Dramatic Human Scenes

Emotionally charged etchings portraying humans in various states of conflict and interaction, reflecting social themes and historic narratives.

Disparate furioso, by Francisco Goya (1746-1828), created between 1815 and 1824, issued in 1864, located in Madrid. The work consists of etching and aquatint, with the first edition noted and referenced by standard number

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

Group of Bathers. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: sheet: 10 13/16 x 14 7/8 in. (27.4 x 37.8 cm)plate: 5 1/16 x 7 13/16 in. (12.9 x 19.9 cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Briganti contando il denaro rubato, Bandits counting the loot, Four men around a rock on which lies a mountain of coins. In the foreground is an open chest. The print is part of an album., print, prent, albumblad, prints, prenten, height 202 mm, width 275 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etsen, intermediary draughtsman

William Strang, 1859-1921, British, The Undertakers, 1900. Etching and aquatint on laid paper.

Station-House Lodgers, 1874. Winslow Homer (American, 1836-1910). Wood engraving;

Władca i Śmierć, plansza odrzucona do cyklu: O śmierci część II, pl. 2, Op. XIII. Klinger, Max (1857-1920), graphic artist

Francisco de Goya (1746-1828), which heroism! (7), 1810-1820

Out Hunting for Teeth (A caza de dientes) Francisco de Goya y Lucientes (Spanish, 1746-1828). Out Hunting for Teeth (A caza de dientes), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet (Uneven): 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) tha

NOVA SCOTIA, ON THE TANTRAMAR MARSHES, CANADA, NINETEENTH CENTURY ENGRAVING

L'équipage., 1865 - 1866. Children., Etching and drypoint; state noted with standard reference number

Ostade, Adriaen van, Northern Netherlands, Visscher, Jan de, Four drinkers in an inn, verso - stamped, Four men are sitting in an inn smoking, drinking and to talk., print, prints, height 189 mm, width 238 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, 1610-12-19 - 1685-04-28

James Tissot, At the Sign of the Three Ravens, 1877, etching and drypoint on laid paper.

Thou who cannot. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Serbian Exodus, plate twenty-one from Actualités 1915 France. Lithograph in black over fawn tint on thick off-white wove paper . Théophile-Alexandre Pierre Steinlen

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Holes in Bruges; The Tow Rope, Bruges; Brangwyn, Frank (1867-1956); 1906 (1906-00-00-1906-00-00);Belgium, Brugia (Belgium), Partage Plus, Maritime, Sea, Ports

Friedrich Engels (right) 1820 - 5 August 1895 was a German social scientist, author, political theorist with Karl Marx (left) talk to dock workers

The first injury, the caricature, no 218, pl. 455 Daumier, Honoré (1808 1879), delaunois lithography, Aubert printing (Saly)

The Skating Season - 1862, 1862. Winslow Homer (American, 1836-1910). Wood engraving;

Madrid, Real Academia de Nobles Artes de San Fernando, Goya, Francisco de, Spain, Los Proverbios (The Proverbs), Los Disparates (The Follies), Disparate Alegre, Merry Folly, verso lower right - stamped, Three women and three men dancing. From a series of eighteen prints., print, prints, height 245 mm, width 350 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, printmaker, 1815 - 1820, first quarter 19th century, third quarter 19th century, paper, etching, etchings, aquatint, drypoint, dry needle, Work conception, after own design by, Publication (Event), Publication, publisher

Illustration from a nineteenth century edition of 'Robinson Crusoe' a novel by Daniel Defoe. The book was first published on 25 April 1719. It relates the story of Robinson Crusoe, stranded on a desert Island for 28 years and his subsequent fight for survival.

Drunkard in a wheelbarrow, Anthonie Willem Hendrik Nolthenius de Man, 1803 - 1842.

Sir John Gilbert, 1817-1897, British, Wayfarers, undated. Brown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper.

GRABADOS. AUTOR: FRANCISCO DE GOYA. SERIE: LOS DESASTRES DE LA GUERRA.

Love in Death, for "Good Words" March 1862 Dalziel Brothers British This tragic image of a woman dressed in black, carrying a child through the snow, was created to illustrate "Love and Death," a poem by Dora Greenwell. This tells how a mother loses her way in a snow storm in Vermont and succumbs to the cold, but her bundled child survives. Both poem and wood engraving appeared in the weekly periodical "Good Words for 1862" (see 65.629.3(1.13). As a proof, this impression was printed on finer paper without any text. Walker exhibited a related painting, "The Lost Path," at the Royal Academy in 1863.. Love in Death, for "Good Words" 656829

Artist: Jean-François Millet, French, 1814-1875, Les Bêcheurs (Two MenDigging), Etching, platemark: 23.7 × 33.7 cm (9 5/16 × 13 1/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

Jean-François Millet, The Diggers, 1855-56, Etching with drypoint on tan laid paper.

Figures in seventeenth-century clothing, Cornelis Springer, after Gerrit Battem, 1882 On the left three men and a woman in seventeenth-century clothing. On the right skating and slaying figures. Page 52 from a sketchbook with 91 sheets. Netherlands paper. watercolor (paint). pencil winter sports. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). adult man. adult woman

Faut-y qu'il en ait fume des pipes celui-la. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848), Illustration for the "Gjordemoder and the Troll", (1843)

A CHRISTMAS PRESENT, WAITING FOR THE COACH, DRAWN BY B. DUNCAN

A toi la fanfare, a moi leboniment.. Artist: Paul Gavarni, French, 1804-1866

AN AUTUMN TOUR IN SWITZERLAND

LeGin. Artist: Paul Gavarni, French, 1804-1866

MESTRES i OÑO , APELES. PINTOR ESPAÑOL. 1854 - 1936. ILUSTRACION PARA " EPISODIOS NACIONALES ", 1883 ,. OBRA DE BENITO PEREZ GALDOS. MUSEO DE ARTE MODERNO. BARCELONA.

"I Call Them My Children" - To Myself, Susan (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII) October 1869 After Winslow Homer American An illustration for "Susan Fielding," a story by Annie Edwards (died 1896) serialized in "The Galazy Magazine.". "I Call Them My Children" - To Myself, Susan (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). October 1869. Wood engraving. Prints

Study. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1833. Dimensions: 147 × 266 mm. Pen and iron gall ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

An eagle shot one day before the revolution, Anonymous, 1813 drawing paper. deck paint brush historical events and situations. bird hunting. shooting-the-bird (on a high pole)

Convicts. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

C'est ici, chez nous!. Dated: 1916. Dimensions: image: 38.2 x 39.8 cm (15 1/16 x 15 11/16 in.). Medium: black chalk. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

Lumbering in Winter - Drawn by Winslow Homer (Every Saturday, Vol. II, New Series). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: sheet: 14 5/8 x 10 9/16 in. (37.1 x 26.9 cm)image: 11 5/8 x 8 7/8 in. (29.5 x 22.5 cm)block: 12 1/16 x 9 1/16 in. (30.6 x 23 cm). Engraver: John Parker Davis (American, active 1867-82). Date: January 28, 1871. Museum: Metropolitan Museum of Art, New York, USA.

Illustration by George Cruikshank to the poem The Dead Drummer. From the book The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, published 1865.

Krakow dweller - insurgent, lying. Brandt, Józef (1841-1915), painter

Illustrations for C. L. Bretzner's 'The Marriage Broker'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etchings, laid down

Groupe de paysans (Group of Peasants). Dated: c. 1899. Dimensions: image: 12.9 x 10.5 cm (5 1/16 x 4 1/8 in.) support: 35.6 x 26.5 cm (14 x 10 7/16 in.). Medium: chine coll lithograph in black on Ingres de couleur paper. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Pieter van Bleeck, 1700-1764, Dutch, active in Britain (from 1723), Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III. Mezzotint.

Cleaning the streets after a snowfall. Engraving "The Spanish and American Illustration" (1876).

Winter Exhibition of Modern British Art - Pilot Boat Going Out - painted by E. Duncan, 1850. Art show at Pall Mall in London. 'The colour is very rich and beautiful, without the least gaudiness; and the quiet repose of mellow sunlight on the foreground contrasts admirably with the gathering and fearful gloom of the stormy distance'. From "Illustrated London News", 1850.

Abruzzo L'Aquila L'Aquila S. Giusta2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Brzozowski, Feliks (1836-1892), An attempt at luck; from: "Kłosy" 1882, II, 389. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Malinowski, Aleksander (1855-1917), woodcutter

Peter Fendi's circa 1834 study for 'Die Bürgschaft' combines pencil and watercolor to explore composition, figure placement, and preparatory details for the final artwork.

Julian Fałat, July. Julian Fałat (1853-1929), draughtsman, cartoonist, Pomianowski, Kazimierz (fl. 1876-1896), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

FERROCARRILES. ESPAÑA. DE CAZA. DIBUJO DE MANUEL ALCAZAR EN LA ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1895.

Lying on the ground, vintage engraving. Lying on the ground, vintage engraved illustration. Jules Verne 3 Russian and 3 English, 1872. Copyright: xZoonar.com/PatrickxGuenettex 10647478

Approaching Storm. Grant Wood (American, 1892-1942); published by Associated American Artists. Date: 1940. Dimensions: 301 x 227 mm (image); 357 x 277 mm (sheet). Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Skaters and Kolf-players on the Ice, by Hendrick Avercamp, 1615-34, Dutch watercolor painting. At right a man stands with a Kolf club, used to hit a sajet ball, in a game related to modern golf (BSLOC_2016_3_141)

Norbert Goeneutte (French, 1854-1894), Rialto, etching and drypoint on heavy laid paper

'The Hidden Treasure', 1864, (1928). Creator: Dalziel Brothers.

Aux Portes Du Désert', c1920, (1923). Artist: Maxime Dethomas.

Narcissus Nicaise perilous adventures in the Congo. The man sees it as a supernatural apparition, vintage engraved illustration. Journal des Voyage, Travel Journal, (1880-81).

Illustration from Cellini's Autobiography Max Slevogt (German, 1868-1932). Illustration from Cellini's Autobiography, 1915. Wash lithograph on laid paper, 4 x 6 5/16 in. (10.2 x 16 cm). European Art 1915

Affiche pour une fête de charité au bénéfice de la "Société de Secours aux Familles des Marins naufragés".. Chéret, Jules, 1836-1932. text. Prints, Posters. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Le grand eunuque noir allant rendre compte au Sultan..., from Actualités, published in Le Charivari, September 18, 1858. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 9 7/8 × 12 7/16 in. (25.1 × 31.6 cm)Image: 8 1/16 × 10 1/4 in. (20.4 × 26.1 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Actualitès. Date: September 18, 1858. Museum: Metropolitan Museum of Art, New York, USA.

After Winslow Homer, "Winter"A Skating Scene, 25 Jan. 1868, wood engraving on newsprint.

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Winter” - A Skating Scene, from Harper’s Weekly, January 25, 1868. Artist: Winslow Homer, American, 1836-1910

"THE BOY OF MANY FRIENDS", FROM THE PAINTING BY FRANK CALDERON, EXHIBITED AT THE ROYAL ACADEMY, UK, 1883

Scene from Adam Bede by George Eliot, c1885. Artist: William Small

Hail to peace, Christmas 1918 , Armistices, Peace. George Bellows (1882-1925). Prints and Drawings

When his Cabbages are Weeded, We'll See the Caterpillars Come Back (Quand ses choux seront bien sarclés, on verra les chenilles rappliquer) from the series Au Cap de la Chèvre. Dimensions: 35.9 cm x 54.9 cm, 18.9 cm x 29.1 cm, 21.5 cm x 29.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: LOUIS LEGRAND.

Francisco de Goya, Bullfight in a Divided Ring, 1825 Bullfight in a Divided Ring

TEXAS

Picture in Prague According to the Image of Alfred Wierusz Kowalski. Cleastle from Tygodnik Ilustrowany 1883 (1) 288 Rók Ski, M. (fl. Ca 1880 1890), Wierusz Kowalski, Alfred (1849 1915)

Reproduction of a painting: Józef Ejsmond (1862-1937), Life in Warsaw; from: `Tygodnik Ilustrowany` 1889, no. 317 (January 26th), p. 64. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Arthur Burdett Frost I, Christmas in CampTying up the Pudding, Published 12 Dec. 1885, woodblock print on paper.

The Beetle and Wedge. Winslow Homer (1836-1910). Pencil on paper. Drawn in the 1870s. 22 x 18.4cm

Business Card of the Packers A. Guinchard & F. Fourniret. Dimensions: 11.3 cm x 17.2 cm, 7.8 cm x 11.7 cm, 7.4 cm x 11.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRY SOMM.

The Dinner Horn, 1870. Winslow Homer (American, 1836-1910). Wood engraving;

"Winter"--A Skating Scene. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1868. Dimensions: 228 x 346 mm (image); 284 x 402 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Between Rounds No.1. Artist: George Wesley Bellows, American, 1882-1925

A Winter-Morning,--Shovelling Out Winslow Homer (American, 1836-1910). , 1871. Wood engraving, Image: 9 1/4 x 12 1/8 in. (23.5 x 30.8 cm). American Art 1871

THE ENEMY SOIL - RUSSIAN PRISONERS - DIE OF HUNGER Made 1917 France. Lithograph on tan wove paper laid down on linen . Théophile-Alexandre Pierre Steinlen

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