Luigi Ricci (Italian, 1823 - 1896)

Château. Le Brun, Charles (French, 1619-1690) (designed after) painter c. 1680 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: France, Pyrénées-Atlantiques, Pau, Musée national du château de Pau. View of unidentified château in wooded landscape, with hunters on horseback; in foreground, balustrade with hawk & eagle (L & R BRD) floral garland centered by cartouche with interlaced "L"s Fénaille, Gobelins 2 (1903-1923), 128-65 Göbel, Wandteppiche II:1 (1928), 130-32 Related Works: Panels in set: GCPA 0139264-0139287, 0139307-0139311; compositionally similar set: GCPA 0243866-0243869 (Mobilier National set)

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Photo from Jan Veth archive, Anonymous, c. 1880 - 1925 photograph photographic support gelatin silver print Rome

Petants, Bürgel: View (from: sketch and photo album 24)

REPRESENTACION DE SEVILLA EN MOSAICO. Location: España Square. Sevilla. Seville. SPAIN.

Flowers (Young women in a winter garden), painting by Friedrich Ernst Wolfrom (1857-1923), woodcut by Klose & Wollmerstaedt from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892, Year VI, No 9, Spring Issue, Berlin.

Lazio Roma Rome Madonna dei Monti0. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, frescoes, stucco reliefs, sculpture, decorative arts, furniture Object Notes: Counter-Reformation church constructed at the end of the sixteenth century by della Porta (1580). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Albumin photograph by Otto Schmidt of the State Princely Castle in Merano in 1895, featuring architectural details and the coats of arms of Scotland and the Habsburg family.

Broom and shovel crossed on cobblestones. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Lazio Rieti Stimigliano S. Maria in Vescovio1. Hutzel, Max 1960-1990 Comprehensive coverage of Romanesque church exterior, including portal, flanks, apse, bell tower. Interior views of nave, altar, 14th c. frescoes, baptismal font, crypt and remains of 11th c. frescoes. Antiquities: Roman sarcophagus, statue German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproduction of a wall carpet over the Spanish Armada (26-27 July), 1739 print The English and Spanish fleet in the canal near the Isle of Wight, with the weapon of the English Queen Elizabeth I. The performance (numbered VIII) is contained in an ornament edge with 22 portraits of commanders of the English fleet. In the middle of the portrait of Charles Howard, the Lord High Admiral. There are weapon in the upper corners. Between the portraits of flower and fruit guiles, monkeys, birds, puti, cornucopia etc. The show is part of a book about the Spanish Armada and the carpets that were commissioned by Charles Howard. paper engraving / etching battle (+ naval force). tapestry. coat of arms (as symbol of the state, etc.). armorial bearing, heraldry. birds. monkeys, apes

Venus riding a sea horse, a putto or amorino and young Triton preceded by a dolphin (top); amorini riding two goats (middle); dwarves boxing (bottom), Herculaneum, Campania, Italy, engraving by Carlo Nolli from drawings by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 44, 1757-1787, Naples.

Campania Napoli Naples S. Lorenzo Maggiore20. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Rieti Stimigliano Palazzo Baronale1. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting. This structure, dating to the 16th century, was built by Enrico Orsini and was decorated with frescoes by the Zuccaris. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fourth company, fourth scene of La Biche Au Bois, Charles Dauvois, 1873 - 1874 tissue stereograph Paris photographic support. paper. cardboard albumen print / cutting / perforating opera Paris

Płowce. Bonus of the Society of Encouragement of Fine Arts in the Kingdom of Poland for 1914; unknown, Kossak, Juliusz (1824-1899); 1914 (1914-00-00-1914-00-00);

Callot. Soliman tragedy Jacques Callot (1592-1635). Tragedy of Soliman. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Calloz.

Release of Prometheus; Jettmar, Rudolf (1869-1939); around 1900 (1895-00-00-1905-00-00);

Before the church; Care, Ignacy (1865-1941); 1903 (1903-00-00-1903-00-00);Young Poland (Style), Partage Plus, Poronin (Lesser Poland Voivodeship), Society of Zachęta Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, peasants, ethnography, Polish graphics, churches (archite.), Poland (culture), village

Séeberger, Jules (n.1872 - D.1932), Le Marais. Rohan hotel, 87 rue Vieille-du-Temple, 3rd arrondissement, Paris. (Dummy title), 1905. Drawing with gelatino-silver bar. Carnavalet museum, history of Paris.

Don Quixote consults the enchanted head. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Valade, Jean (French, 1709-1787) (author of design, alentour) painter Cozette, Pierre-François (French, b.1714-d.1801) (workshop) weaver 1780 Tapestry Dimensions: H 365 x W 540 cm Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Given to Grand Duke Paul of Russia by Louis XVI (1782). Palais Anitchoff coll., St. Petersburg (ca.1900). Russia, St. Petersburg, Pavlovsk, Pavlovsk Palace. Don Quixote leans on his staff, listening to the bust of a Roman emperor on a table, as ladies & gentlemen look on; scene enclosed by picture-frame cartouche (ALENTOUR) patterned background with floral garlands & peacock; at bottom, console decorated with garlands, trophies, dog & sheep 8th weaving, 5th alentour. Fénaille, Gobelins 3 (1903-1923), 157-282 Göbel, Wandteppiche II:1 (1928), 117, 159-64 Pavlovsk: Palais et Parc (1976), 88, pl. 59-61 Re

Lazio Roma Rome Museo degli Strumenti Musicali1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ancient Bronzes Gallery, National Museum of Naples ..

Britamartis Releasing Amaret. Spenser's Faerie Queene. sculpture. William England (British, 1816 - 1896)

6 / Statue of peace. / (Peace Fair.) / (Tuileries Palace.). Satua of peace at the Fair of Peace at the Tuileries Palace, 1st arrondissement, Paris. Tuileries Palace. Statue of peace at the Fair of the Peace. Paris (IER ARR.). Anonymous photography. Transparent stereoscopic view colored on albuminum paper.

Room with late Haarlem school. Portrait of a woman between two landscapes and small paintings hanging among each other

Kedari Ragini, Page from a Dispersed Ragamala Series Indian. Kedari Ragini, Page from a Dispersed Ragamala Series, early 19th century. Opaque watercolor and gold on paper, sheet: 11 1/16 x 7 5/16 in. (28.1 x 18.6 cm). Asian Art early 19th century

Exhibition of Portuguese objects during the World Exhibition in Antwerp; Section du Portugal. .

A stereo-format photograph of the Austrian art exhibition at the World Exhibition in Vienna, 1873, preserved on albumin paper in its original box.

Rainy street, Félix Hilaire Buhot, French, 1847-1898, Etching in blue ink on white paper (faded brown), A street scene with heavy rain. Many people with umbrellas hurrying toward left. A lit streetlamp at left., France, ca. 1875, Print, Print

Pompeiian Design for Paneling second half 19th century Jules-Edmond-Charles Lachaise French. Pompeiian Design for Paneling 345668

The Creation of the World', closed doors of the triptych 'The Garden of Earthly Delights', c1500. Artist: Hieronymus Bosch

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, Longuelune, Zacharias (1669 1748), Mattielli, Lorenzo (1678/1788 1748)

Umbria Terni Porano Torre S. Severo9. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Umbria Perugia Trevi Collegio Etiopico Pontificio3. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Vilnius in winter. General view from the Popowszczyzna Mountains "; Zdanowscy, Edmund and Boles"; 1930s of the 20th century (1930-00-00-1939-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / print bromine; products with wtkiens / paper / photo paper / bromide paper, products from W LOKEN / PAPER / CARTON / CARDONE / CARDONE / CARTON BLACK; Photographic print: height 8.6 cm, width 13.6 cm, card in the album : height 16.6 cm, width 24.6 cm; di 67087/7 MNW; all rights reservations.

1613 - Garden of the Luxembourg. Fontaine Medicis, Paris, France. The Medici Fountain, Luxembourg Garden, 6th Arrondissement, Paris The Medici Fountain, Luxembourg Garden, Paris (Vieth Arr.). Photograph of B.L. Singley. Draw on paper with gelato silver bromide. 1895.

Estampes. Samuel Bernard Estampes. Drouet. Samuel Bernard. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Maes, Joseph, Antwerp, Dero, Frères, Reception of the Venetians by the Magistrates of Antwerp, Char de l'Histoire, Two views of the Landjuweel procession in honour of the fiftieth anniversary of the Academie d'Archéologie de Belgique in 1892 in Antwerp, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Pl. VIII., L'ARBRE CROISSANT DE LIERRE. - THE GROWING TREE OF LIER., De Verbroedering., LA FLEUR D'ALLEGRESSE DE BERG-OP-ZOOM. - THE FLOWER OF JOY OF BERGEN-OP-ZOOM., De Vrije Kunst., height 495 mm, width 352 mm, photographer, 1892 - 1892, paper, papier, collotype, Belgian, 1838 - 1908, cliché maker

Campania Caserta Carditello Plazzo Reale, Italy, 20th century, photo, photography, Europe

Derby Day. Nip and Tuck; Attributed to London Stereoscopic Company (active 1854 - 1890); about 1860; Hand colored Albumen silver print

Photographs from the Study Trip to Russia Used for the Painting,"The Abolition of Serfdom in Russia," (1914), from the "Epic of the Slavs Cycle, Moscow". Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1913, print about 1980 Horse hitched to a wagon or cart. (Verso, sheet) inscribed in pencil, at lower right corner: "74"

Roßwein. Christmas exhibition. Christmas mountains (Lehührung Grühert and Sattlermeister Schindler)

John Thomas Serres, 1759-1825, British, Folkstone Head, undated. Watercolor over graphite on medium, slighlty textured, cream wove paper.

A Discobolus from Hadrian's Villa, Tivoli. Roger Fenton (English, 1819 - 1869)

Campania Caserta Caserta Palazzo Reale36. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo collection Government information service. Noordbrabants Museum: Painting from approx. 1530 from the Lakenkarkt in Den Bosch. undated. Den Bosch, Noord-Brabant

Salle des petits bronze, musee de Naples (Italie). Unknown maker, French

The 'Triple-bodied Monster', a curious ancient scuplture, Acropolis Museum, Athens , Antiquities, Sculpture, Monsters. Nicholas Catsimpoolas Collection

Orphee entrance to hell ..

Umbria Perugia Bevagna Convento dell'Annunziata4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tile 18th century Dutch. Tile 196168

Homes de negre i blanc, Amador, 1980, tecnica mixta sobre papel, Mallorca, balearic islands, Spain.

Tuin Van Palazzo Borromeo OP Isola Bella, Ernest Eléonor Pierre Lamy, 1861 - 1878 stereograph Bella Isola (Lake Maggiore) cardboard. paper albumen print French or architectonic garden; formal garden. statues, sculptures in garden Bella Isola (Lake Maggiore). Borromeo Palace

Skeleton Leaves. Hayes & Wheeler.. I.L. Rogers (American, active Springfield, Massachusetts 1870s)

Campania Napoli Naples S. Lorenzo Maggiore91. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Stwosz, Wit (CA 1447 1533)

The Legislative belly View of the ministerial benches in the Improstituted House of 1834, plate 18 from LAssociation mensuelle 1834 France. Lithograph in black on grayish China paper, laid down on white wove paper (chine collÈ) . Honoré-Victorin Daumier

Maes, Joseph, Antwerp, Dero, Frères, Les Peuples Etrangers Offer Their Homage to the City of Antwerp, Les Rhetoriciens, Tambours et Etendard de la Ville, Three views of the Landjuweel procession in honour of the fiftieth anniversary of the Academie d'Archéologie de Belgique in 1892 in Antwerp, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Pl. 1., LA FLEUR DE SOUCI D'ANVERS. - THE GOLDEN FLOWER OF ANTWERP., Jan van Beers'kring et De Jonge Geuzenwacht., height 495 mm, width 352 mm, photographer, 1892 - 1892, paper, collotype, Belgian, 1838 - 1908, cliché maker

Cavalli di S. Marco; Italian; about 1865; Albumen silver print

An etching and aquatint by Max Klinger from 1883 titled 'A Murder' (Opus IX, sheet 7), depicting human figures in a violent scene with symbolic and narrative composition.

Christmas Eve Konrad Krzyżanowski with students from the School of Fine Arts in the studio at ul. Consent in Warsaw from the left: Ludomir Kryk, Adolf Kantor, Konrad Krzyżanowski, Antoni Dworzak, Jan Brzeziński, Eugeniusz Morawski, Mikołaj Čiurlionis, Tadeusz Pruszkowski, Henryk Hayden, Witold Jurgielewicz, Bernard Szymon Kratko; 1904 (1904-00-00-1904-00-00);Christmas, Brzeziński, Jan, Brzeziński, Jan - iconography, hamster, Jan Zbigniew - collection, Dworzak, Antoni, Dworzak, Antoni - iconography, Hayden, Henry (1883-1970), Hayden, Henryk (1883-1970) - iconography, Jurgielewicz, Witold, Jurgielewicz, Witold - iconography, Kantor, Adolf, Kantor, Adolf - iconography, Kratko, Bernard Szymon, Kratko, Bernard Szymon - iconography, Kryk, Ludomir (1885-), Kryk, Ludomir (1885-) - iconography, Morawski, Eugeniusz, Morawski, Eugeniusz - iconography, Pruszkowski, Tadeusz (1888-1942), Pruszkowski, Tadeusz (1888-1942) - iconography, School of Fine Arts in Warsaw, Christmas Eve, musical instrument

Roßwein. Christmas mountain in front of painted landscape. Wood, carved, painted and other materials

Babylon

SkiopT icon image with motifs Society on park bench by Fountain outside Hostal Alameda, Granada.The image has been stored in cardboard labeled: Höstesan 1910. Landscape 2. Granada 7. No 6 .. Text on image: "Outside Host. Alameda

Bas-relief de la Grande Galerie de la Pagode 1866 Emile Gsell French. Bas-relief de la Grande Galerie de la Pagode 288208

Lazio Roma Rome Museo degli Strumenti Musicali21. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Museo degli Strumenti Musicali2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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