Lyrical Bathing Scene

A delicate lithograph depicting a seated nude figure, exuding a serene and graceful aura, surrounded by lush greenery, blending art and nature beautifully.

Le musicien , Musicians. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Personification of the Sense Face, Etienne Fessard, After Edme Bouchardon, c. 1740 - c. 1760 print Oval representation of the personification of the sense face. Standing naked figure in draped canvas standing on the globe turns to the rising sun on the left. With a blinded falcon sitting on the right hand. paper etching / engraving sight, looking (one of the five senses). predatory birds: falcon. fowling, fowler

Etching by Camille Pissarro depicting two bathers in a natural setting, showing human figures, poses, water, and surrounding landscape, created in 1895.

Remember (IT)

The Death of Lady Macbeth - Compositional Study, 1875. Dante Gabriel Rossetti

Pencil drawing by an unknown monogrammist depicting the Pieta, created between 1750 and 1800, showing the Virgin Mary holding the dead Christ, emphasizing emotional expression.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Ferrari, Gaudenzio (Post 1471 1546)

A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame 1795-1820 Aloysio Cunego Italian From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti.. A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame 669054

Quast Ferdinand von (1807-1877), fungi girl from Meliboge, to Hellot-Tunis (Without dat.): Preliminary view of a young woman with a pair of hair and jewelry (after or through after Robert Hartmann, memories of Nubien, W. Bleing pencil on transparent, 27.4 x 18.8 cm (incl. Scan edges) Quast Ferdinand von (1807-1877): Fungimädchen von Meliboge, Hellot-Tunis ()

LEDA in Zwaan, Émile Lassalle, After Paul-Jacques-Aimé Baudry, 1859 print printer: Parispublisher: Parispublisher: New York (city) paper. Jupiter, in the shape of a swan, and Leda. forest, wood

Fortitudo (Power), monogrammist FP (Italy; 16th century), c. 1500 - c. 1599 print The female personification of strength (Fortitudo) sitting with a column. Italy paper etching Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Bust van Venus de 'Medici, seen on the back, Augustine Terwest (I), 1672 - 1711 print Copy of the classic sculpture of Venus de 'Medici, seen on the back, the head to the right. Rome paper etching piece of sculpture, reproduction of a piece of sculpture

St. Simon. 1545 - 1546. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Spring (Le Printemps). Artist: Auguste Rodin (French, Paris 1840-1917 Meudon). Dimensions: sheet: 12 3/16 x 6 5/16 in. (31 x 16 cm)image: 5 13/16 x 3 15/16 in. (14.8 x 10 cm). Date: 1882-88.Rodin learned the drypoint technique--a printmaking method that involves drawing with a needle directly on a metal plate--from the artist Alphonse Legros during a visit to London in 1881. The motif of a female figure whose head is encircled by putti appeared first on a vase Rodin designed for the Sèvres porcelain factory, where he worked from 1879 to 1885, though the composition here is most similar to a related porcelain plaque in the collection of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University. Museum: Metropolitan Museum of Art, New York, USA.

Putto Met Speer En Hootn, Giovanni Girolamo Frezza, After Petrus Ferlonus, After Domenichino, 1713 print print maker: Romeafter drawing by: Italyafter painting by: Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. (story of) Cupid, Amor (Eros)

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War 1812-1815 Spain. This harrowing image mocks any notion of the possibility of heroic or admirable consequences of war. Yet much later, Vargi Aivazian of the TASS Window studio turned horror into humor by using this very image as inspiration for his sardonic TASS 634, Holiday Tree Ornaments.. Etching, lavis and drypoint on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Love (Caritas). .

Furious foolishness, Francisco de Goya, 1864 print An outrageous man with a spear moves towards a number of people and thereby travels another man. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching adult man (+ threatening; fury)

Teaches "in the handsome gardery" 16 dock of slimming, 1st arrondissement Jean-Jules Dufour (1889-1945), French painter. Teaches in the handsome gardery 16 quay of slimming. Fountain ink from China on cream paper. Paris (Ier Arr.), 1908.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Dürer, Albrecht (1471 1528)

Charles Haslewood Shannon, The Ebb-Tide, lithograph on laid paper.

Shepherd. Aquila, Pietro (1630-1692), graphic artist, Scaramuccia, Luigi Pellegrino (1616-1680), draughtsman, cartoonist, Carracci, Annibale (1560-1609), painter

Douce Folie. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Spring; Pöppelmann, Peter (1866-1947), Obernetter, Johann Baptist (1840-1887), Arnold, Ernst (Dresden, Leipzig; Publisher, Gallery; 1843-1951); 1895 (edition); 1887 (matrix) (1895-00-00-1895-00-00);

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Photo production of an engraving of four naked women by Albrecht Dürer, Anonymous, After Albrecht Dürer, c. 1910 - c. 1940 photograph paper. cardboard gelatin silver print print, e.g.: engraving, etching, lithograph. woman (showing herself) undressed, quasi-nude

Hubert von Herkomer, Nude by a Stream, 1896, Herkomergravure on paper.

Lovis Corinth, Harem (Der Harem), 1914 Harem (Der Harem)

Ex libris van Karl Marten Andres, Sigmund Lipinsky, 1883 - 1940 paper etching man (showing himself) undressed, quasi-nude. flowers. oil-lamp

Allegorical show (three women). .

Emil Filla: Jitro.. Filla, Emil. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Sitting male naked, seen on the back, Pieter Pietersz. Barbiers, 1759 - 1842 drawing paper. chalk

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, The Finding of Moses, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 15.8 × 19.5 cm (6 1/4 × 7 11/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Allegory of happiness, Christian Bernhard Rode, 1788 print paper etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

De Love and Death, Francisco de Goya, 1797 - 1799 print A man, after a duel, dies in the arms of the woman. His sword is on the ground. Tenth print from the Los Caprichos series. Spain paper etching dying. couple of lovers

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Nymph and Cupid, 1800. Engraving.

Eve, 1896, France, by Henri Fantin-Latour. Gift of Sir John Ilott, 1969.

Daphnis and Chloë embrace each other under an oak, Aristide Maillol, 1937 print paper (lovers) embracing each other, 'symplegma'. trees: oak. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

A dark corner , Artists' models, Nudes, Bedrooms

Lohengrin. Duo d'amour , Love, Knights, Swan-knight Legendary character, Wagner, Richard, 1813-1883. Lohengrin. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Drawing of 'Alpenrose' by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Anoniem, and Cupid, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 50. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 50. paper. photographic support. cardboard albumen print

Proposal (first plate) Original 1898 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Woman on a chair in the garden, Léon Lowenberg, c. 1875 - In or Before 1912 print paper etching / drypoint garden. adolescent, young woman, maiden

Alder Made 1917 Sweden. Etching on ivory laid paper . Anders Zorn

Putto with a hobby horse, Albrecht Altdorfer, c. 1506 - 1538 print Putto with a whip in his right hand, driving on a stick. Germany paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Hobby-Horse

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections

Two Male Hermen, Agostino Veneziano, 1536 print Two Hermen (square pillar with human bust or upper body) of bearded men. The left at the top has a top body of a man turned to the right, and at the bottom the trunk of a palm tree. The right at the top has wrapped a man with his forehead and upper body in cloths, and a tree trunk on the bottom. Numbered below: 12. Italy paper engraving constructive (architectural) parts ~ human beings. trees (+ stem, trunk). trees: palm-tree (+ stem, trunk)

Dal River. Anders Zorn; Swedish, 1860-1920. Date: 1919. Dimensions: 173 x 111 mm (image); 177 x 118 mm (plate); 351 x 252 mm (sheet). Etching on buff laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Balance. Anders Zorn; Swedish, 1860-1920. Date: 1919. Dimensions: 165 x 116 mm (image/plate); 373 x 287 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

The Spring in the Woods. Henri Fantin-Latour; French, 1836-1904. Date: 1898. Dimensions: 300 × 417 mm (image/chine); 490 × 630 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Réveil , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Phoenix or the Statue Overthrown, Rembrandt van Rijn, 1658 print Japanese paper etching / drypoint symbols of Christ ~ animals

Balance , Nudes, Walking, Bodies of water

Woman and child in a tree in flowers after Picard Jean-Emile Buland (1857-1938). Woman and child in a tree in flowers after Picard. Black pencil strawberry. Museum of Fine Arts of the city of Paris, small palace.

Suffer!, plate fourteen from A Life 1884 Germany. Etching, aquatint and drypoint in black ink on grayish ivory wove paper, laid down on cream laid plate paper (chine collÈ) . Max Klinger

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie Jean Claude Richard, Abbé de Saint-Non French After Jean Honoré Fragonard French 18th century

Reclining Female Nude, Rembrandt van Rijn, 1658 print Japanese paper (handmade paper) etching / drypoint

Bliżej Kultury Hanfstaengl, Fr.

Image reproduction: Adam Badowski (1857-1903), in the Roman aquarum; Z: "Tygodnik Ilustrowany" 1890, No. 2 (January 11), p. 17 (title page); Unknown, Zajkowski, Andrzej (1851-1914), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1890 (1890-00-00-1890-00-00);

Waternimmf Salmacis binds her hair, Charles Chaplin, 1861 print Paris paper. single named nymphs (with NAME)

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

Appledore. Artist: Childe Hassam, American, 1859-1935

The First Whisper of Love 1876 After Sir Lawrence Alma-Tadema British, born The Netherlands A young Roman man whispers into the ear of a young woman and clasps her hand. He sits on the edge of an elaborately carved table on which rests a flowering plant. Behind the couple is a cushioned bench and decorative inlaid panel. Based on an oil painting dated September 29, 1870 that the artist began in Brussels and completed after he settled in England (Opus LXXXII), commissioned by Ernest Gambart and first exhibited at the International Exhibition, London in 1872 (no.486).. The First Whisper of Love 384500

Adam and Eva with saints sat on a cloud, Carlo Cesio, After Giovanni Lanfranco, 1636 - 1686 print Adam and Eva with saints sat on a cloud. They are surrounded by angels, one of which plays on a tambourine and another on a triangel. print maker: Italyafter drawing by: Italyafter painting by: Rome paper engraving / etching Adam and Eve (not in biblical context). saints. female saints. angels

Sleeping woman, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of a lying, sleeping woman. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

A Nymph, To Whom All Hoofed Satyrs Knelt Head-peice, Part 1. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 347 x 453 mm. Black, gray and white gouache, over traces of graphite, on cream wove card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Will Hicock Low.

Exposure du Palais Bourbon Au Profit of the Alsaciens-Lorrain - Van Dyck. The photography is suitable for Adolphe Braun's mid-19th century as a tool to make fabric pattern templates that produced his Elsässer company first drawing. He photographed first plants and still life, but from 1857 is also successful with the sale of stereo pictures of popular travel destinations in Switzerland and Germany. The reproduction of works of art, which he devotes from 1866, but he considered his masterpiece. It is a concern to make appreciation of museums and private collections of a larger public accessible and also usable for educational purposes. Already in front of him, photographers such as Louis Blanquart-Evrard and Roger Fenton tried to play paintings and sculptures, but Braun, which specializes in the carbon printing process, manufactures unusually large-format, qualitatively outstanding and particularly durable images for this time. Under the leadership of his son Henri, excursions are being

Henri Fantin-Latour (French, 1836 - 1904). Immortality (Immortalité), ca. 1898. Collotype after a lithograph on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

La lithographie , Printmaking. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Wedding, from Les Réincarnations du Père Ubu. Georges Rouault (French, 1871-1958); edited by Ambroise Vollard (French, 1835-1939). Date: 1932. Dimensions: 310 × 223 mm (image/plate); 432 × 325 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A Nymph, To Whom All Hoofed Satyrs Knelt Head-peice, Part 1 1885 United States. Black, gray and white gouache, over traces of graphite, on cream wove card . Will Hicock Low

Mermaid of Edam, 1403; From a wild sea-Lady, the welcke ghevanghen didn't get purmer. The mermaid or green bitch of Edam, 1403. Mermaid in the water with a arm board in the hands. In the distance the city of Edam. With caption of two columns.

Attitudes Passionnelles Extase (1878). Paul-Marie-Léon Regnard (French, 1850 - 1927)

Exlibris project: Woldemar Leiteritz 1909; Leiteritz, Woldemar (1878-1915); 1909 (1909-00-00-1909-00-00);JugendStil, Leiteritz, Woldemar (1878-1915), Leiteritz, Woldemar (1878-1915)-exlibris, partage plus, Witke-Jeżewski, Dominik (1862-1944)-collection, acts, female acts, clouds (meteorol.), Graphics German, women, flowers, modernism (style), heaven, German (culture), birds, roses (bot.)

Walter Metzenberg Exlibris; Kolb, Alois (1875-1942); around 1910 (1905-00-00-1915-00-00);

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