Lyrical Bathing Scene

A delicate lithograph depicting a seated nude figure, exuding a serene and graceful aura, surrounded by lush greenery, blending art and nature beautifully.

Le musicien , Musicians. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Sara la baigneuse (2e planche) , Swings, Nudes, Berlioz, Hector, 1803-1869. Sara la baigneuse. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Vérité , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Mending 1905 Anders Zorn Swedish. Mending. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1905. Etching; only state. Prints

Le musicien , Musicians. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Titelprent Voor: Hector Berlioz, his life and his works, Henri Fantin-Latour, 1888 print A young woman, the personification of the truth, engraves the name Berlioz on a stone. Paris paper Truth; 'Verità' (Ripa) (+ allegorical scene, i.e. two or more personifications involved in an action). angels. cupids together with attributes of the arts, sciences, etc.

Finale to the Twilight of the Gods Made 1892 France. In this composition depicting the finale of The Ring cycle, the three Rhinemaidens rejoice in the over-flowing river at having their treasured Rhinegold returned to them. One Rhinemaiden raises the gold in exaltation while her sister ascends from the swirling river to embrace the treasure. Valhalla, the home of the gods, burns in the distance, signaling the end of the gods and the commencement of a new era.. Lithograph in black with scraping on stone on greyish-ivory laid china paper with brushmarks . Henri Fantin-Latour

Mending Made 1905 Sweden. Etching on ivory laid paper . Anders Zorn

Woman with the Arrow. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1661. Dimensions: 205 x 124 mm (image/plate); 209 x 128 mm (sheet). Etching, drypoint and burin on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Woman Bathing her Feet at a Brook. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1658. Dimensions: 159 x 79 mm (image/plate); 168 x 87 mm (sheet). Etching on buff paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Lydé , Goddesses, Leda Greek deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Illustrations for the Poems of André Chénier: Lydé, c. 1905. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Susanne, Charles Albert Waltner, French, 1846 - 1925, Jean Jacques Henner, French, 1829 - 1905, Etching in dark brown ink on white satin, The nude Suzanna is in the act of stepping from a stone ledge into a pool of water in the foreground. Behind her, at the left, the two elders peer at her through foliage., Germany, ca. 1880, Print, Print

François-Nicolas Chifflart was an important member of the etching revival in 19th-century France. This print, from his 1865 series Improvisations on Copper, reveals the freedom and experimentation that Chifflart found in this medium. He drew directly on prepared copper plates, sketching as he would on a sheet of paper, to create both anecdotal studies and imaginative finished compositions. Executed on an intimate scale, the prints encouraged close looking and private contemplation. Improvisations sur cuivre: Meditation, 1865. Nicolas-François Chifflart (French, 1825-1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 31.4 x 23.1 cm (12 3/8 x 9 1/8 in.); plate: 31.7 x 23.5 cm (12 1/2 x 9 1/4 in.); sheet: 57.2 x 37 cm (22 1/2 x 14 9/16 in.).

Standing Model. Anders Zorn; Swedish, 1860-1920. Date: 1901. Dimensions: 224 x 150 mm (image/plate); 327 x 251 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Straight ahead. Mehoffer, Józef (1869-1946), graphic artist

Gerhard Ludvig Lahde (1765-1833); Nicolai Abildgaard (1743-1809), Vignette Genius with a sieve, 1765 - 1833

À Eugene Delacroix, 1890. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Judith with the head and body of Holofernes, Johannes Josephus Aarts, 1881 - 1934 print Judith with bare torso and the head of Holofernes in her left hand. In the foreground the beheaded body of Holofernes. Judith makes a beckoning gesture to a person who is not on the show, probably her maid. Japanese paper (handmade paper) Judith and Holofernes (Judith 8-16). head of a beheaded person. woman (showing herself) undressed, quasi-nude

Anna Doing Her Hair. Anders Zorn; Swedish, 1860-1920. Date: 1906. Dimensions: 179 x 119 mm (image/plate); 326 x 253 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Chasseresse , Hunters. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

A Eugène Delacroix , Artists, Supernatural beings, Tombs & sepulchral monuments, Delacroix, Eugène, 1798-1863. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Le jeune malade ,. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Diana an Actaeon, Anonymous, 1580 - 1630 print France paper etching Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Artist signs to a nude model; L'Atelier de Rembrandt. At an increase, a feminine nude model is seen on the back with a palm branch in her hand and a cloth over her arm draped. Left is a mantelpiece to see and right rembrandt with drawing utensils in his hand.

Blow. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint, drypoint and burin

Étude pour Ève , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jupiter and Antiope: the larger plate. Bisson Frères (French, active 1840 - 1864)

Narcissus, 1692 - 1752 print Narcissus in a landscape. paper etching (story of) Narcissus

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Femme au cep de vigne, troisiéme variante. Pierre-Auguste Renoir (France, Limoges, 1841-1919)Ambroise Vollard (France, 1867-1939). France, circa 1904. Prints; lithographs. Lithograph

Venus Supported by aNereid. Artist: Pierre-Charles Tremolieres, French, 1703-1739

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

A woman's act "with feet immersed in water"; Rijn, Rembrandt Van (1606-1669); 1658 (1658-00-00-1658-00-00);Grohman, Henryk (1862-1939), Acts

Mariano Fortuny y Carbó, La Victoire (Victory), 1865 La Victoire (Victory)

Sandhamn 1906 Anders Zorn Swedish. Sandhamn. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1906. Etching; only state. Prints

Siegfried. Acte III. Évocation d'Erda , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

1893 Art Work - The Temptation of St. Anthony; from the third album of L'Estampe originale Henri Fantin-Latour.

Luit player sitting in front of a table with a music book, Andreas Scheits (Possible), 1665 - 1735 print paper etching lute, and special forms of lute, e.g.: theorbo

Standing, naked woman who dries, Willem Witsen, 1870 - 1923 print paper care of the body, hygiene. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. towel

Illustrations for the Poems of André Chénier: The Beggar, 1903. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Etching by Rembrandt van Rijn showing 'The Woman with the Arrow', created in 1661, executed with light and uneven tone, depicting female figure.

Naakte figures, Leopold Löwenstam, After Parmigianino, 1860 print Standing naked figures, including one on the back. paper etching the (nude) human figure; 'Corpo humano' (Ripa) (+ nude human being)

Standing, naked woman who dries, Willem Witsen, c. 1919 print Amsterdam paper care of the body, hygiene. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. towel

The Rearing of Satyrs' Children 1771 Martin Johann Schmidt Austrian. The Rearing of Satyrs' Children 394500

Venus Clipping Cupid's Wings, first plate 1869-1870 France. Etching on off-white Japanese paper . Jean Baptiste Camille Corot

Drawing, The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture"; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on off-white laid paper; 1977-110-2-13

Copper engraving by Nicolaes de Bruyn depicting a proclamation scene, created in 1622.

Frontispice. Vérité , Composers, Fictitious characters, Supernatural beings, Berlioz, Hector, 1803-1869, Wagner, Richard, 1813-1883, Brahms, Johannes, 1833-1897, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Francisco de Goya y Lucientes / 'Dream 4. Witches dream. Agent in a stagecoach'. 1796 - 1797. Pencil, Iron gall ink on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Artist: Henri Fantin-Latour, French, 1836-1904, The Young Tarentine (La JeuneTarentine), Lithograph, sheet: 20.4 × 17.3 cm (8 1/16 × 6 13/16in.), French, 19thcentury, Works on Paper -Prints

Feuille détudes, composée de trois feuilles, tirées chacune à 5 ou 6 épreuves dessai, puis réunies , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Poèmes d'amour (2e planche) , Love, Courtship. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Naked man, sitting on a staircase on water, Carl Bloch, 1881 print Naked man, sitting on a wooden staircase, washing, with his feet in the water. paper etching / drypoint sitting figure. washing and bathing

Dancer Dressing 1889-1890 France. Lithograph on paper . Georges-William Thornley

Woman Bathing Her Feet at a Brook 1658 Rembrandt (Rembrandt van Rijn) Dutch. Woman Bathing Her Feet at a Brook 392069

Putto Met Pijlenkoker, Giovanni Girolamo Frezza, After Petrus Ferlonus, After Domenichino, 1713 print print maker: Romeafter drawing by: Italyafter painting by: Italy paper engraving (story of) Cupid, Amor (Eros). cupids: 'amores', 'amoretti', 'putti'

Saint Sebastian. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1920. Dimensions: 228 × 177 mm (image/plate); 291 × 224 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Venus and Cupid (in Sketch Book With Drawings on Twenty-six Leaves) ca. 1849 Frederic, Lord Leighton British. Venus and Cupid (in Sketch Book With Drawings on Twenty-six Leaves) 418106

A Belioz (grande planche) , Composers, Supernatural beings, Trumpets, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Psyche rises to the Olympus, Anonymous, After Pierre Prud'Hon, After 1808 print paper Psyche is carried up to Olympus by Mercury. cupids: 'amores', 'amoretti', 'putti'

Fosco. Whistler, James McNeill (1834-1903). 1872. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lithograph by Ernst Barlach, 1916, on Japanese paper, depicting a thematic representation of the year 1916 after Christ's birth, focusing on figures and composition.

Wiertz, Antoine Joseph, Fierlants, Edmond, Photographic reproduction of The Burnt by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 114 mm, width 156 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Edö Made 1907 Sweden. Etching on blue laid paper . Anders Zorn

Drawing, Male figure supporting slab; wall detail; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Figure photography:Amor (mitol.), Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, Marcantonio (Ca 1470/1482-Ca 1527/1534)- Reproduction, Smolikowski, Seweryn (1850-1920) - collection, three gracies (mitol.), Dar (provenance), photography of a work of art (artist), collections, mythology

Death of Lucretia, monogrammist H (engraver), after Paulus Moreelse, 1612 print Lucretia commits suicide by getting through with a dagger, because she can no longer handle the shame after the rape by sextus. Her naked body lies on the ground next to her bed. Her husband Collatinus runs at her. Netherlands paper death of Lucretia: she commits suicide by stabbing herself

The Bite 1914 Norway. Etching on cream wove paper . Edvard Munch

Val van Phaëthon, Roelof van der Meulen, After Hendrick Goltzius, after Cornelis Cornelisz. van Haarlem, 1824 print Phaëthon falls out of the car and four horses from his father, the sun god Helios, from heaven. Amsterdam paper engraving / etching fall of Phaethon; he is struck by a thunderbolt of Jupiter

Allegorical Composition. Date/Period: Beginning of 20th century. Engraving. Etching on paper. Height: 170 mm (6.69 in); Width: 97 mm (3.81 in). Author: Alexandre de Riquer.

MAN, Charles Audran, 1634 print France paper etching the four seasons of the year ~ human activities

La Gloire , Poets, Fictitious characters. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Marches Macerata San Severino Marche S. Agostino, Cathedral0. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

Attributed to Félix Bracquemond, Nymphs and Satyr, c. 1873, etching on off-white wove paper.

Messidor (lobster, June 19 - July 18); The twelve months of the French Republican calendar. Messidor (lobster, June 19 - July 18). Sleeping woman with acquired breasts, resting after harvesting, under corners.

An etching by Edouard Manet titled 'At the Toilet', created in 1862, depicting a figure at a private moment, executed in a graphic medium.

Wounded Soldier connects his foot, Adolphe Mouilleron, After Adrien Guignet, 1851 - 1862 print Paris paper. the soldier; the soldier's life

Dalarö. Anders Zorn; Swedish, 1860-1920. Date: 1915. Dimensions: 153 x 115 mm (image); 158 x 119 mm (plate); 324 x 255 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Kain in Abel. .

Lying feminine nude; Example compositions to Gerard de Lairesse.

Woman dries off after her bath and gets apparent from woman; La sortie du bain.

Leda and the swan ca. 1531-76 Giulio Bonasone Italian. Leda and the swan 392662

Cabin 1917 Anders Zorn Swedish. Cabin. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1917. Etching; third state of three. Prints

Woman by the whipping post. Wawrzeniecki, Marian (1863-1943), graphic artist

Smart, Enea Vico, After Francesco Salviati, 1533 - 1567 print Smart (Dolor) as a sitting naked man, pulling his hair. In the background a ship that is plagued by a storm. Latin text in the lower margin. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving Pain, Sirrow, Sadness; 'Pain', 'Pain of Zeusi' (Ripa)

Saint John theBaptist. Artist: Benjamin West, American, active Great Britain, 1738-1820

Etching by Charles Howard Hodges from 1789 depicting a drunken Silenus, showing satyr characteristics, gestures, and classical elements.

Het Ribel, Johan Braakensiek, 1909 print Abraham Kuyper, Mathilde Westmeijer and Rudolf Lehmann, the protagonists in the ribbon affair, depicted as a laocoöngroep. They are strangled by a ribbon instead of two snakes. Amsterdam paper political caricatures and satires. Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice. decorations, honours (as symbols of the state, etc.) Netherlands

A Johannes Brahms (grande planche) , Composers, Fictitious characters, Monuments & memorials, Brahms, Johannes, 1833-1897. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Ondine , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

A Dark Corner Made 1903 Sweden. Etching on ivory laid paper . Anders Zorn

Albert Besnard, Carmen Standing in the Nude (Carmen nue debout), 1886 Carmen Standing in the Nude (Carmen nue debout)

Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman) 1895 or later After Sir Edward Burne-Jones British Burne-Jones designed this composition to serve as a woodcut frontispiece for A Dream of John Ball (1888)—a socialist novel set during the English Peasants’ Revolt of 1381, written by his friend William Morris. In that context, the image of earth’s first family appears with a medieval couplet: "When Adam delved and Eve span, who was then the gentleman" The image was reconstituted as Labour for the Daily Chronicle in 1895, about the time this untitled photo-relief was created. Without text, the elegiac image sheds any obvious political meaning. Burne-Jones did not share Morris’s socialism, and the difference often tested their friendship.. Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman) 368270

Fishing; History of Tobias. Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and keep the guts. Tobias will use the bile of the fish later to heal his fathers blindness. In the undermaster a four-line Latin text.

Etude for Eve. Henri Fantin-Latour; French, 1836-1904. Date: 1898. Dimensions: 179 × 123 mm (image); 363 × 291 mm (sheet). Lithograph in black on light gray chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame. Artist: Engraved by Aloysio Cunego (Italian, Verona 1757-1823 Rome). Dimensions: Sheet: 16 5/16 × 12 3/8 in. (41.5 × 31.4 cm)Plate: 12 15/16 × 10 1/4 in. (32.9 × 26 cm). Publisher: Agapito Franzetti (Italian, active Rome, last quarter 18th century-first quarter 19th century). Series/Portfolio: Wall paintings from Herculaneum. Date: ca. 1795-ca. 1820.From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti. Museum: Metropolitan Museum of Art, New York, USA.

The Two Made 1916 Sweden. Etching on ivory laid paper . Anders Zorn

Charles Haslewood Shannon, The Ebb-Tide, lithograph on laid paper.

Étude de femme debout, vue de face , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

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